Browse Items (16470 total)

Haas, Renate.   Studia Anglica Posnaniensia 38: 215-28, 2002.
Considers Spurgeon's work on the history of Chaucer criticism in the context of Spurgeon's career as a teacher and her role as a leader in seeking full standing for women in the academy.

Hamaguchi, Keiko.   Doshisha Literature 46: 1-17, 2003.
Postcolonial analysis of the Dido account in LGW reveals that when Dido accuses Aeneas of ruining her reputation, Chaucer simultaneously accuses Virgil of "epistemic imperialism," a function of the "unreliability of representation." Hamaguchi…

Harding, Wendy.   Bulletin des Anglicistes Médiévistes 64: 1-11, 2003.
By representing the narrator of CT first as a disembodied authority and then as a storyteller in the pilgrimage game, Chaucer explores the parameters of voice, gender, and authority. The perception of gender in speech is shown to be a social…

Harding, Wendy, ed.   Toulouse: Presses Universitaires du Mirail, 2003.
Fifteen essays by various authors examine ways of reading tales in CT in terms of relationships to a particular literary mode, whether theater, narrative, or poetry. The collection includes an introduction by the editor. For the individual essays,…

Hardman, Phillipa.   William K. Finley and Joseph Rosenblum, eds. Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures (New Castle, Del.: Oak Knoll; London: British Library, 2003), pp. 37-72.
Focuses on the ordinatio and implications of illustrations to CT (apart from those in the Ellesmere MS): the "generic 'author' image" found in MS Lansdowne 851, MS Bodley 686, and the "Devonshire" MS; the portrait of the Friar in MS Rawlinson poet.…

Hazell, Dinah.   Carmina Philosophiae 11: 43-74, 2002.
Explores how the character Theseus in KnT does and does not embody principles of political philosophy found in Boethius's "Consolation of Philosophy." Combining "idealism and political exigency," Theseus fulfills the "composite model of an ideal"…

Heffernan, Carol F.   Woodbridge, Suffolk; and Rochester, N.Y. : Boydell and Brewer, 2003.
A series of studies focusing on depictions of the Orient and people from the Orient in medieval romances: MLT, Dido and Cleopatra from LGW, SqT, "Floris and Blauncheflur," and "Le Bone Florence." The introduction concentrates on how contact with the…

Heffernan, Carol Falvo.   N&Q 248: 158-62, 2003.
Argues that Chaucer had direct knowledge of Vendôme's text and suggests a possible manuscript source of it: Florence, Biblioteca Medicea-Laurenziana, Pluteus 33.31.

Hernández Pérez, M. Beatriz.   Atlantis 24: 117-32, 2002.
Feminist narratological analysis of WBPT reveals that the Wife's arguments, based in traditional misogyny, overwhelm this misogyny through dynamic engagement of it.

Hernández Pérez, M. Beatriz.   I. Moskowich-Spiegel Fandiño, ed. Re-Interpretations [sic] of English. Essays on Literature, Culture and Film (I) ([La Coruña]: Universidade da Coruña, 2001), pp. 85-101.
Explores issues of persona, authorship, and reception in Th and Mel, focusing on the links between Tales, the Host's role, and the "evolution" of the pilgrim Chaucer.

Herold, Christine.   Charlotte Spivack and Christine Herold, eds. Archetypal Readings of Medieval Literature (Lewiston, N.Y.: Mellen, 2002), pp. 47-65.
Herold reads WBT as an "individuation myth" in which the knight gains "wisdom and self-empowerment" in his encounters with the anima, manifested in the "triple-aspect of the Great Mother Archetype": maiden, queen, and loathly lady.

Herold, Christine.   Lewiston, N.Y.: Mellen, 2003.
The medieval conceptualization of tragedy has its roots in classical tradition, especially Seneca as mediated by Boethius. Herold surveys classical, patristic, and medieval ideas of tragedy and the tragic, exploring how Chaucer, among others,…

Hertog, Erik.   Linguistica Antverpiensia 23 : 101-37, 1989.
Structuralist analysis of how metaphors develop into themes in MerT and, in turn, "steer the plot."

Driver, Martha W.   Ricardian 13: 186-202, 2003.
In the context of a broader discussion of late-medieval depictions of people reading, Driver mentions illustrations that depict Chaucer reading. Fourteen illustrations

Dutton, Marsha L.   Benjamin Thompson, ed. Monasteries and Society in Medieval Britain: Proceedings of the 1994 Harlaxton Symposium. Harlaxton Medieval Studies, no. 6 (Stamford: Watkins, 1999), pp. 296-311.
Dutton reads the Prioress and the Second Nun as paired opposites: one childish, the other adult. In PrPT, the Creator is subordinated to his creatures, who seem "unaware of the effects of the Incarnation." SNPT reasserts the proper order, in which…

Eagleton, Catherine.   Journal of the Early Book Society 06: 161-73, 2003.
Eagleton identifies a fragment of Astr washed from MS 358 in the Royal College of Physicians, London. Reproduces the explicit that names Chaucer as author; six photographs; and two tables.

Eaton, R. D.   English Studies 8 : 205-18, 2003.
Eaton connects various uses of the word "conscience" in Chaucer's works with the social classes of the characters with whom the word is associated and with gender differences such as the structuring of physical space.

Edwards, A. S. G.   Archiv 240: 106-08, 2003.
British Library MS Additional 37049 contains a variant of the third stanza of Sted. The most striking feature is the translation from rhyme royal into couplets. The stanza suggests memorial transmission.

Edwards, Robert R.   ELH 70 (2003): 319-41.
Discusses John Stow's 1561 edition of Chaucer's works, in which Stow includes Lydgate's "Siege of Thebes" to expand Chaucer's canon. The inclusion helped shape the idea of Chaucer in the Renaissance, with far-reaching consequences for subsequent…

Edwards, Robert R.   Patrick Cheney and Frederick A. de Armas, eds. European Literary Careers: The Author from Antiquity to the Renaissance (Toronto: University of Toronto Press, 2002), pp. 104-28.
The twin rubrics of succession and invention guide Statius's response to Virgil and, in turn, Boccaccio's response to Statius, Chaucer's responses to Boccaccio, and Lydgate's response to Chaucer. By exploiting the silences of their predecessors, the…

Engel, Elliot.   New York : Pocket, 2002.
Summary information about the lives and works of English authors; includes Chaucer's biography and introductory presentation of CT.

Evans, Deanna Delmar.   Publications of the Medieval Association of the Midwest 9 : 116-33, 2002.
Describes a pedagogy for teaching ClT in comparison to the Griselda story in Christine de Pizan's The Book of the City of Ladies--as part of a course that treats "Chaucer in context" as a means to encourage students to engage actively in their…

Farrell, Thomas J.   Chaucer Review 37: 346-64, 2003.
Farrell argues that clear differentiation among types of analogues may enable us to analyze Chaucer's works with more subtlety. A "source" is a work we are certain Chaucer knew; a "hard analogue" is a work that was available to him; a "soft source"…

Federico, Sylvia.   Minneapolis and London: University of Minnesota Press, 2003.
Federico combines historicism and psychoanalysis to explore the "fascination with Troy" in late-medieval England as a "symbolic appropriation" and a means of establishing English identity. Examines the gendered representations of Troy in Gower's "Vox…

Fein, Susanna.   Wendy Harding, ed. Drama, Narrative and Poetry in The Canterbury Tales (Toulouse: Presses Universitaires du Mirail, 2003), 195-212.
FranT describes a true-love marriage in Boethian terms and impossible contradictions, in a language that strains for comprehensibility amidst paradox and conditions that tend to undo prior terms. Stability and union replace oppositions, dualities,…
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