<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275003">
    <dcterms:title><![CDATA[Augmenting Chaucer: Augmented Reality and Medieval Texts.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes augmented-reality texts for the ways they differ from both print and digital texts, and explains a project called The Augmented Palimpsest, where a digital version of GP is augmented by links to auxiliary audio and visual data, including 3D modeling, providing &quot;a new, virtualized teaching edition.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266098">
    <dcterms:title><![CDATA[Augustine, Chaucer, and the Translation of Biblical Poetics]]></dcterms:title>
    <dcterms:description><![CDATA[Augustine&#039;s emphasis on charity and cupidity in &quot;De doctrina Christiana&quot; and his discussion of the relations among gospel narratives in &quot;De consensu evangelistarum&quot; suggest that he equates secular and biblical poetics.  Similarly, Chaucer justifies his poetry by connecting it with the Bible in GP, Th-MelL, and Ret, thereby linking himself to a learned tradition of Augustinian interpretation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274535">
    <dcterms:title><![CDATA[Augustinian Neurosis and the Therapy of Criticism.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in ClT Chaucer &quot;has successfully humanized the psychological motivation of both Walter and Griselda,&quot; de-emphasizing the &quot;supernatural&quot; aspects of the characterizations found in analogous narratives, and depicting his protagonists with motives &quot;consistent with the tenets of the psychological system promulgated by Saint Augustine.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271626">
    <dcterms:title><![CDATA[Augustinian Poetic Theory and the Chaucerian Imagination]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s radical, bookishly theoretical preoccupation with language and art and argues that the social and psychological &quot;realism&quot; seen by earlier critics is also present. Knopp examines the Ovidian section of BD as an example of narrative manipulation and a model of theoretical interrogation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264416">
    <dcterms:title><![CDATA[Augustinian Wisdom and Eloquence in the F-Fragment of the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Cicero&#039;s ideal rhetorical style, which combined wisdom and eloquence, was redefined in Christian terms by Saint Augustine.  Chaucer&#039;s Franklin, who pretends to follow Augustinian rhetorical ideals, in fact defines wisdom and eloquence in a worldly manner, as the Epicurean Chaucer proclaims him to be.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272413">
    <dcterms:title><![CDATA[Aural Literacy: Rhetorical Community and Shared Sayings in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Examines authorial use of commonly heard sayings (e.g., proverbs) as a means of incorporating listeners into the rhetorical community formed by the audience.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271555">
    <dcterms:title><![CDATA[Auralities: Sound Cultures and the Experience of Hearing in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Presents PrT as one of several texts that are considered as performed/heard experiences, and as instruments of &quot;late medieval identities and communities.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269468">
    <dcterms:title><![CDATA[Aurality]]></dcterms:title>
    <dcterms:description><![CDATA[Coleman clarifies differences between &quot;aurality&quot; and &quot;orality,&quot; assessing references to reading aloud and speaking aloud in Middle English texts, especially Chaucer&#039;s works, and citing depictions of such practice in manuscript illustrations, including two depictions from Chaucer: the Troilus frontispiece (Cambridge, Corpus Christi College 61) and an initial in Lansdowne 851 (British Library).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268670">
    <dcterms:title><![CDATA[Aurelius&#039; Prayer, Franklin&#039;s Tale 1031-79: Sources and Analogues]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer modeled the prayer for the removal of the rocks on a cluster of literary precedents, from Boccaccio to Boethius, Ovid, and Marian lyrics. Chaucer was as interested in the works&#039; interpenetration as in the ironic tensions among them.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264179">
    <dcterms:title><![CDATA[Aurelius&#039; Quest for &#039;Grace&#039;: Sexuality and the Marriage Debate in the &#039;Franklin&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Sexual frustration during Arveragus&#039;s absence motivates Dorigen&#039;s verbal infidelity.  Aurelius, however, can neither accept her from her husband nor pay the magician with whom the squire has lowered himself to deal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263326">
    <dcterms:title><![CDATA[Aurora&#039;s Ascent: Conflict and Desire in the Medieval Dawn-Song]]></dcterms:title>
    <dcterms:description><![CDATA[In a remarkably innovative use of received tradition, the aubades in TC reveal personalities, adumbrate the end of the story, and inspire a fresh aubade tradition in English poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275304">
    <dcterms:title><![CDATA[Ausgewählte Canterbury-Erzählungen: Englisch und Deutsch.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat link to table of contents indicates that the selections (in English and in German with notes) include GP (selections), MilPT, RvPT, CkPT, WBPT, FrPT, SumPT, PardPT, and ShT, with an introduction, pp. vii-xvi.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271544">
    <dcterms:title><![CDATA[Austin, Joyce, O&#039;Brian, and Chaucer&#039;s Squire: Bakhtin and Medieval Narratology]]></dcterms:title>
    <dcterms:description><![CDATA[Unlike &quot;free-indirect discourse,&quot; Bakhtin&#039;s &quot;hybrid discourse&quot; readily allows analysis of written and spoken language in narrative, especially in texts before 1900. The portrait of the Squire, hybridizing both estates satire and &quot;Le Roman de la Rose,&quot; thus narratorially balances inherently mixed evaluations of his character.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272797">
    <dcterms:title><![CDATA[Australasian Universities Language and Literature Association 1969. Proceedings and Papers of the Twelfth Congress Held at the University of Western Australia, 5-11 February 1969]]></dcterms:title>
    <dcterms:description><![CDATA[Includes three essays that pertain to Chaucer and brief synopses of three additional ones that are not included in the volume:  Stephen Knight, &quot;Rhetoric and Poetry in &#039;The Franklin&#039;s Tale&#039;&#039;&#039;; H. E. Hallam, &quot;The Throne of Chaunticleer&quot;; and Brian Parker, &quot;Bar Salibi&#039;s Mystical Commentary on the Erotic Imagery of the Song of Songs&quot; (including comments on MerT). For the three complete essays, search for Australasian Universities Language and Literature Association 1969 under Alternative Title..]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274442">
    <dcterms:title><![CDATA[Authenticating Realism and the Realism of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the narrative devices used by modern and premodern writers of fiction to establish &quot;an air of truth or plausibility&quot;--first-person point of view, intimate tone, details drawn from the real world, and various &quot;tricks&quot; used to compel readers to suspend their disbelief. Comments on Scriptural realism and that of saints&#039; lives and dream visions, examining Chaucer&#039;s techniques in BD, TC, and CT, particularly their framing devices, with attention to the &quot;circumstantial realism&quot; of the frame of CT and its productive tensions with ideals expressed in the tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275484">
    <dcterms:title><![CDATA[Author Attributions in Medieval Text Collections: An Exploration.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers six case studies of multi-text manuscripts to investigate &quot;medieval concepts of authorship and . . . constructions of authority.&quot; Shows that Oxford, Bodleian Library, MS Arch. Selden B.24 (including TC, PF, Truth, Mars, Venus, LGW, and nineteen works by other writers) is an &quot;attempt to create an anthology coherent in theme(s) and . . . poetic form,&quot; inaugurated by TC. Paratextual references to Chaucer as author is &quot;a key means&quot; to achieve coherence]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271326">
    <dcterms:title><![CDATA[Author, Authority and Orality]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;tensions&quot; between the narrator and &quot;author-subject&quot; of TC, assessing how (as in other medieval works) the author&#039;s &quot;signature&quot; is found within the narrative rather than in its paratext.  Such embedded signatures are characteristic of pre-print literature, as is uncertainty about authority.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271884">
    <dcterms:title><![CDATA[Author, Reader, Book: Medieval Authorship in Theory and Practice]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays related to medieval concepts of authorship, focusing on a variety of vernaculars, languages, and literatures, and the &quot;relationship of authorship to readership.&quot; For two essays that pertain to Chaucer, search for Author, Reader, Book under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277380">
    <dcterms:title><![CDATA[Author, Scribe, and Book in Late Medieval English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on fifteenth-century writers such as Audelay, Hoccleve, Kempe, and Charles d&#039;Orléans, and shows how these authors fashioned themselves as self-publishing and scribes in their own right. Argues that this modeling was influenced by Chaucer, among others, whose Adam frames Chaucer as almost a scribe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270015">
    <dcterms:title><![CDATA[Author, Scribe, and Curse: The Genre of &#039;Adam Scriveyn&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reading Adam as a specimen of the genre of book curses reveals a tension in Adam between the incipient humanist idea of the author, &quot;whose inventions transcend their scribal incarnations,&quot; and the reality in late medieval London of authors&#039; dependence on an increasingly professionalized and hence powerful cadre of scribes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274859">
    <dcterms:title><![CDATA[Author, Text, and Paratext in Early Modern Editions of the &quot;Legend of Good Women.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Claims that LGW may have been viewed in the fifteenth and sixteenth centuries as a response to TC and as an allegory for how Chaucer may have interacted with patrons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261638">
    <dcterms:title><![CDATA[Authorial Revision in Some Late-Medieval English Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys how editions of Chaucer, Gower, Langland, and others have banished the notion of authorial revision from their textual methods and replaced it with attention to scribal practice, thereby paralleling deconstructive criticism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275025">
    <dcterms:title><![CDATA[Authorial Second Lives: Machaut, Chaucer, and Philip Roth.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews and extends arguments for recognizing the intertextual relations of Chaucer&#039;s LGW and the works of Guillaume de Machaut, emphasizing their explorations of the &quot;poetics of authorship.&quot; Extends this notion to the fiction of Philip Roth and suggests that such self-consciousness derives from the &quot;cultural moment&quot; of authorial celebrity that enables these writers--medieval and modern--to explore and exploit &quot;textual second lives&quot; in their narratives.<br />
]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262808">
    <dcterms:title><![CDATA[Authorial Versions, Rolling Revision, Scribal Error? Or, The Truth about &#039;Truth&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Focusing on Chaucer&#039;s &#039;Truth&#039;, Hanna examines external evidence, individual variations, and the condition of the manuscripts themselves to illustrate the difficulty of distinguishing authorial revisions from scribal errors and alterations in Chaucerian texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269550">
    <dcterms:title><![CDATA[Authorial Work]]></dcterms:title>
    <dcterms:description><![CDATA[Robertson explores effects of the English labor laws of 1349 on attitudes toward writing, surveying reactions by various writers and using Chaucer&#039;s GP &quot;as a lens through which to view the critical stakes in thinking about&quot; work--particularly the tension between labor and leisure.]]></dcterms:description>
</rdf:Description></rdf:RDF>