<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272090">
    <dcterms:title><![CDATA[Chaucer and a French Story of Thebes]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies details in TC and KnT that reflect the influence of the version of the Thebes legend found in the &quot;Ovide Moralisé.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263997">
    <dcterms:title><![CDATA[Chaucer and a Proper Name: January in &#039;The Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the function of the proper names as playful, complex allusions, and associates with January--holder of the silver &quot;clyket&quot; to the garden--both Janus, god of passageways, and Saint Peter, who holds the keys to paradise.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264782">
    <dcterms:title><![CDATA[Chaucer and Absalom and Architophel]]></dcterms:title>
    <dcterms:description><![CDATA[The discovery of Dryden&#039;s indebtedness to Chaucer (TC, V, 817: &quot;That Paradis stood formed in hire yen&quot;) for a line in &quot;Absalom&quot; (&quot;And &#039;Paradise&#039; was open&#039;d in his face&quot;) is attributed in the California edition of Dryden&#039;s works to an article published in 1943.  In fact, the indebtedness was noted much earlier--in 1720 by George Sewell.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268750">
    <dcterms:title><![CDATA[Chaucer and Aesthetics]]></dcterms:title>
    <dcterms:description><![CDATA[Raybin and Fein introduce the six essays included in a &quot;special issue&quot; of Chaucer Review, all pertaining to Chaucer and aesthetics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276670">
    <dcterms:title><![CDATA[Chaucer and Aristotle.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Aristotle is the &quot;most likely&quot; referent for &quot;the philosopher&quot; in ParsT 10.484.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263705">
    <dcterms:title><![CDATA[Chaucer and Arithmetic]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s use of arithmetic--connected with money, towns, upward social mobility, government, the vernacular, astronomy-astrology, universities, commerce--in BD, HF, PF, TC, Astr, CT, GP, KnT, MilT, RvT, MLT, ShT, SumT, CYT, and Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273113">
    <dcterms:title><![CDATA[Chaucer and Array: Patterns of Costume and Fabric Rhetoric in the &quot;Canterbury Tales,&quot; &quot;Troilus and Criseyde&quot; and Other Works]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s familiarity with conventional costume description and fabric reference in medieval genres, especially romances and fabliaux, and argues that Chaucer often reverses traditional patterns of audience expectation in which romances are decorated with costume rhetoric and fabliaux are unembellished with sartorial ornamentation in order to underscore a theme with his well-read audience. Concludes with consideration of lesser but still significant features of costume rhetoric such as color symbolism, figures of speech, and the inclusion of fabric terms. Special attention is paid to KnT, ClT, MilT, and Th.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263414">
    <dcterms:title><![CDATA[Chaucer and Arthurian Romances]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s passages about Arthurian knights, though brief, reveal the poet&#039;s understanding of the traditions of Arthurian romance.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264702">
    <dcterms:title><![CDATA[Chaucer and Astrology]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s many references to astrology have often been discussed, but only recently (as in Wood&#039;s &quot;Chaucer and the Country of the Stars&quot;) have there been any book-length studies of the subject and of its function in his poetry.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted from the first (1968) edition, with updated bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265824">
    <dcterms:title><![CDATA[Chaucer and Atheism]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how a twentieth-century atheist can read and respond to Chaucer, suggesting that a form of &quot;dialogism&quot; can mediate between the present and the past and can enable us to recognize that Chaucer is essentially more humanistic than, for example, Dante.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272847">
    <dcterms:title><![CDATA[Chaucer and Augustan Scholarship]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses editions and translations of Chaucer&#039;s works between 1660 and 1750 (including Speght 3, Dryden, Urry, and Morrell) for the ways they reflect the principles and practices of Augustan scholarship, lexicography, aesthetic outlooks, social assumptions, as well as Chaucer&#039;s reception. Argues that editorial practices of the time anticipate later techniques and includes a list of previously unnoted allusions to Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262417">
    <dcterms:title><![CDATA[Chaucer and Bawdy]]></dcterms:title>
    <dcterms:description><![CDATA[One of the most consistent strands of controversy has been Chaucer&#039;s reputation for the &quot;bawdy&quot; in CT.  What has been objected to as &quot;bawdy,&quot; &quot;ribaldry,&quot; &quot;wantonness,&quot; &quot;scurrility,&quot; &quot;incivility,&quot; and so on &quot;has &quot;shifted and changed over the centuries, corresponding to the level of social and moral repression of sexuality, and as notions of the relationship between literature and morality have evolved.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277507">
    <dcterms:title><![CDATA[Chaucer and Becket&#039;s Mother: &quot;The Man of Law&#039;s Tale,&quot; Conversion, and Race in the Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts MLT with &quot;The King of Tars,&quot; &quot;Bevis of Hampton,&quot; and the Becket legend (where Thomas Becket&#039;s mother is a &quot;heathen or Saracen&quot;), arguing that, unlike the &quot;contradictory approaches . . . to the conversion of the Muslim Other elsewhere, MLT &quot;simply rejects the missionary ideal personified in Custance,&quot; &quot;accentuates late medieval English anxieties about conversion and the Other,&quot; and &quot;proudly endorses its renunciation of missionary objectives.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270263">
    <dcterms:title><![CDATA[Chaucer and Boccaccio]]></dcterms:title>
    <dcterms:description><![CDATA[An extended examination of Boccaccio&#039;s &quot;Teseida,&quot; Chaucer&#039;s KnT, and their relations. After describing &quot;Teseida&quot; and its debts to Dante and the classics, Boitani surveys Chaucer&#039;s uses of the work in Anel, PF, TC, and, more extensively, KnT. Tabulates, line by line, the dependencies of KnT on &quot;Teseida,&quot; Book 7--translations, adaptations, suggestions, conflations, and summaries--and explores Chaucer&#039;s debt to Boccaccio&#039;s glosses as well as to his narrative. Discusses the impact of &quot;Teseida&quot; on the plot and structure of KnT, its characters, imagery, and style.  Appends an English translation of Boccaccio&#039;s glosses on the houses of Mars and Venus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267916">
    <dcterms:title><![CDATA[Chaucer and Boccaccio: Antiquity and Modernity]]></dcterms:title>
    <dcterms:description><![CDATA[Boccaccio provided Chaucer with a means for understanding and configuring antiquity and modernity. Chapter 1 focuses on kinds of love, tensions in Theseus&#039;s rule, and the subjugation of women in KnT. Chapter 2 explores how chroniclers, Boccaccio, and Chaucer&#039;s TC represent human choices, historical necessity, and erotic determinism.]]></dcterms:description>
    <dcterms:description><![CDATA[Chapter 3 argues that Chaucer&#039;s narrative of Dido (HF) and the women of LGW critique antiquity and pit women who believe in courtly and aristocratic ideals against men who manipulate them. Chapter 4 examines horizontal associations among members within a tenacious hierarchy, as well as the mercantile ethic in MilT, RvT, ShT and PardT.]]></dcterms:description>
    <dcterms:description><![CDATA[Chapter 5 compares the hermeneutics of Boccaccio&#039;s, Petrarch&#039;s and Chaucer&#039;s renderings of the Griselda story, and Chapter 6 analyzes Boccaccio&#039;s and Chaucer&#039;s versions of Menedon&#039;s story in the Decameron and FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263867">
    <dcterms:title><![CDATA[Chaucer and Boccaccio&#039;s Early Writings]]></dcterms:title>
    <dcterms:description><![CDATA[Boccaccio&#039;s &quot;Amorosa Visione&quot; and the Chaucer&#039;s BD and HF were deeply indebted to de Lorris, Machaut, and Dante, but Boccaccio was never comfortable with &quot;court poems,&quot; while Chaucer used &quot;cortesia&quot; with subtlety and ease.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263858">
    <dcterms:title><![CDATA[Chaucer and Boccaccio&#039;s Latin Works]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the sources of LGW in Boccaccio&#039;s &quot;De cassibus virorum illustrim,&quot; &quot;De mulieribus claris,&quot; and &quot;Genealogia deorum gentillium.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273858">
    <dcterms:title><![CDATA[Chaucer and Boethius &quot;De Musica.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a &quot;flicker of humour&quot; in Chaucer&#039;s allusion to Boethius in NPT (7.3294-95), indicating that the poet disagrees with his authority on the point of musical sensitivity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272696">
    <dcterms:title><![CDATA[Chaucer and Boethius: Some Illustrations of Indebtedness]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in MLA International Bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264088">
    <dcterms:title><![CDATA[Chaucer and Capgrave&#039;s &#039;Life of St. Katherine&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The innovative material in the first three books of Capgrave&#039;s &quot;Life&quot; is indebted to the fifteenth century&#039;s interest in Chaucer&#039;s &quot;elevated&quot; and pious passages, especially those in TC.  Stylistically, however, Capgrave&#039;s attempt to emulate his master largely fails.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264346">
    <dcterms:title><![CDATA[Chaucer and Catholicism]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s optimism, humor, and satire as well can be properly appreciated only in the light of his Catholic view of life. Some typical mistakes in translation are also made from lack of enough knowledge of Catholicism:  the doctrines, liturgies, particular devotions, and so on.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275791">
    <dcterms:title><![CDATA[Chaucer and Cato.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the range and depth of Chaucer&#039;s familiarity with the &quot;Liber Catonis,&quot; its commentaries and glosses, and the likelihood that he memorized portions as a schoolboy. Identifies verbal echoes of &quot;Catoniana&quot; in Chaucer&#039;s works; then focuses on his &quot;parodic use of Cato&quot; in NPT, MilT, RvT, MerT, and ManT, evincing the &quot;poet&#039;s sophisticated and heterodox attitude towards an ethical authority that all literate men of his time held in high esteem.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263799">
    <dcterms:title><![CDATA[Chaucer and Chalcidius: The Platonic Origins of the &#039;Hous of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Although Chaucer typically &quot;covered his tracks,&quot; a major source of HF is Plato&#039;s &quot;Timaeus&quot; in the translation and commentary of Chalcidius.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263710">
    <dcterms:title><![CDATA[Chaucer and Character]]></dcterms:title>
    <dcterms:description><![CDATA[Examines CT characters for individuality not conditioned by the story in FranT, MilT, TC, GP&#039;s Host and Merchant, MerP, MerT, and RvT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267724">
    <dcterms:title><![CDATA[Chaucer and Character : The Heresies of Douglas Wurtele]]></dcterms:title>
    <dcterms:description><![CDATA[Survey&#039;s Wurtele&#039;s studies of Chaucer, clarifying the critic&#039;s consistent concern with characterization and how it relates to critical trends.]]></dcterms:description>
</rdf:Description></rdf:RDF>