Myers, Doris Evaline Thompson.
Dissertation Abstracts International 28.06 (1967): 2215-16A.
Studies sermon rhetoric in CT, identifying its roots in preaching handbooks and considering its value for understanding aspects of structure, style, and characterization in SNT, NPT, ParsT, PardT, WBT, and SumT, treating the Pardoner, the Wife of…
Luengo, Anthony Eamon.
Ph.D. Dissertation. McMaster University, 1978. Fully accessible via https://macsphere.mcmaster.ca/items/79d2b698-ba8b-4e86-b138-5d64e2c84c34 (accessed April 14, 2026).
Offers "close analysis of the use of 'sententiae' and narrative 'exempla'," exploring NPT, WBT, PardT, SumT, and ParsT in light of "traditional and late medieval sermon theory and practice" evident in the "artes praedicandi" and in medieval…
Seal, Samatha Katz.
In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/
Interprets CYPT as "Chaucerian critique of the male desire to use technological and scientific innovation to generate alone, excluding women from creation and thus overthrowing the normative pairing of sex contraries upon which medieval religious,…
Grenberg, Bruce L.
Chaucer Review 1.1 (1966): 37-54.
Argues that the concern with the "basic duality between material and spiritual values" in CYPT is based in Boethius's admonitions against pursuing false felicity in his "Consolation of Philosophy," manifested in the Canon's Yeoman's concern with…
Pearsall, Derek.
London, Boston, Sydney: George Allen and Unwin 1985.
The manuscripts of the CT attest to the continuous, evolving, and unfinished nature of Chaucer's work on them from 1387 onward. The poet's intent in CT was to stretch the limits of inherited genres and expand the perceptions of his audience. The…
Guerin, Richard Stephen.
Dissertation Abstracts International 28.04 (1967): 1396A.
Adduces evidence of the influence of Boccaccio's "Decameron" on CT by collecting all available indications of similarity--instances of borrowing and less specific parallel details.
Simons, John.
Literature and History, 2d ser., 1, no. 2 (1990): 4-12.
Shows how close is the "bond between literary culture and the ideology and practice of domination enshrined in judicial controls" in late-medieval England after the Black Death. Summarizes statues of labor, taxation, and responses to the Uprising of…
Woodward, Daniel,and Martin Stevens, eds.
San Marino, Calif.:
A full-size, full-color facsimile of the Ellesmere manuscript of CT, published in three forms and 250 copies. Copies 1-50 are bound in oak boards fully covered by tawed calf; copies 51-150, in boards and quarter brown leather; and copies 151-250,…
Blake, N. F., and Peter Robinson, eds.
Oxford: Office for the Humanities Communication Publications, 1993.
A preface and five essays describe the goals and methods of the "Canterbury Tales" Project, an endeavor to replace Manly and Rickert's textual analysis of CT (Chicago, 1940). Long-range goals include facsimile reproduction of portions of the…
Introduces "Chaucer's allegorical tales as poetic play and playful poetry." In CT, Chaucer questions the nature of reality and the function of language in a complex interplay of realistic, grotesque, and sublime. Chapters deal with historical…
Owen, Charles A., Jr.
Journal of English and Germanic Philology 54 (1955): 104-10.
Questions Germaine Dempster's 1948 suggestions about the production of "manuscripts postulated as heads of genetic groups" and lines of descent for CT witnesses, offering several alternative explanations. Includes attention to the change of ink in…
Kaske, R. E.
Studies in Philology 59 (1962): 225-40.
Explores in MilT the comic and thematic potential of allusions to the biblical Song of Songs and its exegetical commentaries. Details of Absolon's address to Alisoun at the window, the descriptions of the two characters, and other details of the Tale…
Thomson, Patricia.
Comparative Literature 11 (1959): 313-28.
Explores unanswered questions about Chaucer's knowledge of Petrarch and use of Petrarchan material in TC 1.400-420 and in ClT, focusing on close reading of Chaucer's "deviations" from Petrarch's Sonnet 132 in his translation of it in TC, with…
Offers perspective on affiliations of Elizabeth and Alice Chaucer with Barking Abbey; comments on cats in late-medieval literature (CT, "Piers Plowman," and more); identifies "Gyb" as a conventional name for a cat; and explores international versions…
Davis, John.
Journal for the History of Astronomy 50, no. 2 (2019): 121–54; 11 color illus.
Offers evidence that the "Chaucerian" astrolabe in the British Museum was constructed in the early fifteenth century, perhaps for Henry Beaufort, bishop of Winchester, and provides "a scenario whereby . . . Chaucer would be exposed to astrolabes with…
McCall, John P.
Modern Language Quarterly 27 (1966): 260-69.
Judges ClT to be "more successful than it has been thought" because it is a tale of "idealized obedience" in which Griselda's submissiveness is an "imitation" of Christ's Passion and Resurrection and a demonstration that the human will can achieve…
Sledd, James.
Modern Philology 51, no. 2 (1953): 73–82.
Critiques earlier opinions on ClT, finding them to be flawed by imposition of irrelevant standards and failure to treat the tale's success in evoking "compassionate wonder." Explores the developments of characterization in the tale and a growing…
Interprets Pandarus's reference to "corones tweyne" (TC 2.1735) as "a highly complex symbol of the two main pillars of mediaeval law and authority--the spiritual and temporal powers of the church and the state," forbidding Criseyde from killing…
Hoffman, Richard L.
Classica et Mediaevalia 25 (1964): 263-72.
Surveys arguments that seek to identify sources and analogues to the claim in KnT 1.1625-26 that neither love nor lordship "likes competition with another of its kind," citing similarities with TC 2.755-56, FranT 5.764-67, and others, and arguing…
Offers the image of unholy clerics as rusted gold in Robert Grosseteste's "Epistolae" as a possible source of the use of the image by Chaucer's Parson in GP 1.500.
Reads the rocks of FranT as a representation of natural evil, only apparently avoided in the plot, and an opportunity for the operations of both "gentilesse" and unearned providential grace.
Steel, Karl.
In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/
Introduces the field of "critical animal studies" and assesses the degree to which characters and animals in FrT can be considered to have agency. Designed for pedagogical use, includes several questions for discussion and suggestions for further…
Campbell, Ethan.
Kalamazoo: Medieval Institute Publications, 2018.
Makes clear the anti-clericalism, overt and implicit, in the works of the "Gawain"-poet ("Cleanness," "Patience," "Pearl," and "Sir Gawain and the Green Knight"), examining the theme in light of contemporaneous polemics. Includes several references…
Justice, Steven.
Frank Grady, ed. The Cambridge Companion to "The Canterbury Tales" (Cambridge: Cambridge University Press, 2020), pp. 45-58.
Surveys approaches to reception and interpretation of GP. Reappraises GP's incompleteness as a symbol for the incompleteness of memory, establishing the beginning of CT as a kind of machinery that "set[s] the roadside drama in motion once again."