<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277278">
    <dcterms:title><![CDATA[Literary Misogyny and Praise of Women in the Middle Ages: Commented Readings of Medieval Texts.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.  The table of contents indcates that this volume includes WBP, with commentary (pp. 162ff.)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277277">
    <dcterms:title><![CDATA[İlk İngiliz Mizah Yazarı Geoffrey Chaucer ve Tarihte Canterbury Masalları&#039;nın İlk Türkçe Çevirisi.<br />
[The First English Humorist Geoffrey Chaucer and the First Turkish Version of the Canterbury Tales]. ]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses A. Vahit Turhan&#039;s 1949 translation of CT into Turkish, using Skopos theory of translation to assess cultural differences in senses of humor that underlie Chaucer&#039;s text and the translation. In Turkish, with an abstract in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277276">
    <dcterms:title><![CDATA[Walsingham&#039;s Chaucer: Erasmus&#039;s &quot;Peregrinatio Religionis Ergo.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the role of Erasmus&#039;s &quot;Peregrinatio Religionis Ergo&quot; in the demise of Marian culture in the English Reformation; includes brief comments on the comparable lack of the &quot;political&quot; influnce of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277275">
    <dcterms:title><![CDATA[Uncommon Readers?: The Paston Family and the Textual Cultures of Fifteenth-Century East Anglia.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of Alice Chaucer&#039;s literary interests and patronage, literary involvement of her father (Thomas Chaucer), various manuscripts affiliated through common works (Chaucerian and otherwise), John Paston II&#039;s compilation and curation of London, British Library, MS Lansdowne 285, and the scribal work of William Ebesham. Also considers the reading and reception by the Pastons of works by Geoffrey Chaucer (with apocrypha) and John Lydgate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277274">
    <dcterms:title><![CDATA[Framing Value in Literature: Style and Ideology.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;this study presents the frame as a strategic locus of value in the literary text, arguing that the frame both constitutes and is constituted by an interplay between stylistic &#039;insides&#039; and ideological &#039;outsides&#039;. . . . Chapter Three . . . culminates in readings of framed works by Boccaccio, Gower, and Chaucer. . . . [and later chapters explore] links between text and economies of value in the novel and in film  . . . . [as well as] the ideological resonances of literary framing and frame-breaking in the explicitly political context of recent South African fiction.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277273">
    <dcterms:title><![CDATA[The Literature of the Bedchamber in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;centrality of the bedchamber to the imaginative worlds&quot; of various texts:  TC, Chaucer&#039;s dream poems, &quot;Sir Gawain and the Green Knight, &quot;The Book of Margery Kempe,&quot; Christine de Pizan&#039;s &quot;The Book of the City of Ladies,&quot; and others. In TC, the differing &quot;generic concepts of privacy&quot; of Troilus and Criseyde are &quot;irreconcilable with each other.&quot; In the dream poems, Chaucer uses the bedchamber &quot;as a space for a secular version of meditative reading.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277272">
    <dcterms:title><![CDATA[Intuition and Authority: Literary Expression and Scientific Communication.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys &quot;sixteenth-century writers [sic] from Chaucer to Spenser and from Copernicus to Bacon, showing how they construct authority and attempt to rewrite intuitions about nature and her students. My subsequent chapters on physics, chemistry, and astronomy explore how conventions in poetry and fiction facilitate the communication of novel ideas.&quot; Includes comments on Astr, MilT, and CYPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277271">
    <dcterms:title><![CDATA[Cities Without Walls: The Politics of Melancholy from Machaut to Lydgate.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;argues that the pose of melancholy was a vital framing fiction in later medieval poetry . . . , investigate[s] the medical, philosophical and religious traditions of melancholy, and . . . trace[s] the political role of the melancholy narrator in vernacular poetry from Machaut to Lydgate.&quot; Includes comments on the &quot;political role&quot; of the Machaut-influenced melancholy narrator in BD and the influence of Mel and KnT on Lydgate&#039;s &quot;Siege of Thebes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277270">
    <dcterms:title><![CDATA[Work, Sexuality and Urban Domestic Living: Masculinity and Literature, c 1360- c 1420. ]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;This thesis investigates a particular discourse which conflated ideas of male sexuality and work . . . in the particular social and economic climate of late fourteenth- and early fifteenth-century London.&quot; Discerns a &quot;strong difference&quot; between Chaucer&#039;s treatment of these concerns in CT generally and the more &quot;anxious&quot; treatments by Langland, Usk, Gower, and Hoccleve. However, &quot;the characters of Troilus and the Canon&#039;s Yeoman are portraits of interior anxiety which operate as a commentary on contemporary moral concerns about male responsibilities.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277269">
    <dcterms:title><![CDATA[The Representation of Gender in Chaucer&#039;s &quot;Legend of Good Women&quot; and Gower&#039;s &quot;Confessio Amantis&quot; and Its Relation to Cultural Anxieties in England at the End of the Fourteenth Century.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: Examines &quot;the treatment of five of the tales about classical women that appear&quot; in LGW and in Gower&#039;s &quot;Confessio Amantis.&quot; Considers gender, the &quot;socio-political environment of the time,&quot; and poetics in the prologues of the two works and in the tales of Philomela, Ariadne, Dido, Medea, and Lucrece.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277268">
    <dcterms:title><![CDATA[Contagious Texts Embodied: Melancholy Hermeneutics in Late Medieval and Early Modern Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates notions of contagion, melancholy, and reader response in BD, Gower&#039;s &quot;Confessio Amantis,&quot; Sidney&#039;s &quot;Old Arcadia,&quot; Shakespeare&#039;s &quot;As You Like It,&quot; and four early modern &quot;self-help&quot; texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277267">
    <dcterms:title><![CDATA[Translating Ovid&#039;s &quot;Heroides&quot;: Three Middle English Collections of Women. ]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates &quot;gendered metaphors of translation&quot; in three late-medieval compilations of adaptations from Ovid&#039;s &quot;Heroides&quot;--LGW, Gower&#039;s &quot;Confessio Amantis,&quot; and Bokenham&#039;s &quot;Legendys of Hooly Wummen&quot;--addressing them as &quot;the authors&#039; most overt representations of themselves as English translators.&quot; Assesses &quot;how the three authors appropriate Ovid&#039;s poetic exile, the poets&#039; gendered ventriloquism as a vernacular authorial position, and the texts&#039; engagements with the Catalog of Women genre and its emphasis on feminine reproduction.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277266">
    <dcterms:title><![CDATA[Diverse Folk Diversely They Seyde: A Study of the Figure of Medea in Medieval Literature. ]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;The focus of my discussion is on the presentation of Medea in late-fourteenth and early-fifteenth century English literature where her story is recounted by three historians of Troy . . . as well as by Chaucer, in the &#039;Legend of Good Women, and Gower, in the &#039;Confessio Amantis.&#039;&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277265">
    <dcterms:title><![CDATA[The Children of Anger and Revenge: Managing Emotion in Early English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows &quot;how the frequent conflation between anger and revenge has shaped the representations of what we might call anger management in early English literature,&quot; from representative Old English works to Shakespeare. Two chapters focusing on Mel, ClT, KnT, and the tale-telling contest &quot;explore how the discourses of patience and games are deployed to manage anger. Here, we can see how evaluation, as a principle of revenge, is strategically targeted by both discourses, each seeking to shift evaluatory frameworks.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277264">
    <dcterms:title><![CDATA[A Performer&#039;s Guide to Selected Tenor Songs of Ralph Vaughan Williams.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes &quot;the literary and musical tools used by Ralph Vaughan Williams to aid in an informed performance&quot; of songs composed by Vaughan to various texts; includes discussion of MercB, accompanied by musical score and commentary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277263">
    <dcterms:title><![CDATA[Herman Melville&#039;s &quot;Clarel&quot;: The Repudiation of Myth.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that CT is &quot;the source&quot; of Part II of Melville&#039;s &quot;Clarel,&quot; comparing the behaviors of the characters of the two works for the ways they reflect a &quot;single perspective&quot; among Chaucer&#039;s pilgrims and &quot;totally different perspectives&quot; among Melville&#039;s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277262">
    <dcterms:title><![CDATA[Beyond Consolation: The Ethics and Politics of Sorrow in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;The chapters examine a range of Middle English literary texts that respond to the prescriptive recommendations for mourning outlined in Boethius&#039;s Consolation of Philosophy and in the . .  . penitential literature that emerged in the decades after the Fourth Lateran Council . . . , [including discussion of works by] authors such as Langland, Chaucer and Hoccleve.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277261">
    <dcterms:title><![CDATA[ Elegy in Crisis: Experimental Forms and the Influence of the Cult of the Dead in Middle-English Dream-Vision Elegies.]]></dcterms:title>
    <dcterms:description><![CDATA[Distinguishes elegy and consolation as literary modes, considering the notion of Purgatory as a major underlying feature of the latter. Examines &quot;Pearl&quot; and BD as elegies, reading the latter &quot;as a resistant and secularising monument to suffering that avoids Christian consolation and explores the ambivalence of mourning.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277260">
    <dcterms:title><![CDATA[Disciplining the Tongue: Speech and Emotion in Later Middle English Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores speech in late medieval English &quot;literature and prescriptive religious writing,&quot; focusing on how &quot;inward feelings [are] realized only in intersubjective exchange.&quot; Includes discussion of, among others, &quot;Piers Plowman,&quot; &quot;Mum and the Sothsegger,&quot; and CT, In the latter, &quot;Chaucer makes mirth, comfort, and pleasure––words that elsewhere describe the act of prayer––the emotional norm that governs the telling of the Canterbury Tales: sacred pleasure becomes the pleasure of idle fiction.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277259">
    <dcterms:title><![CDATA[Affecting Affective Meditation: Visionary Experience and Practice in the Late Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;the way that gender, genre, form, and affect in late medieval devotion literatures, in the vernacular, provide varying degrees of access to spiritual reality for medieval women.&quot; Draws on &quot;contemporary affect theory&quot; and includes discussion of SNPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277258">
    <dcterms:title><![CDATA[Sound and Hearing in Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;My dissertation argues that numerous fourteenth-century texts connect listening with ethics in a phenomenon I call &quot;auditory poetics.&quot; I analyze human agency surrounding the creation and reception of sound in medieval writing. . . . The texts analyzed in my dissertation [include] Chaucer&#039;s&quot; HF and PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277257">
    <dcterms:title><![CDATA[The Language of Prayer in Middle English, 1200-1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies &quot;nine components commonly found in prayers,&quot; exploring their presence in various devotional poems in Middle English and interpolated in narrative works by the &quot;Gawain&quot;-poet, Langland, Gower, and Chaucer, observing superior style in the latter group and instances where narrators interrupt prayer &quot;to relate it to the narrative situation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277256">
    <dcterms:title><![CDATA[The Distinction between Chaucer and Shakespeare&#039;s Rendition of Their Troilus and Criseyde (Cressida).]]></dcterms:title>
    <dcterms:description><![CDATA[Briefly describes differences between TC and Shakespeare&#039;s &quot;Troilus and Cressida,&quot; focusing on genre and style, characterization, and attitudes toward women.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277255">
    <dcterms:title><![CDATA[A Mulher de Bath.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Dramatized adaptation of Wife of Bath materials; in Portuguese. Produced by Amir Haddad in 2018.<br />
]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277254">
    <dcterms:title><![CDATA[Estudando O Pagode (Na Opereta Segregamulher E Amor).]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this musical recording includes a track (no. 4; running time 4:01) entitled &quot;Quero Pensar : A Mulher de Bath&quot; [I Want To Think (The Wife Of Bath)], one of sixteen total tracks. Lyrics in Portuguese. Additional information available via https://www.discogs.com/; accessed July 31, 2025.]]></dcterms:description>
</rdf:Description></rdf:RDF>
