<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273464">
    <dcterms:title><![CDATA[&quot;Flying from the Depravities of Europe, to the American Strand&quot;: Chaucer and the Chaucer Tradition in Early America.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on how Chaucer influenced the writings of Cotton Mather, Anne Bradstreet, and Nathaniel Ward in seventeenth- and early eighteenth-century New England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273463">
    <dcterms:title><![CDATA[&quot;The last syllable of modernity&quot;: Chaucer in the Caribbean.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews references to how Chaucer is represented and appropriated in Anglophone Caribbean literature and critical essays. Includes example of &quot;fictional allusion&quot; to CT in Jean Rhys&#039;s &quot;Again the Antilles.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273462">
    <dcterms:title><![CDATA[Dickens and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the influence of Chaucer on several Romantic thinkers and their subsequent influence on Dickens, as well as Dickens&#039;s own reference and allusions to CT. Focuses on how &quot;Our Mutual Friend&quot; reflects medievalism in such aspects as the pilgrimage with its vast array of characters, the device of framed narrative, and the characterization of Canterbury as the past. Allusions to Chaucer, especially in GP and PardT, are also abundant in &quot;Our Mutual Friend.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273461">
    <dcterms:title><![CDATA[&quot;Make Thereof a Game&quot;: The Interplay of Texts in the Findern Manuscript and Its Late Medieval Textual Community.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores a Middle English scrapbook from the fifteenth and early sixteenth centuries that includes some Chaucerian love literature, and considers the book&#039;s role in a performance of gentility, particularly on the part of its women readers. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273460">
    <dcterms:title><![CDATA[Theatrical Spectatorship in Pepys&#039;s Diary.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a reference to Pepys&#039;s advice to John Dryden that he include Chaucer&#039;s Parson in His &quot;Fables.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273459">
    <dcterms:title><![CDATA[Caroline Bergvall Her &quot;Shorter Chaucer Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Caroline&#039;s Bergvall&#039;s five Chaucer poems in her &quot;Meddle English&quot; (2011), including discussion of their relations with Chaucer&#039;s originals. Focuses especially on Bergvall&#039;s &quot;Fried Tale.&quot; ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273458">
    <dcterms:title><![CDATA[Archaic Style in English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the use of &quot;archaic linguistic and poetic style&quot; in poetry and drama, 1590–1674, analyzing how combinations of anachronism and nostalgia help to influence the idea of English &quot;nationhood.&quot; Includes recurrent comments on lexical &quot;Chaucerisms&quot; and &quot;Chaucer&#039;s authority,&quot; and Chapter 4, &quot;Chaucer, Gower, and the Anxiety of &quot;Obsolescence&quot; (pp. 69–104), explores how four early modern works express or resist concern about obsolescence through use of Chaucer and Gower, considering Book IV of Spenser&#039;s &quot;The Faerie Queene,&quot; the anonymous play &quot;The Return from Parnassus,&quot; Shakespeare and Wilkins&#039;s &quot;Pericles,&quot; and William Cartwright&#039;s &quot;The Ordinary.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273457">
    <dcterms:title><![CDATA[&quot;The Tongue&quot;: Chaucer, Lydgate, Charles d&#039;Orleans, and the Making of a Late Medieval Lyric.]]></dcterms:title>
    <dcterms:description><![CDATA[The stanzas known as &quot;The Tongue&quot; in the Findern manuscript use source material from Lydgate&#039;s &quot;Fall of Princes&quot; and Chaucer&#039;s TC to create a coherent poem that is consistent with the manuscript&#039;s broader themes and is indebted to the literary legacy of Charles d&#039;Orleans.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273456">
    <dcterms:title><![CDATA[Deschamps&#039; Ballade Praising Chaucer and Its Impact.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how Deschamps&#039;s balade 285 is a surprisingly generous recognition and glorification of Chaucer as a pioneering translator from Latin and French into English, and as an &quot;illuminator&quot; or enlightener of his native England. Reveals how this praise pleased Chaucer&#039;s followers, who reinforced the critical tradition of Chaucer as the first embellisher of the English language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273455">
    <dcterms:title><![CDATA[Ben Jonson on Shakespeare&#039;s Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Spenserian and Shakespearean medievalism, seen by Ben Jonson as an irritating return to Chaucerian English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273454">
    <dcterms:title><![CDATA[The Invention of Fire.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel set in London, Kent, Calais, and during a pilgrimage to Durham, 1386; the second in a series that features John Gower as first-person narrator investigating criminal and political events, in this case a mass murder that involves parliamentary machinations, Nicholas Brembre&#039;s mayoralty, and the development of handguns. Includes a range of characters both historical and fictional, with Chaucer in his role as &quot;shire justice in Kent&quot; and as Gower&#039;s shrewd friend and literary competitor.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273453">
    <dcterms:title><![CDATA[The &quot;Absent&quot; Pardon-Tearing of &quot;Piers Plowman&quot; C.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that when Langland revised B into C, the literary landscape was very different (from Edwardian to Ricardian poetry). Chaucerian dream vision, especially PF with its &quot;emphasis upon the poetic figure who seeks to understand the world through his books and to craft this search as imaginative fiction,&quot; may be responsible for the new explicitness and clarity of Piers Plowman C.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273452">
    <dcterms:title><![CDATA[Chaucer&#039;s Moose.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that the opening of Elizabeth Bishop&#039;s &quot;The Moose&quot; contains several echoes of GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273451">
    <dcterms:title><![CDATA[El frau de l&#039;alquimista en l&#039;infern dantesc de Joan Pasqual i en la tradicio medieval.]]></dcterms:title>
    <dcterms:description><![CDATA[Taking as a starting-point the study of a chapter from the &quot;Tractat de les penes particulars d&#039;infern&quot; by Joan Pasqual (c. 1436), traces the dissemination (and the &quot;stemma narrationum&quot;) of two narrative motifs: the fake alchemist and the king (Thompson, K.111.4), and the account-book of mistakes or fools (Thompson, J.1371), and places CYT within this tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273450">
    <dcterms:title><![CDATA[Chaucer and Fame: Reputation and Reception.]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays and an introduction (by Davis) deal with Chaucer&#039;s concern with poetic fame and/or with his poetic reputation among his contemporaries, down to the twenty-first century. The introduction (pp. 1–19) describes the essays and comments on poetic fame in HF and LGW as the topic relates to Chaucer&#039;s omissions and elisions, his uses of names and his (non-)naming of sources, and his relations with several works that influenced him, especially Boccaccio&#039;s &quot;e mulieribus claris.&quot; Includes a bibliography and index. For the eleven essays that pertain to Chaucer, search for Chaucer and Fame under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273449">
    <dcterms:title><![CDATA[&quot;And kis the steppes where as thow seest pace&quot;: Reconstructing the Spectral Canon in Statius and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews the presence of Statius&#039;s &quot;Thebaid&quot; in TC, exploring in detail the juxtaposition of Statian and Ovidian material in Cassandra&#039;s explanations of Troilus&#039;s dream of the boar, explaining Chaucer&#039;s elision of Boccaccio from his poem as Chaucer&#039;s imitation of Statius&#039;s &quot;poetics of disavowal,&quot; and commenting on Chaucer&#039;s complex use of the list-of-poets topos in TC, 5.1782.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273448">
    <dcterms:title><![CDATA[&quot;I nolde sette at al that noys a grote&#039;: Repudiating Infamy in &quot;Troilus and Criseyde&quot; and &quot;The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys classical and medieval skeptical views of the significance of fame and contrasts the attitudes toward reputation expressed by Criseida in Boccaccio&#039;s &quot;Filostrato&quot; and Criseyde in TC, focusing on the heroines&#039; views about infamy before leaving Troy. Chaucer&#039;s character briefly rejects the opinions of others and, like the narrator of HF, &quot;glimps[es] something interesting about personal sufficiency,&quot; without ultimately disregarding reputation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273447">
    <dcterms:title><![CDATA[&quot;I wolde . . . han hadde a fame&#039;: Dante, Fame, and Infamy in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how in Book III of HF Chaucer engages with Dante&#039;s &quot;Commedia&quot;, especially Canto XI of the &quot;Purgatorio&quot;; focuses particularly on speaking silences, tacit allusions, and concerns with infamy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273446">
    <dcterms:title><![CDATA[The Early Reception of Chaucer&#039;s &quot;The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys knowledge of and responses to HF from the earliest manuscripts and printed editions to Alexander Pope&#039;s adaptation, &quot;The Temple of Fame&quot; (1710), with commentary on early uncertainty about the title and author of HF, and on the &quot;ways in which Chaucer&#039;s poem embedded itself into various kinds of literary consciousness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273445">
    <dcterms:title><![CDATA[&quot;French anamalit termes&quot;: The Contradictory Celebrity of Chaucer&#039;s Aureation.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a change in Chaucer&#039;s &quot;linguistic fame&quot; from fifteenth-century praise of his rhetoric and aureate diction to sixteenth-century admiration of his plain speaking: a shift that reflects the early modern &quot;Inkhorn Controversy&quot; and efforts to separate &quot;Englishness&quot; from French. Chaucer was regarded as the &quot;Father of English&quot; by representatives of both groups.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273444">
    <dcterms:title><![CDATA[Revenant Chaucer: Early Modern Celebrity.]]></dcterms:title>
    <dcterms:description><![CDATA[Looks at the &quot;transition of the invented textual presence of Chaucer in the late Middle Ages to the invented personal presence of the poet in the early modern period.&quot; Comments on several spurious links between tales in the Lansdowne 851 manuscript of CT, by exploring various editions and uses of Chaucer&#039;s works in early modern England (especially Shakespeare and Fletcher&#039;s &quot;Two Noble Kinsmen&quot;), and discussing the use of Chaucer&#039;s &quot;celebrity&quot; in &quot;Chaucer&#039;s Incensed Ghost&quot; (1617), Richard Brathwait&#039;s anti-tobacco tract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273443">
    <dcterms:title><![CDATA[Chaucer the Puritan]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies the variety of sixteenth- and seventeenth-century versions of Chaucer, which reflects he &quot;fragmentation, diversity, and complexity&quot; of the English Reformation itself. Discusses Chaucer as an authority figure in the writings of polemical authors Job Throckmorton, John Clare, Matthew Sutcliffe, Richard Bancroft, and Samuel Harsnett, gauging their relative discernment in understanding Chaucer&#039;s works. Most surprising, perhaps, is Harsnett&#039;s use of MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273442">
    <dcterms:title><![CDATA[Fame&#039;s Penitent: Deconstructive Chaucer among the Lancastrians.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that fifteenth-century verbal and visual depictions of Chaucer as an &quot;aged penitent&quot; (in Gascoigne, Hoccleve, Gower, Scogan, and the Bedford Hours) reflect the Derridean (and Augustinian) gaps that are evident in Ret and elsewhere in Chaucer&#039;s poetry. Chaucer&#039;s persistent attention to &quot;textual mediation&quot; evokes &quot;the illusion of presence,&quot; or an &quot;absent presence&quot; whereas his followers employ echoes of him and his poetry to evoke a politically charged &quot;secular penance&quot; that has parallels with Lancastrian reforms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273441">
    <dcterms:title><![CDATA[Ancient Chaucer: Temporalities of Fame.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;reciprocal status of antiquity and celebrity&quot; in the reception of Chaucer, his &quot;construction (and self-construction) as a vernacular authority,&quot; and the relations of fame and temporality in his works, especially MLP.  Recurrent concerns with time, time-passing, and old age inflect his characterizations and his Ovidian poetics. Includes comments on early modern canon formation, Byron&#039;s views of Chaucer, and a 2011 on-demand reprint of HF by Nabu Press.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273440">
    <dcterms:title><![CDATA[Wordsworth&#039;s Chaucer: Mediation and Transformation in English Literary History.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s influence on Wordsworth&#039;s poetry, especially in &quot;Lyrical Ballads&quot; and &quot;Ecclesiastical Sonnets.&quot; Establishes that Wordsworth is a &quot;Chaucerian translator,&quot; because of his engagement with Chaucerian literary tradition.]]></dcterms:description>
</rdf:Description></rdf:RDF>