<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262847">
    <dcterms:title><![CDATA[Chaucer in Nineteenth-Century Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Romantic criticism of Chaucer was characterized by popular revival of his poetry and was interested in gaining for Chaucer a reading public.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267133">
    <dcterms:title><![CDATA[Chaucer in Perspective : Middle English Essays in Honour of Norman Blake]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty essays by various authors, plus a forward (pp. 13-25) by Lester that describes the career and lists the publications of Norman Blake. The essays consider Middle English language, literature, editing, and publishing, with eleven essays pertaining to Chaucerian materials. For the essays that pertain to Chaucer, search for Chaucer in Perspective under Alterative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263727">
    <dcterms:title><![CDATA[Chaucer in Poetic Narrative: Action and Individual in Chaucer and Milton]]></dcterms:title>
    <dcterms:description><![CDATA[Compares characterization in KnT with Milton&#039;s in &quot;Paradise Lost.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262568">
    <dcterms:title><![CDATA[Chaucer in Romanian Marble]]></dcterms:title>
    <dcterms:description><![CDATA[Review of &quot;Legenda femeilor cinstite si alte poeme&quot; (1986).  Dan Dutescu, praised as a highly sensitive translator possessing the &quot;quintessence&quot; of the art of translation, has given Romania its first complete Chaucer translation--of LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267176">
    <dcterms:title><![CDATA[Chaucer in Scrutiny]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes the treatment of Chaucer in the critical journal Scrutiny as a &quot;deliberate fragmentation&quot; of his works in an effort to convey upon the poet an ahistorical and timeless sense of value and authority.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267969">
    <dcterms:title><![CDATA[Chaucer in Shakespeare : The Case of The Nun&#039;s Priest&#039;s Tale and Troilus and Cressida]]></dcterms:title>
    <dcterms:description><![CDATA[Walker assesses the three allusions to the Trojan War in NPT and argues that they underlie parallel concerns in Shakespeare&#039;s play. Shakespeare emulates Chaucer&#039;s skeptical attitude toward the Trojan War.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264094">
    <dcterms:title><![CDATA[Chaucer in Shakespeare&#039;s Dictionaries: The Beginning]]></dcterms:title>
    <dcterms:description><![CDATA[Speght&#039;s edition of Chaucer (1602) included an extensive glossary of &quot;hard words.&quot;  Later lexicographers, including the editors of the OED, have missed the fact that Jacobean dictionaries of &quot;hard words&quot; borrowed extensively from Speght--entries, etymological conjectures, and definitions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277368">
    <dcterms:title><![CDATA[Chaucer in Small Parcels: Odd Texts of Chaucer&#039;s Short Poems, and Their Manuscript Contexts.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes conjunctions--&quot;many of them improbable or curious&quot;--among the materials contained in manuscripts &quot;which preserve just one or two of Chaucer&#039;s short poems,&quot; exploring what they &quot;can tell us about the reception and transmission of Chaucer&#039;s verse.&quot; Aligns the range of circulation of Chaucer&#039;s &quot;moral lyrics&quot; with their status as &quot;wise and semi-proverbial.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268850">
    <dcterms:title><![CDATA[Chaucer in Spain : The Historical Context]]></dcterms:title>
    <dcterms:description><![CDATA[Describes political and military events involving Edward, the Black Prince, Pedro of Castile, and his rivals that led up to the military campaign of 1366. Suggests the nature and timing of Chaucer&#039;s likely participation in these events, perhaps as an emissary to Anglo-Gascon forces in Navarre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273701">
    <dcterms:title><![CDATA[Chaucer in Spain, 1366: Soldier of Fortune or Agent of the Crown?]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s role in Spain in 1366 was as a &quot;confidential messenger&quot; of the Black Prince, adducing historical and biographical evidence as well as the attitude expressed about Pedro of Spain in MkT 7.2375ff.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269541">
    <dcterms:title><![CDATA[Chaucer in the Dock: Literature, Women, and Medieval Antifeminism]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a pedagogical experiment featuring a mock trial of Chaucer--asking students to prosecute and defend Chaucer on the charge of perpetrating medieval antifeminism through his characterization of women in CT and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263160">
    <dcterms:title><![CDATA[Chaucer in the Eighties]]></dcterms:title>
    <dcterms:description><![CDATA[A collection of essays from the conference &quot;Chaucer at Albany II&quot; places Chaucer&#039;s works in both medieval and modern contexts.  Some essays apply contemporary critical theories, e.g., Harold Bloom on the anxiety of influence, while others reinterpret traditional questions of Chaucer scholarship in light of new information. For sixteen essays, search for Chaucer in the Eighties under Alternative Title]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267297">
    <dcterms:title><![CDATA[Chaucer in the Field of Cultural Production : Humanism, Dante, and the House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s sense of poetic tradition in HF, arguing that while following Dante&#039;s use of the vernacular, Chaucer eschewed Italian emulation of classical models because he distrusted &quot;classical pretensions to artistic or moral superiority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265865">
    <dcterms:title><![CDATA[Chaucer in the House of History: &#039;Moo Tydyngs&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer is an &quot;accommodated deconstructionist&quot; rather than a politically committed one.  Nonetheless, HF goes beyond mere textual play to historical reference, and Chaucer wavers in the uneasy contradiction between the formal presence of authority and its empty meaning.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265250">
    <dcterms:title><![CDATA[Chaucer in the Marketplace]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews Priscilla Martin&#039;s &quot;Chaucer&#039;s Women: Nuns, Wives, and Amazons&quot; and Helen Cooper&#039;s &quot;The Canterbury Tales,&quot; arguing that they &quot;provide a good indication of some of the newest orthodoxies in Chaucer studies.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263579">
    <dcterms:title><![CDATA[Chaucer in the Ozarks: A New Look at the Sources]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucerians have reached no consensus on specific written sources for NPT, PardT, MilT, and RvT, similarities between which and their Ozark analogues (all reprinted here) point to a common source in Anglo-American oral folktales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275806">
    <dcterms:title><![CDATA[Chaucer in the Queen Mab Speech.]]></dcterms:title>
    <dcterms:description><![CDATA[Justifies accepting PF 99-105 as the more likely immediate source of Shakespeare&#039;s &quot;Romeo and Juliet&quot; 1.4.70-88 than Claudian&#039;s &quot;De Sextu Consultat Honorii Augusti,&quot; Preface, 3-10, the ultimate source of both English texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266466">
    <dcterms:title><![CDATA[Chaucer in the Secondary Schools : &#039;Electronic Chaucer&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reports on pedagogical applications of digitized images and concordancing programs in the Chaucer classroom.  The goal is to improve students&#039; abilities to perform research and to read closely.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263023">
    <dcterms:title><![CDATA[Chaucer in the Suburbs]]></dcterms:title>
    <dcterms:description><![CDATA[Set in &quot;a sort of suburban underworld,&quot; SNT and CYT treat &quot;subtle threats&quot; to the established values and ideologies of the city.  For Chaucer, &quot;the potential for growth and change...lay beyond the comfortably reassuring town walls in the suburban tenements of those who were by choice and necessity outsiders.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Reading the Past:  Essays on Medieval and RenaissanceLiterature (Four Courts, 1996), pp. 128-45.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264520">
    <dcterms:title><![CDATA[Chaucer in the Twentieth Century]]></dcterms:title>
    <dcterms:description><![CDATA[In this first presidential address to the New Chaucer Society, Professer Donaldson wittily summarizes the 20th-century conflict of opinion regarding Chaucer&#039;s work to conclude that Chaucer is partly to blame for the confusion.  Like all great poets Chaucer reveals mysteries but does not solve them.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272369">
    <dcterms:title><![CDATA[Chaucer in the Twenty-First Century: Some Thoughts on Digital Afterlives]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;afterlives&quot; of Chaucer created by post-medieval scholars using digital tools. Argues for attention to digital engagements with Chaucer, such as &quot;Geoffrey Chaucer Hath a Blog,&quot; as having significant existences separate from a historical Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273426">
    <dcterms:title><![CDATA[Chaucer Joins the &quot;Schiera&quot;: &quot;The House of Fame,&quot; Italy, and the Determination of Posterity.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how Chaucer used Petrarch, Petrarch used Dante, and Dante used Virgil: a sequence of influence that underpins Chaucer&#039;s &quot;conception of renown&quot; and encouraged him to lay claim to belonging to the schiera (band) of famous poets. Discusses references and allusions to famous poets in HF, the end of TC, and ClP; comments on Lydgate&#039;s, Hoccleve&#039;s, and Deschamps&#039;s praise of Chaucer; and reassesses the relative dates of composition for HF, TC, ClPT,<br />
and Deschamps&#039;s balade.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270166">
    <dcterms:title><![CDATA[Chaucer Knows Best]]></dcterms:title>
    <dcterms:description><![CDATA[Editorial commentary on the joys of teaching, using as a touchstone Chaucer&#039;s Clerk--one who would &quot;gladly&quot; teach.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270626">
    <dcterms:title><![CDATA[Chaucer Kowthe in Sondry Londes: The Canterbury Tales in Popular Web Culture]]></dcterms:title>
    <dcterms:description><![CDATA[Reale summarizes the versions of Chaucer&#039;s tales that abound on the internet, suggesting that each has its own agenda for re-presenting Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276905">
    <dcterms:title><![CDATA[Chaucer Laboratory or Vaudeville House? John Matthews Manly and Edith Rickert&#039;s Chaucer Project, and Their University of Chicago Assistants.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines archival records that pertain to the Chaucer Project (which produced &quot;The Text of the Canterbury Tales&quot; [1940]) to explore the history of the project, focusing on the work, working conditions, and attitudes of several scholars who assisted John Manly Matthews and Edith Rickert, including Mabel Dean, Helen McIntosh, Virginia Everett Leland, Ramona Bressie, Margaret Rickert, and many others.]]></dcterms:description>
</rdf:Description></rdf:RDF>