<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273339">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Parlement of Foules&quot;: Aesthetic Order and Individual Experience.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses the &quot;intentional ambiguity&quot; of PF, arguing that it results from the tension between &quot;discursive&quot; and &quot;non-discursive&quot; aspects of the poem, a distinction derived from Susanne Langer. Uses a variety of lexical patterns and oppositions to show how the narrator comically struggles to find order in chaos, while Chaucer the poet asserts (particularly in the roundel) that poetic tradition is itself a form of order.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275687">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Pars secunda&quot; Canon: A New Identification.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a new interpretation of the historical basis of the canon from &quot;Pars secunda&quot; of CYT, while emphasizing Chaucer&#039;s own historical context of being at <br />
 the center of a network of connections at court and elsewhere.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274512">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Parson&#039;s Tale&quot; 1025: A Probable Source.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers the &quot;Pseudo-Augustinian treatise on penance &#039;De Vera et Falsa Poenitentia, Liber Una&#039;,&quot; as the source of ParsT 10.1025 where Augustine is cited.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273374">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Philosophre&quot;: A Note on &quot;The Parson&#039;s Tale,&quot; 534-7.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the referent for &quot;the philosophre&quot; in ParsT 10.535-37 is Aristotle, following a passage in his &quot;De Anima.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277138">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Retraction&quot;: Examining the Case for Disavowal.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the language of Ret should not be understood as a modern retraction would be; expresses skepticism that Ret is actually meant to retract works like CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274265">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Retraction&quot;: Who Retracted What?]]></dcterms:title>
    <dcterms:description><![CDATA[Accepts Ret as earnest but impersonated, surveying critical opinions, and suggesting that it is best read as an instance of Chaucer&#039;s &quot;contrast principle&quot; in operation, offering examples of his &quot;many pretended or real about-faces&quot; in CT. After ParsT, Ret &quot;switch[es] us back to Chaucer the pilgrim, who has listened with his usual enthusiasm and commitment, to the Parson&#039;s sermon on the rejection of worldliness and the necessity of repentance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262815">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Romaunt of the Rose&quot; and &quot;Boece,&quot; &quot;Treatise on the Astrolabe,&quot; &quot;Equatorie of the Planetis,&quot; Lost Works, and Chaucerian Apocrypha: An Annotated Bibliography, 1900-1985]]></dcterms:title>
    <dcterms:description><![CDATA[The work is divided into categories for user convenience:  editions are arranged chronologically and critical discussions alphabetically by author.]]></dcterms:description>
    <dcterms:description><![CDATA[Includes reviews and index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275467">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Rude Times.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Outlines the &quot;critical myth&quot; that Chaucer, despite his assumed or constructed urbanity, lived in an age that was less sophisticated than the critic&#039;s own. Interrogates the history of this myth, exploring progressivist and devolutionary biases in individual studies, and arguing that biases and questionable assumptions underlie the selectivity and arrangement of the information in Caroline Spurgeon&#039;s &quot;Five Hundred Years of Chaucer Criticism and Allusion&quot; and in its index, compiled by Arundell Esdaile.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274934">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Secree of Secrees&quot;: An Alchemical &quot;Topic.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that the phrase &quot;secree of secrees&quot; in CYT 8.1447, cast as a &quot;superlative genitive,&quot; suggests a &quot;whole class of alchemical expressions identical in form&quot; and thereby &quot;sharply emphasizes Chaucer&#039;s ironical denunciation of the oracular pretensions of alchemical philosophers.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273360">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Sëynt Loy&quot;: An Anglo-French Pun?]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in the GP sketch of the Prioress the reference to saint Loy (1.120) is punningly &quot;redolent of permissiveness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276675">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Shipman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the fabliau features of ShT, comments on its likely (though unknown) source, observes that its &quot;personal generalizations&quot; are unusual in the genre, and assesses its treatment of women and its stylistic features as evidence that its original teller was the Wife of Bath rather than the Shipman. Explores Chaucer&#039;s possible process of revision and probable re-ordering of the tales, commenting on inconsistencies and contradictions that result or remain.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277328">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Shipman&#039;s Tale&quot; in Modern Dress.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies modern analogues to ShT and Boccaccio&#039;s &quot;Decameron&quot; 8.1 in Thomas Menkel&#039;s 1946 short story, &quot;Secret Debt,&quot; and Menkel&#039;s reported source in a &quot;Scotch joke,&quot; surmising general transmission of the tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275789">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Sir Thopas&quot;: Meter, Rhyme, and Contrast.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers aspects of Th that are &quot;burlesque,&quot; commenting on diction, meter, details, various rhetorical figures, and rhymes that convey irony and comedy. Poses many of these examples in contrast with parallels elsewhere in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274995">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Squire&#039;s Tale,&quot; &quot;Franklin&#039;s Tale,&quot; and Physician&#039;s Tale&quot;: An Annotated Bibliography, 1900-2005. ]]></dcterms:title>
    <dcterms:description><![CDATA[A complete annotated bibliography of scholarly and critical treatments of SqT, FranT, and PhyT from 1900 through 2005, subdivided into the following categories: editions and modernizations of each tale; sources, analogues, and later influence of each tale; and critical studies of each tale and of Sq-FranL. The entries in each category are arranged by date of publication, and the volume includes a  comprehensive index and an introduction to each tale that summarizes trends in criticism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274291">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Squire&#039;s Tale&quot; and the Uses of Rhetoric.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that SqT is a &quot;rhetorical satire&quot; of the Squire; attributes the excesses of the Tale to the teller&#039;s youthful &quot;defective knowledge&quot; of rhetorical arts and argues that it is Chaucer&#039;s means of critiquing the &quot;pseudo-genre of romance&quot; and mistaken notions of gentility. Includes comparisons of SqT and KnT and assessment of the Franklin&#039;s response to SqT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276576">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Summoner&#039;s Tale&quot; and the Logic of Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer uses philosophical language in describing the fart joke of SumT in order to burlesque the &quot;logical thinking&quot; of scholastic thinkers, particularly the Merton Calculators, showing how literature can &quot;more effectively&quot; work out problems than can logic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274284">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Syngeth Placebo&quot; and the &quot;Roman de Fauvel.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the French &quot;Somme le Roi&quot; may be the ultimate source of the reference to &quot;Placebo&quot; in SumT 3.2075 and that &quot;Roman de Fauvel&quot; is a &quot;more likely immediate source.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273646">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Book of the Duchess&quot;: A Study in Medieval Iconography and Literary Structure.]]></dcterms:title>
    <dcterms:description><![CDATA[Applies &quot;principles&quot; of medieval visual art (scale and perspective) to aid in understanding how BD magnifies the Black Knight&#039;s loss by presenting it in the context of the analogous accounts of the narrator&#039;s malaise and the grief of Alcyone.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277223">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Canterbury Tales&quot;: The Position of Fragment VII.]]></dcterms:title>
    <dcterms:description><![CDATA[Supports the so-called &quot;Bradshaw Shift&quot; that recommends moving fragment VII of CT to a position just after fragment II, arguing that the move better enhances the &quot;thematic relationship among&quot; ShT, and the fabliaux of fragment I, MilT, and RvT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275310">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Knight&#039;s Tale,&quot; 1053.]]></dcterms:title>
    <dcterms:description><![CDATA[Glosses &quot;party&quot; in &quot;party white and rede&quot; (KnT 1.1053) as &quot;literally &#039;parti-colored,&#039;&quot; referring to a single kind of flower, the daisy, citing LGWF 42-43 as evidence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274957">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Knight&#039;s Tale,&quot; A. 1810.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores proverbial implications of the variant readings of KnT 1.1810, &quot;than woot a cokkow or [var. of] hare,&quot; and suggests &quot;hare&quot; might be a pun on &quot;whore.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269861">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Knight&#039;s Tale&quot; and the Limits of Human Order in the Pagan World]]></dcterms:title>
    <dcterms:description><![CDATA[The first two chapters of this book look at the Knight and KnT in the context of the &quot;heroic life.&quot; The Allegory of Rule and the Allegory of Love offer ways to understand Palamon and Arcites&#039;s fight in the wood. The second two chapters  examine the importance of Athens--its constitution, failure, and refounding--as location of the pagan world.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274267">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Legend of Good Women,&quot; 2422.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Chaucer&#039;s reference to &quot;Thorus&quot; as a sea-god derives from a misunderstanding of Statius&#039;s &quot;theori&quot; in the &quot;Achilleid&quot; and its medieval gloss.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274453">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Legend of Lucrece.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies changes that Chaucer&#039;s made to his source, Ovid&#039;s &quot;Fasti,&quot; when shaping his version of the story of Lucrece in LGW, changes that &quot;Christianized&quot; the account.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276753">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Manciple&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that ManT 9.311-62 is a personal, dramatic rejoinder to the Canon&#039;s Yeoman and his account rather than criticism of the Cook. ]]></dcterms:description>
</rdf:Description></rdf:RDF>
