<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274376">
    <dcterms:title><![CDATA[The Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. A WorldCat record indicates that the lithographs, commissioned by John Deuss, accompany selections from CT in Coghill&#039;s translation. The record includes the following note: &quot;Limited edition of 1,000 numbered copies signed by the illustrator./ Folio 1: The prologue &amp; The wife of Bath&#039;s tale (London: Printed by Westerham Press, c1983).--Folio 2: The miller&#039;s tale &amp; The reeve&#039;s tale (London: Printed by Pennington Fine Lithographers, c1984).--Folio 3: The merchant&#039;s tale &amp; The shipman&#039;s tale (London : Printed by Pennington Fine Lithographers, c1985).--Folio 4: The summoner&#039;s tale &amp; The clerk&#039;s tale (London : Printed by Pennington Fine Lithographers, c1986).&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274375">
    <dcterms:title><![CDATA[Medieval Hunting: Fact and Fancy.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the attitudes toward and conditions of hunting in late-medieval society, describing practices, laws, criminal offense, social variety, and artistic representations in literature and visual art. Includes brief comments on KnT, BD, and the GP descriptions of the Monk and the Yeoman]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274374">
    <dcterms:title><![CDATA[Het Boek van de Hertogin; Het Vogelparlement: Twee Vroege Bedichten van Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this is comprised of Dutch translations of BD and PF, with notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274373">
    <dcterms:title><![CDATA[Reader&#039;s Digest Great Stories for Young Readers.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes short stories, tales and fables for juvenile readers, including a version of PardT (pp. 430-34) adapted by Jennifer Westwood, titled &quot;Three Young Men and Death,&quot; originally published in 1967, here accompanied by a color illustration of the Old Man and the Rioters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274372">
    <dcterms:title><![CDATA[Geoffrey Chaucer: The First National Poet of England, with the Prologue to the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274371">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Wife of Bath&#039;s Prologue,&quot; D. 576 and 583.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that when she refers to her &quot;dame&quot; at lines 3.576 and 583 the Wife of Bath is recalling her gossip, dame Alys, identified at 530, 544, and 548.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274370">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s Prologue and Tale from The Canterbury Tales by Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Middle English edition of WBPT, with end-of-text notes and glossary. The Introduction (pp. 1-28) discusses sources, the relation of WBP to WBT, themes, etc., with additional comments on the text and Chaucer&#039;s usage.  Includes Chaucer&#039;s Gent and a selection from &quot;Theophrastus on Marriage&quot; as appendices.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274369">
    <dcterms:title><![CDATA[The General Prologue to the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[A textbook edition of GP, with text (following Robinson&#039;s 1957 edition), end-of-text notes and glossary, introduction, and commentary on Chaucer&#039;s language and the arrangement of the Tales.  The Introduction (pp.1-42) focuses on tale-teller relations, the characterizations of the pilgrims, narrator, and Host, Chaucer&#039;s satire, and thematic concerns.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274368">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Reeve&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the name &quot;John&quot; links RvT with MilT, claiming that the Reeve &quot;repays the Miller with a tale in which he himself plays a leading part--that of carpenter John.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274367">
    <dcterms:title><![CDATA[A New View of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Detects flaws in previous critical approaches to Chaucer and, as an alternative, reads his works as expressions of his &quot;interest in actual persons,&quot; especially John of Gaunt and his circle. In this view, BD, Mars, TC, PF, HF, and most portions of CT deal largely with aspects of Gaunt&#039;s relations with Katharine Swynford. Thopas is &quot;probably a homosexual&quot; who &quot;represents&quot; Richard II opposed to the giant &quot;Termagaunt,&quot; and references to &quot;duk&quot; in KnT and WBT refer &quot;pointedly&quot; to Gaunt, while Ven may pertain to Joan, &quot;wife of the Black Prince.&quot; Other plots and poems were inspired by people and events Chaucer knew or heard of.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274366">
    <dcterms:title><![CDATA[&quot;Hoolynesse or Dotage&quot;: The Merchant&#039;s January.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;chilling savagery&quot; of the Merchant&#039;s attitude toward January in MerT as well as January&#039;s materialism, sensualism, and self-delusion, arguing that the character generates a kind of pathos that verges on the tragic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274365">
    <dcterms:title><![CDATA[Theme and Structure in the Merchant&#039;s Tale: The Function of the Pluto Episode.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;the complex thematic and structural functions&quot; of the Pluto-Proserpina episode in MerT, treating it as a fit denouement in the traditional pear-tree plot, and arguing that it deepens the unifying thematic dimensions of the Tale by reinforcing its concerns with abduction, rape, and duplicity. Includes discussion of the reference to Wade&#039;s boat as well as the broad implications of traditional stories of Pluto.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274364">
    <dcterms:title><![CDATA[A Character Reversal in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that until the temple-prayer scene of KnT, Palamon is more the warrior than Arcite, and Arcite more the lover than Palamon.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274363">
    <dcterms:title><![CDATA[Biblical Women in &quot;The Merchant&#039;s Tale&quot; and &quot;The Tale of Melibee.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Observes similarities in the parallel lists of Biblical women in MerT 4.1362-74 and Mel 7.1098-1101, and argues that their presence is &quot;ironical&quot; in the former but not the latter: &quot;by the time&quot; Chaucer wrote MerT he saw &quot;both sides to the characters of Rebecca, Judith, Esther, and Abigail.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274362">
    <dcterms:title><![CDATA[The Cantbeworried Tales: Some Modern Types Chaucerwise.]]></dcterms:title>
    <dcterms:description><![CDATA[A parody of GP in faux Middle English, rhymed in iambic pentameter couplets. Includes twenty characters, such as the Model, the Astronaut, the Beatnik, the Psychoanalyst, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274361">
    <dcterms:title><![CDATA[Chaucer&#039;s Pardoner and the &quot;Thesaurus Meritorium.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the &quot;fatal treasure&quot; of PardT gains ironic dimension when seen in light of the theory of the &quot;treasury of merits,&quot; used to explain or justify the sale of indulgences.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274360">
    <dcterms:title><![CDATA[Champier and the &quot;Altercatio Hadriani&quot;: Another Chaucer Analogue.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies an instance of the phrase &quot;Mulier est hominis confusio&quot; (cf. NPT7.3164) in Simphorien Champier&#039;s &quot;La Nef des Princes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274359">
    <dcterms:title><![CDATA[Troilus and Criseyde by Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Translates TC into modern English, in rhyme royal stanzas, with end-of-text notes and three appendices: a) the &quot;domestic background&quot; of the poem, b) courtly love, and c) a chronology of Chaucer&#039;s life. The notes emphasize social and literary conventions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274358">
    <dcterms:title><![CDATA[Teller of Tales: The Story of Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A biography of Chaucer designed for juvenile or young adult readers, including imagined scenes from his childhood, marriage, travels, and professional life, as well as commentary on his literary works. Includes a chronology of &quot;Dates and Events,&quot; an index, and b&amp;w line sketches of late-medieval life.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274357">
    <dcterms:title><![CDATA[The Body of Love: An Anthology of Erotic Verse from Chaucer to Lawrence.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes (pp. 23-46) WBP in J. U. Nicolson&#039;s modern iambic pentameter translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274356">
    <dcterms:title><![CDATA[Glosses to the &quot;Canterbury Tales&quot; from St. Jerome&#039;s &quot;Epistola Adversus Jovinianum.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer himself is the &quot;most reasonable choice&quot; for author of the glosses to CT manuscripts that derive from St. Jerome&#039;s &quot;Epistola Adversus Jovinianum.&quot; Discusses how the glosses to WBP indicate &quot;Chaucer as glossator&quot; and how two &quot;special problems&quot; of glosses to FranT &quot;can be solved only if Chaucer is recognized as the one who placed them opposite his own text.&quot; Considers Chaucer&#039;s sequence and process of composition in these Tales as crucial evidence, clues to Chaucer&#039;s activities as a &quot;working poet.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274355">
    <dcterms:title><![CDATA[The Breton Lays in Middle English.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents eight Breton lays in Middle English, each with bottom-of-page glosses, a facsimile manuscript page, a bibliography, and a general Introduction (pp. xiii-xxx) that describes the nature of the genre, its history, and French sources of the English versions. Includes FranT (pp, 229-59) with a facsimile from the Ellesmere manuscript of the opening page of the Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274354">
    <dcterms:title><![CDATA[The Art of the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the aesthetic and moral principles and practices, overt and covert, of the CT, acclaiming the vitality of the &quot;framing structure&quot; of the links and the complex ironies of the narrator (especially in Ret) for the ways that they enable and underscore the encyclopedic multiform variety of the individual Tales that &quot;collectively&quot; comprise a &quot;broad examination of the worlds of social, moral, and religious experiences.&quot; Argues that the unifying theme of the poem is a &quot;serious statement&quot; about the &quot;range of human experience within the compass of pilgrimage,&quot; interpreting fifteen of the Tales for the ways that their literary variety reflects the &quot;modes of experience underlying them&quot; discussed here as &quot;religio-romantic&quot; or &quot;comic&quot; representations of relations between the human self and deity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274353">
    <dcterms:title><![CDATA[The Whelp in Chaucer&#039;s &quot;Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s references to dogs, showing that his depictions of the animal are generally &quot;pejorative,&quot; following a tradition of denunciation by satirists, homilists, and the writers of romances. Argues that the whelp in BD 389ff. is not &quot;sentimental&quot; as usually argued, but rather &quot;serves both to illustrate the dichotomy about to take place in the Dreamer himself and to give meaningful continuity to the hunt.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274352">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;The Wife of Bath&#039;s Prologue,&quot; D. 389.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that the WB&#039;s reference to grinding at a mill (WBP 3.389) capitalizes on traditional sexual associations of mills with women, anticipated at her reference to &quot;barly-breed&quot; (WBP 3.144).]]></dcterms:description>
</rdf:Description></rdf:RDF>