<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265597">
    <dcterms:title><![CDATA[&#039;He Conquered Al the Regne of Femenye&#039;: Feminist Criticism of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys feminist criticism of Chaucer from 1977 forward, focusing on representative works rather than aiming to be exhaustive.  Briefly contrasts Emelye of KnT with Alisoun of MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268274">
    <dcterms:title><![CDATA[&#039;He Conquered Al the Regne of Femenye&#039;: What Chaucer&#039;s Knight Doesn&#039;t Tell About Theseus]]></dcterms:title>
    <dcterms:description><![CDATA[By adjusting his source, Chaucer allows the Knight to construct a Theseus who appears noble and positively inclined toward women. Chaucer also reminds us, however, that Theseus is not always the champion of women and the exemplar of chivalry. A number of possible, conflicting readings shape the larger conversation of CT on the nature of truly noble behavior.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263001">
    <dcterms:title><![CDATA[&#039;He Hath a Thousand Slayn This Pestilence&#039;: Iconography of the Plague in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Treats iconography, history of medicine, and history of science.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272478">
    <dcterms:title><![CDATA[&#039;He is ane Haly Freir&#039;: &#039;The Freiris of Berwik,&#039; &#039;The Summoner&#039;s Tale,&#039; and the Tradition of Anti-Fraternal Satire]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the fifteenth-century Scottish fabliau, &quot;The Freiris of Berwik,&quot; to SumT and finds that the treatment of friars in the Scottish tale is more ironic than satirical, and is more concerned with eliciting laughter than with advancing an anti-fraternal agenda.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269122">
    <dcterms:title><![CDATA[&#039;He Knew Nat Catoun&#039;: Medieval School-Texts and Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Mann describes the composition and influence of the &quot;Liber Catonis,&quot; a composite of six Latin texts that served as a school-text in medieval education, and considers it in light of other medieval school-texts. Identifies places where works that constitute the &quot;Liber Catonis&quot; are echoed in CT and in Langland&#039;s Piers Plowman.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269912">
    <dcterms:title><![CDATA[&#039;He nedes moot unto the pley assente&#039;: Queer Fidelities and Contractual Hermaphroditism in Chaucer&#039;s Clerk&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The Clerk&#039;s submission to the Host&#039;s tale-telling game parallels Griselda&#039;s submission to Walter: the two are queerly faithful in ways that bring into focus their &quot;contractual hermaphroditism&quot; and deconstruct traditional gender categories. Griselda&#039;s fidelity reconstructs Walter&#039;s masculinity; the Clerk compels from his audience a &quot;dissolution of gender&quot; for the remainder of CT. Readers find queer pleasure despite the cruelty of the Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263736">
    <dcterms:title><![CDATA[&#039;He Nedes Moste Hire Wedde&#039;: The Forced Marriage in the &#039;Wife of Bath&#039;s Tale&#039; and Its Middle English Analogues]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the theme of forced marriage in WBT, &quot;The Marriage of Sir Gawaine,&quot; &quot;The Wedding of Sir Gawain and Dame Ragnell,&quot; and Gower&#039;s &quot;Tale of Florent.&quot;  While all the works concern forced marriages, Chaucer&#039;s knight undergoes &quot;greater coercion,&quot; and he is the only victim to complain.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268090">
    <dcterms:title><![CDATA[&#039;He Pleyeth Herodes upon a Scaffold Hye&#039;?]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the possible &quot;theatrical context&quot; of MilT, clarifying the cultural value of Absolon&#039;s status as a parish clerk and arguing that Chaucer&#039;s plot and treatment of gender in his characterization of Absolon were inspired by &quot;amateur theatricals of the parish clerks at Clerkenwell,&quot; which Chaucer observed when he worked on the scaffolds at Smithfield in 1390.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266567">
    <dcterms:title><![CDATA[&#039;He That Will Swear Will Lie&#039;: A Further Note]]></dcterms:title>
    <dcterms:description><![CDATA[Peter Beidler asserted that a &quot;shadow allusion&quot; to CYT in &quot;Rip Van Winkle&quot; had gone unnoticed; in fact, scholars of seventeenth-century literature have recognized the allusion. Further, Chaucer&#039;s statement that one cannot trust someone who swears to be true until death is proverbial.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270697">
    <dcterms:title><![CDATA[&#039;Heat&#039; in Old English and in Chaucer&#039;s Creation of Metaphors of Love]]></dcterms:title>
    <dcterms:description><![CDATA[The semantic field of &quot;heat&quot; includes emotional connotations in Old English, but Chaucer evokes new oxymoronic nuances when he uses it in Troilus&#039;s song, TC 1.400-420.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264601">
    <dcterms:title><![CDATA[&#039;Heigh Ymaginacioun&#039; in Chaucer&#039;s Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Line 7.3217--&quot;By heigh ymaginacioun forncast&quot;--means not that the fox&#039;s attack was predestined, or foretold in the cock&#039;s dream, but that the fox had carefully planned his act of high treason against the royal Chauntecleer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269411">
    <dcterms:title><![CDATA[&#039;Here&#039;s One I Prepared Earlier&#039;: The Work of Scribe D on Oxford, Corpus Christi College, MS 198]]></dcterms:title>
    <dcterms:description><![CDATA[Codicological analyses of the structure and details of Corpus Christi 198 support early suggestions by Carleton Brown, Charles Owen, and John Fisher about Chaucer&#039;s ongoing revision of CT, especially when considered in light of other early manuscripts. Includes tabular analysis of the construction of Corpus Christi 198.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262101">
    <dcterms:title><![CDATA[&#039;Heryng th&#039;Effect&#039; : Poetic Technique in Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s prosody has been underrated.  With its unity, completeness, and carefully developed stanzas, TC demonstrates Chaucer&#039;s mastery of sound and sense.]]></dcterms:description>
    <dcterms:description><![CDATA[Correction of DAI 50 (1990): 2483A-2484A.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267237">
    <dcterms:title><![CDATA[&#039;Heryng th&#039;effect&#039; of the Names in Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer manipulates names in the TC to add nuance to the individual characters and to make clear their subtle relationships. Although &quot;Pandare&quot; is used first, for example, the name &quot;Pandarus&quot; relates to &quot;Troilus&quot; and implies the insinuation of the former into the latter&#039;s business. The trochaic rhythm of &quot;Ector&quot; serves to reinforce the character&#039;s firmness and directness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262804">
    <dcterms:title><![CDATA[&#039;Hevene&#039; in Criseyde: Dante&#039;s &#039;Feste&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Treats TC and Dante&#039;s &quot;Paradiso&quot; with reference to the nature and structure of &quot;feste&quot;/&quot;festa.&quot;  The Chaucerian contiguity of &quot;feste&quot; with &quot;hevene&quot; is a vestige of Dantean affiliation, while the circumscription of &quot;feste&quot; as &quot;vide&quot; is a Chaucerian outgrowth.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262430">
    <dcterms:title><![CDATA[&#039;Hevest Up the Door&#039;: Overcoming Obstacles to Meaning in Chaucer&#039;s &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A wide variety of interpretations and levels of meaning make MilT both oblique and clear.  Chaucer yokes contradictory elements and obscures an underlying morality &quot;to catch off guard his sophisticated readers--the &#039;clerical and courtly elite&#039;--who were familiar with medieval exegesis.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264017">
    <dcterms:title><![CDATA[&#039;His barge ycleped was the Maudelayne&#039;: &#039;Canterbury Tales&#039; A 410]]></dcterms:title>
    <dcterms:description><![CDATA[The Shipman and other mariners named ships after Mary Magdalene as protectress from shipwreck and death and, probably, because of her scarlet past.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262359">
    <dcterms:title><![CDATA[&#039;His Desir Wol Fle Withouten Wynges&#039;: Mary and Love in Fourteenth-Century Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Marian prayers and images in Dante, de Guilleville, Petrarch, and Chaucer, who use prayers to the Virgin at crucial moments in their works.  A comparative study illuminates religious ideals and narrative strategies in CT (PrT, SNT), TC, and ABC.]]></dcterms:description>
    <dcterms:description><![CDATA[ABC represents the form in transition.  Starting with a French abecedarium, Chaucer explores several modes--&quot;historical, figural, emotional, humble, and high&quot;--but settles on none. He transforms the prayer to the Virgin into a private lyric, increasing the emotional quality.  SNT and PrT are an &quot;ideal pair of hagiographic visions of central Christian truths.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Piero Boitani, The Tragic and the Sublime in Medieval Literature (Cambridge: Cambridge University Press (1989), pp. 177-222.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272981">
    <dcterms:title><![CDATA[&#039;His lady grace&#039; and the Performance of the Squire]]></dcterms:title>
    <dcterms:description><![CDATA[Studies over 15,000 occurences of n-stem and r-stem nouns in the &quot;Corpus of Middle English Verse and Prose,&quot; and uses  the information to assess &quot;his lady grace&quot; (GP 1.88) and the incoherences in the Squire&#039;s performance of &quot;chivalry,&quot; &quot;courtliness,&quot; and &quot;feudal duty.&quot; Claims that the Squire&#039;s incoherence resides both in his behavior and in the performativity he pursues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271201">
    <dcterms:title><![CDATA[&#039;His studie was but litel on the Bible&#039;: Today&#039;s Student and the Bible in &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies a number of &quot;significant&quot; allusions to the Vulgate Bible in CT and offers pedagogical advice on how to remedy the problem of modern students missing these allusions or misreading them.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262996">
    <dcterms:title><![CDATA[&#039;His Table Dormant in His Halle&#039;: Was Chaucer&#039;s Franklin Old-Fashioned?]]></dcterms:title>
    <dcterms:description><![CDATA[By Chaucer&#039;s time, it had become common for magnates to take their meals in privacy, not in the great hall.  Such practice is criticized in &quot;Piers Plowman&quot; B 10.99-102 (Kane ed.).  Hence, the Franklin may be being praised for retaining the ancient communal spirit.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263977">
    <dcterms:title><![CDATA[&#039;Hooly Chirches Blood&#039;: Simony and Patrimony in Chaucer&#039;s &#039;Reeve&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In his portrait of the village parson, the Reeve uses the language of traditional complaint literature, especially in attacking simony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272907">
    <dcterms:title><![CDATA[&#039;Hortus Inconclusus&#039;: The Significance of Priapus and Pyramus and Thisbe in the &#039;Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the sources of Chaucer&#039;s allusions to Priapus and to Pyramus and Thisbe in MerT (4.2034-37 and 4.2125-31) and argues that the allusions deepen the bitter cynicism of the Tale by suggesting sexual fruitlessness and frustration in the pear tree episode.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262116">
    <dcterms:title><![CDATA[&#039;House of Fame&#039; 2018 : An Unneccessary Emendation]]></dcterms:title>
    <dcterms:description><![CDATA[Editions of HF, in emending the &quot;laugh&quot; of line 2018 to &quot;languisshe,&quot; confuse rather than clarify the meaning of the Eagle&#039;s advice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266298">
    <dcterms:title><![CDATA[&#039;How Came That Widow In&#039;: The Dynamics of Social Conformity in Sidney, Marlowe, Shakespeare and Hooker]]></dcterms:title>
    <dcterms:description><![CDATA[In the flux that overturned feudal patriarchal society, the position of the widow was destabilized; the social station of Chaucer&#039;s Criseyde contrasts with that of Shakespeare&#039;s Cressida, as well as that of widows in other Renaissance works.]]></dcterms:description>
</rdf:Description></rdf:RDF>