<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274240">
    <dcterms:title><![CDATA[&quot;His helm tohewen was in twenty places&quot;: Reconstructing Troilus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the &quot;gestalt of identity&quot; that armor represents in TC, assessing the private and public aspects of references to arms and armor in the poem, focusing on Troilus and Diomedes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274239">
    <dcterms:title><![CDATA[Reading Chaucer&#039;s Calkas: Prophecy and Authority in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s original characterization of Calkas through the ways it diverges from the representation of this character in earlier versions. Chaucer presents him as a human individual whose words are not necessarily to be trusted, introducing skepticism into multiple levels of the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274238">
    <dcterms:title><![CDATA[Guido Cavalcanti&#039;s Theory of Love and Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests how Chaucer may have become familiar with the work of Guido Cavalcanti, and argues that TC records philosophical and poetical perspectives and several poetic devices that are similar to those found in Cavalcanti&#039;s &quot;Donna me prega.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274237">
    <dcterms:title><![CDATA[Criseyde&#039;s Swoon and the Experience of Love in &quot;Trolius [sic] and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that moral and psychological interpretations of TC--readings that judge the characters and those that empathize with their experiences--are &quot;not as incompatible as their adherents would have us believe.&quot; Chaucer&#039;s rich depictions of his protagonists&#039; complex agencies compel us to recognize that the two interpretive perspectives are interdependent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274236">
    <dcterms:title><![CDATA[&quot;God may well fordo destiny&quot;: Dealing with Fate, Destiny, and Fortune in Sir Thomas Malory&#039;s &quot;Le Morte Darthur&quot; and Other Late Medieval Writing.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses determinism in a variety of late medieval works, Malory&#039;s &quot;Darthur&quot; most extensively. Includes discussion of TC for its depiction of &quot;God&#039;s ability to overpower anything that had been ordained by some predetermining force,&quot; part of the &quot;late medieval engagement&quot; with determinism and its associations with paganism. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274235">
    <dcterms:title><![CDATA[Multi-Dimensional Reading in Two Manuscripts of &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the manuscript glosses to TC in Cambridge, St. John&#039;s College, MS L.i and Cambridge, University Library, MS Gg.IV.27 as an &quot;experimental early step toward the more elaborate marginal apparatus&quot; in CT manuscripts. The TC glosses reflect a &quot;complex hermeneutic of interpretation,&quot; rich in ambiguities, that result from &quot;multi-dimensional intertextuality&quot; with Joseph of Exeter&#039;s &quot;Iliad,&quot; one of Chaucer&#039;s sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274234">
    <dcterms:title><![CDATA[Flowing Backward to the Source: Criseyde&#039;s Promises and the Ethics of Allusion.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Criseyde&#039;s two oaths of fidelity in TC (3.1493-1502 and 4.1549-54) for the way that they allusively engage Ovidian narratives; counter the linear temporality of epic; affirm Criseyde&#039;s sincerity and &quot;bold idealism&quot;; and compel readers to resist reductive, deterministic reading. Also explores other devices in the poem (especially references to Oenone) that suspend temporality and foreground &quot;alternative narratives of past texts in order to examine the force of Criseyde&#039;s intent to be true.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274233">
    <dcterms:title><![CDATA[Seeing Time: Boethius and the Ethics of Perspective in Chaucer&#039;s Dream Visions and &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Boethius&#039;s &quot;Consolation of Philosophy&quot; provides Chaucer with a means of understanding time as a unified and simultaneous whole, and that he deploys this understanding in the dream visions, and especially TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274232">
    <dcterms:title><![CDATA[The Relationship between MS Hunter 409 and the 1532 Edition of Chaucer&#039;s Works by William Thynne.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents evidence that William Thynne used MS Hunter 409 as his source when preparing Rom for his 1532 edition of Chaucer&#039;s Workes,&quot; &quot;resorting to the French original when in doubt,&quot; and recurrently archaizing the text by adding the y-prefix to indicate the past participles.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274231">
    <dcterms:title><![CDATA[Thomas Hoccleve&#039;s Particular Appeal.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a pedagogical plan for a lesson in the close reading of several late medieval English lyrics, including comparisons of poems by Thomas Hoccleve with Purse and Chaucer&#039;s roundel at the end of PF. Explores issues of &quot;accessibility&quot; to students, canonicity, and context.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274230">
    <dcterms:title><![CDATA[&quot;Kek, kek&quot;: Translating Birds in Chaucer&#039;s &quot;Parliament of Fowls.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the bird-talk and &quot;interspecies communication&quot; in PF as they dramatize the potentials and limitations of allegory, translation, &quot;biotranslation,&quot; the &quot;writeability&quot; of bird sounds, and the relations between human and nonhuman subjectivities. Includes comments on SqT and HF, with mention of ManT and NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274229">
    <dcterms:title><![CDATA[A Moral Garden &quot;out of olde feldes&quot;: Deallegorized Virtue in Chaucer&#039;s &quot;Parliament of Fowls.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that when read in the light of the moralized garden in Alan of Lille&#039;s &quot;Plaint of Nature,&quot; the &quot;locus amoenus&quot; of PF is &quot;an ethically charged terrain,&quot; in which the narrator successively exemplifies and then deviates from the virtues of prudence, temperance, fortitude, and justice. Thus, PF presents a &quot;dynamic portrait of moral agency.&quot; ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274228">
    <dcterms:title><![CDATA[Art and Orientation.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how poets &quot;guide their readers through sequences of feelings, thoughts, and attitudes&quot; by means of verbal depictions of built spaces that orient readers&#039; attention to the use of spaces and spatial objects. Includes discussion of the gate in PF (lines 127-49) to demonstrate differences between &quot;propositional&quot; space and &quot;ductile&quot; space, presented by Chaucer with comic ambiguity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274227">
    <dcterms:title><![CDATA[Bright Wings: An Illustrated Anthology of Poems about Birds.]]></dcterms:title>
    <dcterms:description><![CDATA[Comprises an anthology of English-language poetry about birds and bird species, with accompanying color plates. In the section concerning hawks, includes a stanza from PF (lines 330-36).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274226">
    <dcterms:title><![CDATA[Neoplatonic Theodicy in Chaucer&#039;s &quot;Legend of Philomela.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses how the invocation to the &quot;yevere of the formes&quot; (2228ff.) that opens the &quot;Legend of Philomela&quot; in LGW contributes to the &quot;primary rhetorical effect&quot; of the legend, i.e.,&quot;secondary pathos.&quot; As an appeal to an absent god, the invocation, like the legend itself, evokes &quot;ineffectual sympathy&quot; for the female protagonists and &quot;outrage against the men, gods, and universe that would not respond.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274225">
    <dcterms:title><![CDATA[Feminized Counsel: Representations of Women and Advice to Princes in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;the role of women in literary texts as counselors to kings&quot; in late medieval England, assessing works by Chaucer (LGW and Mel), John Gower, and Stephen Scrope.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274224">
    <dcterms:title><![CDATA[The F or G Prologue Again: Is the &quot;Ballade&quot; a Clue?]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses several aspects of the &quot;ballade&quot; in LGWP to argue that the differences between the F and G versions of the interpolated poem (itself composed as a standalone lyric) indicate that the F version predates the G. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274223">
    <dcterms:title><![CDATA[Negotiating Power: Authority and the Author in Chaucer&#039;s Prologue to the &quot;Legend of Good Women.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Michel Foucault&#039;s notions of power, subversion, and discourse to argue that LGWP &quot;illustrates the medieval writer&#039;s relationship to hegemonic power&quot; and &quot;presents the potential ways authors are involved in the production and subversion of discourses.&quot; Includes an abstract in Turkish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274222">
    <dcterms:title><![CDATA[A Japanese Translation of Geoffrey Chaucer&#039;s &quot;The Legend of Good Women&quot; (1).]]></dcterms:title>
    <dcterms:description><![CDATA[Translates into Japanese both F and G versions of LGWP, based on the Riverside edition, with an introduction and notes in Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274221">
    <dcterms:title><![CDATA[Wan qi zhong gu ying wen xie zuo yu wen hua ji yi/ji yi&quot; [&quot;Late Middle English Writing and Cultural Memory/Translation&quot;]]]></dcterms:title>
    <dcterms:description><![CDATA[In Chinese; item not seen. The subject listings and the notes in the record of the online MLA International Bibliography indicate that the essay treats HF, &quot;Pearl,&quot; Lollard writing, and work(s) by George Herbert. The record also indicates that a summary in English is included in the journal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274220">
    <dcterms:title><![CDATA[Stellification and Poetic Ascent in the &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on HF, 584–92, clarifying the meaning and implications of &quot;stellifye,&quot; arguing that the narrator&#039;s fear of stellification reflects Chaucer&#039;s concerns about social and poetic ascent, and describing how the allusion to Ganymede evokes a complex, sexualized representation of &quot;the possibilities and pitfalls engendered through [a] quest for poetic fame.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274219">
    <dcterms:title><![CDATA[&quot;Ekphrasis&quot; as Aesthetic Pilgrimage in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the description of the temple of Venus in HF in light of its literary sources and late medieval church ambulation, investigating how ideas of physical, aesthetic, and spiritual motion underlie the narrator&#039;s moving gaze. Includes five b&amp;w illustrations. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274218">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;House of Fame&quot; and Its Boccaccian Intertexts: Image, Vision, and the Vernacular.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Boccaccio&#039;s impact on Chaucer in HF. Presents literary history of Boccaccio&#039;s &quot;Amorosa vision&quot; and descriptions of Chaucer&#039;s trips to Italy, and claims that &quot;Chaucer tries out an array of Boccaccian approaches to Dantean questions and problems&quot; in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274217">
    <dcterms:title><![CDATA[Acerca de Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Presents HF as a poetic and rhetoric reflection, as well as a reaction to the desire to have (versus the desire to be) and the belief in popular opinion (versus the belief in truth).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274216">
    <dcterms:title><![CDATA[&quot;Mind like Wickerwork&quot;: The Neuroplastic Aesthetics of Chaucer&#039;s House of Tidings.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the House of Rumor in HF as &quot;an echo object through which we can recover Chaucer&#039;s complex and dynamic view of human cognition.&quot; Reads the basket-like structure as Chaucer&#039;s &quot;uncanny&quot; anticipation of &quot;neuroplasticity,&quot; the &quot;capability of the brain to reorganize its neural circuitry in response to an external stimulus or a deficit in cognitive function.&quot; Emphasizes human volition in cognitive processes.]]></dcterms:description>
</rdf:Description></rdf:RDF>