<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275461">
    <dcterms:title><![CDATA[Brand Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the emphases of four modern adaptations of CT: Brian Helgeland&#039;s 2001 movie &quot;A Knight&#039;s Tale&quot; (focusing on Chaucer&#039;s character as a &quot;PR&quot; man); the 2011–12 Tacit Theatre touring drama &quot;The Canterbury Tales&quot; (bawdy comedy); Pier Paolo Pasolini&#039;s 1972 movie &quot;I racconti di Canterbury&quot; (bawdry and social criticism); and the collected stories &quot;Refugee Tales&quot; [I] (2016), edited by David Herd (the plight of refugees, especially in Dragan Todorovic&#039;s &quot;The Migrant&#039;s Tale&quot; and MLT). Includes recurrent attention to Chaucer as a &quot;central figure&quot; in the &quot;creation of the English nation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267099">
    <dcterms:title><![CDATA[Breaking the Vacuum : Ricardian and Henrician Ovidianism]]></dcterms:title>
    <dcterms:description><![CDATA[Literary and historical periodization conventionally depends on viewing the lyrics of Wyatt and Surrey (for example) as distinctive and innovative, expressing a characteristically &quot;Renaissance&quot; divided self that is isolated from political and social realities. However, this self-fashioning is less a feature of Petrarchan humanism than of the Ovidian elegiac mode, as evidenced by late-medieval writings such as Pity, BD, and especially Gower&#039;s Confessio Amantis.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266728">
    <dcterms:title><![CDATA[Breches et murs eleves dans &#039;La legende de Thisbe&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the metaphoric and symbolic value of walls and gaps in the Thisbe account in LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273006">
    <dcterms:title><![CDATA[Brewer&#039;s Chaucer and Knightly Virtue]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Brewer&#039;s interpretations  of the figure of the Knight in GP and KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262389">
    <dcterms:title><![CDATA[Bribes]]></dcterms:title>
    <dcterms:description><![CDATA[Studies bribery in a &quot;variety of cultures from ancient Egypt to modern America,&quot; with short treatments of Chaucer (pp. 287-90, powerfully articulating &quot;the anti-bribery ethic&quot; in FrT, SumT, PardT, ClT, ParsT); Langland (pp. 275-79); and Dante (pp. 239-56).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274647">
    <dcterms:title><![CDATA[Bride-habited, but maiden-hearted&#039;: Language and Gender in &quot;The Two Noble Kinsmen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that the list of hard words included in Thomas Speght&#039;s 1602 edition of Chaucer&#039;s &quot;Werkes&quot; influenced the linguistic inventiveness of Shakespeare and Fletcher&#039;s &quot;Two Noble Kinsmen.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277011">
    <dcterms:title><![CDATA[Bridges to the Past: Orientation, Materiality, and Participatory Reading in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Based on &quot;Sara Ahmed&#039;s phenomenological theorization of &#039;orientation&#039;,&quot; offers case studies of how &quot;the orientation(s) of medieval readers might have influenced their experience of a text,&quot; discussing the experience of reading CT in Wynkyn De Worde&#039;s 1498 edition and considering &quot;orientation as it applies to Chaucer&#039;s embodied narrative personae&quot; in works that include HF, PF, Scog, Ven, and LGWP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268253">
    <dcterms:title><![CDATA[Bridging the Difference: Reconceptualising the Angel in Medieval Hagiography]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Luce Irigaray&#039;s notion of the &quot;ethics of alterity&quot; to explore the fusion of masculine and feminine in the depiction of angels in several medieval narratives, including Marian accounts and Chaucer&#039;s and Bokenham&#039;s stories of St. Cecilia. In SNT and elsewhere, angels are masculine constructs, associated with sight, but also feminized symbols associated with smell, sound, and touch.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270611">
    <dcterms:title><![CDATA[Brief Lives: Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the array of Chaucer biographies derived sequentially from early accounts and editions, portraits, life records, literature, and popular culture, including recent blogging. Describes Chaucer&#039;s early entry into court life, his court duties, spurious works, depictions in manuscripts and editions, implications of the paucity of information about his marriage and death, the changed political climate under Henry IV, Chaucer&#039;s literary legacy, and his biological heirs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266448">
    <dcterms:title><![CDATA[Bright Is the Ring of Words: Festschrift fur Horst Weinstock zum 65 Geburtstag]]></dcterms:title>
    <dcterms:description><![CDATA[For two essays that pertain to Chaucer, search for Bright Is the Ring of Words under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274227">
    <dcterms:title><![CDATA[Bright Wings: An Illustrated Anthology of Poems about Birds.]]></dcterms:title>
    <dcterms:description><![CDATA[Comprises an anthology of English-language poetry about birds and bird species, with accompanying color plates. In the section concerning hawks, includes a stanza from PF (lines 330-36).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273799">
    <dcterms:title><![CDATA[Bringing &quot;Confort&quot; and &quot;Mirthe.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the goals and intentions of the &quot;Chaucer Review,&quot; describing the publishing aims of the newly established journal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275597">
    <dcterms:title><![CDATA[Bringing Meir b. Elijah of Norwich into the Classroom: Discovering a Medieval Minority Poet.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the incorporation of works by the English Jewish poet Meir b. Elijah of Norwich into a survey of early English literature, exploring difficulties and achievements. Includes brief comparison of Meir&#039;s use of personal acrostics in his poetry with Chaucer&#039;s use of an alphabetical acrostic to organize ABC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268027">
    <dcterms:title><![CDATA[Bringing More Confort and Mirthe]]></dcterms:title>
    <dcterms:description><![CDATA[Briefly surveys the editorial history of The Chaucer Review and thanks outgoing editors, especially Robert W. Frank, Jr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264911">
    <dcterms:title><![CDATA[Briseis, Briseida, Criseyde, Cresseid, Cressid]]></dcterms:title>
    <dcterms:description><![CDATA[Other enduring attributes of the Criseyde character complicate and perhaps mitigate her infidelity.  From the start, as Homer&#039;s Briseis, she engages sympathy as a woman unwillingly transferred from one man to another.  Dares made Briseida attractive; Benoit realized her sense of insecurity. ]]></dcterms:description>
    <dcterms:description><![CDATA[  Later Criseydes, Boccaccio&#039;s, Chaucer&#039;s, Henryson&#039;s, are frankly passionate.  Shakespeare emphasized her lack of security and her high sexuality.  Only Chaucer and Shakespeare understood that Criseyde, treated like a pawn, could not behave like a queen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274713">
    <dcterms:title><![CDATA[British Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Interrogates Chaucer&#039;s diminishment or elimination of Scottish, Irish, and especially Welsh aspects of his narrative materials in WBT, FranT, and MLT, arguing that he associated the Celtic fairy world with death, as it is also associated in &quot;Sir Orfeo.&quot; Also comments on Chaucer&#039;s possible contacts with Celtic people and urges postcolonial awareness in study of the past.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275090">
    <dcterms:title><![CDATA[British Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how aspects of Chaucer&#039;s works reflect Britishness, Englishness, internationalism, and cosmopolitanism--a &quot;potentially conflicted and unresolved matrix of possibilities&quot; (p. 213). Identifies links and resonances between Chaucer&#039;s narratives and the ebb and flow of cultural influences, political events, and literary forms and fashions, with attention to &quot;translatio imperii,&quot; sovereignty, nationhood, selfhood, and violence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270480">
    <dcterms:title><![CDATA[British Classics]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of eight short stories by British writers, including PardT (pp. 65-77), each accompanied by a &quot;Vocabulary Preview,&quot; explanatory notes, and a closing commentary. Illustrations by Clint Hanson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263571">
    <dcterms:title><![CDATA[British Library Additional MS 5141: An Unnoticed Chaucer &#039;Vita&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A late-sixteenth-century account of Chaucer&#039;s life and works, never before published, &quot;gives fresh insight into the nature and transmission of the poet&#039;s reputation in England during the Renaissance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275481">
    <dcterms:title><![CDATA[British Literature I: Middle Ages to the Eighteenth Century and Neoclassicism.]]></dcterms:title>
    <dcterms:description><![CDATA[E-book designed as a classroom anthology, downloadable as a PDF, with Learning Outcomes and introductory backgrounds for each chronological period, and introductions to selected works and authors from &quot;The Dream of the Rood&quot; to Olaudah Equiano. The section on Chaucer includes an introduction that focuses on Chaucer&#039;s middle-class background and CT, claiming that Chaucer&#039;s &quot;influence on later British literature is difficult to overstate&quot;; selections in normalized Middle English spelling (without notes, commentary, or line numbers) include PF (titled &quot;The Parliament of Birds&quot;), GP, MilPT, WBPT, FranPT, PardPT, and Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276261">
    <dcterms:title><![CDATA[Brodie&#039;s Notes on Chaucer&#039;s Miller&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[School edition of MilPT and the description of the Miller in GP. Facing-page (modern prose opposite Chaucer&#039;s poem), accompanied by explanatory notes, a glossary, appreciative criticism of the Miller&#039;s characterization, commentary on the setting and plot of MilT, a summary of Chaucer&#039;s life and works, and a guide to pronunciation and versification.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270992">
    <dcterms:title><![CDATA[Brodie&#039;s Notes on Chaucer&#039;s The Franklin&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide that includes text and facing-page prose translation of FranT and the GP description of the Franklin, with end-of-text notes and glosses, study questions, and a description of Chaucer&#039;s language.  Includes a description of Chaucer&#039;s life and works and the place of FranT in CT.  Earlier versions published in 1966 and 1978.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270993">
    <dcterms:title><![CDATA[Brodie&#039;s Notes on Chaucer&#039;s The Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide that includes text and facing-page prose translation of KnT and the GP description of the Knight, with end-of-text notes and glosses, study questions, and a description of Chaucer&#039;s language.  Includes a description of Chaucer&#039;s life and works, the sources of KnT, its place in CT, and its major characters.  Earlier versions published in 1959, 1976, and 1978.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270979">
    <dcterms:title><![CDATA[Brodie&#039;s Notes on Chaucer&#039;s The Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide that includes text and facing-page prose translation of NPPT, with end-of-text notes and glosses, and commentary on the characters, humor and irony, and on dreams and predestination. Includes comments on Chaucer&#039;s biography and verse and on Middle English grammar, pronunciation, and versification. Earlier version published in 1978.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270991">
    <dcterms:title><![CDATA[Brodie&#039;s Notes on Chaucer&#039;s The Pardoner&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide that includes text and facing-page prose translation of PardPT and the GP description of the Pardoner, with end-of-text notes and glosses, study questions, and commentary on the Pardoner as a character, the characters in his tale, structure, themes, humor, and irony. Includes a description of Chaucer&#039;s life and verse and of Middle English grammar, pronunciation, and versification.  Earlier version published in 1986.]]></dcterms:description>
</rdf:Description></rdf:RDF>