<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263743">
    <dcterms:title><![CDATA[&#039;Glosynge Is a Glorious Thing, Certyn&#039;: A Reconsideration of &#039;The Summoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Ironic treatment of anger in SumT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262766">
    <dcterms:title><![CDATA[&#039;Glosynge Is a Glorious Thyng&#039;: Chaucer at Work on the &#039;Boece&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Translation and glossing were two aspects of the single activity of revealing meaning (&quot;expositio sententiae&quot;), a concern of Chaucer in SNT and TC.  In Bo, Chaucer consulted Jean de Meun&#039;s and Trevet&#039;s translations, but these cannot explain certain glosses and vocabulary choices in Bo, which may be attributed largely to the Carolingian scholar Remigius of Auxerre and later expansions of his work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269954">
    <dcterms:title><![CDATA[&#039;Glydeth my song&#039;: Penetration and Possession in Chaucer&#039;s Prioress&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Explores anti-Semitism and modern response to PrT in light of recurring concern with humans (the Prioress, Mary, the clergeon, and the Jews) possessed or penetrated by superior beings. Readers are overwhelmed by the desire for &quot;piercing sweetness,&quot; even though the anti-Semitism and patriarchalism of PrT render this desire troublesome.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269132">
    <dcterms:title><![CDATA[&#039;Go Litel Boke&#039; - To London: Bürgerliche Chaucer-Rezeption im 15. Jahrhundert]]></dcterms:title>
    <dcterms:description><![CDATA[Behrens investigates the problems of authorship surrounding the dedicatory poem &quot;Go litel boke, go litel tregedie&quot; addressed to the four wardens of the mercer guild: John Olney, Geoffrey Feldyng, Geoffrey Boleyn, and John Burton. Alluding to TC, the poem concludes the version of the statute of 1442 governing the administration of a poorhouse endowed by Lord Mayor Richard Whittington in 1421. Considers a number of contemporary poets (e.g., Lydgate, Hoccleve) and scribes (e.g., Adam Pinkhurst, WilliamRumbold), providing no definitive solution.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271927">
    <dcterms:title><![CDATA[&#039;Goddes Instrumentz&#039;: Devils and Free Will in the &#039;Friar&#039;s&#039; and &#039;Summoner&#039;s Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The language and imagery of demonic temptation versus human free will connect FrT and SumT and gain dimension by comparison with ClT. Thomas of SumT is called &quot;demonyak,&quot; but his scatological riposte to the friar is justified anger.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265808">
    <dcterms:title><![CDATA[&#039;Goddes Pryvetee&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s work contains an &quot;astonishing range of interest in every aspect of the Christian religion,&quot; including mystical contemplation.  Examples of Chaucer&#039;s knowledge of this type of religion are found in HF, MilT, and SumT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263774">
    <dcterms:title><![CDATA[&#039;Goddes Pryvetee&#039; and Chaucer&#039;s &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The pun on &quot;pryvetee,&quot; meaning in ME &quot;private affairs&quot; and &quot;private parts,&quot; mocks the orderly piety of KnT and becomes part of a series of sacred-profane juxtapositions which heighten the bawdiness and comic effect of MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268096">
    <dcterms:title><![CDATA[&#039;Goddes Speken in Amphibologies&#039;: The Ambiguous Future of Chaucer&#039;s Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Minnis surveys depictions of ambiguous pagan oracles in medieval literature, including Calchas&#039;s foreknowledge in TC and the temple scenes in KnT, arguing that Chaucer and other medieval poets held that pagans as well as Christians had the ability and agency to affect future events.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272472">
    <dcterms:title><![CDATA[&#039;Gode in all thynge&#039;: The Erle of Tolous, Susanna and the Elders, and Other Narratives of Righteous Women on Trial]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the righteous-woman-on-trial-motif in &quot;The Earl of Tolous&quot; and its relation to Susanna (Daniel 13) and to medieval romances involving the same motif. By exploiting narrative structure, shifting perspectives and the differing perceptions of characters and audience, &quot;Earl&quot; draws a more complex character of the heroine than its analogues and replaces their conception of virtue with a more pragmatic ethics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273080">
    <dcterms:title><![CDATA[&#039;Gode is the lay, swete is the note&#039;: Résonances dans les lais bretons moyen-anglais / Echoes in the Middle English Breton Lays]]></dcterms:title>
    <dcterms:description><![CDATA[This volume focuses on historical, mythical, and literary heritage of Breton lay narratives. For ten essays that pertain to Chaucer, search for &#039;Gode is the lay, swete is the note&#039; under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271093">
    <dcterms:title><![CDATA[&#039;Good ber and bryht wyn bothe&#039;: Feste in der Mittelenglischen Literatur un Kultur]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts descriptions of feasts by the &quot;Gawain&quot;-poet and Chaucer (WBT, KnT, SqT, the GP description of the Prioress, and ParsT), with comments on the &quot;Second Shepherds&#039; Play,&quot; and Robert Henryson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262830">
    <dcterms:title><![CDATA[&#039;Good&#039; and &#039;Bad&#039; Manuscripts: Texts and Critics]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses problems in various medieval manuscripts and criteria for editorial judgments, applying them to the CUL Gg.4.21 text of LGW and to the Hengwrt and Ellesmere CT.  The conditions for &quot;analysis of describable physical data&quot; are favorable for Chaucer and Langland manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272374">
    <dcterms:title><![CDATA[&#039;Goodfellas,&#039; Sir John Clanvowe and Chaucer&#039;s &#039;Friar&#039;s Tale&#039;: &#039;Occasions of sin&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the use of the phrase &quot;good fellow&quot; as it is used in Martin Scorsese&#039;s film, &quot;Goodfellas,&quot; Clanvowe&#039;s Lollard treatise, &quot;The Two Ways,&quot; and FrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270506">
    <dcterms:title><![CDATA[&#039;Gradus Amoris&#039;: The Five Steps of Lechery]]></dcterms:title>
    <dcterms:description><![CDATA[Aligns the five fingers of lechery (ParsT 10. 852-64) with the conventions of courtly love and those of mystical love, using them to assess several lovers of CT (Palamon and Arcite of KnT, Nicholas and Absalon of MilT, and Aurelius of FranT).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263371">
    <dcterms:title><![CDATA[&#039;Grendel,&#039; Chapter 1: John Gardner&#039;s Perverse Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Gardner&#039;s parody of GP (first eighteen lines) in chap. 1 of &quot;Grendel.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265788">
    <dcterms:title><![CDATA[&#039;Grey&#039; Eyes and the Medieval Ideal of Feminine Beauty]]></dcterms:title>
    <dcterms:description><![CDATA[When applied to eyes in Middle English literature, the adjective &quot;grey&quot; is best seen as synonymous with &quot;bright&quot; and &quot;clear.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272786">
    <dcterms:title><![CDATA[&#039;Greyn&#039; and the Resuscitation of the Little Clergeon]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the placing of the &quot;greyn&quot; on the tongue of the clergeon in PrT (7.622) is a reflex of the ubiquitous folk motif of the soul-as-bird being held, lured, or released from the body.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265365">
    <dcterms:title><![CDATA[&#039;Greyn&#039; of Martyrdom in Chaucer&#039;s &#039;Prioress&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the grain beneath the clergeon&#039;s tongue in PrT to parallel objects in analogous tales, arguing that the grain signifies martyrdom and that PrT combines aspects of tales of the Virgin with the theology of martyrdom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265939">
    <dcterms:title><![CDATA[&#039;Grope Wel Bihynde&#039;: The Subversive Erotics of Chaucer&#039;s Summoner]]></dcterms:title>
    <dcterms:description><![CDATA[Through the trope of &quot;groping,&quot; SumT reveals a narrative erotics that simultaneously privileges and destabilizes heterosexual orthodoxy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267651">
    <dcterms:title><![CDATA[&#039;Grounded, Finely Framed, and Strongly Trussed Up Together&#039; : The &#039;Medieval&#039; Structure of The Faerie Queene]]></dcterms:title>
    <dcterms:description><![CDATA[Spenser calls attention to his sources and models in &quot;The Faerie Queene.&quot; SqT, &quot;Orlando Furioso,&quot; and English medieval romances are specific sources, while narrative collections such as CT, anthologies of romances, or perhaps Malory&#039;s &quot;Morte Darthur&quot; inspired the structure of Spenser&#039;s work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265344">
    <dcterms:title><![CDATA[&#039;Half as She Were Mad&#039;: Dorigen in the Male World of the &#039;Franklin&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[There is a distinct difference between Dorigen&#039;s sensibilities and those of the men who speak for and about her.  Considered from her perspective, the &quot;generous&quot; male acts are less generous, serving only to exaggerate her emotional suffering.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272649">
    <dcterms:title><![CDATA[&#039;Hali Meidenhad&#039; and Other Virginity Treatises]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion (pp. 206-27) of the ways in which WBPT are antithetical in tone and detail to various treatises that treat virginity as a standard of perfection: &quot;Hali Meidenhad,&quot; Innocent III&#039;s &quot;De Miseria Humane Conditionis,&quot; and Jerome&#039;s &quot;Epistola adversus Jovinianum.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263525">
    <dcterms:title><![CDATA[&#039;Hateful to Crist and to His Compaignye&#039;: Theological Murder in &#039;The Prioress&#039;s Tale&#039; and &#039;The Fixer&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The anti-Semitism of PrT is deepened by Chaucer&#039;s emphasis on &quot;youth, innocence, and spirituality of the victim.&quot;  Malamud&#039;s &quot;The Fixer&quot;--based on the 1913 trial of a Russian Jew, Mendel Beiliss, for the murder of a Christian boy--humanizes and exonerates Yakov Bok, the falsely accused fictional counterpart of Beiliss.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268121">
    <dcterms:title><![CDATA[&#039;Have Her My Trouthe--Til That Myn Herte Breste&#039;: Dorigen and the Difficulty of Keeping Promises in the Franklin&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[In light of speech-act theory and the conventions of courtly literature, Dorigen&#039;s playful promise to Aurelius in FranT is not binding. Aurelius&#039;s own interpretation of the promise is willfully self-interested.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266928">
    <dcterms:title><![CDATA[&#039;Have Ye No Mannes Herte?&#039;: Chauntecleer as Cock-Man in the &#039;Nun&#039;s Priest&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Differences between NPT and Roman de Renart indicate how Chaucer&#039;s &#039;Tale&#039; depicts a mock-heroic masculinity through its scenes with the cock and the hen and the cock and the fox, as well as in the chase scene.]]></dcterms:description>
</rdf:Description></rdf:RDF>