<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263985">
    <dcterms:title><![CDATA[&#039;For the Wyves love of Bathe&#039;: Feminine Rhetoric and Poetic Resolution in the &#039;Roman de la Rose&#039; and the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates traditions of medieval antifeminism to show the ambivalences present in the Wife, whom Chaucer presents as both a satire on womanhood and a threat to orthodox male authority.]]></dcterms:description>
    <dcterms:description><![CDATA[Revised as &quot;Feminine Rhetoric and the Politics of Subjectivity: La Vieille and the Wife of Bath,&quot; in Kevin Brownlee and Sylvia Huot, eds. Rethinking the Romance of the Rose: text, Image, Reception (Philadelphia: University of Pennsylvania Press, 1992), pp. 316-58.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268354">
    <dcterms:title><![CDATA[&#039;For Thorgh Yow Is My Name Lorn&#039;: Does Dido Accuse Virgil and Aeneas in the House of Fame?]]></dcterms:title>
    <dcterms:description><![CDATA[Postcolonial analysis of the Dido account in LGW reveals that when Dido accuses Aeneas of ruining her reputation, Chaucer simultaneously accuses Virgil of &quot;epistemic imperialism,&quot; a function of the &quot;unreliability of representation.&quot; Hamaguchi compares Chaucer&#039;s Dido with Bertha Mason of Jean Rhys&#039;s &quot;Wide Sargasso Sea.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267340">
    <dcterms:title><![CDATA[&#039;For Though Myself Be a Ful Vicious Man, a Moral Tale Yet I Yow Telle Kan&#039; : La Vertu au Service de Vice Chez le Pardonneur de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the relationships between moral virtue/vice and physical beauty/ugliness in PardPT, focusing on the Old Man and the Pardoner.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270118">
    <dcterms:title><![CDATA[&#039;For to be sworne bretheren til they deye&#039;: Satirizing Queer Brotherhood in the Chaucerian Corpus]]></dcterms:title>
    <dcterms:description><![CDATA[Despite abundant evidence of their being held in high regard by contemporary society, male oaths of friendship are consistently &quot;satirized, broken, and/or ridiculed&quot; in Chaucer&#039;s works, suggesting &quot;an overarching distrust of such relationships&quot; on Chaucer&#039;s part. Pugh assesses such oaths in HF, KnT, FrT, PardT, and ShT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270222">
    <dcterms:title><![CDATA[&#039;For Y am sorwe, and sorwe ys Y&#039;: Melancholy, Despair, and Pathology in Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Huber uses BD as a case study in a larger examination of depression and self-scrutiny (especially as embodied in confession) in Middle English texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270657">
    <dcterms:title><![CDATA[&#039;Forget what you have learned&#039;: The Mistick Krewe&#039;s 1914 Mardi Gras Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Assessing the conservative ideological underpinnings of the pageantry and commenting on its &quot;inability to control the polysemy of Chaucer&#039;s texts,&quot; Barrington summarizes the history of Mistick Krewe and describes its 1914 parade and party dedicated to &quot;Tales from Chaucer.&quot; She examines details of images of the parade floats and associated materials, some perhaps responsive to the 1912 modernization of Chaucer by John Tatlock and Percy Mackaye. See also &quot;A Response to Barrington,&quot; by Clare Sponsler.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263788">
    <dcterms:title><![CDATA[&#039;Forlynen&#039;&#039;: A Ghost Word Rematerializes]]></dcterms:title>
    <dcterms:description><![CDATA[The origin of &quot;forlynen&quot; in Chaucer&#039;s Bo is the OF &quot;forlignier,&quot; taken from Jean de Meun.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261505">
    <dcterms:title><![CDATA[&#039;Former Workes&#039;: The Figuration of Career in Chaucer and Spenser]]></dcterms:title>
    <dcterms:description><![CDATA[As poets representing themselves in their works and as civil servants, Chaucer and Spenser shared much.  Instead of misreading his predecessor, Spenser reveals more grasp than previously noted of Th, SqT, and PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267664">
    <dcterms:title><![CDATA[&#039;Forto Compleyne She Had Gret Desire&#039; : The Grievances Expressed in Two Fifteenth-Century Dream-Visions]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts the parliaments or courts of love in PF and LGWP with those in Lydgate&#039;s Temple of Glas and the anonymous Assembly of Ladies. The later poems present &quot;idealizing fantasies of social assimilation or integration.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263868">
    <dcterms:title><![CDATA[&#039;Fortunes Stabilnes&#039;: The English Poems of Charles of Orleans in Their English Context]]></dcterms:title>
    <dcterms:description><![CDATA[On Charles d&#039;Orleans&#039;s debt to Chaucer]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265331">
    <dcterms:title><![CDATA[&#039;Friar&#039;s Tale,&#039; D 1489: &#039;At Oure Prayere&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The word &quot;prayere&#039; in FrT D 1489 might have been intended to read &quot;pray,&quot; as it appears in nineteen of the manuscripts.  Such a reading would reinforce the &quot;prey&quot; imagery in the &quot;Tale&quot; and would suggest that God allows fiends to harm only the victims&#039; bodies, not their souls.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270139">
    <dcterms:title><![CDATA[&#039;From every shires ende&#039;: Chaucer and Forms of Nationhood]]></dcterms:title>
    <dcterms:description><![CDATA[Nakley uses postcolonial theory to consider a Chaucerian dialogue with ideas of &quot;nationhood,&quot; examining GP, KnT, WBP, WBT, and MLT en route to arguing that CT presents England as nation, &quot;community,&quot; and &quot;homeland.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265988">
    <dcterms:title><![CDATA[&#039;Fruyt&#039; and &#039;Chaf&#039; Revisited, or What&#039;s Cooking in Chaucer&#039;s Kitchen?]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;fruyt&quot; and &quot;chaf&quot; passage of NPT places the reading of the &quot;Tale&quot; in an ethical context, complemented by Plato&#039;s &quot;Gorgias,&quot; with &quot;fruyt&quot; and &quot;chaf&quot; representing true and false counsel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273064">
    <dcterms:title><![CDATA[&#039;Ful ofte tyme he hadde the bord bigonne&#039; in the Portrait of the Knight in the &#039;General Prologue&#039; to the &#039;Canterbury Tales&#039; and Related Issues]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the meaning of the expression concerning the seating order in GP (1.52) by considering a similar expression in &quot;Sir Gawain  and the Green Knight.&quot;  Reviews contemporary illustrations and historical records related to the feast. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266204">
    <dcterms:title><![CDATA[&#039;Fulfild of Fairye&#039;: The Social Meaning of Fantasy in the Wife of Bath&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Psychoanalytic analysis of WBP reveals the development of the narrator&#039;s identity through the history of her losses and pleasure, suggesting the failure of society to structure her desires.  Through fantasy, WBT idealizes a version of the past and suggests the potential for achieving a new ideal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263895">
    <dcterms:title><![CDATA[&#039;Game in myn hood&#039;: The Traditions of a Comic Proverb]]></dcterms:title>
    <dcterms:description><![CDATA[Semantic associations, proverbial wisdom, and a coherent visual tradition establish the hood as a symbol of hypocrisy and sexual betrayal; this enriches the comic effect of Miller and Pardoner, of Pandarus and Criseyde.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265582">
    <dcterms:title><![CDATA[&#039;General Prologue&#039; 526 : &#039;A Spiced Conscience&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Although often glossed erroneously as &quot;hypocritical,&quot; the word &quot;spiced,&quot; as applied to the Parson&#039;s conscience, indicates an individual whose soul is touched suddenly and profoundly by religion, &quot;as spices might do the palate.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263751">
    <dcterms:title><![CDATA[&#039;Gentilesse&#039; and the Marriage Debate in the &#039;Franklin&#039;s Tale&#039;: Chaucer&#039;s Squires and the Question of Nobility]]></dcterms:title>
    <dcterms:description><![CDATA[Treats themes of nobility and marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265044">
    <dcterms:title><![CDATA[&#039;Gentilesse&#039; in Chaucer&#039;s &#039;Clerk&#039;s&#039; and &#039;Merchant&#039;s Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The Clerk responds to WBT by showing that &quot;gentilesse&quot; is found in humble virtue and obedience, as well as in noble birth.  MerT, however, seeks to deny the underlying premise of these earlier tales by showing that &quot;gentilesse&quot; and happiness can never be found in marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268272">
    <dcterms:title><![CDATA[&#039;Gentilesse&#039; in Chaucer&#039;s Wife of Bath&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Brown approaches the loathly lady&#039;s sermon on &quot;gentillesse&quot; as political allegory, emphasizing &quot;the transforming power of relinquishing control over those who work, the third estate.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271458">
    <dcterms:title><![CDATA[&#039;Gladly wolde [they] lerne [?]&#039;: US Students and the Chaucer Class]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses how US students&#039; &quot;grasp of Chaucer&#039;s work is hampered by their lack of biblical and doctrinal background&quot; and offers suggestions for teaching CT, including journal exercises that foster interaction among students.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268409">
    <dcterms:title><![CDATA[&#039;Glose Whoso Wole&#039;: Voice, Text and Authority in The Wife of Bath&#039;s Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[The Wife&#039;s discourse is on the cusp between the clerkly and the carnivalesque. She is the unstable product of the interplay of various intertexts, creating the illusion of a complex personality. Though sometimes championed by feminists, she at once challenges and is subordinated to official discourse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263701">
    <dcterms:title><![CDATA[&#039;Glosing is a Glorious Thyng&#039;: Chaucer&#039;s Biblical Exegesis]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer used the &quot;Glossa ordinaria&quot; in WBT and MerT; his use of the term &quot;glosing&quot; shows his awareness of fraudulent exegetes.  ParsT is more literal than exegetical.  Chaucer&#039;s attitude toward exegesis was shaped by the antifraternalism of the fourteenth century and by the translation of the Bible into English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268316">
    <dcterms:title><![CDATA[&#039;Glosyinge is a glorious thyng&#039;: Chaucer&#039;s Rhetoric, Manuscripts and Readers]]></dcterms:title>
    <dcterms:description><![CDATA[Caie comments on the presence of glosses in English literary manuscripts, arguing that glosses to WBP, MerT, and MLT can be read as attempts by Chaucer (or his scribes) to contain the subversive potential of texts that the glosses accompany.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266899">
    <dcterms:title><![CDATA[&#039;Glosyng&#039; in &#039;The Summoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Deriving from the Greek word for &quot;tongue&quot; and from Scandinavian &quot;superficial luster,&quot; &quot;glosing&quot; is the central notion of SumT. Chaucer uses it to disclose fraternal hypocrisy and distortion of Scripture. In Korean, with English abstract.]]></dcterms:description>
</rdf:Description></rdf:RDF>