Hagedorn, Suzanne C.
Ann Arbor : University of Michigan Press, 2004.
Hagedorn emphasizes the variety of versions of classical stories of abandoned women (Statius, Virgil, and Ovid) and the ways they were adapted in medieval tradition (e.g., Dante's "Inferno"; Boccaccio's "Teseida," "Fiammetta," and "Amorosa Visione";…
Hagedorn, Suzanne Christine.
Dissertation Abstracts International 57 (1996): 2671A-72A.
Ovid undercuts epic male heroism, treating the emotional cost to the women deserted by Achilles, Theseus, Ulysses, and Aeneas and casting a shadow on these heroes in the works of Dante, Boccaccio, and Chaucer (KnT, LGW, TC). Bakhtin's views…
Loimeier, Manfred.
Munich: Edition Text + Kritik, 2023.
Surveys the fiction of Abdulrazak Gurnah as a cross-cultural, internationalist writer. Lists Chaucer among global writers referred to in Gurnah's novels "Memory of Departure" (1987) and "Gravel Heart" (2017), briefly describes CT, observes that…
Shields, Rachel Linn.
Yearbook of English Studies 53 (2024, for 2023): 21-35.
Argues that the "tidal influences" in FranT encourage "feminist interpretation" of Dorigen's promise, "identification of an environmentalist sensibility" in the tale, and attention to human subjection "to natural cycles and forces." Furthermore,…
Clark, Marden J., and Soren F. Cox.
New York: Scribner, 1970.
Item not seen. WorldCat records indicate that this is a textbook for college composition, with samples from literature, rhetoric, and theory for discussion; includes Chaucer's "The Tale of the Wyf of Bathe" in a section on English language history.
Minnis, A. J.
Marianne Børch, ed. Text and Voice: The Rhetoric of Authority in the Middle Ages (Odense : University Press of Southern Denmark, 2004), pp. 138-67.
Considers the lack of extensive glosses and commentaries on late Middle English literature, including Chaucer, arguing that in England, unlike on the Continent, the concern with "translatio studii" (transferring the authority of the ancients to the…
Scala, Elizabeth.
Houndmills, Basingstoke; and New York: Palgrave/Macmillan, 2002.
Scala studies absence as a structural feature of late-medieval English narratives, arguing that absence reflects the manuscript culture in which the narratives are preserved and that it is reflected in the critical and theoretical responses to these…
Scala, Elizabeth Doreen.
Dissertation Abstracts International 56 (1995): 187A.
Later medieval literature (as represented by Chaucer and others) demonstrates "cultural anxiety," manifested through marginal glosses, commentary, and illumination that make each manuscript unique, unlike modern printings.
Absolon's profession is reflected in his elaborate hairstyle (rather than tonsure); in his red, white, and blue clothing; and in his choice of the cultour as a tool for revenge. With cutting blade in hand, Absolon takes his "patient" by surprise,…
Hatton, Thomas J.
Papers on Language and Literature 7 (1971): 72-75.
Summarizes the Scriptural tradition in which spiritual fame is associated with sweet tastes and good odors, and suggests that Absolon's association with their opposites in MilT reinforces his humiliation and his concern with "fame among men."
Explains how the scene that involves Gerveys the smith (1.3772-89) is "structurally crucial" to MilT by creating an effective lull between "two bits of explosive comedy," helping to characterize Absolon, and gathering the threads of several important…
Boenig, Robert.
English Language Notes 28:1 (1990): 7-15.
Medieval convention and iconography support the view that the rebec is associated with the female voice (and thus suited to Absolon's effeminate character). It is implied that Absolon neither sings nor plays very well.
Contemplates the possible range of meanings of tragedy for Chaucer, observing how consistently he associates it with misunderstanding and how he alludes to or invokes Boethius to defer explanation or certainty. Christian notions of grace disallow…
Assesses the relations between universality and particularity as epistemological modes in MLT, exploring allegory and individuality, realism and nominalism, and generalization and specification in the characterization of Custance and how she is…
Includes a study that details the bibliographical and physical instability of two variants of the 1542 Chaucer edition--the Reynes imprint and the Bonham imprint--as they exist in the Hoe, the Chew, and the Hagen-Clark copies, paying particular…
Justman, Stewart Martin.
Dissertation Abstracts International 37 (1976): 3607A.
Theoretical "auctoritee" and "auctoritee" as misunderstood by characters in Chaucer are worlds apart. Chaucer was more interested in the violability than in the inviolability of "auctoritee." Many of the Canterbury Tales depend on cases which…
Argues that writers or works or periods can offer alternatives to modern critical theory. O'Brien's view that Chaucer presents union (in particular, love and marriage) as an overarching theme of CT encourages us to see that views other than…
Bryant, Brantley L.
Glenn D. Burger and Holly A.Crocker, eds. Medieval Affect, Feeling, and Emotion (Cambridge: Cambridge University Press), pp. 118-38.
Argues that RvT reworks its fabliau sources alongside then-contemporary texts about manorial control and operation such as "Walter of Henley," and traces this depiction of an "affective economy." Analysis helps to foreground how the Reeve's manorial…
Discussing fiscal metaphors for the state of the soul in the Middle English period, O'Neill suggests that Ret is Chaucer's effort to escape "the imperatives of stewardship," evoking instead "a relationship of mutual intercession with his readers."
Parker, R. H.
Accounting, Auditing & Accountability Journal 12.1: 92-112, 1999.
Documents Chaucer's knowledge of medieval accounting practice, explaining the principal-agent relation of the Reeve and his lord in GP and discussing debt in the description of the Merchant. Examines the role of accounting in ShT and demonstrates…
León Sendra, Antonio R.
Alfinge: Revista de Filología 8 (1997): 151-62.
Presents HF as a poetic and rhetoric reflection, as well as a reaction to the desire to have (versus the desire to be) and the belief in popular opinion (versus the belief in truth).
Forni, Kathleen
.
Studies in Medieval and Renaissance Teaching 23 (2016): 107-14.
Utilizes Peter Ackroyd's "'The Canterbury Tales': A Retelling" and argues that modern English prose translations of CT are valuable teaching tools for contemporary students.
