<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277353">
    <dcterms:title><![CDATA[Looking for Scribal Play in Oxford, New College MS 314.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses &quot;scribal playfulness,&quot; rather than error or accuracy, focusing on instances of copyists&#039; engagement with Chaucer&#039;s &quot;bawdy humour,&quot; particularly the diction, imagery, and details of a ribald expansion of the pear-tree episode of MerT (and several other interpolations) in Oxford, New College MS 314 and its correlative witnesses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277352">
    <dcterms:title><![CDATA[The Wife of Bath in the Saddle: A Re-reading of &quot;Upon an amblere esily she sat&quot; (General Prologue, I 469).]]></dcterms:title>
    <dcterms:description><![CDATA[Revisits the implications of the horse-and rider imagery that underlies the description of the Wife of Bath at GP 1.469, focusing on her riding an &quot;amblere,&quot; exploring relations with the thirteenth-century French &quot;Lai du Trot,&quot; and suggesting that, through the image, Chaucer associates the Wife with &quot;loyal and passionate lovers.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277351">
    <dcterms:title><![CDATA[Eloquence as Profession and Art: The Use of the &quot;Ars Dictaminis&quot; in the Letters of Gilbert Stone and His Contemporaries c1300-c1450.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the &quot;ars dictaminis&quot; in late-medieval England, focusing on its influence and uses in administrative circles, ecclesiastical and secular, with particular attention to the career of Gilbert Stone, an &quot;episcopal chancellor.&quot; Includes discussion of the influence of the &quot;ars&quot; on the &quot;poetic form and style&quot; of Thomas Hoccleve and Chaucer. In the case of the latter, the influence was &quot;not a strong direct influence&quot; but &quot;part of complex conditioning literary environment.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277349">
    <dcterms:title><![CDATA[Between Strangeness and Familiarity: Recreating Chaucer&#039;s Tales in Modern Brazil.]]></dcterms:title>
    <dcterms:description><![CDATA[Using &quot;several translation theories,&quot; Botelho analyzes selected passages of his own 2013 translation of CT into Portuguese, describing choices made to mediate linguistic and historical distances between Chaucer&#039;s poem and Botelho&#039;s target audience. Includes an abstract in Portuguese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277348">
    <dcterms:title><![CDATA[The Tale of Januarie.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Description and sample score available at https://www.wisemusicclassical.com/publishers/edition-peters/ (accessed November 22, 2025). Opera in four acts; running time 2 hrs. 15 min.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277347">
    <dcterms:title><![CDATA[Hearing Poetry. Volume One: Chaucer Through Milton.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this includes selections from LGW Prologue, read by Frank Silvera.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277346">
    <dcterms:title><![CDATA[Teluolesi yu Kelixide.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is a translation of TC into Chinese, with illustrations (some in color).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277345">
    <dcterms:title><![CDATA[Six Centuries of Great Poetry: From Chaucer to Yeats.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes selections from the poetry of English writers, arranged chronologically from Chaucer to Wilfred Owen, with an Introduction by the editors that justifies the selections. Includes an alphabetical index of titles and first lines. The Chaucer selection include MerB, Truth, Purse, and the Balade from LGWP, all in Middle English, with glosses. No edition specified.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277344">
    <dcterms:title><![CDATA[O̳sennaho̳ Aye̳se̳m Abie̳sa bi Mmoaano: O̳kyere̳wfo Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; translates a selection of Chaucer&#039;s work into Ewe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277343">
    <dcterms:title><![CDATA[The Religious Orders in England. Volume II: The End of the Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Part of a three-volume study, this volume addresses the &quot;history of the religious orders [monastic and mendicant] in England from the Pontificate of Benedict XII to the end of the strife between the houses of York and Lancaster,&quot; considering a variety of historical and institutional backgrounds. Includes comparison and contrast of Chaucer&#039;s depictions of monks and friars with those of Wycliff and Langland, finding him, generally, to be less strident in his criticism. In an appendix, addresses the presence of references to the &quot;rules of St. Maurus and St. Augustine&quot; in the GP description of the Monk, and also suggests that the Monk may reflect the poet&#039;s knowledge of William Clown.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277342">
    <dcterms:title><![CDATA[Chaucer and Time: A Study in Medieval Form.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; no abstract published.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277341">
    <dcterms:title><![CDATA[Chaucer&#039;s Canterbury Tales: The Nun&#039;s Priest&#039;s Tale, The Pardoner&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277340">
    <dcterms:title><![CDATA[The Concept of Old Age in the Late Middle Ages, with Special Reference to Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; no abstract available. Record derived from UCLA Library Catalog.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277339">
    <dcterms:title><![CDATA[Pardoner&#039;s Tale by Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat indicates that Bak&#039;s artwork illustrations of PardT were &quot;Issued in portfolio&quot; with &quot;285 copies printed.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277338">
    <dcterms:title><![CDATA[The Canterbury Tales: A Musical Stage Version.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277337">
    <dcterms:title><![CDATA[Pardoner&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277336">
    <dcterms:title><![CDATA[The Cock and the Fox: Chaucer&#039;s Nun&#039;s Priest&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277335">
    <dcterms:title><![CDATA[Chanticleer: Chaucer&#039;s Story.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates that this is a &quot;picture book adaptation of the Nun&#039;s triest&#039;s tale from Chaucer&#039;s Canterbury tales.<br />
]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277334">
    <dcterms:title><![CDATA[Scenes from the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is a &quot;blank journal with a quotation and/or illustration from Chaucer on each page.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277333">
    <dcterms:title><![CDATA[Canterbury Tales Adapted for the Stage.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record gives ISBN 9781874009429.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277332">
    <dcterms:title><![CDATA[&quot;The Miller&#039;s Prologue&quot; and &quot;Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the place of MilPT in CT, summarizing its plot, major characters, major themes, and critical reception. Includes a selection of seventeen excerpts from previously printed critical studies (1956–2006), and a brief, annotated bibliography of suggestions for further study]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277331">
    <dcterms:title><![CDATA[&quot;The Wife of Bath&#039;s Prologue&quot; and &quot;Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Sketches the biography of Chaucer, and describes the place of WBPT in CT, summarizing its plot, major characters, major themes, and critical reception. Includes a selection of sixteen excerpts from previously printed critical studies (1970–2002), and a brief, annotated bibliography of suggestions for further study.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277330">
    <dcterms:title><![CDATA[Chaucer e il suo Mondo.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces Chaucer and his world, with sections on his life, English history, and culture; the lyrics and short poems; translations and &quot;minor&quot; poems (including TC and the dream visions), and CT, with discussion of manuscripts, the order of the tales, and commentary on each tale in the Chaucer Society order. Regularly attends to sources, major themes, characters, and critical opinion, with closing generalizations about Chaucer&#039;s art and psychology.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277329">
    <dcterms:title><![CDATA[On the Sources of &quot;The Prioress&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses parallels between PrT and the &quot;liturgy of the Feat of the Holy Innocents&quot; (mass, vespers, etc.), a source likely to have been known to Chaucer. Also labels PrT a &quot;devotional&quot; tale, sharing distinctive similarities of imagery and symbolism with SNT and ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277328">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Shipman&#039;s Tale&quot; in Modern Dress.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies modern analogues to ShT and Boccaccio&#039;s &quot;Decameron&quot; 8.1 in Thomas Menkel&#039;s 1946 short story, &quot;Secret Debt,&quot; and Menkel&#039;s reported source in a &quot;Scotch joke,&quot; surmising general transmission of the tale.]]></dcterms:description>
</rdf:Description></rdf:RDF>