Browse Items (16470 total)

Windeatt, Barry.   London: Longman York Press, 1980.
Summary (without text) and commentary on PardPT, arranged in sections, accompanied by glosses to Middle English phrases. Also includes a brief introduction to Chaucer and his literature, commentary on source materials of PardPT, its characterization…

Spackman, Anna   London: Longman York Press, 1980.
Summary (without text) and commentary on NPPT, arranged in sections, accompanied by glosses to Middle English phrases. Also includes a brief introduction to Chaucer and his literature; commentary on source materials of NPT, its characterization and…

Morrow, Patrick D.   Patrick D. Morrow. Tradition, Undercut, and Discovery: Eight Essays on British Literature (Amsterdam: Rodopi, 1980), pp. 16-36.
Adjustments to the traditional narrative in ClT compel us to read Walter, Griselda, and the "peple" as complex characters, rich in ambiguity, in a setting that "moves between an ideal and real world" (27). These complications enrich the simple…

Minta, Stephen.   Manchester: Manchester University Press; New York: Barnes & Noble, 1980.
An introduction to Petrarch, his works, and their reception in England and France to the seventeenth century. Observes connections between the end of Petrarch's "Canzoniere" and Chaucer's Ret, and comments on Chaucer's reference to Petrarch in ClP…

Fabian, Bernhard.   Königstein/Ts: .: Athenäum-Verlag, 1980.
This volume provides select bibliographical listings for a range of English writers, from Joseph Addison to W. B. Yeats, arranged alphabetically by author, covering materials up to 1977. The Chaucer section (pp. 32-37) lists discussions of canon and…

Gugelberger, Georg M.   Frankfurt am Main: Peter Lang, 1978
Surveys the influence of Provençal and Italian poets on the works of Ezra Pound, and examines Pound's critical commentary about Chaucer (in his "ABC of Reading"), comparing passages from the two poets and exploring the extent to which the "three…

Eisner, Sigmund, ed. Trans. Gary MacEoin and Sigmund Eisner.   Athens: University of Georgia Press, 1980.
Facing-page edition and translation of Nicholas of Lynn's "Kalendarium," a source for Astr (as Chaucer tells us) and for the astronomical observations in three passages of CT (MLP, NPT, and ParsP). Based on Bodleian Library MS Laud Miscellaneous 662,…

East, W. G.   London: Longman Press, 1980.
Summary (without text) and commentary on FranT, arranged in sections, accompanied by glosses to Middle English phrases. Also includes a brief introduction to Chaucer and his backgrounds, commentary on themes and style of FranT, its characterization…

Delasanta, Rodney.   Explicator 38.3 (1980): 39-40.
Suggests that GP 198-200 alludes to Matthew 6.16-18 and helps to characterize the Monk as "contemptuous of fasting."

Dane, Joseph A.   Classical and Modern Literature 1 (1980): 57-75.
Argues that HF is organized and coherent: it is consistently concerned with poetic art, its tripartite structure is based on the "rhetorical doctrine of three styles," and the styles correlate with the "three principal works" of Virgil"…

Burlin, Robert B., and H. Marshall Leicester, Jr.   PMLA 95 (1980): 880-82.
An exchange of letters in the PMLA Forum section that comment on textuality, narrative "absence," narrative "presence," and their usefulness in discussing "voice" in GP.

Bruns, Gerald L.   Comparative Literature 32 (1980): 113-29.
Theorizes differences between grammatical/rhetorical invention and Romantic ideas of creativity and originality, commenting on Chaucer's TC and, passingly, on his Adam Scriveyn, as well as on Petrarch's adaptation of Boccaccio's tale of Griselda,…

Ashworth, C. V., ed.   London: Methuen, 1980.
Textbook edition of NPPT in modern translation, lineated as verse, with brief introduction to Chaucer's life and language, and critical commentary keyed to sections of the narrative. The commentary includes summaries of the narrative sections, brief…

Steadman, John M.   Pittsburgh: Duquesne University Press, 1979.
In a section called "Chaucer and Medieval Tradition" (pp. 67-114), reprints (with revisions and expansions) several previously published essays by Steadman, all of which explore iconographical or allegorical aspects of Chaucer's works. Includes the…

Smith, Nathaniel B., and Evan Carton.   PMLA 94 (1979): 948-50.
An exchange of letters in the PMLA Forum section letters that comment on the meaning of "authority" in the Middle Ages, particularly Chaucer's uses of the notion.

Jordan, Robert M., James I Wimsatt, and Mary Carruthers.   PMLA 94 (1979): 950-53.
An exchange of letters in the PMLA Forum section that comment on the characterization of the Wife of Bath and the role of sources (especially Jerome) and historical contexts in understanding the character.

Hobsbaum, Philip.   Philip Hobsbaum. Tradition and Experiment in English Poetry (Totowa, NJ: Rowman and Littlefield; London: Macmillan, 1979), pp. 30-67.
Identifies a number of ways in which Chaucer is innovative in various works--metrical variety, interplay of tones, indebtedness to Continental sources and "ingenuity," combination of narrative attachment and detachment--and surveys the range of…

Daiches, David, and John Flower.   New York: Paddington Press, 1979.
Explains topographical references in the works of various British writers, from Chaucer to Robert Louis Stevenson and James Joyce, and explores how various locales contributed to various works of literature, including works by Shakespeare, Dr.…

Benson, C. David   Philological Quarterly 58 (1979): 16-25.
The letter read by Helen and Deiphobus is an example of "special foreshadowing"; it pertains to King Thoas of Greece (derived by Chaucer from Guido delle Colonne), who later (4.138) will be part of the prisoner exchange that sends Criseyde to the…

Faulkner, Peter   Peter Lewis, ed. William Morris: Aspects of The Man and His Work (Loughborough, Leicestershire: Loughborough University of Technology, 1978), pp. 28-49.
Gauges the originality and success of William Morris's poetry, commenting in passing that "The Lovers of Gudrun" is written "in the rather casual couplet form which Morris derived from Chaucer" (37), even though he fails to exploit the "variety" of…

Bjelica, Nevenka.   Filoloski Pregled (1977): 95-113.
Tabulates and analyzes analytic (more/most) and synthetic (-er/-est) forms of comparatives and superlatives in Chaucer's prose works (Bo, Astr, Mel, ParsT), correlating them with Old English and French derivations of the root words.

Doherty, Mary Jane Margaret.   Dissertation Abstracts International 39 (1978): 1539A.
Equates "mistress-knowledge" of Sir Philip Sidney's "Defence of Poesy" with the "concept of an architectonic . . . usually related to self-knowledge as an ideal," traces the concept from classical to Renaissance treatments, and applies the critical…

Lepley, Douglas Lee   Dissertation Abstracts International 38 (1978): 1539A.
Neither tedious nor ignorant, MkT teaches a "sound Boethian lesson" and can be seen as "artistically refined" in its evocation of tragic pathos. The Knight, the Host, and the critics err in castigating the Monk and his Tale.

Davis, Walter R.   David A. Richardson, ed. Spenser: Classical, Medieval, Renaissance, and Modern (Cleveland State University, 1977), pp. 84-91. [Microfiche available from the Department of English.]
Disagrees with Carol Barthel's assertion that Spenser derived Prince Arthur's dream of the Fairy Queen from Chaucer's Thop, but argues that, in completing SqT in Book 4 of "The Faerie Queene," Spenser encourages his readers to seek allegorical…

Barthel, Carol.   David A. Richardson, ed. Spenser: Classical, Medieval, Renaissance, and Modern (Cleveland State University, 1977), pp. 72-83. [Microfiche available from the Department of English.]
In adapting the outdated motif of the medieval romance of dreaming of a fairy queen from Chaucer's Thop, Spenser blends naiveté and sophistication.
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