<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273939">
    <dcterms:title><![CDATA[Midlife Sex and the BBC &quot;Wife of Bath.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Examines ageism and Chaucerian echoes in the BBC television adaptation of WBPT, commenting on the lack of concern with age in feminist studies, attitudes towards &quot;cougardom&quot; in the TV episode, and affiliations between middle age and the Middle Ages in a distinctly Chaucerian scene from the episode.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273938">
    <dcterms:title><![CDATA[&quot;Sorry, Chaucer&quot;: Mixed Feelings and Hyapatia Lee&#039;s &quot;Ribald Tales of Canterbury.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Hyapatia Lee&#039;s &quot;Ribald Tales of Canterbury&quot; as &quot;quasi-medieval erotica&quot; and a conventional example of pornography from the &quot;golden age&quot; of porn films (1970s and early 1980s). Then discusses evidence from the film and from an autobiography that Lee, as screenwriter and star, sought to assert &quot;feminine displacement of Chaucer&#039;s male authority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273937">
    <dcterms:title><![CDATA[Chaucer, Film, and the Desert of the Real; or, Why Geoffrey Chaucer Will Never Be Jane Austen.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that modernity&#039;s insistence on a repressive break with the past helps to explain the paucity of screen adaptations of Chaucer&#039;s works, commenting on similarities between Chaucer&#039;s desert in HF and the &quot;desert of the [R]eal&quot; of Jean Baudrillard and Slavoj Žižek, and comparing Chaucer&#039;s narrative techniques (particularly in the Monk&#039;s description in GP, I.183–88) with Jean Austen&#039;s free indirect discourse and the cinematic technique of &quot;shot/reverse shot.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273936">
    <dcterms:title><![CDATA[Naked yet Invisible: Filming Chaucer&#039;s Narrator.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses how Brian Helgeland&#039;s &quot;A Knight&#039;s Tale&quot; and John Madden&#039;s &quot;Shakespeare in Love&quot; &quot;tell us more than they realize&quot;: that Chaucer always stands separate from his fiction and, conversely, that Shakespeare&#039;s &quot;theatrical life&quot; enables us to &quot;easily draw connections between him and his characters.&quot; This difference helps to explain why there are so few screen adaptations of Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273935">
    <dcterms:title><![CDATA[Chaucerian History and Cinematic Perversions in Michael Powell and Emeric Pressburger&#039;s &quot;A Canterbury Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;experiential vision of the past&quot; depicted in Powell and Pressburger&#039;s movie &quot;A Canterbury Tale,&quot; exploring the &quot;spectral inspiration&quot; of Chaucer, the film&#039;s propaganda value, its &quot;metacinematic&quot; ironies, and its &quot;perversions&quot; of the film medium alongside the perversions of the Glue Man who assaults women in the plot. Ultimately, the movie exposes the &quot;false binary of perversion and sanctity,&quot; particularly as linked to attitudes toward the past.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273934">
    <dcterms:title><![CDATA[Medieval Masterpieces.]]></dcterms:title>
    <dcterms:description><![CDATA[Features the beauty and importance of the Luttrell Psalter and Caxton&#039;s second edition of CT, with commentary on book production and the sociohistorical importance of the featured texts. Four sections pertain to Chaucer: &quot;Commercial Printing&quot; (2:30), &quot;Caxton&#039;s 2nd Edition&quot; (3:42), &quot;Chaucer&#039;s Approach&quot; (3:04), and &quot;Chaucer&#039;s Satire&quot; (2:59), each with scholarly commentary. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273933">
    <dcterms:title><![CDATA[Idols of the Marketplace: Chaucer/Pasolini.]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets Pier Paolo Pasolini&#039;s &quot;I racconti di Canterbury&quot; as a &quot;profound&quot; engagement with CT, analyzing four instances of adaptation that reflect subtle appreciation and understanding of Chaucer&#039;s themes and techniques: a latrine scene at the beginning of Pasolini&#039;s version of RvT, the gesture used to drive away the cat in his SumT, the &quot;self-reflexiveness&quot; of his casting himself as Chaucer, and his &quot;use of voice&quot; in MerT and placement of it as the first of his tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273932">
    <dcterms:title><![CDATA[The Color of Money: The BBC &quot;Sea Captain&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Coins the term &quot;updaptation&quot; to describe adaptations that shift temporalities from past to present, using the term to explore relations between ShT and the BBC television version, the &quot;Sea Captain&#039;s Tale.&quot; Focuses on the episode&#039;s use of film noir techniques, the color blue, its setting in India, Sanskrit analogues, and &quot;cultural mimicry.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273931">
    <dcterms:title><![CDATA[Putting the Second First: The BBC &quot;Miller&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Observes the lack of &quot;narratorial interactivity&quot; (teller/tale relations) in the BBC adaptations of CT and explores several other &quot;markedly un-Chaucerian&quot; aspects of the television version of MilT, remarking that the series &quot;does little to promote&quot; understanding or appreciation of Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273930">
    <dcterms:title><![CDATA[The Naked Truth: Chaucerian Spectacle in Brian Helgeland&#039;s &quot;A Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;unexpected points of contact between&quot; Brian Helgeland&#039;s &quot;A Knight&#039;s Tale&quot; and Chaucer&#039;s poetry, discussing ways that the film and KnT focus on tilting arenas and order, their affinities with pastiche, their concern with the power of the poet, and their &quot;enlisting&quot; of audience &quot;complicity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273929">
    <dcterms:title><![CDATA[Time, Memory, and Desire in the BBC &quot;The Man of Law&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Views the BBC television version of MLT as an exploration of the simultaneities of past, present, and future, interrelated with motifs of amnesia, immigration, political struggle, religious warfare, and the &quot;correlation of spiritual and sexual desire&quot;--many of which are, more or less, &quot;latent&quot; concerns of Chaucer&#039;s tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273928">
    <dcterms:title><![CDATA[Serving Time: The BBC &quot;Knight&#039;s Tale&quot;in the Prison-House of Free Adaptation.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the concern with reading and liberation in the BBC television version of KnT is &quot;reflexive,&quot; mirroring the goals of the six-part series. The series&#039; goal of &quot;freeing&quot; readers from &quot;academic Chaucer&quot; is paralleled by efforts to liberate the episode&#039;s male protagonists through education, but both are undercut by circular logic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273927">
    <dcterms:title><![CDATA[Lost Chaucer: Natalie Wood&#039;s &#039;The Deadly Riddle&#039; and the Golden Age of American Television.]]></dcterms:title>
    <dcterms:description><![CDATA[Recounts efforts to find &quot;film elements&quot; (recorded vestiges) of &quot;The Deadly Riddle,&quot; a 1956 television version of WBT, produced by Roy Huggins for &quot;Warner Brothers Presents,&quot; starring Natalie Wood and Jacques Sernas. Only paratextual material provides evidence of the lost recording, indicating loose adaptation of WBT, yet enabling a fantasy of reconstruction. Also, CT may be seen as the &quot;originary origin&quot; for framed serial storytelling, a recurrent technique of television and radio]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273926">
    <dcterms:title><![CDATA[Sex, Plague, and Resonance: Reflections on the BBC &quot;Pardoner&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that the BBC television adaptation of PardPT concentrates more on sexual predation than on death, and argues that this eliminates both the sexual and the contextual queerness of Chaucer&#039;s original, which requires of its audience &quot;rigorously trained self-awareness that its contextual queerness makes difficult or impossible to feel secure in.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273925">
    <dcterms:title><![CDATA[&quot;The Play&#039;s the Thing&quot;: The Cinematic Fortunes of Chaucer and Shakespeare.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Shakespeare&#039;s works have more often been adapted to the screen than Chaucer&#039;s works because the latter have widely been considered to be &quot;guarded by experts.&quot; Comments on the Troilus frontispiece, Jonathan Myerson&#039;s animated adaptation of CT, and Brian Helgeland&#039;s &quot;A Knight&#039;s Tale.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273924">
    <dcterms:title><![CDATA[Chaucer and the Moving Image in Pre-World War II America.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the limited presence of Chaucer in the early American films, commenting on a Motion Picture Academy educational promotion and a &quot;distorted&quot; version of PardT, &quot;On Borrowed Time&quot; (1939). Offers five reasons for this scarcity: &quot;Americanization,&quot; Chaucer&#039;s lack of concern with &quot;futurity&quot; in heterosexual coupling (children), his association with the past, a lack of &quot;massification&quot; of his works, and Hollywood&#039;s disregard of key audiences--academic, women, and children--in favor of the appeal of Douglas Fairbanks&#039;s &quot;vigor.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273923">
    <dcterms:title><![CDATA[Chaucer on Screen: Absence, Presence, and Adapting the &quot;Canterbury Tales.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Seventeen essays that explore representation of Chaucer and CT on film and television, with recurrent attention to the limited number and scope of such adaptations. The introduction by the editors, &quot;Chaucer on Screen,&quot; (pp. 1-16) comments on relations between source study and adaptation study, particularly page-to-screen remediations of Chaucer&#039;s works; it also summarizes each of the essays. The volume includes a foreword by Terry Jones, a bibliography, and an index. For individual essays search for Chaucer on Screen under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273922">
    <dcterms:title><![CDATA[Chaucer, Geoffrey.]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes Chaucer&#039;s life and career, and comments on TC and CT (especially the Pardoner and Wife of Bath) as demonstrations of Chaucer&#039;s &quot;commitment to the religious view of life,&quot; his &quot;humanist sympathy&quot; with living in a fallen world, and his commitment to &quot;Christian optimism.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273921">
    <dcterms:title><![CDATA[English Author Dictionaries (the XVIth–the XXIst cc.).]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies and describes reference works that pertain to individual English authors, published (in print or online) from the sixteenth century to the twenty-first century--concordances, glossaries, name-dictionaries, indices to quotations and proverbs, handbooks, etc. Gives particular attention to Chaucer as the earliest English author about whom such reference works were created.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273920">
    <dcterms:title><![CDATA[Later Medieval: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2009, divided into four subcategories: general, CT, TC, and other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273919">
    <dcterms:title><![CDATA[English Historical Linguistics: An International Handbook, Volume 1.]]></dcterms:title>
    <dcterms:description><![CDATA[An encyclopedic handbook with contributions by various authors, with topics ranging from historical periods to modern media studies. Includes an introductory essay by Jeremy J. Smith entitled &quot;Middle English&quot; (pp. 32-47) and a section on various subtopics in Middle English linguistics, including &quot;Middle English: Literary Language&quot; by Leslie K. Arnovick (pp. 551-76) and &quot;Middle English: The Language of Chaucer&quot; by Simon Horobin (pp. 576-87), the latter concerned with standardization, spelling and dialect, grammar, and vocabulary, describing the state of modern studies and the work that needs to be done. The index to the volume cites numerous other references to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273918">
    <dcterms:title><![CDATA[&quot;Later Medieval: Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2010, divided into four subcategories: general, CT, TC, and other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273917">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2014.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings.234 items, plus listing of reviews for 40 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273916">
    <dcterms:title><![CDATA[Annotated Chaucer Bibliography: 1997–2010.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes 4,632 annotated entries, compiled and edited from the annual bibliography reports published in SAC, newly arranged and cross-referenced in categories that reflect changes in the reception and teaching of Chaucer and Chaucerian scholarship. This comprehensive collection includes items not found in previously printed Chaucer bibliographies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273915">
    <dcterms:title><![CDATA[An Introduction to Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[A textbook designed for reading and analyzing poetry in the college classroom, with discussions of prosody, poetic devices, and genres; study questions; and an anthology of illustrative poems, including Chaucer&#039;s Purse in Middle English (p. 292) with same-page glosses and brief notes.]]></dcterms:description>
</rdf:Description></rdf:RDF>