Browse Items (16471 total)

Greenwood, Maria K.   Colette Stévanovitch, ed. L'Articulation langue-littérature dans les textes médiévaux anglais, II. Actes du colloque des 25 et 26 juin 1999 á l'Université de Nancy II. Collection GRENDEL, no. 3. (Nancy: Publications de l'Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 1999), pp. 143-62.
Explicates Chaucer's uses of grammatical tenses in GP, especially in the descriptions of the Knight, Squire, and Yeoman, distinguishing how various tenses and narrative points of view direct readers' reactions to the pilgrims. Considers indirect…

Moskowich-Spiegel Fandiño, Isabel.   RCEI 30-31: 201-26, 1995.
Examines semantic and syntactic features of infinitive clauses used as nominals in GP and NPT. Makes several diachronic observations: in this stage of the development of English, to was becoming the standard infinitive marker, although there were…

Dor, Juliette.   A. J. Tops, Betty Devriendt, and Steven Geukens, eds. Thinking English Grammar: To Honour Xavier Dekeyser, Professor Emeritus (Leuven: Peeters, 1999), pp. 33-40.
Lexicographical information on sely is inconsistent and often based on the assumption that there was no historical overlap between "pious-good" and "foolish-simple." Chaucer's uses of the term capitalize on uncertainty of tone in LGW, making it…

Dauby, Hélène.   Le sang au Moyen Âge. Cahiers du CRISIMA, vol. 3, no. 8. (Montpellier: Universit de Montpellier, 1999), pp. 227-35
Although the terms in the title are not the most frequently used in Chaucer's vocabulary, their collocations enable us to explore associations and meanings of colors, the gushing of blood from wounds, the physiology of emotions, devotion to Christ's…

Carruthers, Mary [J.]   Studies in the Age of Chaucer 21: 3-26, 1999.
Confronts questions of canonicity, the "value" of literature, and the relations between language and literature, encouraging members of the New Chaucer Society to help revitalize the role of language study. Equipped with a historical sense of how no…

Carruthers, Leo, ed.   Paris : Publications de l'Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 1999.
Nine essays by various authors exploring the theme of justice and injustice in Medieval English literature and society. One essay (Gloria Cigman on the notion of authority in Chaucer and in Shakespeare) pertains to Chaucer in general; two others also…

Carlson, Cindy L.,and Angela Jane Weisl,eds.   New York : St. Martin's Press, 1999.
Eleven essays by various authors and an introduction by the editors. Topics include depictions of virginity, widowhood, and their intersections in medieval romance, hagiography, and drama, with recurrent references to other literary genres and…

Brown, Peter.   Oxford : Oxford University Press, 1999.
Six essays by various authors on dreams in medieval and early modern literature. For four essays that pertain to Chaucer, search for Reading Dreams under Alternative Title.

Brown, Peter.   Peter Brown, ed. Reading Dreams: The Interpretation of Dreams from Chaucer to Shakespeare (Oxford: Oxford University Press, 1999), pp. 22-50.
Argues that Middle English dream visions from the second half of the fourteenth century allowed writers to experiment with altered states of consciousness and liminality. Discusses French and Middle English dream visions, including BD, HF, LGW, and…

Braswell, Mary Flowers.   SMART 7.2: 23-31, 1999.
Describes how visual aids and a trip to a medieval collection in a museum (in this instance the Kress collection in Birmingham, Alabama) can help students confront medieval literature with greater depth and involvement.

Boitani, Piero,and Anna Torti, eds.   Woodbridge, Suffolk; Rochester, N.Y. : D. S. Brewer, 1999.
Ten essays by various authors, originally presented at a symposium on "The Body and Soul in Medieval Literature." Most of the essays focus on Middle English literature, including some comparisons with medieval French and Italian works and some later…

Astell, Ann W.   Ithaca, N.Y., and London : Cornell University Press, 1999.
A series of studies that explore how William Langland, John Gower, the Gawain poet, Chaucer, and Sir Thomas Malory all "practiced an allegorical art, partly as a result of their similar educational backgrounds and also because political pressures…

Aers, David.   Peter Brown, ed. Reading Dreams: The Interpretation of Dreams from Chaucer to Shakespeare (Oxford: Oxford University Press, 1999), pp. 84-98.
Unlike the dream interpretations in the works of Freud and Milton, dreams in Chaucer's poems reveal the strategies of power and gender that shape the interpretation of dreams. Discusses WBP, NPT, and TC.

Ganim, John M.   William A. Quinn, ed. Chaucer's Dream Visions and Shorter Poems (New York and London: Garland, 1999), pp. 463-76.
Assesses criticism of Chaucer's dream visions and lyrics for how it has "predicted" the present state of Chaucer scholarship and as a "test case" for various critical approaches. Issues include the subject and subjectivity; resistance to new critical…

Franke, William.   Chaucer Review 34: 87-106, 1999.
Although only seventy years separated Dante's and Chaucer's creative peaks, different philosophies affected their attempts to communicate divine truth through poetry. Reflecting Augustinian philosophy, Dante believed that all things divine could be…

Foster, Edward E.   Lewiston : N.Y.: Edwin Mellen Press, 1999.
Chaucer's fictions are opaque and self-conscious. Neither ordinary ironist nor allegorist, Chaucer is a nominalist "philosophical poet" for whom "divine truth is stable; human knowledge is provisional; and fiction is the means by which nominalist…

Feinstein, Sandy.   SMART 7.1: 31-42, 1999.
Summarizes experiences and experiments in teaching Chaucer in several venues, noting how Chaucer's language and humor seem to transcend cross-cultural boundaries.

Ellis, Steve.   Plymouth, U.K : Northcote House, in Association with the British Council, 1996.
An introduction to Chaucer that surveys critical issues and concentrates on how oppositions are posed in his poetry rather than resolved. Topics include the following: The Chaucer Business; Life, Works, Reputation; Dream, Text, Truth; Society,…

Dalton, John Paul.   Dissertation Abstracts International 60: 121A, 1999.
In his love visions, Chaucer initially claims to be stupefied by love and love poetry. Dalton analyzes this topos-deriving from many sources, including Boethius, the Roman de la Rose, and poems of Machaut-in BD, HF, PF, and TC.

Coss, Peter R.   Phoenix Mill, Gloucestershire : Sutton, 1998.
Defines the late-medieval idea of a "gentilwoman," its evolution, its relation to male gentility, and its representations in medieval art and literature. Briefly considers Chaucer's Prioress as a depiction of the "behavioural traits" of a medieval…

Collette, Carolyn P.   Chaucer Review 33: 350-62, 1999.
Although Chaucer's "circle" has generally been considered wholly masculine, it may well have included contemporary women such as Joan of Kent. Joan was a prosperous and powerful woman, an interceder and a mediator: a model for a character such as…

Carter, Ronnie D, and David G. Bailey.   Chaucer Review 34: 236-41, 1999.
Polish academic writing on Chaucer follows a political pattern. Retreating from politically charged topics, students and professors have concentrated on linguistics topics, such as morphology, syntax, semantics, and loanwords. Most "literary"…

Lochrie, Karma.   Philadelphia : University of Pennsylvania Press, 1999.
Explores the implications of secrecy represented in several topics and depicted in medieval texts: confession in Sir Gawain and the Green Knight, gossip in WBPT and HF, occulted science in Pseudo-Aristotle's Secret of Secrets and Pseudo-Albert's The…

Lester, Geoffrey, ed.   Sheffield : Sheffield Academic Press, 1999.
Twenty essays by various authors, plus a forward (pp. 13-25) by Lester that describes the career and lists the publications of Norman Blake. The essays consider Middle English language, literature, editing, and publishing, with eleven essays…

Knight, Stephen.   Nottingham Medieval Studies 43: 172-88, 1999.
Explores how Dafydd's "connections, and the lack of them, with Chaucer . . . illuminate the English author." The poets share modal and conceptual similarities, but they differ in style and genre. Chaucer is less a poet of nature than is Dafydd and…
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