Browse Items (16376 total)

Estelle Epinoux and Nathalie Martinière, eds. Rewriting in the 20th-21st Centuries: Aesthetic Choice or Political Act? (Paris: Michel Houdiard, 2015), pp. 105-18.  
Argues that in her experimental novel "Ryder," Djuna Barnes wrote "under the influence of Chaucer by employing a similar style," that her "use of glosses" in Chapter 10 "demonstrates an intertextuality" with CT, and that in Chapter 22 she "rewrites a…

Webb, Louise.   Bloomington: Xlibris, 2016.
Item not seen. WorldCat records indicate that this is a fictional narrative that includes phallic parodies of various works of literature; CT is among them in a short account of a pilgrimage to the ketchup-bottle-shaped water tower in Ketchup City,…

Vernon, Matthew X.   Matthew X. Vernon. The Black Middle Ages: Race and the Construction of the Middle Ages (Cham: Palgrave Macmillan, 2018), pp. 203-45
Explores ways that John Dryden's notions of congeniality and the value of the vernacular in his commentary on Chaucer help to clarify Gloria Naylor's adaptations of Dante's "Inferno" in "Linden Hills" and of CT in "Bailey's Café, "identifying in the…

Doyle, Laura.   Literature Compass 15.6 (2018): n.p.
Places the cluster of Chaucer essays in this special issue of "Literature Compass"--entitled "Chaucer's Global Compaignye"--in the context of the journal's "Global Circulation Project," and comments on each of the included essays. For individual…

Dalzell, Susan.   New York: Adams Media, 2018.
An introduction to poetry in English, its history, and its forms, arranged by author and topic. Includes a brief introduction to Chaucer that emphasizes his social mobility, CT, and his use of English.

Burger, Glenn D., and Holly A. Crocker, eds.   Cambridge: Cambridge University Press, 2019.
Collection of essays charting new investigations of intersectionality of affects, feelings, and emotions in non-religious texts. Authors range from Chaucer to Gavin Douglas, and essays explore practices of witness to the "adoration of objects," and…

Burger, Glenn D.   Glenn D. Burger and Holly A.Crocker, eds. Medieval Affect, Feeling, and Emotion (Cambridge: Cambridge University Press), pp. 90-117.
Compares the Wife's presentation of her conduct in WBPT to the conduct book" Le ménagier de Paris," and shows how the Wife's record of her activities and the presentation of negative emotions function as essentially a reversal of the "Ménagier."…

Bryant, Brantley L.   Glenn D. Burger and Holly A.Crocker, eds. Medieval Affect, Feeling, and Emotion (Cambridge: Cambridge University Press), pp. 118-38.
Argues that RvT reworks its fabliau sources alongside then-contemporary texts about manorial control and operation such as "Walter of Henley," and traces this depiction of an "affective economy." Analysis helps to foreground how the Reeve's manorial…

Burger, Glenn D., and Holly A. Crocker.   Burger and Crocker, eds. Medieval Affect, Feeling, and Emotion (Cambridge: Cambridge University Press), pp. 1-24.
Emphasizes how this essay collection presents "an intersectional approach to what medievals call affect and what moderns call emotions," and "speaks to the 'affective turn' in contemporary literary and cultural studies." Introduction provides a close…

Trigg, Stephanie.   Glenn D. Burger and Holly A. Crocker, eds. Medieval Affect, Feeling, and Emotion (Cambridge: Cambridge University Press, 2019), pp. 25-46.
Highlights the connections between uses of the phrase "weeping like a beaten child" in both Chaucer and Malory, simultaneously exploring the semantic range of weeping elsewhere. These examinations offer further important lessons about the history of…

Sugito, Hisashi.   Research Bulletin: Liberal Arts (Nihon University College of Economics) 84 (2017): 73-81.
Points out that Chaucer develops the idea of interpretation through his works (especially CT), and demonstrates how Lydgate's "The Siege of Thebes," drawing on Chaucer, revolves around the ideas of truth and interpretation.

Sokolov, Danila.   Pittsburgh, PA: Duquesne University Press, 2018.
Chapter 2, "Chaucerian Melancholy in Renaissance England," explores how in "Astrophel and Stella" Sir Philip Sidney "reactivates: the melancholic and ambivalent "poetics of selfhood" of BD, as mediated in the "Petrarchan and anti-Petrarchan poetry"…

Snell, Megan.   Shakespeare Quarterly 69.1 (2018): 35-56.
Examines how the Jailer's Daughter of Shakespeare and Fletcher's play, a character not found in KnT, reflects a complex form of influence derived not only from KnT, but from MilT and RvT as well. Considers water imagery and liquidity, and "madness,…

Schlett, James.   Ithaca, NY: Cornell University Press, 2015.
Recounts the history and events of the nineteenth-century American Philosophers' Camp. The chapter entitled "The Worthy Crew Chaucer Never Had" includes discussion of Ralph Waldo Emerson's notebook commentaries on similarities between the group of…

Rouse, Margitta.   Andrew James Johnston, Margitta Rouse, and Wilhelm Schmidt-Biggemann, eds. Transforming Topoi: The Exigencies and Impositions of Tradition (Göttingen: V&R, 2018), pp. 59-88.
Argues that Shakespeare's exploration of the "nature of literary adaptation-as-innovation" in "The Rape of Lucrece"--conducted by means of "competing versions of the Troy story"--engages with the "Chaucerian poetics" of HF and TC, particularly…

Rogal, Stan.   Toronto: Guernica, 2018.
Includes ten short stories, plus a Prologue and an Epilogue, all overtly modeled in topic and tone on CT and Boccaccio's "Decameron," both works referred to in the Prologue and alluded to in titles such as "The Reeve's Sister's Tale."

Robinson, James.   Neil Roberts, Mark Wormald, and Terry Gifford, eds. Ted Hughes, Nature and Culture (Cham: Palgrave Macmillan, 2018), pp. 143–59.
Assesses the lifelong development of Ted Hughes's attitudes toward Chaucer in published and archival materials, including comments on Hughes's view of Chaucer as the "perfect model of a public poet" and as a "presiding presence" in his relationship…

Robinson, James.   Terry Gifford, ed. Ted Hughes in Context (Cambridge: Cambridge University Press, 2018), pp. 209-18.
Describes aspects of Hughes's "imaginative encounter with the Middle Ages," particularly his reading of "Sir Gawain and the Green Knight," Chaucer's works, and those of Dante, exploring how these works influenced his poetry and thoughts on…

Reid, Lindsay Ann.   Renaissance Quarterly 72.2 (2019): 537-81.
Analyzes Ovid's "Metamorphoses" in Renaissance poetry, with some attention to how Chaucer, in LGW, and Gower, in "Confessio Amantis," may have influenced sixteenth-century Tudor England's Ovidian poetry.

Reid, Lindsay Ann.   Woodbridge, Suffolk: Boydell & Brewer, 2018.
Argues that Shakespeare's uses of Ovid in his plays and poems was largely mediated by medieval works, specifically ones by Chaucer and John Gower. Shows that the dream frame of BD influenced "The Taming of the Shrew" and "Cymbeline," that Chaucer's…

Raybin, David.   Dickens Studies Annual 49.1 (2018): 1-25.
Identifies a series of "parallels in plot and language" between Charles Dickens's "The Cricket on the Hearth" and MerT, arguing for Chaucer's influence on "Cricket," on the Strong subplot of "David Copperfield," and on Dickens's "Chaucerian aesthetic…

Mounter, Norman.   London: Austin Macauley, 2016.
Historical novel about Chaucer's reasons for the writing of the CT; also includes versions of several characters and tales derived from CT.

Mann, Rachel.   Michael Schmidt, ed. New Poetries VII: An Anthology (Manchester: Carcanet, 2018), p. 98
Contemplative lyric poem (eighteen lines in threes) that refers to four of Chaucer's pilgrims (Knight, Miller, Reeve, and Pardoner) and includes six brief quotations from CT.

Langdell, Sebastian J.   Liverpool: Liverpool University Press, 2018.
Focuses on Hoccleve's engagement "with contemporary religious reform movements and religious debate," arguing that he was interested in the "spiritual health of English society" rather than "earthly fame," and exploring how Hoccleve invented Chaucer…

Herd, David, ed.
Pincus, Anna, ed.  
[Manchester]: Comma Press, 2016-21.
Anthologizes in four volumes oral accounts by asylum seekers and immigrants detained in Britain and elsewhere, recorded by various poets and novelists, and modelled on the CT, with an opening Prologue in each volume, followed by narratives with…
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