<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274041">
    <dcterms:title><![CDATA[Elf Queens and Holy Friars: Fairy Beliefs and the Medieval Church.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents (in a postscript) how Chaucer&#039;s attitudes and &quot;amused skepticism&quot; toward fairies influenced later writers, including Spenser and Shakespeare. Analyzes connections between historiography of early modern witch-hunts and popular superstitions of fairy beliefs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274040">
    <dcterms:title><![CDATA[Unknowne, unkow, Vncovthe, uncouth: From Chaucer and Gower to Spenser and Milton.]]></dcterms:title>
    <dcterms:description><![CDATA[Poses questions about the &quot;realities and complexities of authorship and literary tradition&quot; in Gower, the &quot;pseudo-Chaucerian&quot; &quot;Plowman&#039;s Tale,&quot; Spenser&#039;s &quot;Shepheardes Calender,: and Milton&#039;s poetry. Addresses Chaucer&#039;s reception in the sixteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274039">
    <dcterms:title><![CDATA[Medieval into Renaissance: Essays for Helen Cooper.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a collection of essays that respond to and commemorate Helen Cooper&#039;s &quot;contribution to the study of medieval and Renaissance literature, literary history and periodisation.&quot; For an essay that pertains to Chaucer, search for Medieval into Renaissance under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274038">
    <dcterms:title><![CDATA[Over the Influence.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews canon, allusion, and literary influence in English literature. Refers to Chaucer as the head of the English canon, discusses Matthew Arnold&#039;s thoughts on Chaucer, and reveals limited attention to Chaucer in the 1909 &quot;Harvard Classics&quot; publication. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274037">
    <dcterms:title><![CDATA[Forms of Mediation: Chaucer, Spenser and English Literary History.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Spenser&#039;s perception of Chaucer as inspiration, influence, and creator whose creations have themselves been mediated by other writers and society.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274036">
    <dcterms:title><![CDATA[Literary Paternity and Narrative Revival: Chaucer&#039;s Soul(s) from Spenser to Dryden.]]></dcterms:title>
    <dcterms:description><![CDATA[Claims that Chaucer, Spenser, and Dryden may be understood as a collective devoted to the project of &quot;reviving or supplementing destroyed, deferred, and unfulfilled stories.&quot; Demonstrates the recursive, rather than linear, relations among these poets&#039; work in a comparison of the progress of souls after death in Anel, KnT, and SqT; in Spenser&#039;s &quot;Faerie Queene,&quot; Book 4; and in Dryden&#039;s &quot;Fables Ancient and Modern.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274035">
    <dcterms:title><![CDATA[&quot;Bede and Merlion and Arsaladone&quot;: The Persistence of Short Verse Prophecies in Late-Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the apocalyptic genre of English short-verse prophecies, which were attributed to authorities such as Merlin, Bede, and Chaucer, who existed safely in the past but often also on the margins of political and religious orthodoxy. Popular from the thirteenth to the sixteenth century, the circulation of these prophecies was linked to Welsh rebellions and Wycliffism in the early fifteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274034">
    <dcterms:title><![CDATA[Fabulous Women, Fables of Patronage: Metham&#039;s &quot;Amoryus and Cleopes&quot; and BL MS Additional 10304.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the figure of Alceste in LGW as a &quot;fable&quot; of female patronage, and argues that texts such as John Metham&#039;s &quot;Amoryus and Cleopes&quot; and an anonymous English translation of a portion of Boccaccio&#039;s &quot;De Mulieribus Claris&quot; do not follow Chaucer&#039;s (or Boccaccio&#039;s) lead in this respect. Chaucer &quot;jokingly&quot; poses &quot;fascinating questions&quot; about female patrons and audiences, but the later texts take them seriously.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274033">
    <dcterms:title><![CDATA[&quot;The Other Junius&quot; in Oxford, Bodleian Library MS Junius 74: Francis Junius and a Scots Glossary by Patrick Young]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews seventeenth-century lexicographical interest in Scots dialect, and includes information about the extent to which Junius used Gavin Douglas&#039;s &quot;Eneados&quot; to understand Chaucer&#039;s vocabulary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274032">
    <dcterms:title><![CDATA[The Wild Green Hills of Wyre and Other Notes.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the sources of several details and attitudes in poems by A. E. Housman, including discussion of the impact of KnT and TC on &quot;A Shropshire Lad,&quot; particularly their depictions of love sickness (&quot;amor heroes&quot;) and the ennobling effects of courtly love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274031">
    <dcterms:title><![CDATA[Words, Words, Words: Essays and Memoirs.]]></dcterms:title>
    <dcterms:description><![CDATA[Alludes to Chaucer in the title of an essay about the poet Barrie Phillip Nichol, &quot;On First Opening Nichol&#039;s Chaucer,&quot; and briefly characterizes CT as &quot;a long poem that incorporates,&quot; playing on the meaning of &quot;corpus&quot; as &quot;body.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274030">
    <dcterms:title><![CDATA[&quot;An Old-Fashioned Form of the Zulu Tongue&quot;: A Nineteenth-Century Chaucer Allusion.]]></dcterms:title>
    <dcterms:description><![CDATA[Notes that H. Rider Haggard mentions Chaucer in &quot;King Solomon&#039;s Mines.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274029">
    <dcterms:title><![CDATA[The YouTube Prioress: Anti-Semitism and Twenty-First Century Participatory Culture.]]></dcterms:title>
    <dcterms:description><![CDATA[Asserts that PrT &quot;depends upon, and perpetrates, the worst stereotypes of Jews,&quot; and assesses thirty-two YouTube dramatizations and adaptations of the tale (posted 2006–11) as evidence of its contemporary reception among high school audiences, teachers and students alike. Focuses on the &quot;idioms of YouTube&quot; and the treatment of the anti-Semitism in the student videos, describing YouTube as the future &quot;de facto archive of our visual cultural heritage.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274028">
    <dcterms:title><![CDATA[Medieval Afterlives in Popular Culture.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays exploring how medievalisms and medieval elements are reclaimed and reconceptualized in contemporary print and digital texts, TV, and film. For an essay pertaining to Chaucer, search for Medieval Afterlives in Popular Culture under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274027">
    <dcterms:title><![CDATA[The Myth of &quot;Piers Plowman.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the &quot;Langland archive&quot; to address the history of the production and reception of &quot;Piers Plowman.&quot;The &quot;Conclusion&quot; (pp. 129-40) reveals early eighteenth-century textual scholarship that attributes &quot;Piers Plowman&quot; to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274026">
    <dcterms:title><![CDATA[Tending to One&#039;s Garden: Deschamps&#039;s &#039;Ballade to Chaucer&#039; Reconsidered.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that Deschamps&#039;s &quot;Ballade to Chaucer&quot; alludes to a poetic debate between Philippe de Vitry and Jean de le Mote, to Ovidian exile, and to a poet&#039;s oeuvre as a garden. Claims that Deschamps&#039;s emphasis on translation and use of French and classical sources in &quot;Ballade to Chaucer&quot; &quot;does vital cross-cultural work,&quot; and has implications for the reading of BD and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274025">
    <dcterms:title><![CDATA[&quot;Anima carnis in sanguine est&quot;: Blood, Life, and &quot;The King of Tars.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Connects the shapeless mass of flesh, which Christian baptism miraculously reforms into a baby in the Middle English romance &quot;The King of Tars,&quot; with a bloodless mass described by Chaucer&#039;s contemporary Henry Daniel as an &quot;elvysch cake.&quot; Claims that &quot;elvysch&quot; can be interpreted as strange, transformational, and excessive, in a &quot;Chaucerian sense,&quot; and the concept may be echoed in the rumor of a &quot;fiendish&quot; birth in MLT and of Saracen &quot;bloodlessness&quot; in SNT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274024">
    <dcterms:title><![CDATA[Gower before Chaucer: Narrative and Ethics in &quot;The Tale of Tereus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Comparative essay that includes commentary on Chaucer&#039;s &quot;volatile response&quot; to the story of Philomela in his LGW, suggesting that Chaucer&#039;s account may reflect anxiety about Gower&#039;s influence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274023">
    <dcterms:title><![CDATA[The Hag Transformed: &quot;The Tale of Florent,&quot; Ethical Choice, and Female Desire in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts Gower&#039;s tale of Florent with WBT and &quot;The Wedding of Sir Gawain and Dame Ragnelle,&quot; arguing that Gower and Chaucer &quot;grapple with ethical circumstances in human relationships&quot; (matters of right conduct and governance, respectively) while the &quot;Wedding&quot; exposes the &quot;fragility of courtly virtues.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274022">
    <dcterms:title><![CDATA[Social Class in the Classroom: Gower&#039;s Estates Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts the uses of estates literature in works by Gower, Chaucer, and William Langland, explaining the didacticism of Gower, Chaucer&#039;s &quot;playful &#039;show--don&#039;t tell&#039;&quot; in GP, and Langland&#039;s allusive allegorizing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274021">
    <dcterms:title><![CDATA[Teaching Gower&#039;s Reception: A Poet for All Ages,]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Gower&#039;s reception among fellow poets and critics, including comments on the effect of Chaucer upon Gower&#039;s reputation and the value of comparing their versions of individual stories.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274020">
    <dcterms:title><![CDATA[Approaches to Teaching the Poetry of John Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-five pedagogical essays by various authors, with an introduction by the editors and a comprehensive index. For four essays that pertain to Chaucer, search for Approaches to Teaching the Poetry of John Gower under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274019">
    <dcterms:title><![CDATA[One Chaste Muslim Maiden and a Persian in a Pear Tree: Analogues of Boccaccio and Chaucer in Four Earlier Arabic and Persian Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes and discusses two analogues to the pear tree episode in MerT (and in Boccaccio&#039;s &quot;Decameron&quot;), one in Persian by Rumi in his &quot;Mathnavī,&quot; and one in Arabic by Ibn al-Jawzi in his &quot;Kitāb al-adhkiyā&#039;.&quot; Also describes and discusses two analogues to MLT, one in Persian by Farid al-Din Attar in his &quot;Elahi-Nameh&quot; (&quot;Ilāhī-nāmā&quot;) and an earlier one in Arabic by al-Kulaynī in the &quot;Kitāb al-kāfī.&quot; Throughout, includes attention to other source-and-analogue information that relates to the episodes, and includes as appendices transliterations and English translations of the Persian and Arabic materials, with the exception of Attar&#039;s Chaste Maiden account.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274018">
    <dcterms:title><![CDATA[The Poetic Voices of John Gower: Politics and Personae in the &quot;Confessio Amantis.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Gower&#039;s intention in &quot;Confessio Amantis&quot; is both &quot;poetic, as well as political.&quot; Emphasizes how Chaucer and Gower are concerned with &quot;authority and experience&quot; in their poems. Discusses WBT in relation to Gower&#039;s &quot;Tale of Florent.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274017">
    <dcterms:title><![CDATA[&quot;Englishing&quot; Horace: The Influence of the Horatian Tradition on Old and Middle English Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Horatian influence on works ranging from the Exeter Book to Langland, Gower, and Fragments VIII and IX of CT.]]></dcterms:description>
</rdf:Description></rdf:RDF>