<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271253">
    <dcterms:title><![CDATA[Chaucer nella Pavia dei Visconti]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in WorldCat, which describes the volume as a historical novel about Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264093">
    <dcterms:title><![CDATA[Chaucer ni okeru &#039;drem&#039; to &#039;sweven&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[On the use of &quot;drem&quot; and &quot;sweven&quot; (dreams and revelations) in PF, NPT, HF, TC, BD.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263624">
    <dcterms:title><![CDATA[Chaucer ni okeru bunsaiteki hitie (Figurative Negation in Chaucer)]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders the structure and usage of figurative negation in Chaucer treated by Hein (1983), in relation to context and rhyme and in comparison with &quot;Roman de la Rose.&quot;  Figurative negation is related to rhyme.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263620">
    <dcterms:title><![CDATA[Chaucer ni okeru Humanism]]></dcterms:title>
    <dcterms:description><![CDATA[Deals with Chaucer&#039;s influence on and relation to humanism.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263635">
    <dcterms:title><![CDATA[Chaucer ni okeru Perfect ni tsuite: the &#039;Canterbury Tales&#039; o chushin ni (Perfect tense in Chaucer: With Special Reference to &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Asserts the importance of aspect and stylistics to make clear Chaucer&#039;s perfect-tense forms.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263135">
    <dcterms:title><![CDATA[Chaucer no &#039;Comedy&#039; [ Chaucer&#039;s Comedy]]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the notion of &quot;comedy&quot; in the Middle Ages, which is based on the idea of the goddess Fortuna, and argues that the comedy Chaucer refers to at the end of TC was realized in NPT.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263511">
    <dcterms:title><![CDATA[Chaucer no &#039;The Physician&#039;s Tale&#039;--Ruiwa tono Hikaku = &#039;The Physician&#039;s Tale&#039;--Comparison with Its Analogue]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the difference of treatment between PhyT and Gower&#039;s &quot;Tale of Virginia.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272221">
    <dcterms:title><![CDATA[Chaucer no &#039;Tori no Gikai&#039;--Sono Rinriteki Shukyoteki Seikaku Ni Tsuite]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.  MLA International Bibliography record indicates that this essay discusses the &quot;ethical and religious&quot; quality of PF. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262613">
    <dcterms:title><![CDATA[Chaucer no Bunpo Tenbyo ((Some Aspects of Chaucer&#039;s Grammar)]]></dcterms:title>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263625">
    <dcterms:title><![CDATA[Chaucer no buntai o megutte (Some Observations on Chaucer&#039;s Style)]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s style is ambiguous and oblique when aimed at irony and satire but is straightforward and simple when didactic.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270461">
    <dcterms:title><![CDATA[Chaucer no Menzaifu Uri no Seikaku Byōsha to Kare no Hanashi no Geifutsu sei]]></dcterms:title>
    <dcterms:description><![CDATA[Essay not seen; reported in MLA International Bibliography, with indexing reference to PardT. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263930">
    <dcterms:title><![CDATA[Chaucer no Menzaijouri no Seikaku to Imi ni tsuite]]></dcterms:title>
    <dcterms:description><![CDATA[On Chaucer&#039;s characters.  In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262048">
    <dcterms:title><![CDATA[Chaucer no Renai Shi: Shiyaku to Kaishaku]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s love poems, including a translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261817">
    <dcterms:title><![CDATA[Chaucer no Sekai]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s world.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262903">
    <dcterms:title><![CDATA[Chaucer no Yakata no Hyogen]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261539">
    <dcterms:title><![CDATA[Chaucer on &#039;Speche&#039;: House of Fame, the Friar&#039;s Tale, and the Summoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The immobile house of Fame and the whirling cage of rumor are linked to each other much as a subject and a predicate are. FrT and SumT are held together by Chaucer&#039;s sense of sentences as &quot;full-blown speech acts&quot;:  in the former, the same words are used with two different objects in mind; in the latter, different illocutions are used with the same intended object.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275532">
    <dcterms:title><![CDATA[Chaucer on Eccles New Road.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplative lyric poem (eighteen lines in threes) that refers to four of Chaucer&#039;s pilgrims (Knight, Miller, Reeve, and Pardoner) and includes six brief quotations from CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263395">
    <dcterms:title><![CDATA[Chaucer on Interpretation]]></dcterms:title>
    <dcterms:description><![CDATA[Ferster argues that modern literary and hermeneutical theory (Gadamer and Ricoeur, etc.) can shed light on medieval works:  Chaucer&#039;s characters &quot;interpret texts and each other as texts,&quot; in readings influenced by literary tradition, prejudice, self-interest, and ethics.  Includes readings of KnT, BD, PF, ClT, WBP, WBT, and CT and discussion of Harry Bailly of GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265818">
    <dcterms:title><![CDATA[Chaucer on Love, Knowledge, and Sight]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s views on knowing and loving as they are connected and opposed through sight imagery.]]></dcterms:description>
    <dcterms:description><![CDATA[  Surveys in individual chapters the philosophical and literary backgrounds of such connection and opposition and assesses their roles in the tradition of medieval love poetry.]]></dcterms:description>
    <dcterms:description><![CDATA[  In Chaucer&#039;s works, the interrelations among love, knowledge, and sight are particularly self-reflexive, here examined in BD, HF, PF, LGW, and, most extensively, TC, KnT, MerT, and SNT receive the most attention among the tales of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272869">
    <dcterms:title><![CDATA[Chaucer on Modernity, Parts I and II]]></dcterms:title>
    <dcterms:description><![CDATA[Discuses idealism and human foibles depicted in Chaucer&#039;s works, assessing them in light of contemporary social, political, and religious controversies and exploring how Chaucer poses ideals without denying human reality. Available at http://hdl/handle.net/10069/9583 and http://hdl.handle.net/10069/9596.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273923">
    <dcterms:title><![CDATA[Chaucer on Screen: Absence, Presence, and Adapting the &quot;Canterbury Tales.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Seventeen essays that explore representation of Chaucer and CT on film and television, with recurrent attention to the limited number and scope of such adaptations. The introduction by the editors, &quot;Chaucer on Screen,&quot; (pp. 1-16) comments on relations between source study and adaptation study, particularly page-to-screen remediations of Chaucer&#039;s works; it also summarizes each of the essays. The volume includes a foreword by Terry Jones, a bibliography, and an index. For individual essays search for Chaucer on Screen under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269009">
    <dcterms:title><![CDATA[Chaucer on the Couch: The Pardoner&#039;s Performance and the Case for Psychoanalytic Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Parapractic&quot; repetitions in PardPT indicate that the Pardoner may be an &quot;unconscious inversion&quot; of Chaucer&#039;s own desires for home and for his absent father.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275535">
    <dcterms:title><![CDATA[Chaucer on the Hearth.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies a series of &quot;parallels in plot and language&quot; between Charles Dickens&#039;s &quot;The Cricket on the Hearth&quot; and MerT, arguing for Chaucer&#039;s influence on &quot;Cricket,&quot; on the Strong subplot of &quot;David Copperfield,&quot; and on Dickens&#039;s &quot;Chaucerian aesthetic that mixes pathos, comedy, and social observation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264994">
    <dcterms:title><![CDATA[Chaucer on the Medieval Monarchy: Harry Bailly in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[There is a parallel between Harry&#039;s rule in CT and medieval political theory.  Harry progresses from the role of egocentric tyrant ruling amidst chaos to that of a more or less generous public servant ruling amidst social harmony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274202">
    <dcterms:title><![CDATA[Chaucer on Wildness: The Host, the Monk, and the Tragedy of Cenobia.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s concepts of wild and wilderness in MkT and argues that the Monk&#039;s inclusion of Cenobia is in response to the Host&#039;s comments about his own wife. This exchange is a mediation on &quot;reccheless-ness,&quot; a wildness of character that can manifest both as virtue and as vice in an individual and the community.]]></dcterms:description>
</rdf:Description></rdf:RDF>