<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267577">
    <dcterms:title><![CDATA[Canterbury Marriage Tales : The Wife of Bath, The Clerk, The Merchant, The Franklin]]></dcterms:title>
    <dcterms:description><![CDATA[A &quot;reader-friendly&quot; edition of four Tales in The Canterbury Tales, i.e., in modernized spelling, with glosses and notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277074">
    <dcterms:title><![CDATA[Canterbury Masalları: Prolog / The Canterbury Tales: The Prologue.]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page Middle English and lineated Turkish translation of GP, with introductions to Chaucer&#039;s life, his works, and this translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271081">
    <dcterms:title><![CDATA[Canterbury Mesék]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of CT into Hungarian, with notes by Miklós Vajda and Gyözö Ferencz and an epilogue by Adám Nádasdy. Reprints the 1950 translation by a team of translators, in verse and prose:  László Benjámin, Fodor András, Gábor Garai, Ágnes Gergeley, Gábor Görgey, Júlia Képes, Gabór Kézdy, István Kormos, László Lator, Dezsö Mészöly, Ottó Orbán, Imre Szász, Miklós Szenczi, István Tótfalusi, and István Vas. The translation was also published by Európa in 1961.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263715">
    <dcterms:title><![CDATA[Canterbury Monogatari : Chuseijin no Kokkei Hizoku Kaishun ( The Canterbury Tales : Humor, Vulgarity, and Penitential Mind of Medieval People)]]></dcterms:title>
    <dcterms:description><![CDATA[Examines balance of &quot;ernest&quot; and &quot;game&quot; in CT and medieval pilgrimage both as excursion and as penitential deed informed by ParsT.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263630">
    <dcterms:title><![CDATA[Canterbury Monogatari Sojobun no nakade Chaucer ga hajimete shiyoshita Latin-go to France-go no kenkyu, I (A Study of Latin and French Loan Words Which Chaucer First Used in the General Prologue of &#039;The Canterbury Tales&#039;, I)]]></dcterms:title>
    <dcterms:description><![CDATA[Compares date of Chaucer&#039;s borrowing with date of first recorded appearance in both Continental and Norman French to show spread of loan words.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265178">
    <dcterms:title><![CDATA[Canterbury Pilgrims and Their Horses in the Eighteenth Century: Two Artists&#039; Interpretations]]></dcterms:title>
    <dcterms:description><![CDATA[Compares depictions of Chaucer-the-pilgrim, the Knight, the Squire, the Monk, the Shipman, and the Reeve by the anonymous illustrator of John Urry&#039;s 1721 edition of Chaucer&#039;s &quot;Works&quot; and by James Jeffreys.  The comparison reveals that &quot;readers in different sociohistoric contexts have interpreted the same work of literature differently.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267578">
    <dcterms:title><![CDATA[Canterbury Quintet : The General Prologue and Four Tales]]></dcterms:title>
    <dcterms:description><![CDATA[A &quot;reader-friendly&quot; edition of The General Prologue to the Canterbury Tales, The Miller and His Tale, The Wife of Bath&#039;s Prologue and Tale, The Pardoner&#039;s Prologue and Tale, and The Nun&#039;s Priest&#039;s Tale, i.e., in modernized spelling, with glosses and notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270372">
    <dcterms:title><![CDATA[Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Modern prose translation, intended for children, of NPPT, PardPT, WBPT, and FranPT, with a version of GP that lacks the descriptions of the pilgrims. Illustrated by Trina Schart Hyman; Introduction (pp. 7-8) by Christopher Baswell.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271011">
    <dcterms:title><![CDATA[Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Adaptation of the CT for staging that incorporates abridged versions of PardT, FrT, MilT, RvT, WBT, and NPT, with stage directions, framed by dialogue among Chaucer, a modern student, the Host, and several fiends. The volume includes suggestions for pedagogical activities designed for juvenile/adolescent drama and English students.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271341">
    <dcterms:title><![CDATA[Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Adaptations of selections from CT in modern settings and circumstances, originally broadcast by BBC1 in six episodes, September 11-October 16, 2003. Written by Peter Bowker (MilT), Tony Grounds (PardT), Olivia Hetreed (MLT), Avie Luthra (ShT), Tony Marchant (KnT), and Sally Wainwright (WBP). Produced by Kate Bartlett; directed by Andy De Emmony (episodes 2 and 5, WBP and PardPT), Julian Jarrold (episode 6, MLT), John McKay (episodes 1 and 4, MilT and ShT), and Marc Munden (episdode 3, KnT). ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270613">
    <dcterms:title><![CDATA[Canterbury Tales : A Reader-Friendly Edition of Geoffrey Chaucer&#039;s Canterbury Tales Put into Modern Spelling]]></dcterms:title>
    <dcterms:description><![CDATA[This updated version of Murphy&#039;s computer-based project includes &quot;audioglossed&quot; versions of GP, MilT, PardT, and NPT in which readers hear the text in modern pronunciation. In addition, unfamiliar words are glossed to the ear rather than visually. Description based on version viewed 2010.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274451">
    <dcterms:title><![CDATA[Canterbury Tales = Tales of Canterbury.]]></dcterms:title>
    <dcterms:description><![CDATA[Middle English text with Modern English translation, line-by-line, of GP, KnT, MilPT, WBPT, MerPT, FranT, PardPT, PrPT, and NPT, with a brief glossary of names and terms and a bibliography appended. The Introduction describes Chaucer&#039;s life and the tales included, followed by an explanation of Chaucer&#039;s language. Reprinted recurrently with altered title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277307">
    <dcterms:title><![CDATA[Canterbury Tales A 11.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that editors consider capitalizing &quot;nature&quot; in GP 1.11, arguing that Chaucer personifies Nature as &quot;virtually the patron saint of birds&quot; in PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277642">
    <dcterms:title><![CDATA[Canterbury Tales A 24.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders possible explanations for the evident inaccuracy of the number of pilgrims given in GP 1.24 as twenty-nine. Suggests two possibilities: the Squire may have been a later addition and/or the addition of the &quot;last five pilgrims&quot; might have been accompanied by textual error in recording the tally.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277333">
    <dcterms:title><![CDATA[Canterbury Tales Adapted for the Stage.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record gives ISBN 9781874009429.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276988">
    <dcterms:title><![CDATA[Canterbury Tales Project Special Issue: Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Recounts brief personal history of experience with the Canterbury Tales Project, describes scholarly inattention to the project, and introduces the five essays in this special issue. For the five essays search for Digital Medievalist 14, special issue under Journal by Volume Number.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272575">
    <dcterms:title><![CDATA[Canterbury Tales Translated: How Chaucer Became a Musical]]></dcterms:title>
    <dcterms:description><![CDATA[Recounts events that led to Coghill&#039;s translation of CT and to his collaboration with Martin Starkie and Richard Hill in making the musical version of the text. Includes comments on the importance of rhyme and diction in the process of translating Chaucer, focusing on FrT 3.1327-54.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276673">
    <dcterms:title><![CDATA[Canterbury Tales, A 2349-52.]]></dcterms:title>
    <dcterms:description><![CDATA[Observes an inconsistency in Emily&#039;s address to Diana in KnT 1.2349-52 that results from Chaucer&#039;s change in the sequence of the three protagonists&#039; addresses to deities, altering his source in Boccaccio&#039;s &quot;Teseida.&quot; Suggests that Chaucer was &quot;insensitive to [this] minor inconsistency&quot; because of his overriding concern with the &quot;Christian motif of Divine Providence.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270442">
    <dcterms:title><![CDATA[Canterbury Tales: A Contemporary Theatrical Adaptation of the Works of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Dramatic adaptation of GP, WBT, MerT, MilT, RvT, PardT, NPT, and FrankT, with production notes and extensive stage directions that emphasize frolicsome vitality.  Text in modern English, irregular couplets.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272636">
    <dcterms:title><![CDATA[Canterbury Tales: A Participation Play for Children 9 and Up]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record states that this drama for children was &quot;Created through improvisation by the Looking Glass Theatre, Providence, R.I.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276839">
    <dcterms:title><![CDATA[Canterbury Tales: An Opera in Four Acts.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. YouTube demo (accessed May 21, 2024) indicates that this opera includes an overture and adaptations of four portions of CT: FranT (&quot;For All the Rocks Off Brittany&quot;), PardT (&quot;Une Danse Macabre&quot;), WBT (&quot;What All Women Want&quot;), and MerT (&quot;That Pesky Itch&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270350">
    <dcterms:title><![CDATA[Canterbury Tales: Chaucer Made Modern]]></dcterms:title>
    <dcterms:description><![CDATA[Modern English, two-act drama that presents abbreviated, modified versions of KnT, RvT, CkT (a song), WBT, NPT, PardT, MerT, and MilT, framed as an annual tale-telling contest rather than a pilgrimage.  The Miller and the &quot;M.C.&quot; are focal characters in the frame and the production.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271248">
    <dcterms:title><![CDATA[Canterbury Tales: Chaucer&#039;s World in Words and Music]]></dcterms:title>
    <dcterms:description><![CDATA[Extracts from GP in modern English translation (J. U. Nicolson, trans.), &quot;intermingled with atmospheric music of the period: songs, dances and instrumental pieces&quot; (cover notes).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276751">
    <dcterms:title><![CDATA[Canterbury Tales: General Prologue, 526; The Wife of Bath&#039;s Prologue, 435: &quot;Spiced Conscience.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that &quot;spiced conscience&quot; in GP (1.526) means &quot;peppery&quot; moral indignation; &quot;sweet, spiced conscience&quot; in WBP (3.435), a &quot;bland, gentle disposition.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272707">
    <dcterms:title><![CDATA[Canterbury Tales: Notes]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to the CT, with summaries of and commentaries on the GP, the links, and all of the tales. Includes brief introductions to Chaucer&#039;s life, world, language, and development as a poet, along with passages from critics. Reprinted recurrently, with selective bibliographies. ]]></dcterms:description>
</rdf:Description></rdf:RDF>