<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272737">
    <dcterms:title><![CDATA[Irony through Scriptural Allusion: A Note on Chaucer&#039;s Prioresse]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that two allusions to Matthew&#039;s gospel in the GP description of the Prioress contribute to the &quot;ironic stance&quot; of the description, despite the narrator&#039;s &quot;calculated evasiveness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272736">
    <dcterms:title><![CDATA[Chaucer Research, 1969. Report No. 30]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies books and articles pertaining to Chaucer--ones in progress, completed, and/or published in 1969.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272735">
    <dcterms:title><![CDATA[Chaucerian &#039;Game&#039;-&#039;Earnest&#039; and the &#039;Argument of Herbergage&#039; in &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores in CT the dynamic between with expansive spaces and narrow ones, especially as they correlate with views of the world that are variously serious or playful. Considers the intertextuality of KnT and the fabliaux of Part 1 of CT as a paradigm of this dynamic and comments on how it is evident elsewhere in the poem, particularly in the pilgrimage itself.  Paradoxically, Chaucer seems to indicate that the opposed principles &quot;are inseparable in the human condition.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272734">
    <dcterms:title><![CDATA[Chaucer&#039;s Pardoner and the Progress of Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys and summarizes critical assessments of Chaucer&#039;s Pardoner and PardPT from ca. 1940-1970, observing trends and emphases. Then offers a reading of the Pardoner as an extravagant &quot;put-on&quot; who deliberately creates an outrageous personality for his audience, but misjudges the Host and reveals his own obsession with death.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272733">
    <dcterms:title><![CDATA[Chaucer&#039;s Pardoner and Haze Motes of Georgia]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Haze Motes of Flannery O&#039;Connor&#039;s &quot;Wise Blood&quot; is &quot;not unlike Chaucer&#039;s Pardoner&quot; and the Old Man of PardT, who is &quot;perhaps the Pardoner&#039;s alter-ego&#039;.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272732">
    <dcterms:title><![CDATA[&#039;Straw for Youre Gentilesse&#039;: The Gentle Franklin&#039;s Interruption of the Squire]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the Franklin&#039;s interruption of the Squire in Part 4 of CT to be a &quot;brilliant dramatic vignette&quot; that develops the characterizations of the Squire, Franklin, and Host.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272731">
    <dcterms:title><![CDATA[&#039;Sikernesse&#039; and Fortune in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that both Troilus and Criseyde submit to Fortune in TC by pursuing a form of worldly &quot;sikernesse&quot; (security), reflecting their lack of the awareness advised by Philosophy in Boethius&#039;s &quot;Consolation.&quot; Only after leaving the world does Troilus gain true security, conveying theological wisdom in a manner described in Boccaccio&#039;s &quot;Genealogy of the Gods.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272730">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Droghte of March&#039; in Medieval Farm Lore]]></dcterms:title>
    <dcterms:description><![CDATA[Offers meteorological and folkloric evidence that March was known as a dry month in medieval England, lending verisimilitude to GP 1.2.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272729">
    <dcterms:title><![CDATA[The Speaker of the Wife of Bath Stanza and Envoy]]></dcterms:title>
    <dcterms:description><![CDATA[Gauges the &quot;literary probability&quot; that the Envoy to ClT (and the preceding stanza), 4.1170-1212, was intended by Chaucer to be voiced by the Clerk, suggesting that either the Host or the Wife of Bath may be considered the speaker, adducing manuscript evidence, various stages of composition, and dramatic propriety.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272728">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Anelida and Arcite&#039;: Some Conjectures]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts the form of Anel with that of Mars and compares its form and themes with those of Chaucer&#039;s dream visions and its characterizations with those in KnT. Also hypothesizes what Chaucer may have intended to do further in Anel with the source material from Boccaccio&#039;s &quot;Teseida&quot; and why he abandoned the project.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272727">
    <dcterms:title><![CDATA[The Nun&#039;s Priest&#039;s Tale and Boethus&#039;s &#039;De Musica&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Chauntecleer is Chaucer&#039;s satiric target when he refers to Boethius in NPT 7.3294; the rooster apparently is not familiar with Boethian music theory found in both &quot;De Musica&quot; and the &quot;Consolation of Philosophy.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272726">
    <dcterms:title><![CDATA[The Music of the Spheres and &#039;The Parlement of Foules&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer &quot;weaves through the structure and themes of [PF] all four medieval species of music, and numerous subspecies, in a way that emphasizes the failing of the eagles&quot; and &quot;that the [planetary] spheres are . . . the cause of almost all this abundant music, including the very form itself of the poem, its meter, stanza, and length.&quot; Considers Chaucer&#039;s uses of Boethius&#039;s &quot;De Musica&quot; and &quot;Consolation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272725">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Book of the Duchess&#039;: Did John [of Gaunt] Love Blanche [of Lancaster]?]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses various historical documents that pertain to the marital life and legacy of John of Gaunt and Blanche of Lancaster, arguing that the evidence indicates John was dedicated to Blanche, even after her death.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272724">
    <dcterms:title><![CDATA[The Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Comprises eight chapters by various authors surveying English literature from the Old English period through Middle English prose. The chapter pertaining to Chaucer includes four sections: 1) a brief account of Chaucer&#039;s life (pp. 159-62), by W. F. Bolton; 2) a commentary on CT by D[erek] A. Pearsall (pp. 163-94) that considers the artistic illusion of realism, dramatic approaches to the Tales, variety, contrasts, experimentation, and the validity of narrative as an art form; 3) a discussion of TC by D. S. Brewer (pp. 195-228) that reads the poem as a product of manuscript culture and focuses on love, Troilus&#039;s psychology, and the operations of Fortune; and 4) a description of the &quot;Minor Poems and the Prose&quot; by S. S. Hussey (pp. 229-62) that maps Chaucer career as a poet, commenting on individual works, their sequence of composition, and their sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272723">
    <dcterms:title><![CDATA[Jason and His &#039;Sekte&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that three meanings of &quot;sekte&quot; obtain in LGW: sect, sex, and (law)suit.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272722">
    <dcterms:title><![CDATA[The Man of Law&#039;s Tale: Loss and Separation in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Psychoanalytic exploration of the &quot;fantasy-structure&quot; of MLPT, arguing that medieval and modern audiences &quot;would have similar  unconscious responses to the text.&quot;  Suggests a similar, broader reading of all of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272721">
    <dcterms:title><![CDATA[Occupatio in the Poetry of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the tradition of rhetorical &quot;occupatio&quot; and Chaucer&#039;s uses of the device in BD, HF, LGW, TC, and KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272720">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Natural&#039; Astronomy]]></dcterms:title>
    <dcterms:description><![CDATA[Distinguishes between &quot;natural&quot; astronomy and &quot;judicial&quot; astronomy, gauges astronomical knowledge in Chaucer&#039;s age, describes Chaucer&#039;s uses of astrology, and considers effeorts to date Chaucer&#039;s works by astronomical references.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272719">
    <dcterms:title><![CDATA[Discretion and Marriage in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies a traditional, idealized, Christian view of marriage in CT: GP, KnT, MilT, RvT, WBPT, ClT, MLT, Mel, MerT, FranT, NPT, ManT, and ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272718">
    <dcterms:title><![CDATA[Formal Elements in the Late Medieval Courtly Love Lyric]]></dcterms:title>
    <dcterms:description><![CDATA[Considers lyric poems &quot;not as statements but as imitation of statements,&quot; and includes discussion of the &quot;Brooch of Thebes&quot; (i.e., Chaucer&#039;s Mars and Ven). Also comments on Chaucer&#039;s relations with Eustace Deschmaps and Oton de Grandson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272717">
    <dcterms:title><![CDATA[Tales from Chaucer as Projections of Their Tellers&#039; Needs]]></dcterms:title>
    <dcterms:description><![CDATA[Psychological analysis of six of the Canterbury pilgrims (Knight, Man of Law, Narrator [in Mel], Pardoner, Clerk, and Second Nun, followed by &quot;six recreations&quot; in prose that attempt to project the characters as modern storytellers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272716">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Boece&#039; and the Late Medieval Textual Tradition of the &#039;Consolatio Philosophiae&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Seeks to identify the &quot;Latin manuscript closest to Chaucer&#039;s source for his translation&quot; of Boethius&#039;s &quot;Consolation of Philosophy&#039;,&quot; examining features and variants in manuscripts of Boethius&#039;s treatise.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272715">
    <dcterms:title><![CDATA[The &#039;In-Eched&#039; Method of Narration in Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the shifts in perspective and changes in the point of view of the narrator in TC, arguing that they guide the reader to the outlook that concludes the poem, particularly through allusions to the biblical book of Ecclesiastes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272714">
    <dcterms:title><![CDATA[&#039;Craft&#039; and &#039;Sentence&#039; in Chaucer&#039;s House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Rejects the traditional three-part structure of HF and assesses the &quot;structural function of its two juxtaposed narratives,&quot; i.e., the summary of Virgil&#039;s &quot;Aeneid&quot; and the journey, considering the poem&#039;s relation with Dante&#039;s &quot;Divine Comedy, the &quot;Aeneid,&quot; and the tension between allegorical and romantic understandings of Virgil&#039;s work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272713">
    <dcterms:title><![CDATA[Chaucer and the School of Chartres]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;[I]nvestigates Chaucer&#039;s artistic and philosophical debt to the poetic tradition stemming from the twelfth-century School of Chartres,&quot; exploring Chaucer&#039;s sources and considering the (neo)platonic concerns in BD, HF, PF, and CT.]]></dcterms:description>
</rdf:Description></rdf:RDF>