<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273739">
    <dcterms:title><![CDATA[Satire: A Critical Anthology.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes samples of satire from classical to modern literature, arranged by genre (Prose and Drama, Verse, Epigrams), including modernizations (by Nevill Coghill) of FrPT and SumP under Verse. The Foreward (pp. xv-xxxiv) describes the &quot;ingredients,&quot; development, and &quot;moods&quot; of satire, and the Introduction to Verse (pp. 271-79) clarifies Chaucer&#039;s place in the tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273738">
    <dcterms:title><![CDATA[Le Roman de la Rose: Guillaume de Lorris.]]></dcterms:title>
    <dcterms:description><![CDATA[An edition of Guillaume de Lorris&#039;s portion of &quot;Le Roman de la Rose,&quot; with glosses and an Introduction (pp.1-12) in modern French. Includes as an Appendix fragment A (lines 1-1705) of Rom, with glosses and an Introduction (pp.149-51) in modern English, commenting on Chaucer&#039;s translation and its importance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273737">
    <dcterms:title><![CDATA[Chaucer in Dryden&#039;s &quot;Fables.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses &quot;Dryden&#039;s conception of Chaucer,&quot; his poems, and the &quot;purpose guiding&quot; the changes he made while modernizing WBT, KnT, NPT, and the apocryphal &quot;Flower and the Leaf.&quot; Also discusses Dryden&#039;s &quot;Character of the Good Parson&quot; and &quot;Hind and the Panther&quot; and gauges the &quot;unexpected&quot; degree of change he made to Chaucer&#039;s works in light of eighteenth-century attitudes and reception of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273736">
    <dcterms:title><![CDATA[The Realism of Dream Visions: The Poetic Exploitation of the Dream Experience in Chaucer and His Contemporaries.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the nature and function of dream vision in late-medieval English literature, focusing on BD, HF, PF, LGWP, &quot;Pearl&quot; and &quot;Piers Plowman,&quot; and commenting on other works. Considers this poetry in light of post-Freudian psychology as well as medieval philosophy, symbolism, and allegory, and emphasizes the unifying function of &quot;dream-work&quot; through association and transformation. Compares BD and &quot;Pearl&quot; as &quot;realistic&quot; dream elegies and examines how Chaucer&#039;s other dream poems use the &quot;universal human experience&quot; of dream as a structural device. Also comments on dreams in TC and CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273735">
    <dcterms:title><![CDATA[Two Boethian Speeches in &quot;Troilus and Criseyde&quot; and Chaucerian Irony.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Troilus&#039;s two speeches on the &quot;problem of free will and determinism&quot; in TC (4.958-1082 and 3.813-40), observing complex irony whereby readers are led to agree with a perspective, then disagree, and then agree again. Chaucer &quot;affirms both positions and denies nothing.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273734">
    <dcterms:title><![CDATA[The Poet Chaucer. 2nd ed.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints the 1949 edition, with few minor changes and an added &quot;Selected Reading List&quot; (pp. 137-39.)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273733">
    <dcterms:title><![CDATA[Observazioni su &quot;The Parlement of Foules.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the theme of common profit in PF and Chaucer&#039;s treatment of source material, drawing examples from his uses of Dante and Boccaccio to evince that Chaucer is never an &quot;arido tradittore&quot; (dry translator) but an original poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273732">
    <dcterms:title><![CDATA[The Wife of Bath and Gautier&#039;s &quot;La Veuve.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Gautier Le Leu&#039;s &quot;La Veuve&quot; is a source--perhaps an oral source--of the WBP as a dramatic monologue; considers garrulousness, imagery, details of character and background, and marital violence ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273731">
    <dcterms:title><![CDATA[The Black Death and the Book of the Duchess.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Plague, or Black Death, &quot;stands behind&quot; BD, helping to &quot;give it a shape and a meaning,&quot; describing late-medieval attitudes toward death and fortune as described in commentaries on plague.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273730">
    <dcterms:title><![CDATA[Shakespeare und Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Records various early modern reactions to Chaucer, particularly his language and style, and explores similarities between Shakespeare and Chaucer, focusing on their stylistic range, and their attitudes toward social class, education, and human virtue. In German.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273729">
    <dcterms:title><![CDATA[Chaucer and the Shape of Creation: The Aesthetic Possibilities of Inorganic Structure.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;aesthetic implications&quot; of the medieval world view, rooted in Plato&#039;s &quot;Timaeus&quot; and based on notions of quantity, ordered hierarchy, and analogy rather than &quot;organic&quot; unity. Developed by Boethius, Macrobius, and Augustine, this view and attendant principles of art and beauty found expression in Gothic cathedrals and works by Dante, Christian humanists, and Chaucer. Structured vertically like a cathedral, TC depends upon &quot;rational gradation&quot; that moves in leaps between &quot;absolutely separated levels of illusion, reality, and suprareality.&quot; CT presents multiple forms, irregularities, and disruptions that are best understood in light of Gothic aesthetic principles, evident in the narrative frame (non-dramatic), MerT (multiple forms), KnT (hierarchy), MilT (juxtaposition), ClT (discontinuity), WBP (inconsistency), and ParsT (&quot;additive collocation&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273728">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s Marital State.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that details in WBP indicate that Jankyn, the Wife of Bath&#039;s fifth husband, is alive at the time of the Canterbury pilgrimage, even though the Wife is already &quot;seeking for a replacement for him.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273727">
    <dcterms:title><![CDATA[&quot;Point&quot;: &quot;Canon&#039;s Yeoman&#039;s Tale&quot; 927.]]></dcterms:title>
    <dcterms:description><![CDATA[Corrects a line number in the citation of CYT in the &quot;OED&quot; definition of &quot;point,&quot; and comments on Chaucer&#039;s punning use of the term.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273726">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;An Impossible&quot; (&quot;Summoner&#039;s Tale&quot; III,2231).]]></dcterms:title>
    <dcterms:description><![CDATA[Explains the use of &quot;impossible&quot; as a noun in SumT 3.2231, discussing the term as a label for classroom examples of logical sophistry and commenting on Chaucer&#039;s familiarity with such academic practice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273725">
    <dcterms:title><![CDATA[Ramon Llull&#039;s &quot;Felix&quot; and Chaucer&#039;s &quot;Canon&#039;s Yeoman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Translates a passage from Ramon Llull&#039;s thirteenth-century &quot;De les Maravalles del Mon&quot; (also known as &quot;Felix&quot; or &quot;Livre de Meravalles&quot;) that has &quot;marked similarities&quot; with the account of the first deception in CYT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273724">
    <dcterms:title><![CDATA[Chaucer&#039;s Squire, the &quot;Roman de la Rose,&quot; and the &quot;Romaunt.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations among details of the GP description of the Squire (CT 1.94-96), the &quot;Roman de la Rose,&quot; and a passage from fragment B of the &quot;Romaunt of the Rose,&quot; suggesting that Chaucer influenced the fragment and that the two passages derive from different texts of the &quot;Roman de la Rose.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273723">
    <dcterms:title><![CDATA[Chaucer and the Liturgy.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;predominant secularity&quot; of Chaucer&#039;s &quot;attitude&quot; toward the liturgy in his various references to and uses of ecclesiastical calendars, legendaries (saints&#039; lives, hagiographies, or lectionaries), sacramentals, breviaries, missals, primers, etc. Comments on various liturgical rites of medieval England (particularly the Use of Sarum), and describes a range of &quot;liturgical materials&quot; in Chaucer, with extended discussions of SNT, PrT, LGW as a legendary, references to saints in oaths in CT, the &quot;crowned A&quot; of TC 1.171, Chaucer&#039;s relationship with Lollard and Wycliffite concerns, etc. The volume includes an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273722">
    <dcterms:title><![CDATA[The Detached and Judging Narrator in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates the combination of serious message (the nature of &quot;love-in-the world&quot;) and comic method in HF, exploring Chaucer&#039;s shifts in narrative stance, his adaptations of Dante, his uses of irony, and the similarities between his methods and those used by Augustan poets, especially Alexander Pope in &quot;The Rape of the Lock.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273721">
    <dcterms:title><![CDATA[Chaucer&#039;s Clerk and Chalcidius.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the legacy of gladly learning and gladly teaching, from Plato&#039;s &quot;Timaeus&quot; in Chalcidius&#039;s translation through Jean de Meun&#039;s &quot;Roman de la Rose&quot; to the GP description of the Clerk (1.308), also noting the presence of the legacy in the description of the Parson (GP 1.528).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273720">
    <dcterms:title><![CDATA[How Old is Chaucer&#039;s Clerk?]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Clerk is characterized as a &quot;middle-aged scholar and professional logician,&quot; distinct among the other clerks of CT for his age (probably &quot;more than thirty and less than fifty years of age&quot;) and wisdom, and unique in the GP as a representative of the medieval &quot;intelligentsia.&quot; The character may have been inspired by the ideal of a clerk presented in Vincent of Beauvais&#039;s &quot;De Eruditione Filiorum.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273719">
    <dcterms:title><![CDATA[Malkyn in the Man of Law&#039;s Headlink.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;Malkyn&quot; in MLP (2.30) refers not to a generic &quot;lewd woman&quot; as suggested by W. W. Skeat but to the character Malyne in RvT, Symkyn&#039;s daughter, hypothesizing that Chaucer intended to cancel CkPT and follow RvT with MLPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273718">
    <dcterms:title><![CDATA[Geoffrey Chaucer on the Subject of Men, Women, Marriage, and &quot;Gentilesse.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers &quot;gentilesse&quot; (the &quot;quality that makes human relationships most proper and ennobling&quot;) to be the main theme of the &quot;Marriage Group&quot; in CT, commenting on the virtue as it is presented in Mel, NPT, WBPT, ClT, MerT, and FranT, and exploring its relations with sovereignty in marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273717">
    <dcterms:title><![CDATA[Chaucer&#039;s Pardoner and the Hare.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the commonplace &quot;medieval notion of the hare&#039;s sexual peculiarities,&quot; locating it in several sources, and explicating its implications when applied to the Pardoner and his staring eyes in GP 1.684.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273716">
    <dcterms:title><![CDATA[Chaucer and the Satirical Tradition.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s &quot;main contribution to English satire&quot; is the &quot;reunification&quot; of &quot;Horace&#039;s gentleness, Juvenal&#039;s verve, and St. Jerome&#039;s moral vision,&quot; augmented by his &quot;facile use of the double-entendre&quot; and &quot;his own special combination of clever wit and humane understanding.&quot; Surveys classical satire, the complaint tradition, and satire in Gower and Langland.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273715">
    <dcterms:title><![CDATA[A New Chaucer Analogue: The Legend of Ugolino.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a late-fifteenth-century analogue to Chaucer&#039;s account of Ugolino, titling it &quot;The Legend of Ugolino,&quot; found in MS. 6 of the Corning Museum of Glass, Corning, New York. Comments on the relation of the &quot;Legend&quot; to Chaucer&#039;s version, particularly is techniques of expansion (from Chaucer&#039;s 56 lines to 266) and describes the language, style, and manuscript context of the poem, printed here for the first time.]]></dcterms:description>
</rdf:Description></rdf:RDF>