<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277310">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Merchant&#039;s Tale,&quot; 2257-2261.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that &quot;double meaning seems deliberate&quot; in a pun on &quot;lecher&quot; and &quot;healer&quot; in Pluto&#039;s use of &quot;lechour&quot; (MerT 4.2257) when he pledges to restore January&#039;s eyesight.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274493">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Nun&#039;s Priest&#039;s Tale,&quot; B2, 4054.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that &quot;colour&quot; in the description of Chauntecleer (NPT 7.2864) means &quot;coler&quot; or &quot;neck&quot; rather than &quot;color.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274368">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Reeve&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the name &quot;John&quot; links RvT with MilT, claiming that the Reeve &quot;repays the Miller with a tale in which he himself plays a leading part--that of carpenter John.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273771">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Shipman&#039;s Tale,&quot; 173-177.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that the six things that women desire listed by the wife in ShT (7.173-77) align the wife with the fairy-tale victim of marriage to an ogre, ironically helping to characterize her, her husband, and their marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274518">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Summoner&#039;s Tale, D 2184-2188.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the uses of &quot;master&quot; and &quot;Rabbi&quot; in SumT 3.2184-88 as a means to convey the hypocrisy of the Summoner&#039;s friar (along with Chaucer&#039;s Friar in GP 1.261). The references are rooted in the biblical source, Matthew 23:5-11.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273840">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Wife of Bath&#039;s Prologue,&quot; 175.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers Dante&#039; s use of whips in &quot;Purgatorio&quot; as an analogue to the Wife of Bath&#039;s image of &quot;whippe&quot; in WBP 3.175.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274352">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Wife of Bath&#039;s Prologue,&quot; D. 389.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that the WB&#039;s reference to grinding at a mill (WBP 3.389) capitalizes on traditional sexual associations of mills with women, anticipated at her reference to &quot;barly-breed&quot; (WBP 3.144).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274371">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Wife of Bath&#039;s Prologue,&quot; D. 576 and 583.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that when she refers to her &quot;dame&quot; at lines 3.576 and 583 the Wife of Bath is recalling her gossip, dame Alys, identified at 530, 544, and 548.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275323">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Throstil Old&quot; and Other Birds.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the possibilities of using folklore, ornithological markings, and Chaucer&#039;s possible first-hand experiences to offer perspective on several birds and their attributive qualities referred to in PF, and one each in MilT, RvT, and SumT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264617">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Troilus and Criseyde&quot; and the Critics]]></dcterms:title>
    <dcterms:description><![CDATA[Evaluates some 500 items of TC criticism considered under the headings Historical, Philosophical, Formalistic, and Psychological.  In addition to illuminating the poem, the book provides a trenchant critique of modern critical theory and practice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273611">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Troilus and Criseyde&quot; and the Danger of Masculine Interiority.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that masculine obsession with interiority, especially that marked by courtly love, enables &quot;powerful men to ignore the destructive public consequences of their political&quot; actions. Yet, TC reveals &quot;that such separation between the public and private is illusory.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273492">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Troilus and Criseyde&quot; and the Poetics of Space.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the various ways in which the treatment of space in TC functions in relation to the characterizations, the development of the plot, and the changing role of the narrator. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275956">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Troilus and Criseyde&quot; in Spenser&#039;s &quot;Amoretti&quot; and  &quot;The Faerie Queene&quot;: Reading Historically and Intertextually.]]></dcterms:title>
    <dcterms:description><![CDATA[Locates several &quot;clusters&quot; of resonances between TC and Spenser&#039;s &quot;Amoretti&quot; and &quot;The Faerie Queene,&quot; concentrating on the importance of aurality and memory in recognizing these resonances and distinguishing &quot;resonance&quot; from other metaphors of intertextual relations such as echo, allusion, influence, refraction, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273891">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Troilus and Criseyde&quot;: The Tragicomic Dilemma.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how the comic elements of Chaucer&#039;s narrative detachment in TC &quot;qualify the tragedy or pathos&quot; of the poem, and how diction, word-play, and five-book structure contribute to its tragicomic impact.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275362">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Troilus,&quot; iv, 1585: A Biblical Allusion?]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges L. G. Evans&#039; suggestion that TC 4.1585 alludes to Matthew 10.39 (MLN, vol. 74), Baugh arguing that the phrasing is the same as in a common proverb, and Donaldson that the emendation underlying Evans&#039; suggestion (&quot;lyf&quot; for &quot;lief&quot;) is untenable.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275768">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Troilus&quot; as an Elizabethan &quot;Wanton Book.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies several sixteenth-century statements of censorship of romances (one that mentions TC) and describes several early modern &quot;justifications&quot; for the &quot;perennial itch to censor.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273370">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Troilus&quot;: Sir Francis Kynaston&#039;s Latin Translation, with a Critical Edition of His English Comments and Latin Annotations.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a critical edition of Kynaston&#039;s &quot;Amorum Troili et Creseide,&quot; with attention to his &quot;methods of translating&quot; TC and his &quot;explication of Chaucer&#039;s life and artistry.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273361">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Vavasour&quot; and Chrétien de Troyes.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that there can be &quot;little doubt&quot; that Chaucer thought the term &quot;vavasour&quot; (GP 1.30, applied to the Franklin) signified &quot;a man noted for hospitality,&quot; adducing evidence from Chrétien and other sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273107">
    <dcterms:title><![CDATA[Chaucer&#039;s (Anti-)Eroticisms and the Queer Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates the collision between eroticisms and anti-eroticisms in Chaucer&#039;s works in which the queer appears. When these two concepts circulate in Chaucer&#039;s stories, the characters must confront both their identity-formation and their becoming-queer within their  respective genre and normative expectations. Chaucer&#039;s characters find their erotic desires unsatisfied, which leads to a fuller sense of queer-selfhood and humanness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264666">
    <dcterms:title><![CDATA[Chaucer&#039;s ABC--A Japanese Translation]]></dcterms:title>
    <dcterms:description><![CDATA[The first Japanese translation of the work with a brief explanatory introduction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268644">
    <dcterms:title><![CDATA[Chaucer&#039;s Absolon and Boccaccio&#039;s Decameron]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;basic conception and function&quot; of Absolon in MilT were inspired by Decameron 8.2, which also influenced ShT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272908">
    <dcterms:title><![CDATA[Chaucer&#039;s Absolon: A Sinful Parody of the Miller]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies exegetical details in the characterization of Absolon in MilT, helping to identify the clerk with the sins of avarice, lechery, and pride and showing how he is a parody of Robyn the Miller &quot;in the Miller&#039;s own tale.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262940">
    <dcterms:title><![CDATA[Chaucer&#039;s Acts of Interpretation and Interpreting Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Questions raised by and through many tales (KnT, Th, Mel, and PardT) and characters (Prioress, Wife of Bath, and Pardoner) disclose Chaucer&#039;s composite view of truth.  The medieval Christian poet, however, would assume absolute truth to be beyond human understanding.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266475">
    <dcterms:title><![CDATA[Chaucer&#039;s Adams]]></dcterms:title>
    <dcterms:description><![CDATA[A consideration of the four &quot;Adams&quot; in CT (MkT, Mel, MerT, NPT) clarifies Chaucer&#039;s continuously revised sense of the allusive potential of the biblical figure, as well as the changing, expansive meaning within the various &quot;Tales.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269012">
    <dcterms:title><![CDATA[Chaucer&#039;s Adaptation of Boccaccio&#039;s Temple of Venus in the Parliament of Fowls]]></dcterms:title>
    <dcterms:description><![CDATA[Following Aristotle, medieval poets consider poetry a branch of moral philosophy. Whether or not Chaucer knew Boccaccio&#039;s own glosses on the &quot;Teseida,&quot; he adapts the Italian work to his own treatment of allegorical figures and so justifies Usk&#039;s description of Chaucer as a noble, philosophical poet.]]></dcterms:description>
</rdf:Description></rdf:RDF>