Excerpted from Chaucer's LGW and thus lacking a narrative frame, the Legend of Thisbe in the Findern manuscript leaves room for the assumption that the manuscript's female readers saw Thisbe "as simply a victim." The excerpt's codicological context,…
Collette, Carolyn P., ed.
Cambridge: D. S. Brewer, 2006.
Eight essays by various authors, with an index and an introduction by the editor, who argues that Alceste's mediation is central to LGW, a poem about the "public dimension of ideal female behavior." The poem is best understood in the context of late…
Coleman, Joyce.
Carolyn P. Collette, ed. The Legend of Good Women: Context and Reception (Cambridge: D. S. Brewer, 2006), pp. 33-58.
Coleman surveys the betrothals, marriage, and literary patronage of Philippa of Lancaster, suggesting that she may have given Chaucer a copy of Deschamps's "Ballade 765," which may have helped to inspire Chaucer's interest in flower and leaf debates…
Hwang, Joon Ho.
Medieval and Early Modern English Studies 12 (2006): 371-92.
HF reflects Chaucer's efforts to imitate Dante's innovation and use of the vernacular; the poem shows Chaucer's struggles with nonstandard forms of English and the lack of an English literary tradition.
Coletti, Theresa.
Studies in the Age of Chaucer 28 (2006): 1-40.
Coletti compares HF with Christine de Pizan's "Livre du chemin de long estude," exploring their differing comments on and responses to their shared literary culture. Through parallel narrative gestures, the two poets consider textual authority,…
Williams, Deanne.
Seth Lerer, ed. The Yale Companion to Chaucer (New Haven and London: Yale University Press, 2006), pp. 147-78.
Williams summarizes the plots and themes of BD, PF, HF, and LGW, emphasizing Chaucer's layering of sources, his valorizing of English, and his concerns with interpretation and the truth value of literature.
Kang, Ji-Soo.
Medieval and Early Modern English Studies 11 (2006): 243-58.
Considers relationships among apocalypse, history, and literary closure in Dante's Paradiso, Chaucer's BD, and Pearl. Dante brings apocalypse into history, while the other two poets use it to contrast human temporality.
Ogura, Michiko.
Akio Oizumi, Jacek Fisiak, and John Scahill, eds. Text and Language in Medieval English Prose: A Festschrift for Tadao Kubouchi (Frankfurt: Peter Lang, 2006), pp. 183-206.
Ogura examines the lexicon of emotion (anger, fear, joy, pleasure, sorrow, wonder) in translations of Boethius by Jean de Meun, Chaucer, and Elizabeth I. Chaucer effectively uses three levels of word pairs: native, foreign, and combinations of…
Eagleton, Catherine, and Matthew Spencer.
Studies in History and Philosophy of Science 37 (2006): 237-68.
Applies a technique from evolutionary biology - phylogenetic "neighborhood-joining" - to the witnesses to the text of Astr to produce a stemma, test the fragments and sections of longer versions against the stemma, and discuss the scribal conflation…
Smith, Nicole D.
Studies in the Age of Chaucer 28 (2006): 117-40.
The indictment of fashionable male clothing in ParsT (10.422-30, "Superbia") is a "homoerotic moment" reflecting the Parson's own "scopophilic" pleasure, although the "turn to the fashionable female neutralizes any homoerotic tendency."
Little, Katherine C.
Notre Dame, Ind.: University of Notre Dame Press, 2006.
Centers on medieval self-definition rather than subjectivity and studies examples of Wycliffite lay instruction. The Lollards rejected auricular confession and emphasized personal contrition for sin. Lollard pastoral texts disrupted traditional…
Huxtable, Michael J.
C. P. Biggam and C. J. Kay, eds. Progress in Colour Studies: Volume I. Language and Culture (Amsterdam and Philadelphia: Benjamins, 2006), pp. 199-217.
Huxtable surveys medieval philosophical and religious understanding of sight and color as background to commentary on social concerns with color in sumptuary habits and heraldry. In ParsT 10.424-27, colorful clothing indicates a sinful nature.
Collette, Carolyn P.
Studies in the Age of Chaucer 28 (2006): 243-48.
Collette offers Umberto Eco's notion of a "rhizome labyrinth's indefinite structure" as a heuristic tool for describing the relationship of a text to its "cultural matrix" rather than to specific sources. Focuses on CYT.
Little, Katherine C.
Journal of Medieval and Early Modern Studies 36 (2006): 103-34.
Little reevaluates the Christian iconography in SNT in light of the Wycliffite debate over the use of images and their potential to become idolatry. Despite the importance of visual images, SNT shows a shift toward words and texts.
Houwen, Luuk.
Andrew James Johnston, Ferdinand von Mengden, and Stefan Thim, eds. Language and Text: Current Perspectives on English and Germanic Historical Linguistics and Philology (Heidelberg: Winter, 2006), pp. 97-111.
Exemplifies text/image relationships by examining a number of misericords depicting scenes from the beast fable tradition of Reynard and other sly foxes. Considers the role of NPT in the development of this visual tradition.
A study of five Middle English lists of romances, including the list in Chaucer's Th (7.897-902). Liu uses the "prototype theory of categorization" from cognitive linguistics to provide the rationale for a flexible yet rigorous definition of the…
Børch, Marianne.
European Journal of English Studies 10.2 (2006): 131-48.
Børch discusses Th as an "oral romance," surveying its oral characteristics and exploring how these characteristics - when they are written - help to parody the "chivalric ethos" that underlies the genre of romance. Th also exposes for consideration…
Stanbury, Sarah.
Bonnie Wheeler, ed. Mindful Spirit in Late Medieval Literature: Essays in Honor of Elizabeth D. Kirk (New York: Palgrave Macmillan, 2006), pp. 211-24.
Accusations of eucharistic host desecration in Prague in 1389 may be read as a backdrop for PrT. Stanbury summarizes the events of mob violence that led to a massacre of Jews.