<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277375">
    <dcterms:title><![CDATA[Chaucer&#039;s Proleptic Palinode.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads TC as a &quot;proleptic palinode&quot; that gives Chaucer &quot;something to apologize for&quot; before he writes LGW, modeling his poetic career on Ovid&#039;s. Argues that Pandarus &quot;grounds his amatory practice&quot; in Ovid&#039;s works, considers Criseyde&#039;s and Cassandra&#039;s readings of Theban material in relation to Ovid&#039;s treatment of female readership, and presents LGW as Chaucer&#039;s &quot;own &#039;Heroides&#039;,&quot; a rejection of reductive moralizing interpretation, and a defense of the &quot;ethical value of narrative fiction.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277374">
    <dcterms:title><![CDATA[&quot;Of latine and of othire lare&quot;: Essays in Honour of David R. Carlson.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects eighteen essays on widely varied topics in Middle English, Anglo-Latin, French, and book production. For two essays that pertain to Chaucer, search for under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277373">
    <dcterms:title><![CDATA[Capaneus&#039;s Atheism and Criseyde&#039;s Reading in Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discloses the implications--some &quot;shocking&quot;--of recognizing Statius&#039;s &quot;Thebaid&quot; as the source of Criseyde&#039;s imagining of &quot;radical atheism&quot; in TC, IV.1408-11. Explicates resonances of Thebes/Trojan parallels evident elsewhere in the poem and in medieval Troy material more generally. Includes a summary of the development of source study of Theban material in TC from the nineteenth century to the present.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277372">
    <dcterms:title><![CDATA[John Gower and Chaucer&#039;s Fabliaux.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that the so-called &quot;quarrel&quot; between Chaucer and Gower found in MLP pertains to their uses of Ovidian, fabliau-like material, reading several tales of &quot;Confessio Amantis&quot; as experiments in &quot;fabliauesque&quot; narrative, purged of &quot;schoolboy humour&quot; and obscene language. Argues that echoes of Chaucer&#039;s fabliaux in Gower&#039;s purged tales indicate that influence generally &quot;flowed from Chaucer to Gower&quot; in this regard; ManT, however, might be a response to Gower&#039;s &quot;Tale of Hercules and Faunus.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277371">
    <dcterms:title><![CDATA[Chaucer&#039;s Early Modern Readers: Reception in Print and Manuscript.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses &quot;on fifteenth-century manuscripts of Chaucer, and . . . how these volumes were read, used, valued, and transformed&quot; in the early modern period, reflecting &quot;conventions which circulated in print and . . . convey prevailing preoccupations about Chaucer,&quot; his status, and the medieval past. Four chapters treat Chaucerian manuscripts and editions, addressing, respectively, (1) &quot;Glossing, Correcting, and Emending&quot;; (2) &quot;Repairing and Completing&quot;; (3) &quot;Supplementing&quot;; and (4) &quot;Authorising&quot; as ways of pursuing the ideologically charged bibliographical goal of perfecting Chaucerian texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277370">
    <dcterms:title><![CDATA[Some Unindexed Verses from Bodleian Manuscripts--with Some Further Thoughts on Method.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents previously overlooked &quot;gleanings&quot; of verse that are missing from the general catalogues: one is at the end of Mel in MS Barlow<br />
20, while another is an analogue to lines from KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277369">
    <dcterms:title><![CDATA[Middle English Manuscripts and Their Legacies: A Volume in Honour of Ian Doyle.]]></dcterms:title>
    <dcterms:description><![CDATA[Seventeen essays by various authors on topics in Middle English manuscripts, their legacies, and the career of Ian Doyle, with an introduction by Saunders and Lawrie, an afterword by Linne Mooney and Derek Pearsall, a list of Doyle&#039;s publications by Elizabeth Rainey (assisted by A. S. G. Edwards), an index of manuscripts and early printed books, and a comprehensive index. For two essays that pertain to Chaucer, search for Middle English Manuscripts and Their Legacies under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277368">
    <dcterms:title><![CDATA[Chaucer in Small Parcels: Odd Texts of Chaucer&#039;s Short Poems, and Their Manuscript Contexts.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes conjunctions--&quot;many of them improbable or curious&quot;--among the materials contained in manuscripts &quot;which preserve just one or two of Chaucer&#039;s short poems,&quot; exploring what they &quot;can tell us about the reception and transmission of Chaucer&#039;s verse.&quot; Aligns the range of circulation of Chaucer&#039;s &quot;moral lyrics&quot; with their status as &quot;wise and semi-proverbial.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277367">
    <dcterms:title><![CDATA[Pope&#039;s Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges the traditional provenance of CT manuscript Oxford, Trinity College, MS 49, detaching it from Saffron Walden, and asserting that it was not donated to Trinity College by Sir Thomas Pope, founder of the college, but given by Thomas Unton, as is recorded in Trinity&#039;s Library Benefactors&#039; Book. Summarizes Unton&#039;s life and book ownership and explores broader implications of this ownership.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277366">
    <dcterms:title><![CDATA[Fictions of Witness in the &quot;Confessio Amantis.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the manuscripts of John Gower&#039;s &quot;Confessio Amantis&quot; as evidence of his status and role in the production of Lancastrian literature and propaganda, challenging long-held assessments of the dates and sequence of the manuscripts and what they reflect about Gower&#039;s intentions and his reception. Includes comments on Gower&#039;s relations with Chaucer, issues of &quot;laureation&quot; and scribal activities that pertain to the works of both poets, and Venus&#039;s praise of Chaucer in some manuscripts of the &quot;Confessio.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277365">
    <dcterms:title><![CDATA[Miscellaneity and Apocrypha in Chaucer&#039;s Works (1532)]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the contents of manuscripts of Chaucer&#039;s works and those of early printed editions, especially William Thynne&#039;s 1532 edition of &quot;Works.&quot; Focuses on the heterogeneous mixture of Chaucerian materials, apocrypha, and works by other authors in Thynne&#039;s edition--and the impact of their arrangements--to clarify the nature of &quot;miscellaneity,&quot; its value as a critical concept, and its role in canon formation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277364">
    <dcterms:title><![CDATA[Is There a Source Text in This Class? Teaching Medieval Literature through Contemporary Retellings.]]></dcterms:title>
    <dcterms:description><![CDATA[Outlines &quot;the lesson plan and pedagogical approach&quot; (with course description and syllabus) for a senior, undergraduate course called &quot;Retelling, Rereading, Rethinking--the Afterlife of Medieval Texts in Contemporary Literature.&quot; Includes explanation of using samples from CT (in translation or synopsis) and retellings/adaptations of them in Patience Agbabi&#039;s &quot;Telling Tales&quot; (2014).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277363">
    <dcterms:title><![CDATA[Legend of Good Women: In a Modern English Version.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates that this is a translation of LGW into modern English prose.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277362">
    <dcterms:title><![CDATA[Asutororabe ni kansuru ronbun. [A Treatise on the Astrolabe].]]></dcterms:title>
    <dcterms:description><![CDATA[Japanese translation of Astr based on the Riverside Chaucer, 3rd edition. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277361">
    <dcterms:title><![CDATA[&quot;The Works of Geoffrey Chaucer&quot;: William Morris&#039;s Ideal Book.]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the development of Morris&#039;s Kelmscott Press and describes the achievement of his aesthetic ideals in the Kelmscott Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277360">
    <dcterms:title><![CDATA[Delimiting Chaucerian Obscenity in Caxton&#039;s Second Edition of &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Caxton&#039;s deletions from his first to his second edition of CT, showing that most of them were &quot;bawdy spurious verse.&quot; Argues that the deletions evince Caxton&#039;s awareness of Chaucer&#039;s own &quot;ribaldry&quot; and that—not concerned with obscenity per se—he was anxious to present only the poet&#039;s own works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277359">
    <dcterms:title><![CDATA[Chaucer&#039;s Italy.]]></dcterms:title>
    <dcterms:description><![CDATA[Interpretive biography and critical exploration of Chaucer&#039;s professional, diplomatic, and literary engagements with Italy, Italians, and Italian culture, seeking to &quot;follow in Chaucer&#039;s footsteps--to Milan, Genoa, Florence, Pavia, and beyond--and describe what he would have seen and experienced.&quot; Explores Chaucer&#039;s literary relations with Dante, Petrarch, Boccaccio, Sercambi, and others up to Pier Paolo Pasolini, addressing Italian Chaucer scholarship, and emphasizing the range and variety of Italian topics in Chaucer&#039;s life and works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277358">
    <dcterms:title><![CDATA[Five Songs for Soprano (Mezzo Soprano) &amp; Clarinet.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates that this includes a musical score for &quot;Now welcome, somer&quot; (PF, 680ff.).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277357">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2021, divided into four subcategories: general, CT, other works, and reception. See also &quot;Middle English,&quot; YWES 102 (2023): 171-263.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277356">
    <dcterms:title><![CDATA[Middle English.]]></dcterms:title>
    <dcterms:description><![CDATA[Discursive bibliography, divided into twelve subsections: Early Middle English; Theory; Manuscript and Technical Studies; Religious Prose and Verse; Secular Prose; Secular Verse; &quot;Piers Plowman&quot;; Gower; Old Scots; Drama; The &quot;Gawain&quot; Poet; Romance: Metrical, Alliterative, Malory; and Hoccleve and Lydgate. Multiple references augment the bibliography dedicated to Chaucer in this volume of YWES, &quot;Chaucer&quot; 102 (2023): 264-94.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277355">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2021.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 178 items, plus a listing of reviews for 42 books. Includes an author index]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277354">
    <dcterms:title><![CDATA[Trusty Trout, Humble Trout, Old Trout: A Curious Kettle.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the etymology, usage, and implications of the word &quot;trout&quot; and its derivations in medieval literature and later tradition. Includes comments on &quot;Trotula&quot; (WBP 3.677), &quot;trotte&quot; (WBP 3.838), and &quot;virytrate&quot; (FrT 3.1582).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277353">
    <dcterms:title><![CDATA[Looking for Scribal Play in Oxford, New College MS 314.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses &quot;scribal playfulness,&quot; rather than error or accuracy, focusing on instances of copyists&#039; engagement with Chaucer&#039;s &quot;bawdy humour,&quot; particularly the diction, imagery, and details of a ribald expansion of the pear-tree episode of MerT (and several other interpolations) in Oxford, New College MS 314 and its correlative witnesses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277352">
    <dcterms:title><![CDATA[The Wife of Bath in the Saddle: A Re-reading of &quot;Upon an amblere esily she sat&quot; (General Prologue, I 469).]]></dcterms:title>
    <dcterms:description><![CDATA[Revisits the implications of the horse-and rider imagery that underlies the description of the Wife of Bath at GP 1.469, focusing on her riding an &quot;amblere,&quot; exploring relations with the thirteenth-century French &quot;Lai du Trot,&quot; and suggesting that, through the image, Chaucer associates the Wife with &quot;loyal and passionate lovers.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277351">
    <dcterms:title><![CDATA[Eloquence as Profession and Art: The Use of the &quot;Ars Dictaminis&quot; in the Letters of Gilbert Stone and His Contemporaries c1300-c1450.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the &quot;ars dictaminis&quot; in late-medieval England, focusing on its influence and uses in administrative circles, ecclesiastical and secular, with particular attention to the career of Gilbert Stone, an &quot;episcopal chancellor.&quot; Includes discussion of the influence of the &quot;ars&quot; on the &quot;poetic form and style&quot; of Thomas Hoccleve and Chaucer. In the case of the latter, the influence was &quot;not a strong direct influence&quot; but &quot;part of complex conditioning literary environment.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>