<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273750">
    <dcterms:title><![CDATA[Chaucer&#039;s Concept of Death in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the attitudes toward death depicted in ABC, Purse, HF, and Bo, and studies CT for evidence of what Chaucer&#039;s own opinion of death may have been.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273749">
    <dcterms:title><![CDATA[The &quot;Canterbury Tales&quot; and &quot;Il Decamerone.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Adduces evidence of the influence of Boccaccio&#039;s &quot;Decameron&quot; on CT by collecting all available indications of similarity--instances of borrowing and less specific parallel details.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273748">
    <dcterms:title><![CDATA[The Minor Poems of Stephen Hawes.]]></dcterms:title>
    <dcterms:description><![CDATA[Edits the minor poem of Stephen Hawes, with notes that include recurrent comments on the influence of Chaucer and Lydgate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273747">
    <dcterms:title><![CDATA[The Protagonist as Sufferer: A Critical Inquiry into a Topos in Chaucer and Spenser.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the topos of the sufferer as protagonist in classical, Christian, and late Latin sources and explores it &quot;as an element&quot; in KnT, TC, and Edmund Spenser&#039;s &quot;Faerie Queene,&quot; arguing that Chaucer tends to emphasize &quot;the value of acceptant suffering&quot; while Spenser is more concerned with the &quot;value of action.&quot; Considers the imagery of suffering as well as suffering as  psychological state.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273746">
    <dcterms:title><![CDATA[Music in Chaucer: His Knowledge and Use of Medieval Ideas About Music (Volumes I and II).]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the impact and significance of music in Chaucer&#039;s works in light of three traditions: philosophic, Scriptural, and poetic, concluding that &quot;Chaucer&#039;s music is far more meaningful and amusing than critics have thought,&quot; and the &quot;major imagery&quot; of his work, consistently identifying or vivifying &quot;the moral nature and humor of persons, settings, and themes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273745">
    <dcterms:title><![CDATA[Chaucer&#039;s Narrative Pose: The Formative Phase.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies Chaucer&#039;s narrative personae in BD and PF, identifying several traits that become &quot;regular marks&quot; of his later self-characterizations: a bookish reteller who interjects personal comments, &quot;comic self-depreciation,&quot; and ambiguous &quot;fascination&quot; with love but without personal involvement.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273744">
    <dcterms:title><![CDATA[Griselda: Aarne-Thompson Tale Type 887: Analogues of Chaucer&#039;s &quot;Clerk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Studies fourteenth- and fifteenth-century versions of the Griselda story, including ClT, arguing that it does not derive from the Cupid and Psyche myth and that several versions thought to be analogues are not in fact so.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273743">
    <dcterms:title><![CDATA[Two Scots Chaucerians: Robert Henryson, William Dunbar.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the lives and works of Robert Henryson and William Dunbar, with recurrent attention to their borrowings from Chaucer and their similarities to and differences from the earlier poet. Includes a select bibliography (pp. 45-48).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273742">
    <dcterms:title><![CDATA[Four Fragments from the &quot;Canterbury Tales&quot; by Geoffrey Chaucer (c. 1340-1400): High Voice and Flute, Clarinet, Harpsichord (Piano).]]></dcterms:title>
    <dcterms:description><![CDATA[Four-part musical score for selections (in Middle English) from GP, 1-42, the GP descriptions of the Knight and the Squire, and WBP 3.1-34. The introductory materials include comments on expression, tone, and pronunciation, with Trimble&#039;s remark that &quot;utter accuracy in pronunciation&quot; need not be achieved. WorldCat records indicate that the score was first printed in 1958 (in facsimile), and that sound recordings were published in 2001 and 2017.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273741">
    <dcterms:title><![CDATA[The Story of English.]]></dcterms:title>
    <dcterms:description><![CDATA[A revised version of the 1952 publication, with largely revamped discussions of the &quot;Geography of English&quot; and &quot;The American Language,&quot; with the latter standing alone in a new section. This revised edition expands the list of works consulted, the index, and the list of words and expressions discussed, but essentially follows the format and details of the original, with its divisions into The Past, The Present, and The Future. &quot;The Chaucerian Era&quot; (pp. 44-51; 52-59 in the original) emphasixes Chaucer&#039;s &quot;modernistic tendencies,&quot; i.e., his innovations in a period of rapid change.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273740">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s &quot;A. B. C.&quot;: Called &quot;La &quot;Priere de Nostre Dame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[An art-book version of ABC, limited to 1000 copies, with facing-page Middle English text taken from the Kelmscott Chaucer and verse translation into Modern English by Dave Haselwood. The font of the Middle English text derives from &quot;lettre batarde&quot; and the illustrated initials from fifteenth-century publications from Ulm, Germany, &quot;probably the work&quot; of woodcutter and printer, Johan Zainer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273739">
    <dcterms:title><![CDATA[Satire: A Critical Anthology.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes samples of satire from classical to modern literature, arranged by genre (Prose and Drama, Verse, Epigrams), including modernizations (by Nevill Coghill) of FrPT and SumP under Verse. The Foreward (pp. xv-xxxiv) describes the &quot;ingredients,&quot; development, and &quot;moods&quot; of satire, and the Introduction to Verse (pp. 271-79) clarifies Chaucer&#039;s place in the tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273738">
    <dcterms:title><![CDATA[Le Roman de la Rose: Guillaume de Lorris.]]></dcterms:title>
    <dcterms:description><![CDATA[An edition of Guillaume de Lorris&#039;s portion of &quot;Le Roman de la Rose,&quot; with glosses and an Introduction (pp.1-12) in modern French. Includes as an Appendix fragment A (lines 1-1705) of Rom, with glosses and an Introduction (pp.149-51) in modern English, commenting on Chaucer&#039;s translation and its importance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273737">
    <dcterms:title><![CDATA[Chaucer in Dryden&#039;s &quot;Fables.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses &quot;Dryden&#039;s conception of Chaucer,&quot; his poems, and the &quot;purpose guiding&quot; the changes he made while modernizing WBT, KnT, NPT, and the apocryphal &quot;Flower and the Leaf.&quot; Also discusses Dryden&#039;s &quot;Character of the Good Parson&quot; and &quot;Hind and the Panther&quot; and gauges the &quot;unexpected&quot; degree of change he made to Chaucer&#039;s works in light of eighteenth-century attitudes and reception of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273736">
    <dcterms:title><![CDATA[The Realism of Dream Visions: The Poetic Exploitation of the Dream Experience in Chaucer and His Contemporaries.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the nature and function of dream vision in late-medieval English literature, focusing on BD, HF, PF, LGWP, &quot;Pearl&quot; and &quot;Piers Plowman,&quot; and commenting on other works. Considers this poetry in light of post-Freudian psychology as well as medieval philosophy, symbolism, and allegory, and emphasizes the unifying function of &quot;dream-work&quot; through association and transformation. Compares BD and &quot;Pearl&quot; as &quot;realistic&quot; dream elegies and examines how Chaucer&#039;s other dream poems use the &quot;universal human experience&quot; of dream as a structural device. Also comments on dreams in TC and CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273735">
    <dcterms:title><![CDATA[Two Boethian Speeches in &quot;Troilus and Criseyde&quot; and Chaucerian Irony.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Troilus&#039;s two speeches on the &quot;problem of free will and determinism&quot; in TC (4.958-1082 and 3.813-40), observing complex irony whereby readers are led to agree with a perspective, then disagree, and then agree again. Chaucer &quot;affirms both positions and denies nothing.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273734">
    <dcterms:title><![CDATA[The Poet Chaucer. 2nd ed.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints the 1949 edition, with few minor changes and an added &quot;Selected Reading List&quot; (pp. 137-39.)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273733">
    <dcterms:title><![CDATA[Observazioni su &quot;The Parlement of Foules.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the theme of common profit in PF and Chaucer&#039;s treatment of source material, drawing examples from his uses of Dante and Boccaccio to evince that Chaucer is never an &quot;arido tradittore&quot; (dry translator) but an original poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273732">
    <dcterms:title><![CDATA[The Wife of Bath and Gautier&#039;s &quot;La Veuve.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Gautier Le Leu&#039;s &quot;La Veuve&quot; is a source--perhaps an oral source--of the WBP as a dramatic monologue; considers garrulousness, imagery, details of character and background, and marital violence ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273731">
    <dcterms:title><![CDATA[The Black Death and the Book of the Duchess.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Plague, or Black Death, &quot;stands behind&quot; BD, helping to &quot;give it a shape and a meaning,&quot; describing late-medieval attitudes toward death and fortune as described in commentaries on plague.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273730">
    <dcterms:title><![CDATA[Shakespeare und Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Records various early modern reactions to Chaucer, particularly his language and style, and explores similarities between Shakespeare and Chaucer, focusing on their stylistic range, and their attitudes toward social class, education, and human virtue. In German.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273729">
    <dcterms:title><![CDATA[Chaucer and the Shape of Creation: The Aesthetic Possibilities of Inorganic Structure.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;aesthetic implications&quot; of the medieval world view, rooted in Plato&#039;s &quot;Timaeus&quot; and based on notions of quantity, ordered hierarchy, and analogy rather than &quot;organic&quot; unity. Developed by Boethius, Macrobius, and Augustine, this view and attendant principles of art and beauty found expression in Gothic cathedrals and works by Dante, Christian humanists, and Chaucer. Structured vertically like a cathedral, TC depends upon &quot;rational gradation&quot; that moves in leaps between &quot;absolutely separated levels of illusion, reality, and suprareality.&quot; CT presents multiple forms, irregularities, and disruptions that are best understood in light of Gothic aesthetic principles, evident in the narrative frame (non-dramatic), MerT (multiple forms), KnT (hierarchy), MilT (juxtaposition), ClT (discontinuity), WBP (inconsistency), and ParsT (&quot;additive collocation&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273728">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s Marital State.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that details in WBP indicate that Jankyn, the Wife of Bath&#039;s fifth husband, is alive at the time of the Canterbury pilgrimage, even though the Wife is already &quot;seeking for a replacement for him.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273727">
    <dcterms:title><![CDATA[&quot;Point&quot;: &quot;Canon&#039;s Yeoman&#039;s Tale&quot; 927.]]></dcterms:title>
    <dcterms:description><![CDATA[Corrects a line number in the citation of CYT in the &quot;OED&quot; definition of &quot;point,&quot; and comments on Chaucer&#039;s punning use of the term.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273726">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;An Impossible&quot; (&quot;Summoner&#039;s Tale&quot; III,2231).]]></dcterms:title>
    <dcterms:description><![CDATA[Explains the use of &quot;impossible&quot; as a noun in SumT 3.2231, discussing the term as a label for classroom examples of logical sophistry and commenting on Chaucer&#039;s familiarity with such academic practice.]]></dcterms:description>
</rdf:Description></rdf:RDF>