<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271452">
    <dcterms:title><![CDATA[Chaucer and the Bible]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses how Chaucer uses religious &quot;collections, florilegia, anthologies, and miscellanies&quot; along with Latin Bibles and patristic sources to develop his characters in CT, and to reflect &quot;their level of biblical knowledge and literacy.&quot; Refers to WBPT, SumT, and NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262716">
    <dcterms:title><![CDATA[Chaucer and the Bible: A Critical Review]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys scholarship and criticism on Chaucer and the Bible from Lounsbury to the present.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262576">
    <dcterms:title><![CDATA[Chaucer and the Bible: A Critical Review of Research, Indices, and Bibliography]]></dcterms:title>
    <dcterms:description><![CDATA[The main text consists of &quot;Index I:  Chaucer&#039;s Biblical Allusions--An Annotated List,&quot; arranged by Chaucer&#039;s works, and &quot;Index II:  Scriptural References,&quot; a reverse index.  The apparatus includes an introduction; an essay, &quot;Research on Chaucer and the Bible:  A Critical Review,&quot; covering a century; and a bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263256">
    <dcterms:title><![CDATA[Chaucer and the Bible: Parody and Authority in the &#039;Pardoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s skeptical pose concerning theological and biblical controversies of the fourteenth century:  &quot;glosynge,&quot; parody, biblical allusion in PardP, PardT, GP, CT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265051">
    <dcterms:title><![CDATA[Chaucer and the Bible: The Case of the &#039;Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The nearly thirty evocations of the Bible in MerT are comic and ironic.  They flirt with blasphemy and so expose huamn folly.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272527">
    <dcterms:title><![CDATA[Chaucer and the Breton Lays]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in MLA International Bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268390">
    <dcterms:title><![CDATA[Chaucer and the Canterbury Tales: A Short Introduction]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces students to Chaucer&#039;s life (opening chapter), comments on critical approaches to Chaucer, and presents several groups of recurring topics in CT: gender, religion, race, and class; love, sex, and marriage; God and spirituality; adaptations of dream-vision literature in CT; and representations of fate and death. The volume includes a selected bibliography and brief indexes of subjects and critics&#039; names. A separate chapter includes plot summaries of each of the Tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272075">
    <dcterms:title><![CDATA[Chaucer and the Canticle of Canticles]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the uses of the biblical Song of Songs in medieval secular love poetry as background to exploring Chaucer&#039;s uses of it in BD and TC, and his comic adaptations of it in MerT and MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268436">
    <dcterms:title><![CDATA[Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-three essays by various authors examine intellectual currents in medievalism, arranged in six categories: Text, Image, and Script; Text and Meter; Reception; Chaucer; Hagiography; and Lay Piety and Christian Diversity. For the nine essays that pertain to Chaucer, search for Chaucer and the Challenges of Medievalism under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275117">
    <dcterms:title><![CDATA[Chaucer and the Child.]]></dcterms:title>
    <dcterms:description><![CDATA[Seeks to complicate--even replace--the figure of Father Chaucer with Child Chaucer, examining children in Chaucer&#039;s works, along with figures of childishness, playfulness, and childlikeness, exploring the poet&#039;s uses of and resistance to traditional categories and expectations of age in order to disclose the agency of children and their productive vitality. Considers motifs of speech, speechlessness, original sin, education, nascent erotic desire, and the &quot;queer temporality&quot; of wise children and childish adults in Chaucer&#039;s corpus, addressing an extensive variety of works, and attending to major and minor characters, allusions, literary relations, the portrait of Chaucer in MS Bodley 686, the &quot;tumultuous age-conscious sociopolitical milieu&quot; of Richard II, and medieval and modern notions of childhood.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264363">
    <dcterms:title><![CDATA[Chaucer and the Chivalric Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[The fourteenth century accepted literary conventions of the love code and approved warfare with honor and profit conjoined.  Chaucer understands chivalry without attacking it:  Theseus, in KnT, is an idealized knight modeled on Edward III; Th ridicules bourgeois misunderstanding of chivalry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269182">
    <dcterms:title><![CDATA[Chaucer and the City]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve essays by various authors under the rubrics &quot;Locations,&quot; &quot;Communities,&quot; &quot;Institutions,&quot; and &quot;Afterlife.&quot; The introduction argues that any consideration of city life is an act of recovering the past. Chaucer allows the audience to hear and see medieval London. For individual essays, search for Chaucer and the City under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276625">
    <dcterms:title><![CDATA[Chaucer and the Color Adjective &quot;blew.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s limited use of &quot;blew&quot;/&quot;blue&quot; in depictions of color, focusing on the phrase &quot;teres blewe&quot; in Mars, 8. Notes that the connotation of &quot;blue&quot; with melancholy surfaces later, and traces Chaucer&#039;s usage of &quot;blewe&quot; to its Gallo-Romance ancestor &quot;bloi.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276344">
    <dcterms:title><![CDATA[Chaucer and the Commonplaces of Alchemy.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that &quot;clichés of thought and expression&quot; abound in medieval alchemical treatises, and explains how Chaucer&#039;s uses of these &quot;topoi&quot; or commonplaces &quot;contribute to the meaning&quot; of CYPT. Tabulates commonplaces of alchemical behavior, preparation, and procedure and describes how they function, respectively, in CYP and in the first and second sections of Prima Pars in CYT. Suggests that evidence &quot;works against the ascription of a single source&quot; for CYPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271457">
    <dcterms:title><![CDATA[Chaucer and the Communities of Pilgrimage]]></dcterms:title>
    <dcterms:description><![CDATA[Explains how medieval pilgrimages, including Chaucer&#039;s &quot;temporary community&quot; of pilgrims in CT, are influenced by a &quot;series of concentric circles&quot; of multiple communities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270225">
    <dcterms:title><![CDATA[Chaucer and the Consolation of &#039;Prosimetrum&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Boethius&#039;s &quot;prosimetrum&quot; lets readers experience the &quot;consolation of temporality&quot; that Philosophy offers. In Bo, Chaucer demonstrates his understanding of this consolation by highlighting Philosophy&#039;s references to time; however, by rendering the work entirely in prose, Chaucer leaves a metrical &quot;aestheticization&quot; of time for another work: CYT is a work of &quot;verse alchemy,&quot; in which Chaucer &quot;writes his own consolation,&quot; though one of &quot;poetry, rather than . . . prosimetrum.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261834">
    <dcterms:title><![CDATA[Chaucer and the Continental Tradition: A Study in Neoplatonic Influences]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s poetry must be read as &quot;in dialogue&quot; with his neoplatonic sources such as Boethius, Macrobius, etc.  BD is a study of the root cause of &quot;letargye&quot;--the lack of harmony between the real and the ideal.  PF is an analysis of man&#039;s pre-lapsarian and post-lapsarian states; KnT and TC present men suffering from types of &quot;letargye&quot;.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272820">
    <dcterms:title><![CDATA[Chaucer and the Country of the Stars: Poetic Uses of Astrological Imagery]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates Chaucer&#039;s treatment of astrological imagery, gauging him to be &quot;quite high among the skeptics on the mediaeval scale of belief in astrology&quot; and explicating the tone and meaning of his astrological passages, their comic or satiric effects, the ways they characterize their narrators, and the expectations of their original audience. Attends consistently to literary sources (especially Boccaccio, Dante, Boethius, the Bible, encyclopedias, treatises, and commentaries) and analogues in art and literature, with sustained readings of Mars; the planetary imagery in KnT and TC; &quot;astronomical periphrasis&quot; (&quot;chronographia&quot;) in SqT, MerT, FranT, and TC; the horoscope of the Wife of Bath; determinism in MLT (and elsewhere in CT); the opening of CT in GP and its closing in ParsP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263112">
    <dcterms:title><![CDATA[Chaucer and the Craft of Fiction]]></dcterms:title>
    <dcterms:description><![CDATA[Fourteen essays by various hands.  For individual essays that pertain to Chaucer, search for Chaucer and the Craft of Fiction under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269226">
    <dcterms:title><![CDATA[Chaucer and the Crusades: A Study in Late Medieval Literary and Political Thought]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the Knight and Squire (and their respective tales) as embodiments of differing philosophies toward the Crusades. The Knight is linked to the Crusades&#039; earlier origins, while the Squire is seen as embodying a more romanticized approach to the conflicts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263304">
    <dcterms:title><![CDATA[Chaucer and the Cult of Saint Valentine]]></dcterms:title>
    <dcterms:description><![CDATA[By studying pre-Chaucerian and fourteenth-century traditions of Saint Valentine, springtime, hagiography, heortology, etc., Kelly tests the hypothesis that Chaucer invented the patron saint of matchmakers. ]]></dcterms:description>
    <dcterms:description><![CDATA[He traces various relevant motifs through Anel, Astr, BD, Mars, Compl d&#039;Am, GP, KnT, MilT, SqT, LGW, LGWP, TC, and PF,using the context of possible sources or contemporaries:  Alan de Lille, &quot;De planctu naturae&quot;; Boccaccio, &quot;Teseida&quot;; Benoit de St.-Maure, &quot;Roman de Troie&quot;; Charles of Orleans; Christine de Pisan; Gower; Oton de Grandson; Guido of Colonne; Lydgate, Ovid, Petrarch, Pliny, &quot;Secreta secretorum&quot;, Pardo, and others.  Chaucer probably had in mind Saint Valentine of Genoa, who died on May 3.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269648">
    <dcterms:title><![CDATA[Chaucer and the Culture of Dissent. The Lollard Context and Subtext of the Parson&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates Lollard vocabulary, translation strategies, and rhetorical tropes, arguing that the Parson and ParsT cannot categorically be identified as Lollard. Nonetheless, unmistakable elements of Lollardy undercut the hermeneutic stability of what should be a stable penitential text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271877">
    <dcterms:title><![CDATA[Chaucer and the Cultures of Love and Marriage]]></dcterms:title>
    <dcterms:description><![CDATA[Reads CT, TC, and LGW in the context of late medieval courtesy books, advice literature, and epistolary collections. Considers public and private marital honor in the Paston letters and FranT, and wifely obedience in ClT, &quot;Menagier de Paris,&quot; and &quot;Livre de la vertu du sacrement de mariage.&quot; ShT illustrates the limits of women&#039;s economic power often suggested by the Paston, Stonor, and Plumpton correspondence, and MerT suggests the possibility of rebellion against advice literature. MLT goes beyond the conduct books to recommend female acceptance of marital unhappiness. KnT presents a pragmatic notion of marriage for the greater sociopolitical good. TC, &quot;The Book of the Knight of the Tower,&quot; and Christine de Pizan&#039;s &quot;Livre des trois vertus&quot; question courtly ideals, and LGW dramatizes its heroines&#039; quasi-comic misapplications of advice literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263666">
    <dcterms:title><![CDATA[Chaucer and the Dangers of Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[While arousing authorial anxieties, the dream vision permits Chaucer to treat otherwise inaccessible psychological problems.  In CT the verbal game repeatedly explores the dangers of violating &quot;pryvetee,&quot; privacy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268469">
    <dcterms:title><![CDATA[Chaucer and the Death of the Father as a Figure of Authority]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s depreciation of the father figure (biological, theological, literary predecessor) enables him to conceive of poetry separate from the needs for stable interpretation and didactic meaning. Throughout his corpus, his &quot;polyvocal open-endedness&quot; compels readers to be active in their interpretations.]]></dcterms:description>
    <dcterms:description><![CDATA[Includes an abstract in Greek]]></dcterms:description>
</rdf:Description></rdf:RDF>