<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273449">
    <dcterms:title><![CDATA[&quot;And kis the steppes where as thow seest pace&quot;: Reconstructing the Spectral Canon in Statius and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews the presence of Statius&#039;s &quot;Thebaid&quot; in TC, exploring in detail the juxtaposition of Statian and Ovidian material in Cassandra&#039;s explanations of Troilus&#039;s dream of the boar, explaining Chaucer&#039;s elision of Boccaccio from his poem as Chaucer&#039;s imitation of Statius&#039;s &quot;poetics of disavowal,&quot; and commenting on Chaucer&#039;s complex use of the list-of-poets topos in TC, 5.1782.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273448">
    <dcterms:title><![CDATA[&quot;I nolde sette at al that noys a grote&#039;: Repudiating Infamy in &quot;Troilus and Criseyde&quot; and &quot;The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys classical and medieval skeptical views of the significance of fame and contrasts the attitudes toward reputation expressed by Criseida in Boccaccio&#039;s &quot;Filostrato&quot; and Criseyde in TC, focusing on the heroines&#039; views about infamy before leaving Troy. Chaucer&#039;s character briefly rejects the opinions of others and, like the narrator of HF, &quot;glimps[es] something interesting about personal sufficiency,&quot; without ultimately disregarding reputation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273447">
    <dcterms:title><![CDATA[&quot;I wolde . . . han hadde a fame&#039;: Dante, Fame, and Infamy in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how in Book III of HF Chaucer engages with Dante&#039;s &quot;Commedia&quot;, especially Canto XI of the &quot;Purgatorio&quot;; focuses particularly on speaking silences, tacit allusions, and concerns with infamy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273446">
    <dcterms:title><![CDATA[The Early Reception of Chaucer&#039;s &quot;The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys knowledge of and responses to HF from the earliest manuscripts and printed editions to Alexander Pope&#039;s adaptation, &quot;The Temple of Fame&quot; (1710), with commentary on early uncertainty about the title and author of HF, and on the &quot;ways in which Chaucer&#039;s poem embedded itself into various kinds of literary consciousness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273445">
    <dcterms:title><![CDATA[&quot;French anamalit termes&quot;: The Contradictory Celebrity of Chaucer&#039;s Aureation.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a change in Chaucer&#039;s &quot;linguistic fame&quot; from fifteenth-century praise of his rhetoric and aureate diction to sixteenth-century admiration of his plain speaking: a shift that reflects the early modern &quot;Inkhorn Controversy&quot; and efforts to separate &quot;Englishness&quot; from French. Chaucer was regarded as the &quot;Father of English&quot; by representatives of both groups.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273444">
    <dcterms:title><![CDATA[Revenant Chaucer: Early Modern Celebrity.]]></dcterms:title>
    <dcterms:description><![CDATA[Looks at the &quot;transition of the invented textual presence of Chaucer in the late Middle Ages to the invented personal presence of the poet in the early modern period.&quot; Comments on several spurious links between tales in the Lansdowne 851 manuscript of CT, by exploring various editions and uses of Chaucer&#039;s works in early modern England (especially Shakespeare and Fletcher&#039;s &quot;Two Noble Kinsmen&quot;), and discussing the use of Chaucer&#039;s &quot;celebrity&quot; in &quot;Chaucer&#039;s Incensed Ghost&quot; (1617), Richard Brathwait&#039;s anti-tobacco tract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273443">
    <dcterms:title><![CDATA[Chaucer the Puritan]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies the variety of sixteenth- and seventeenth-century versions of Chaucer, which reflects he &quot;fragmentation, diversity, and complexity&quot; of the English Reformation itself. Discusses Chaucer as an authority figure in the writings of polemical authors Job Throckmorton, John Clare, Matthew Sutcliffe, Richard Bancroft, and Samuel Harsnett, gauging their relative discernment in understanding Chaucer&#039;s works. Most surprising, perhaps, is Harsnett&#039;s use of MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273442">
    <dcterms:title><![CDATA[Fame&#039;s Penitent: Deconstructive Chaucer among the Lancastrians.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that fifteenth-century verbal and visual depictions of Chaucer as an &quot;aged penitent&quot; (in Gascoigne, Hoccleve, Gower, Scogan, and the Bedford Hours) reflect the Derridean (and Augustinian) gaps that are evident in Ret and elsewhere in Chaucer&#039;s poetry. Chaucer&#039;s persistent attention to &quot;textual mediation&quot; evokes &quot;the illusion of presence,&quot; or an &quot;absent presence&quot; whereas his followers employ echoes of him and his poetry to evoke a politically charged &quot;secular penance&quot; that has parallels with Lancastrian reforms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273441">
    <dcterms:title><![CDATA[Ancient Chaucer: Temporalities of Fame.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;reciprocal status of antiquity and celebrity&quot; in the reception of Chaucer, his &quot;construction (and self-construction) as a vernacular authority,&quot; and the relations of fame and temporality in his works, especially MLP.  Recurrent concerns with time, time-passing, and old age inflect his characterizations and his Ovidian poetics. Includes comments on early modern canon formation, Byron&#039;s views of Chaucer, and a 2011 on-demand reprint of HF by Nabu Press.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273440">
    <dcterms:title><![CDATA[Wordsworth&#039;s Chaucer: Mediation and Transformation in English Literary History.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s influence on Wordsworth&#039;s poetry, especially in &quot;Lyrical Ballads&quot; and &quot;Ecclesiastical Sonnets.&quot; Establishes that Wordsworth is a &quot;Chaucerian translator,&quot; because of his engagement with Chaucerian literary tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273439">
    <dcterms:title><![CDATA[Chaucer in Nineteenth-Century France.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the reception of Chaucer&#039;s poetry by nineteenth-century French critics who focused on CT, read Chaucer as a &quot;European&quot; rather than an English writer, discussed the accessibility of his language, and examined Chaucer&#039;s national literary and cultural affinities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273438">
    <dcterms:title><![CDATA[After Deschamps: Chaucer&#039;s French Fame.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Eustace Deschamps&#039;s balade in praise of Chaucer, the Duxworth manuscript of Chaucer that belonged to Jean Angouleme, and two sixteenth-century French references to Chaucer that evince French awareness of Chaucer as a poet: an anecdote about Chaucer and his wife and a discussion of Rom that asserts that Jean de Meun was himself an Englishman.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273437">
    <dcterms:title><![CDATA[Stories, Secular and Sacred: What&#039;s at Stake.]]></dcterms:title>
    <dcterms:description><![CDATA[Within the framework of examining Chaucer and Dostoevsky, discusses critical approaches to literary examples in relationship to teaching the Bible as literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273436">
    <dcterms:title><![CDATA[Storytelling as Preaching in Marguerite de Navarre&#039;s &quot;Heptameron.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Marguerite in the context of other historical writers of &quot;framed short fiction,&quot; including Chaucer, and suggests commonalities with CT, and ClT, in particular.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273435">
    <dcterms:title><![CDATA[If Hemingway Wrote JavaScript (1).]]></dcterms:title>
    <dcterms:description><![CDATA[A collection of playful JavaScript programs, imitating or responding to well-known literary authors--Hemingway, Shakespeare, Austin, Woolf, Borges, etc.--and including<br />
brief descriptions of each writer&#039;s style. The section on Chaucer (pp. 104–11) presents a sample that echoes GP. Illustrated by Miran Lipovaca.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273434">
    <dcterms:title><![CDATA[Chaucer at the Edge: Middle English and the Rhetorical Tradition.]]></dcterms:title>
    <dcterms:description><![CDATA[Plenary lecture positions Chaucer as important to sixteenth-century writers for his incorporation of the Latin rhetorical tradition--particularly the concepts of decorum and Augustine&#039;s three levels of style--into English, even as he does so with colorful parody and vernacular panache.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273433">
    <dcterms:title><![CDATA[&quot;Ası empieza lo malo&quot; de Javier Marıas: Rumor y fama, entre William Shakespeare y Geoffrey Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Chaucer and Shakespeare in Javier Marıas&#039;s novel, &quot;Ası empieza lo malo.&quot; Chaucer&#039;s concepts of &quot;fame&quot; and &quot;rumor,&quot; as described in HF, are central to Marias&#039;s depiction of contemporary men and their incapacity to face rumor and establish the truth.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273432">
    <dcterms:title><![CDATA[Shakespeare and Thomas Underdowne&#039;s &quot;Theseus and Ariadne.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Underdowne&#039;s &quot;Theseus and Ariadne&quot; (1566) draws on a number of earlier versions of the myth, including Ovid&#039;s &quot;Heroides&quot; and Chaucer&#039;s LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273431">
    <dcterms:title><![CDATA[Meddle English: New and Selected Texts.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a section entitled &quot;Shorter Chaucer Tales&quot; (pp. 21–51) with five pieces inspired by CT: &quot;The Host Tale,&quot; &quot;The Summer Tale (Deus Hic, 1),&quot; &quot;The Franker Tale (Deus Hic, 2),&quot; &quot;The Not Tale (Funeral),&quot; and &quot;Fried Tale (London Zoo).&quot; The introduction to the volume, &quot;Middling English&quot; (pp. 5–19), comments on Chaucer&#039;s language as inspiration.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273430">
    <dcterms:title><![CDATA[The Sources of the Verse Examples in Gascoigne&#039;s &quot;Certayne Notes of Instruction.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[In this &quot;first printed work of English vernacular literary criticism&quot; (dated 1575), Gascoigne refers to ParsT (10.43) in arguing &quot;For it is not inough to roll in pleasant woordes, nor yet to thunder in Rym, Ram, Ruff, by letter (quoth my master Chaucer).&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273429">
    <dcterms:title><![CDATA[Telling Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Poetic adaptation of CT with modern multicultural  settings, details, and dialects.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273428">
    <dcterms:title><![CDATA[From Lawman to Plowman: Anglo-Saxon Legal Tradition and the School of Langland.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines alliterative English writing by focusing on Anglo-Saxon legal-homiletic discourse within vernacular English poetry. Brief mention of FranT, ParsT, MLT, and Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273427">
    <dcterms:title><![CDATA[Immature Pleasures: Affective Reading in Margery Kempe, Petrarch, Chaucer, and Modern Fan Communities.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers how the three titular authors equate excessive emotional response and similar qualities to texts with immaturity. Reads ClPT as Chaucer&#039;s reaction to Petrarch on the vernacular.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273426">
    <dcterms:title><![CDATA[Chaucer Joins the &quot;Schiera&quot;: &quot;The House of Fame,&quot; Italy, and the Determination of Posterity.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how Chaucer used Petrarch, Petrarch used Dante, and Dante used Virgil: a sequence of influence that underpins Chaucer&#039;s &quot;conception of renown&quot; and encouraged him to lay claim to belonging to the schiera (band) of famous poets. Discusses references and allusions to famous poets in HF, the end of TC, and ClP; comments on Lydgate&#039;s, Hoccleve&#039;s, and Deschamps&#039;s praise of Chaucer; and reassesses the relative dates of composition for HF, TC, ClPT,<br />
and Deschamps&#039;s balade.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273425">
    <dcterms:title><![CDATA[The Bad Behaviour of Friars and Women in Medieval Catalan Fabliaux and Chaucer&#039;s &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies &quot;new Romance analogues&quot; for details in GP, MilT, WBPT, PardT, ShT, and ParsT in three fifteenth-century Catalan narratives: &quot;Disputa de l&#039;ase&quot; (&quot;The Argument of the Ass&quot;) by Anselm Turmeda, the &quot;Llibre de fra Bernat&quot; (&quot;Book of Friar Bernard&quot;) by Francesc de la Via, and the nonymous &quot;Col-loqui de dames&quot; (&quot;Symposium of Women&quot;).]]></dcterms:description>
</rdf:Description></rdf:RDF>