<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272723">
    <dcterms:title><![CDATA[Jason and His &#039;Sekte&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that three meanings of &quot;sekte&quot; obtain in LGW: sect, sex, and (law)suit.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272722">
    <dcterms:title><![CDATA[The Man of Law&#039;s Tale: Loss and Separation in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Psychoanalytic exploration of the &quot;fantasy-structure&quot; of MLPT, arguing that medieval and modern audiences &quot;would have similar  unconscious responses to the text.&quot;  Suggests a similar, broader reading of all of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272721">
    <dcterms:title><![CDATA[Occupatio in the Poetry of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the tradition of rhetorical &quot;occupatio&quot; and Chaucer&#039;s uses of the device in BD, HF, LGW, TC, and KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272720">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Natural&#039; Astronomy]]></dcterms:title>
    <dcterms:description><![CDATA[Distinguishes between &quot;natural&quot; astronomy and &quot;judicial&quot; astronomy, gauges astronomical knowledge in Chaucer&#039;s age, describes Chaucer&#039;s uses of astrology, and considers effeorts to date Chaucer&#039;s works by astronomical references.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272719">
    <dcterms:title><![CDATA[Discretion and Marriage in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies a traditional, idealized, Christian view of marriage in CT: GP, KnT, MilT, RvT, WBPT, ClT, MLT, Mel, MerT, FranT, NPT, ManT, and ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272718">
    <dcterms:title><![CDATA[Formal Elements in the Late Medieval Courtly Love Lyric]]></dcterms:title>
    <dcterms:description><![CDATA[Considers lyric poems &quot;not as statements but as imitation of statements,&quot; and includes discussion of the &quot;Brooch of Thebes&quot; (i.e., Chaucer&#039;s Mars and Ven). Also comments on Chaucer&#039;s relations with Eustace Deschmaps and Oton de Grandson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272717">
    <dcterms:title><![CDATA[Tales from Chaucer as Projections of Their Tellers&#039; Needs]]></dcterms:title>
    <dcterms:description><![CDATA[Psychological analysis of six of the Canterbury pilgrims (Knight, Man of Law, Narrator [in Mel], Pardoner, Clerk, and Second Nun, followed by &quot;six recreations&quot; in prose that attempt to project the characters as modern storytellers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272716">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Boece&#039; and the Late Medieval Textual Tradition of the &#039;Consolatio Philosophiae&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Seeks to identify the &quot;Latin manuscript closest to Chaucer&#039;s source for his translation&quot; of Boethius&#039;s &quot;Consolation of Philosophy&#039;,&quot; examining features and variants in manuscripts of Boethius&#039;s treatise.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272715">
    <dcterms:title><![CDATA[The &#039;In-Eched&#039; Method of Narration in Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the shifts in perspective and changes in the point of view of the narrator in TC, arguing that they guide the reader to the outlook that concludes the poem, particularly through allusions to the biblical book of Ecclesiastes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272714">
    <dcterms:title><![CDATA[&#039;Craft&#039; and &#039;Sentence&#039; in Chaucer&#039;s House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Rejects the traditional three-part structure of HF and assesses the &quot;structural function of its two juxtaposed narratives,&quot; i.e., the summary of Virgil&#039;s &quot;Aeneid&quot; and the journey, considering the poem&#039;s relation with Dante&#039;s &quot;Divine Comedy, the &quot;Aeneid,&quot; and the tension between allegorical and romantic understandings of Virgil&#039;s work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272713">
    <dcterms:title><![CDATA[Chaucer and the School of Chartres]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;[I]nvestigates Chaucer&#039;s artistic and philosophical debt to the poetic tradition stemming from the twelfth-century School of Chartres,&quot; exploring Chaucer&#039;s sources and considering the (neo)platonic concerns in BD, HF, PF, and CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272712">
    <dcterms:title><![CDATA[Chaucer&#039;s Lyrics: Selected and Edited with Commentary, Canon and Text]]></dcterms:title>
    <dcterms:description><![CDATA[Evaluates twenty of Chaucer&#039;s standalone lyric poems, considering their prosodic features, poetic qualities, and representations of various &quot;aspects of experience.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272711">
    <dcterms:title><![CDATA[Chaucer&#039;s Music of Love]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies a &quot;consistent pattern&quot; in Chaucer&#039;s works of comparing &quot;the songs and melodies of lovers to sacred and philosophical medieval musics,&quot; religious and astronomical. Examines concord and discord in musical references in KnT, PF, ManT, TC, MerT, RvT, and MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272710">
    <dcterms:title><![CDATA[Comedy in Chaucer&#039;s Little Tragedy]]></dcterms:title>
    <dcterms:description><![CDATA[Considers TC to be &quot;amphibious,&quot; both a tragedy and, ironically, a comedy, when read in light of Chaucer&#039;s changes to Boccaccio&#039;s &quot;Filostrato&quot; and his additions from Boethius&#039;s &quot;Consolatio.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272709">
    <dcterms:title><![CDATA[William Dunbar as a &#039;Scottish Chaucerian&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the range and nature of Chaucer&#039;s influence on the writing of William Dunbar, arguing that it is pervasive.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272708">
    <dcterms:title><![CDATA[Love and Guilt: A Study of Suffering in Selected Medieval Works]]></dcterms:title>
    <dcterms:description><![CDATA[Includes comments on the lack of remorse among the Jews in PrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272707">
    <dcterms:title><![CDATA[Canterbury Tales: Notes]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to the CT, with summaries of and commentaries on the GP, the links, and all of the tales. Includes brief introductions to Chaucer&#039;s life, world, language, and development as a poet, along with passages from critics. Reprinted recurrently, with selective bibliographies. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272706">
    <dcterms:title><![CDATA[The Knight&#039;s Tale and the Limitations of Language (The Boundary Which Words Are)]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;idea of limitation&quot; in KnT, identifying &quot;statements and narrative situations [that are] suggestive of what we cannot know and cannot say.&quot; In some ways like the death of Blanche in BD, Arcite&#039;s death is inexplicable and inexpressible, given voice only ironically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272705">
    <dcterms:title><![CDATA[&#039;Antony and Cleopatra&#039; and the Tradition of Noble Lovers]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Shakespeare&#039;s &quot;Antony and Cleopatra&quot; in the same tradition as Chaucer&#039;s account of Cleopatra in LGW, a tradition in which the protagonists along with &quot;other famous lovers of antiquity&quot; are &quot;exemplars of truth and faithfulness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272704">
    <dcterms:title><![CDATA[Middle English: Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive review of Chaucerian scholarship and research published in 1968.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272703">
    <dcterms:title><![CDATA[Middle English: Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive review of Chaucerian scholarship and research published in 1969.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272702">
    <dcterms:title><![CDATA[Middle English: Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive review of Chaucerian scholarship and research published in 1970.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272701">
    <dcterms:title><![CDATA[The Great Gatsby: Troilus and Criseyde Revisited]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between TC and F. Scott Fitzgerald&#039;s &quot;The Great Gatsby,&quot; treating plot, theme, and characterization, and regarding the two works as tragedies of false gentilesse or gentility.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272700">
    <dcterms:title><![CDATA[On Reading Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Reads six stanzas from TC (3.85-126), closely analyzing rhymes and rhythm, alliteration, diction and phrases, repetitions and echoes of other works to exemplify the &quot;pliable pleasure&quot; afforded by Chaucer&#039;s style and his engagement with oral and written traditions alike.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272699">
    <dcterms:title><![CDATA[The Golden Ambiguity of the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;linguistic irony which results from [an] extended pun on &#039;amor&#039;&quot; runs throughout CT, supported by the diction and imagery of gold. Spiritual love is associated recurrently with positive images of gold; earthly love, with negative ones.]]></dcterms:description>
</rdf:Description></rdf:RDF>