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Chaucer: Troilus and Criseyde
Spearing, A. C., ed.
London: Edward Arnold, 1976.
An introduction to TC that considers the demands it places on readers to resolve tensions posed by the work: the genre of romance opposed by conversational and material realism and by philosophical depth; the varying attitudes its poses toward the…
The Vintner's Son: French Wine in English Bottles
Robbins, Rossell Hope.
Kibler, William W., ed. Eleanor of Aquitaine: Patron and Politician (Austin: University of Texas Press, 1976), pp. 147-72.
Surveys the density and intensity of French influence on the literature of medieval England, focusing on courtly romance and how its plots and "interest in love's finesse" affected the English tradition separately. Outlines some possible connections…
Chaucer's Knight as Don Quijote
Raffel, Burton.
Notre Dame English Journal 10 (1976): 1-11.
Examines details and reads tonal shifts in the GP description of the Knight (in comparison with the Monk) and in KnT, considering them as evidence of Chaucer's gentle, humorous depiction of chivalry. Neither sharply satiric nor wholly idealistic, KnT…
Cressida Metamorphosed
Oyama, Toshiko.
PoeticaT 4 (1976): 60-78.
Compares Chaucer's characterization of Criseyde, Henryson's of Cresseid, and Shakespeare's of Cressida, assessing Shakespeare's "transformation" of the character as typical of "Jacobean sensibility."
Troilus and Criseyde and Selected Short Poems
Howard, Donald R., and James Dean, eds.
New York: New American Library, 1976.
An edition of TC, accompanied by Adam, Ven, Ros, Wom Unc, MercB, Wom Nob, and Scog, an Introduction, textual notes, explanatory notes at the bottom of the page, and a brief glossary at the end of the volume. The Introduction (vi-lvi) includes…
Pope's Chaucer
Nokes, David.
Review of English Studies 27 (1976): 180-82.
Argues that Pope's copy of Chaucer--the Hartleby copy of Speght's 1598 edition of Chaucer's "Works"--gives evidence of Pope's plan for reworking HF into his "Temple of Fame." Elsewhere in the volume, Pope's reader's marks are light.
The Two Versions of Sercambi's 'Novelle'
Nicholson, Peter.
Italica 53.2 (1980): 201-13.
Evaluates the evidence for the proposition that Sercambi wrote two versions of his tales--the "Novelliero" and the "Novelle," arguing that that this evidence is ambiguous and that it offers no concrete support for the notion that Sercambi may have…
Chaucer's Patristic Knowledge
Murphy, Francis X.
Proceedings of the PMR Conference 1 (1976): 53-57.
Comments generally on Chaucer's knowledge of Patristic writings by way of handbooks and florilegia, and characterizes Chaucer's outlook as distinctly Augustinian and Boethian, especially his sense of order and beauty and his pervasive "Christian…
The Chaucerian Biogrammar and the Takeover of Culture
Lanham, Richard A.
Lanham, Richard A. Literacy and the Survival of Humanism (New Haven, Conn.: Yale University Press, 1983), pp. 41-57.
The "homo ludens" tradition from Erasmus to Huizinga and the recent development of sociobiology reveal three motives in life and art: play, purpose, and game. Critics focusing on allegory or "idea" see purpose as Chaucer's primary motive, but his…
Troelus a Chresyd: O Lawysgrif Peniarth 106
Davies, W. Beynon, ed.
Cardiff: Gwasg Prifysgol Cymru, 1976.
An edition of the Welsh verse drama "Troelus a Chresyd" (c. 1600), with introduction and commentary that explore the play's debt to Chaucer's TC and Henryson's "Testament of Cresseid." Includes a table of correspondences (pp.143-61) between the play…
The Legend of Good Women: Written in Praise of Women Faithful in Love
Anastasas, Florence H., trans.
Hicksville, N. Y.: Exposition Press, 1976.
Part I (pp. 3-84) is a modern verse translation of LGWP (F version) and LGW in rhyming iambic pentameter couplets; Part II includes an additional eleven poems written by Anastasas to complement Chaucer's work, with additional "legends" dedicated to…
Erotic Transformations in the Legend of Dido and Aeneas
Singer, Irving.
Modern Language Notes 90. 6 (1975): 767-83.
Assesses the attitudes toward love and internality reflected in various accounts of the Dido and Aeneas story: Virgil's "Aeneid," Ovid's "Heroides," the "Roman d'Enéas," Chaucer's LGW, and Marlowe's "Dido Queen of Carthage." Chaucer derives his…
Deception and Self-Deception in 'The Franklin's Tale'
Mitchell, Susan.
Proceedings of the PMR Conference 1 (1976): 67-72.
Contrasts Dorigen of FranT with the biblical Eve: where Eve falls because of her desire for knowledge, Dorigen nearly falls for lack of knowledge, particularly her lack of self-knowledge as is evident in her complaint against the rocks and her…
English Comedy: Its Role and Nature from Chaucer to the Present Day
Rodway, Allan.
London: Chatto & Windus, 1975.
Defines and classifies various kinds of comedy according to their natures, subject matters, and social functions; then surveys this variety in the English literary tradition from the Middle Ages to 1970. Describes Chaucer's comedy (pp. 67-75) as…
The Portable Chaucer. Revised Edition
Morrison, Theodore, ed.
New York: Viking Press, 1975.
Originally published in 1949, the volume includes modern translations of selections from CT (all except for ShT, Mel, MkT, ClT, SqT, PhyT, MancT, and ParsT, which are described in summary); TC; selections from HF and LGWP; and samples of the short…
Editing the Middle English Manuscript
Moorman, Charles.
Jackson: University Press of Mississippi, 1975.
A pedagogical introduction to the practices involved in preparing a critical edition of a Middle English text, with commentary on paleography, the language of Middle English, and the processes of textual criticism. Includes reproductions of the…
Love and Marriage in the Age of Chaucer
Kelly, Henry Ansgar.
Ithaca, N.Y.: Cornell University Press, 1975.
Assesses the meaning and status of "courtly" love and its relation to marriage in medieval traditions and critical commentary on these traditions. Considers a wide range of medieval Latin and vernacular representations of love and marriage, and…
Flying Through Space: Chaucer and Milton
Howard, Donald R.
Wittreich, Joseph Anthony, Jr., ed. Milton and the Line of Vision (Madison: University of Wisconsin Press, 1975), pp. 3-23.
Gauges Chaucer's influence on Milton, often mediated by Spenser, commenting on the use of interlace or "labyrinth design" in the works of the poets and their concern with the "picture of quotidian domestic life" in the marriage tales of CT and in…
The Two Venuses and Courtly Love
Economou, George D.
Ferrante, Joan M., and George D. Economou, eds. In Pursuit of Perfection: Courtly Love in Medieval Literature (Port Washington, NY, Kennikat, 1975), pp. 17-50.
Distinguishes two kinds of love associated with Venus in the Middle Ages, both of them subsets of earthly love: one "legitimate, sacramental, natural, and in harmony with natural law; the other, illegitimate, perverted, selfish, and sinful." Traces…
The Influences of Shakespeare's Sources on the Dramaturgy of 'Troilus and Cressida'
Chapman, Anthony U.
Dissertation Abstracts International 36 (1975-76): 1520A.
Explores problems in "Troilus and Cressida" in light of Shakespeare's uses of his sources, including TC.
The Comic Rejection of Courtly Love
Brody, Saul N[athaniel].
Ferrante, Joan M., and George D. Economou, eds. In Pursuit of Perfection: Courtly Love in Medieval Literature (Port Washington, NY, Kennikat, 1975), pp. 221-61.
Compares Chaucer's satire of courtly love with similar depictions in "Frauendienst" by Ulrich von Lichtenstein, "De Guillaume au Faucon," and "Flamenca," all of which reflect awareness of the fading of the courtly ideal and the dissolution of noble…
The Problem of the Hero in the Later Medieval Period
Bloomfield Morton W.
Burns, Norman T., and Christopher J. Reagan, eds. Concepts of the Hero in the Middle Ages and the Renaissance: Papers of the Fourth and Fifth Annual Conferences of the Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton, 2-3 May 1970, 1-2 May 1971 (Albany: State University of New York Press, 1975), pp. 27-48.
Documents the "absence of a true charismatic hero who is valiant and noble" in the literature of medieval western Europe, commenting on a wide variety of works, including those by Chaucer, and attributing the late-medieval "retreat from heroism" to a…
Scottish Poets and English Stanzas: 'Schir Thomas Norny' and Dunbar's Use of Tail-Rhyme
Purdie, Rhiannon.
Florilegium 25 (2008): 151-73
Discusses Dunbar's poem in the context of Chaucer's Thop.
Babe: A Twentieth-Century Nun's Priest's Tale?
Fulwiler, Lavon.
CCTE [Conference of College Teachers of English] Studies 61 (1996): 93-101.
Fulwiler looks at how "Babe" and NPT use the genre of animal fable and prosopopoeia to create moral tales. Sentence and solaas combine in "Babe," as in Chaucer, to intrigue the audience into deeper exploration of the story. Via structure, setting,…
The Unhidden Piety of Chaucer's 'Seint Cecilie'
Grossi, Joseph L., Jr.
Chaucer Review 36 (2002): 298-309.
Grossi compares details of SNT with Jacob of Voragine's version in the "Golden Legend" and the Franciscan "abridgement" of the life of Saint Cecilia, arguing that Chaucer "sought to widen the intellectual divide between Roman paganism and primitive…
