<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273523">
    <dcterms:title><![CDATA[Ellipsis in English Literature: Signs of Omission.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies various kinds of narrative suspension and ellipsis in English literature, and includes comments on a reference to SqT in the expository essay that accompanies the Gothic tale &quot;Sir Bertram, a Fragment&quot; (1773). Connects the essay with Thomas Tyrwhitt&#039;s edition of CT (1775) where asterisks &quot;first appear&quot; at the end of SqT, and surmises that the editorial history of the tale would have differed if there had been &quot;an explicit mark of interruption in the medieval orthographic repertoire.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273522">
    <dcterms:title><![CDATA[Reading Women in Late Medieval Europe: Anne of Bohemia and Chaucer&#039;s Female Audience.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the influence of Anne of Bohemia, wife and consort of King Richard II, on Chaucer and his contemporaries. Proposes that Anne of Bohemia was a &quot;possible female patron and reader&quot; of Chaucer&#039;s texts. Focuses on PrT, SNT, KnT, WBT, and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273521">
    <dcterms:title><![CDATA[Feeling like Saints: Lollard Writings after Wyclif.]]></dcterms:title>
    <dcterms:description><![CDATA[Comprehensive study of over 500 manuscripts containing Lollard writings from 1375 to 1530. Analyzes textual culture associated with Lollard movement. Brief references to MLT, PardT, PhyT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273520">
    <dcterms:title><![CDATA[Passion and Precision: Collected Essays on English Poetry from Geoffrey Chaucer to Geoffrey Hill.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of published and previously unpublished studies of Chaucer and other writers, including the &quot;Pearl&quot;-poet, Hopkins, Yeats, Eliot, Jones, and Auden. Part 1, &quot;Medieval: Chaucer and the Gawain-Poet,&quot; includes essays on Bo, Form Age, KnT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273519">
    <dcterms:title><![CDATA[Medieval Modes of Community.]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the discussions of Chaucer in Lynn<br />
Staley&#039;s &quot;The Island Garden&quot; (2012), Jamie K. Taylor&#039;s<br />
&quot;Fictions of Evidence&quot; (2013), and Jonathan Hsy&#039;s &quot;Trading<br />
Tongues&quot; (2013).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273518">
    <dcterms:title><![CDATA[Authority, Identity, and &quot;The Idea of the Vernacular&quot; in &quot;The Owl and the Nightingale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Destabilizes the notion of a progression of &quot;identifiable movements&quot; in English vernacular writing culminating in Chaucer in the fourteenth century, arguing that &quot;The Owl and the Nightingale&quot; (c. 1200) should be taught as an early foundational vernacular text. The poem employs &quot;outrageous satire&quot; through the vernacular to critique and reconfigure the form of Latin debate poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273517">
    <dcterms:title><![CDATA[Editorial.]]></dcterms:title>
    <dcterms:description><![CDATA[A general introduction to the &quot;Chaucer Reconsidered&quot; special issue of the journal that focuses on the many genres in which Chaucer worked, as well as his primary topics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273516">
    <dcterms:title><![CDATA[Ambiguous Locks: An Iconology of Hair in Medieval Art and Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys depictions of &quot;good&quot; and &quot;bad&quot; women in medieval art and literature, concentrating on how their hair characterizes them and directs viewers&#039; attention. Includes a brief discussion of the implications of Emelye&#039;s yellow/golden hair in KnT (1049–50) for the ways that it confirms her beauty.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273515">
    <dcterms:title><![CDATA[Toward a Theory and Practice of Literary Valuing.]]></dcterms:title>
    <dcterms:description><![CDATA[In an analysis of the question of literary value, argues for a pragmatic approach to understanding the value of literature, especially at present when that value is on the decline. References GP as general example of medieval literary valuing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273514">
    <dcterms:title><![CDATA[Figuring the Dangers of the &quot;Greet Forneys&quot;: Chaucer and Gower&#039;s Timely (Mis)reporting of the Peasant Voice.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the Miller (whose mouth is compared to &quot;a greet forneys&quot; in GP) in the context of representations of rebel peasants in the chronicles of Thomas Walsingham, Henry Knighton, Jean Froissart, and the Anonimalle chronicler, as well as in Gower&#039;s &quot;Vox clamantis&quot; (Book I). The trope of fire links the peasants&#039; literarily censored speech to the Miller&#039;s furnace-like mouth, but the Miller&#039;s subversive words are represented within the aristocratically acceptable genre of the fabliau, reinforcing how Chaucer acknowledges sociopolitical danger, but renders it comic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273513">
    <dcterms:title><![CDATA[Pagans and Philosophers: The Problem of Paganism from Augustine to Leibniz.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the influence of paganism on Christian writers from the fifth century to the eighteenth century. Includes a chapter on entitled &quot;Langland and Chaucer: The Continuity of the Problem of Paganism&quot; (pp. 214–34).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273512">
    <dcterms:title><![CDATA[&quot;To speke of phisik&quot;: Medical Discourse in Late Medieval English Culture.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the addition of medical terminology to the lexicons of medieval laypeople, with particular regard to its use in metaphor. Authors under consideration include Chaucer, Henryson, Rolle, and Kempe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273511">
    <dcterms:title><![CDATA[Studies in Medieval English Language and Literature I: Aspects of Middle English.]]></dcterms:title>
    <dcterms:description><![CDATA[Part 1 includes several chapters on Middle English themes related to Chaucer. Chapter 1 appreciates the sound of the beginning of GP as associated with spring. Chapter 2 includes a brief discussion of the relationship between individualism and the use of dialect in RvT. Chapter 3 discusses the meaning of Chaucer&#039;s choice of English for his poetic composition. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273510">
    <dcterms:title><![CDATA[Tourists and &quot;Tabulae&quot; in Late-Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses significance of tables and &quot;narrative &#039;tabulae&#039;&quot; in late-medieval England. Addresses the tabular text in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273509">
    <dcterms:title><![CDATA[Don&#039;t Cry for Me, Augustinius: Dido and the Dangers of Empathy.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides a &quot;newly broadened context for Chaucer&#039;s obsession with Dido,&quot; and looks at Chaucer&#039;s narrators in HF and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273508">
    <dcterms:title><![CDATA[Truth and Tales: Cultural Mobility and Medieval Media.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes essays dedicated to Richard Green Firth that explore a variety of medieval topics. Examines issues related to oral and written cultural networks, book and social history, vernacular studies, and media studies. For three essays that pertain to Chaucer, search for Truth and Tales: Cultural Mobility and Medieval Media under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273507">
    <dcterms:title><![CDATA[Love and Apocalypse in Chaucer&#039;s Dream Visions.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s efforts, in BD, HF, LGW, and PF, to meld two strands of dream poetry: the philosophical and amorous subspecies of the form.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273506">
    <dcterms:title><![CDATA[Toward the Common Good: Punishing Fraud among the Victualers of Medieval London]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Chaucer&#039;s use of humor in describing the &quot;thieving millers&quot; in GP and RvT. Looks at class and social issues among food providers, including cooks, bakers, and taverners, and civic governing entities responsible for overseeing production of high-quality food. Includes brief analysis of Chaucer&#039;s Cook in GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273505">
    <dcterms:title><![CDATA[Adversarial Relationships between Humans and Weather in Medieval English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[After examining weather patterns during the Middle Ages, suggests that the late fourteenth century experienced lower than normal temperatures and increased precipitation that would have affected harvests. Since inclement weather plays a role in BD, TC, and MilT, speculates that the trope of the idealized spring setting, particularly in GP, acts as a type of escapism, or perhaps is Chaucer&#039;s response to a year of unusually good weather.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273504">
    <dcterms:title><![CDATA[Chaucer the Alchemist: Physics, Mutability, and the Medieval Imagination.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s fascination with contemporary theories of change, both in readily visible physical form and also less visible self-reform. The book is divided into three sections: Physics, Alchemy, and Logic. The Physics section discusses HF as a thought experiment &quot;where the possibilities of physical phenomena are pushed to extremes.&quot; The Alchemy section examines alchemical allegory in FranT with special attention to Dorigen as a &quot;catalyst for wisdom,&quot; and allegorical imagery throughout TC, culminating in Troilus&#039;s &quot;mercurial transformation.&quot; The volume concludes with mutability in<br />
logic, particularly counterfactual &quot;if . . . then&quot; statements in PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273503">
    <dcterms:title><![CDATA[Travail Narratives: Damage and Displacement in Medieval Travel Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer as part of a larger discussion of medieval ideas of the physical damage that accrued from travel, both in the sense of a literal pilgrimage and in tropes including the &quot;wandering heart.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273502">
    <dcterms:title><![CDATA[On beyond Fifty.]]></dcterms:title>
    <dcterms:description><![CDATA[This introductory essay comments on the first fifty years of Chaucer Review, and looks ahead to future projects.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273501">
    <dcterms:title><![CDATA[Geoffrey Chaucer av. 1346 –v. 1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews issues of justice in Sted and explores how Chaucer&#039;s irony reveals his bias against medieval judicial practices in ABC. Also, questions the relationship among Church/Rome/nation, political vs. religious law(s), and ascending vs. descending authority in the language of MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273500">
    <dcterms:title><![CDATA[Larry Dean Benson: A Tribute.]]></dcterms:title>
    <dcterms:description><![CDATA[Commemorates the life and accomplishments of Chaucer scholar and editor, Larry Benson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273499">
    <dcterms:title><![CDATA[Literary Overtones, Self-Fashioning and Poetics in Chaucer&#039;s&quot; The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys themes and plots in HF, comments on its sources, and discusses its &quot;narrator-character.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>
