<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274063">
    <dcterms:title><![CDATA[Chaucer Tweets the South by Southwest Festival.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a satire of &quot;hipster pilgrims&quot; at a modern music festival, rendered in faux Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274062">
    <dcterms:title><![CDATA[How to Handle with &quot;Bliss&quot; in Chaucer&#039;s &quot;Troilus and Criseyde&quot; in Turkey.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;multilayered constitution&quot; of TC &quot;as a polysemous text&quot; that celebrates &quot;the flesh and the divine simultaneously,&quot; reading the poem as the recreation of the &quot;suppressed sexual experience&quot; of Chaucer&#039;s youth in his old age, an opportunity for his audience to participate in the &quot;bliss&quot; of both.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274061">
    <dcterms:title><![CDATA[A Postmodern Chaucer or a Postmodern Coloring? &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys commentary on Chaucer&#039;s uses of postmodern techniques in CT, focusing on his experimentation and evasiveness, and his concern with meaning and with the possibilities whereby literature may or may not be considered literal. Discusses metafictive aspects of CT as &quot;a cavalcade of language users.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274060">
    <dcterms:title><![CDATA[Constructing (a Male) Parenthood for Medieval English Literature: Literary Fathers and Absent Mothers.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;construction of parenthood&quot; in medieval literature and criticism, focusing on Chaucer&#039;s role as &quot;father&quot; of English literature, which lacks a parallel &quot;mother&quot; figure.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274059">
    <dcterms:title><![CDATA[IDEA: Studies in English.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes forty-six papers presented at the fifth international IDEA conference, held at Atilim University, Ankara, Turkey in 2010. For three essays that pertain to Chaucer, search for IDEA: Studies in English under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274058">
    <dcterms:title><![CDATA[Chaucer in Contemporary Mystery Novels: A Case Study in Genre Fiction, Low-Cultural Allusions, and the Pleasure of Derivative Forms.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the status and functions of mystery novels as a form of popular culture, employing distinctions posed by Pierre Bourdieu and exploring the use of allusion in the genre. Then investigates three mystery novels by Philippa Morgan that feature Chaucer as a detective employed by John of Gaunt.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274057">
    <dcterms:title><![CDATA[Chronicling the Fortunes of Kings: John Hardyng&#039;s Use of Walton&#039;s &quot;Boethius,&quot; Chaucer&#039;s &quot;Troilus and Criseyde,&quot; and Lydgate&#039;s &quot;King Henry VI&#039;s Triumphal Entry into London.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how in the first version of his &quot;Chronicle&quot; John Hardyng was influenced by Lydgate in his descriptions of royal power and social harmony--moments of &quot;great joy and triumph&quot;--while depending upon Chaucer and Walton for his concern with &quot;great tragedy, loss, and change.&quot; He also followed others in using Chaucer&#039;s rhyme royal stanzas to write &quot;commemorative&quot; verse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274056">
    <dcterms:title><![CDATA[&quot;Good to Think With&quot;: Women and Exempla in Four Medieval and Renaissance English Texts.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the use of women and their bodies as metaphorical vehicles for the consideration of Christian life, with particular attention to MLT and SNT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274055">
    <dcterms:title><![CDATA[Chaucer&#039;s Dante in Eliot&#039;s &quot;Waste Land&quot; and Other Observations.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders CT as the source of the opening line of T. S. Eliot&#039;s &quot;The Waste Land,&quot; exploring intertextual relations with the opening of Dante&#039;s &quot;Divine Comedy&quot; as well. Also clarifies the importance of Chaucer&#039;s role in the English tradition of translating Dante and argues that Eliot, aware of this role, alludes to Chaucer&#039;s (MkT 7.2407ff.) as well as to Dante&#039;s Ugolino in his reference to the key turning in the door (&quot;The Waste Land,&quot; 412).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274054">
    <dcterms:title><![CDATA[&quot;To Yield or Die&quot;: The Power of the Prisoner from Chaucer to Shakespeare.]]></dcterms:title>
    <dcterms:description><![CDATA[Views CT as one of several works that provide examples of the definition and theorization of the captive in late medieval and early modern texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274053">
    <dcterms:title><![CDATA[Paradise Walk.]]></dcterms:title>
    <dcterms:description><![CDATA[A novel of suspense mystery in which historian Lizzie Manning follows the steps of the Wife of Bath and learns that Alisoun and her descendants had impact on English art and on the location of the bones of Thomas Becket.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274052">
    <dcterms:title><![CDATA[What Chaucer Did to Shakespeare: Books and Bodkins in &quot;Hamlet&quot; and &quot;The Tempest.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Shakespeare&#039;s reading of Thomas Speght&#039;s edition of Chaucer&#039;s &quot;Works&quot; (1598) provoked his creative imagination as well as providing source material, looking closely at how Chaucer&#039;s depiction of Julius Caesar&#039;s death in MkT affected Shakespeare&#039;s treatments of political assassination or overthrow in &quot;Julius Caesar,&quot; &quot;Hamlet,&quot; and &quot;The Tempest,&quot; and observing more generally the influence of Chaucer&#039;s &quot;voiced set of personal performances.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274051">
    <dcterms:title><![CDATA[A Refutation of Robert Byrne: John Kennedy Toole&#039;s &quot;A Confederacy of Dunces,&quot; Chaucer and Boethius.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides evidence that much of John Kennedy Toole&#039;s knowledge of Boethius, important to his novel &quot;A Confederacy of Dunces,&quot; came through the Chaucer class that he took from Robert Lumiansky.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274050">
    <dcterms:title><![CDATA[Johnson&#039;s Chaucer: Searching for the Medieval in &quot;A Dictionary of the English Language.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates that Chaucer &quot;occupies a more prominent place&quot; in Samuel Johnson&#039;s &quot;Dictionary&quot; than has been acknowledged. Corrects some misconceptions of previous scholars and adds new data about attention to Chaucer in the &quot;Dictionary&quot;--quotations of his works, citations, mentions of Chaucer, and quotations from Dryden&#039;s modernizations of Chaucer--showing that the &quot;Dictionary&quot; belies Johnson&#039;s stated preference of Gower to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274049">
    <dcterms:title><![CDATA[Telling New Tales: Modernizations of Chaucer in the Eighteenth Century..]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates eighteenth-century modernizations of Chaucer&#039;s work (especially CT), with an eye toward the period&#039;s political issues and a consideration of those modernizers&#039; contributions to later scholarly apparatus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274048">
    <dcterms:title><![CDATA[Reading Chaucer in New College, Oxford, in the 1630s: The Commendatory Verses to Francis Kynaston&#039;s &quot;morum Troili et Creseidae.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that prefatory verses published in Kynaston&#039;s Latin translation of TC demonstrate a high degree of academic interest in Chaucer in seventeenth-century Oxford. Several verses praise Kynaston by criticizing Chaucer&#039;s &quot;rudeness,&quot; but others echo or imitate Chaucer&#039;s texts, including PF. One verse echoes Chaucer&#039;s ribaldry though complex puns. Poet Francis James, apparently influenced by Spenser, wrote at least two poems that praise Kynaston and imitate Chaucer&#039;s Middle English. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274047">
    <dcterms:title><![CDATA[[&quot;Chaucer the Father&quot;: Rhetoric of the Nation.] ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that a &quot;pre-modern nationalist discourse&quot; inspired Chaucer to &quot;spawn his own &#039;nationalist discourse,&#039;&quot; and that Chaucer&#039;s reception as the &quot;father&quot; of English poetry &quot;mediates thirteenth century post-colonialism and nineteenth-century colonialism.&quot; In Korean, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274046">
    <dcterms:title><![CDATA[Foreword: Medieval Science and Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Defines medieval science fiction and provides a survey of types of science appearing in medieval literature, including natural philosophy (in NPT and PF), alchemy (in CYT), herb lore (in GP), and astronomy. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274045">
    <dcterms:title><![CDATA[Medieval Science Fiction: An Impossible Fantasy.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues for a consideration of texts as &quot;science fiction,&quot; even if they were produced before the Enlightenment, and further defines the genre to include any text that combines interests in science and fiction. Includes comparison of CYT to Shelley&#039;s &quot;Frankenstein,&quot; exploring shared concerns with alchemy&#039;s effects upon the body.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274044">
    <dcterms:title><![CDATA[Catapunk: Toward a Medieval Aesthetic of Science Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the different attitudes toward the Middle Ages presented in science fiction and fantasy literature, while also arguing for a new subgenre called &quot;catapunk&quot; that depicts the Middle Ages in fuller ways. Mentions the false alchemy in CYT, compares Ray Bradbury&#039;s short story &quot;The Dragon&quot; (1955) to SqT, and refers to Raymond F. Jones&#039;s story &quot;Canterbury April&quot; (1952).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274043">
    <dcterms:title><![CDATA[Medieval Science Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes essays that seek to redefine science fiction as literature that combines interests in both science and literature. Also examines the use of the medieval in modern fantasy texts. For three essays that pertain to Chaucer, search for Medieval Science Fiction under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274042">
    <dcterms:title><![CDATA[Time Mechanics: The Modern Geoffrey Chaucer and the Medieval Jack Spicer.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes and assesses the influence of Chaucer&#039;s works on twentieth-century writer Jack Spicer, discussing Spicer&#039;s life, his poetics, and his uses of source materials, exemplified in his adaption of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274041">
    <dcterms:title><![CDATA[Elf Queens and Holy Friars: Fairy Beliefs and the Medieval Church.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents (in a postscript) how Chaucer&#039;s attitudes and &quot;amused skepticism&quot; toward fairies influenced later writers, including Spenser and Shakespeare. Analyzes connections between historiography of early modern witch-hunts and popular superstitions of fairy beliefs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274040">
    <dcterms:title><![CDATA[Unknowne, unkow, Vncovthe, uncouth: From Chaucer and Gower to Spenser and Milton.]]></dcterms:title>
    <dcterms:description><![CDATA[Poses questions about the &quot;realities and complexities of authorship and literary tradition&quot; in Gower, the &quot;pseudo-Chaucerian&quot; &quot;Plowman&#039;s Tale,&quot; Spenser&#039;s &quot;Shepheardes Calender,: and Milton&#039;s poetry. Addresses Chaucer&#039;s reception in the sixteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274039">
    <dcterms:title><![CDATA[Medieval into Renaissance: Essays for Helen Cooper.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a collection of essays that respond to and commemorate Helen Cooper&#039;s &quot;contribution to the study of medieval and Renaissance literature, literary history and periodisation.&quot; For an essay that pertains to Chaucer, search for Medieval into Renaissance under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>