<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275045">
    <dcterms:title><![CDATA[Harry Potter&#039;s Medieval Hallows: Chaucer and the &quot;Gawain&quot;-Poet.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the most &quot;tempting objects&quot; in J. K. Rowling&#039;s &quot;Deathly Hallows&quot; derive in part from the girdle in &quot;Sir Gawain and the Green Knight&quot;; the &quot;thirty pieces of silver that persuade&quot; the biblical Judas to betray Jesus; and the &quot;deadly pile of gold&quot; in PardT, the latter being the &quot;direct source&quot; of the Rowling chapter titled &quot;Tale of the Three Brothers,&quot; with variants derived from the &quot;Buddhist folk tradition&quot; and fairy tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275044">
    <dcterms:title><![CDATA[&quot;(Un)couth: Chaucer, The Shepheardes Calender, and the Forms of Mediation.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how Tudor editions of Chaucer and works by John Gower and John Lydgate &quot;mediate&quot; the presentation of Chaucer and his &quot;authorial identity&quot; in Edmund Spenser&#039;s &quot;Shepheardes Calender,&quot; arguing that Spenser depicts Chaucer not only as the preeminent gifted English poet, but also as the translator, interpreter, and mediator of the traditions that went before him--a &quot;go-between&quot; who is a &quot;partner of Pandarus.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275043">
    <dcterms:title><![CDATA[Ritual Lighting: Laureate Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a lyric poem entitled &quot;Chaucer&#039;s Valentine, for Nia,&quot; which opens by quoting lines 1–2 of PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275042">
    <dcterms:title><![CDATA[The Manuscript as an Ambigraphic Medium: Hoccleve&#039;s Scribes, Illuminators, and Their Problems.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that medieval &quot;media consciousness,&quot; despite the lack of &quot;verbal declarations of such awareness,&quot; is evident in the text-image relations of the Chaucer portrait in manuscripts of Thomas Hoccleve&#039;s &quot;Regiment of Princes,&quot; coining the term &quot;ambigraphic&quot; to characterize the &quot;ontological complexity&quot; of Hoccleve&#039;s &quot;self-referential&quot; text and the features of its presentation that are simultaneously original and copied.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275041">
    <dcterms:title><![CDATA[Books Are Made Out of Books: A Guide to Cormac McCarthy&#039;s Literary Influences.]]></dcterms:title>
    <dcterms:description><![CDATA[Locates a quotation from PardT in Cormac McCarthy&#039;s notes for his novel &quot;Blood Meridian&quot;; links McCarthy&#039;s penchant for &quot;the stories-within-stories motif&quot; to Chaucer; and identifies echoes of PardT in the old Mennonite episode of &quot;Blood Meridian&quot; and in Llewellyn Moss&#039;s death scene in &quot;No Country for Old Men.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275040">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;audacity and intensity&quot; of Spenser&#039;s debt to Chaucer, considering the later poet&#039;s archaisms, his allusions to and quotations of Chaucer (particularly in &quot;The Faerie Queene&quot;), and the importance of Chaucer to Spenser&#039;s English &quot;identity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275039">
    <dcterms:title><![CDATA[I Write My Woe: Pain in Late Medieval and Early Modern English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers KnT and TC vis-à-vis Robert Henryson&#039;s &quot;Testament of Cresseid&quot; as part of a discussion of pain and love in chapter three.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275038">
    <dcterms:title><![CDATA[Monumental Chaucer: Print Culture, Conflict, and Canonical Resilience.]]></dcterms:title>
    <dcterms:description><![CDATA[Uncovers the complex relationship between monumentality and print culture as it contributed to Chaucer&#039;s early modern reception in post-Reformation England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275037">
    <dcterms:title><![CDATA[Influences de Deschamps sur ses contemporains anglais, Chaucer et Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the influence of Eustache Deschamps on the development of non-musical fixed forms in the English lyric tradition, commenting on poems from Oxford, Bodleian Library, MS Rawlinson D. 913; the poems of &quot;Ch&quot;; and works by Chaucer and John Gower, including Adam, Truth, and Purse, provided in appendices.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275036">
    <dcterms:title><![CDATA[The Textual Worlds of Henry Daniel.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the career and works of late medieval English medical writer Henry Daniel, arguing that his views on &quot;collaboration&quot; between &quot;learned and lay sources&quot; are similar to Chaucer&#039;s, and that the two writers are also &quot;connected through their philological acumen, vernacular aesthetics, and technical innovations.&quot; Includes comments on Chaucer&#039;s scientific lexicon, especially in Astr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275035">
    <dcterms:title><![CDATA[Lydgate&#039;s Virtual Coteries: Chaucer&#039;s Family and Gower&#039;s Pacifism in the Fifteenth Century.]]></dcterms:title>
    <dcterms:description><![CDATA[Looks at Lydgate&#039;s Parisian poems with a focus on &quot;Pilgrimage of the Life of Man.&quot; Aims to define and construct &quot;virtual coteries&quot; and identify connections between Lydgate&#039;s coteries and the poetry of Gower and Chaucer. Refers to Mel, ABC, Purse, and Ven.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275034">
    <dcterms:title><![CDATA[Snub and White: Chaucer, Logic, and Strode.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes using a more philosophical reading of RvT to enhance understanding of Chaucer&#039;s &quot;academic knowledge and his relationship with Ralph Strode.&quot; An academic joke in RvT relies on snubness and whiteness as stock examples of inseparable and separable accidents. Symkyn&#039;s nose is inseparable from its snubness, but his wife misidentifies a &quot;white thyng&quot; (RvT, 4301) because whiteness is a separable accident. Argues that logician Ralph Strode may be Chaucer&#039;s source for this allusion; for the insult &quot;swynes-heed&quot; (4262); and for the logic-related terms &quot;impertinent&quot; (ClP, 54) and &quot;at dulcarnoun&quot; and &quot;flemyng of wrecches&quot; (TC, III.31, 33), which are academic nicknames for the Pythagorean theorem and the first difficult geometric proof.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275033">
    <dcterms:title><![CDATA[Chaucer&#039;s Neoplatonism: Varieties of Love, Friendship, and Community. ]]></dcterms:title>
    <dcterms:description><![CDATA[Explores examples of &quot;friendship, felicity or joy, love, fellowship, and &#039;compaignye&#039; (company, companionship, community)&quot; in Chaucer&#039;s works through a Neoplatonic lens. Focuses on &quot;Chaucer&#039;s Boethianism&quot; by offering perspectives on Chaucer&#039;s own philosophical search for truth in his works. Emphasizes how his reliance on Boethius&#039;s &quot;Consolation of Philosophy&quot; helped to shape Chaucer&#039;s philosophy and characters in CT, TC, and LGWP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275032">
    <dcterms:title><![CDATA[Gower and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes four aspects of the critical tradition of exploring relations between Gower&#039;s and Chaucer&#039;s poetry--&quot;biography, common literary sources and analogues [especially in WBT, MLT, and Philomela in LGW], thematic issues, and poetics/style&quot;--surveying the field and commending studies that consider how the poets&#039; &quot;union allows us greater understanding of their respective works and their literary environment,&quot; rather than preferring one poet over the other.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275031">
    <dcterms:title><![CDATA[The Routledge Research Companion to John Gower. ]]></dcterms:title>
    <dcterms:description><![CDATA[Includes twenty-six essays by various authors that entail &quot;comprehensive discussions of recent and current scholarship&quot; on Gower and his works, arranged in three broad categories: working theories, material culture, and polyvocality. Each essay surveys critical trends in its given topic and, where appropriate, &quot;suggests possibilities for future work.&quot; The volume includes a comprehensive index, with numerous references to Chaucer. For an essay that pertains to Chaucer, search for The Routledge Research Companion to John Gower under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275030">
    <dcterms:title><![CDATA[Ovid in Chaucer and Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys texts by and about Ovid that Chaucer and Gower &quot;might have used,&quot; arguing that the influence of Ovid was pervasive, complex, and crucial to the &quot;careers and poetic self-fashioning&quot; of both medieval poets, a model of poetic authority for them. Shows where and how, throughout his career, &quot;Chaucer shapes his poetic identity and persona in a wry distortion of Ovid as &#039;praeceptor&#039; or &#039;magister amoris&#039;.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275029">
    <dcterms:title><![CDATA[Venus&#039;s Clerk: Ovid&#039;s Amatory Poetry in the Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the impact on medieval poetry of Ovid as a love poet, including comments on Chaucer&#039;s use of &quot;Ars amatoria&quot; in WBP, where Ovid&#039;s &quot;erotic poetics&quot; are &quot;domesticated&quot; and the reception of his poem reaches its &quot;zenith.&quot; Central to &quot;Chaucerian poetics,&quot; &quot;Heroides&quot; has &quot;left traces throughout&quot; Chaucer&#039;s corpus, in TC, LGW, MLT, and HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275028">
    <dcterms:title><![CDATA[&quot;Piers Plowman&quot; and the Books of Nature. ]]></dcterms:title>
    <dcterms:description><![CDATA[Presents Chaucer&#039;s and Langland&#039;s representations of the natural world, reading &quot;Langland&#039;s treatment of nature alongside Chaucer&#039;s as an expression of a continuous though diverse tradition of humanism.&quot; Chapter 1 focuses on nature in PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275027">
    <dcterms:title><![CDATA[The Machaut Map: Geoffrey Chaucer, Christine de Pizan, the Diegetic Self, and Pre-Renaissance Individualism in Northern Europe.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the development of &quot;poetic self-assertions&quot; and &quot;authorship poetics&quot; in late medieval poetry, concentrating on Guillaume de Machaut&#039;s influence on Chaucer in LGWP and on Christine de Pizan. Comments on the legacies of Dante, Petrarch, and others, and explores the functions of literary personae; mirror imagery and mise en abîme effects; patronage; political contexts; books as objects; and private reading in the growth of the &quot;cultural capital&quot; of the poetic self, an aspect of rising humanism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275026">
    <dcterms:title><![CDATA[True Colors: The Significance of Machaut&#039;s and Chaucer&#039;s Use of Blue to Represent Fidelity.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Machaut&#039;s and Chaucer&#039;s uses of blue and green symbolism in relation to late medieval &quot;armorial bearings disputes&quot; to investigate the poets&#039; concern with &quot;issues surrounding the legibility of identity.&quot; Comments on color symbolism in SqT, Anel, and Wom Unc; examines Chaucer&#039;s disposition in the Scrope v. Grosvenor heraldic trial and related legal materials; and analyzes HF for the ways Fame&#039;s court reveals Chaucer&#039;s distrust of &quot;fundamentally fallible external sign[s]&quot; and the contingencies of public identity, also evident in Machaut&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275025">
    <dcterms:title><![CDATA[Authorial Second Lives: Machaut, Chaucer, and Philip Roth.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews and extends arguments for recognizing the intertextual relations of Chaucer&#039;s LGW and the works of Guillaume de Machaut, emphasizing their explorations of the &quot;poetics of authorship.&quot; Extends this notion to the fiction of Philip Roth and suggests that such self-consciousness derives from the &quot;cultural moment&quot; of authorial celebrity that enables these writers--medieval and modern--to explore and exploit &quot;textual second lives&quot; in their narratives.<br />
]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275024">
    <dcterms:title><![CDATA[Bohemian Gower: &quot;Confessio Amantis,&quot; Queen Anne, and Machaut&#039;s Judgment Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Reiterates traditional discussions of similarities between LGW and John Gower&#039;s &quot;Confessio Amantis,&quot; develops recent arguments of the importance of Anne of Bohemia to both poems (emphasizing Gower&#039;s), and uses these connections and others to argue that the &quot;Confessio&quot;--like LGW--was powerfully influenced by Guillaume de Machaut&#039;s &quot;Jugement dou roi de Navarre.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275023">
    <dcterms:title><![CDATA[Machaut&#039;s Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond.]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by various authors treat the impact and legacy of Guillaume de Machaut&#039;s works, especially &quot;his judgment series&quot; of poems, and the ways they influence writers from Chaucer and John Gower to Marcel Proust and Philip Roth. For four essays that pertain to Chaucer, search for Machaut&#039;s Legacy under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275022">
    <dcterms:title><![CDATA[Conduct Becoming: Good Wives and Husbands in the Later Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;invention&quot; of the good wife in discourses of sacramental marriage, private devotion, and personal conduct &quot;reconfigured how female embodiment was understood.&quot; Focuses on conduct texts and manuals written by men for women, including &quot;Le livre du chevalier de la Tour Landry&quot; and the &quot;Menagier de Paris,&quot; and narratives such as the Griselda story in Chaucer&#039;s ClT. Links analysis of these works to a &quot;view of sex and gender&quot; that provides the &quot;foundations for the modern forms of heterosexuality that begin to emerge&quot; in the fifteenth and sixteenth centuries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275021">
    <dcterms:title><![CDATA[John Lydgate and His Readers.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Lydgate&#039;s critical return to prominence, after his earlier diminished critical attention, may stem in part from comparisons with Chaucer.]]></dcterms:description>
</rdf:Description></rdf:RDF>