Considers "Trohetvisan" and Sted in light of their possible historical allusions and literary conventionality, exploring similarities and differences, and concluding that Chaucer's poem is best regarded as "undated and unaddressed," a poem "written…
Explores Chaucer's depiction in CT of human vitality "in an unending variety of circumstances," framed by the "revelatory power of symbolism" latent in his details and styles. Separates Chaucer's techniques from Dante's allegory and from modern…
Correale, Robert M.
English Language Notes 2.3 (1965): 171-74.
Identifies influences of St. Jerome's "Epistola Adversus Jovinianum" 2 at the end of FrT, particularly the imagery of lion as hunter equated with Satan and juxtaposed with Biblical allusions.
Clogan, Paul M.
Explicator 23.8 (1965): item no. 61.
Suggests that Chaucer's reference to "Thorus" as a sea-god derives from a misunderstanding of Statius's "theori" in the "Achilleid" and its medieval gloss.
Campbell, A. P.
Revue de l'Universite d'Ottawa 35 (1965): 35-53.
Accepts Ret as earnest but impersonated, surveying critical opinions, and suggesting that it is best read as an instance of Chaucer's "contrast principle" in operation, offering examples of his "many pretended or real about-faces" in CT. After ParsT,…
Brookhouse, Christopher
Notes and Queries 210 (1965): 293-94.
Shows that the humor of applying the phrase" flower of chivalry" to Sir Thopas (Tho 7.901-2) results from Chaucer's change of a "traditionally metaphoric phrase into a literal one."
Brookhouse, Christopher
Medium Ævum 34.1 (1965): 40-42.
Identifies several instances of Chaucer's uses of lists of impossibilities (rhetorical "adynata" or "impossibilia") in "personal laments and exclamations of fidelity and sincerity" (TC, BD, Anel), giving classical precedents in Virgil's "Eclogues"…
Surveys the history and development of English drama from the Renaissance to the modern period, emphasizing "the nature and effects" of plays and performance. Includes a chapter entitled "The Dream Vision from Chaucer to Shakespeare" (pp. 61-79),…
Proposes punctuation for CkT 1.4394-96 that renders Perkyn's "sober-living master" as "not altogether above reproach," offering the reading as "yet another token of Chaucer's sophisticated art."
Presents SqPT and the description of the Squire from the GP in Middle English (based on the Ellesmere manuscript), with bottom-of-page textual notes, end-of text notes and glossary, an Introduction (pp. vii-xxxv), and a description of Chaucer's…
Patch, Howard R.
Jess B. Bessinger, Jr., and Robert P. Creed, eds. Franciplegius: Medieval and Linguistic Studies in Honor of Francis Peabody Magoun, Jr. (New York: New York University Press, 1965), pp. 255-64.
Describes a series of recurrent concerns in Chaucer's poetry: pity (but not sentimentality), remarkable female characterizations, a complicated view of love, and the "theme of death."
Mustanoja, Tauno F.
Jess B. Bessinger, Jr., and Robert P. Creed, eds. Franciplegius: Medieval and Linguistic Studies in Honor of Francis Peabody Magoun, Jr. (New York: New York University Press, 1965), pp. 250-54.
Identifies several medieval analogues to the sentiment expressed in ManT 311-13, the earliest being the "Carmen as Astralabium Filium," attributed to Peter Abelard.
Bessinger, Jess B., Jr., and Robert P. Creed, eds.
New York: New York University Press, 1965.
Includes 26 essays on Germanic, Old English, Middle English, and Renaissance literary and linguistic topics, along with a dedicatory poem, a brief Introduction, and a list of Magoun's publications between 1924 and 1964, including reviews. For two…
Arntz, Sister Mary Luke, S.N.D.
American Notes and Queries 3.10 (1965): 151-52.
Suggests that in TC 1.531-32 Troilus is referring to Tristan as a much-rhymed-about fool in love, adducing evidence of general familiarity with Tristan's foolishness in John Gower, Robert Mannyng, and PF.
Explores multiple meanings of "game"--as transgression, violent activity, pleasure, source of food--in "Gamelyn " (which takes the place of CkT in several texts of CT). Identifies idea of boundaries (legal and social) and punning on the name of…
Rogers, Cynthia A.
Chaucer Review 51.2 (2016): 187-208.
Argues that Pity is both a "clever critique" of the French lyric genre of complaint and "loving homage" to it, assessing aspects of exaggeration, repetition, structure, conventional theme and diction, wordplay, etc. as evidence that the poem evokes…
Murton, Megan.
Studies in the Age of Chaucer 38 (2016): 75-107.
Describes Chaucer's self-conscious exploration of time in Mars, arguing that in form and content the poem presents an ambivalent, "permeable, and even unstable" view of secularity but also implies the "palpably absent" other of transcendence. More…
Wang, Denise Ming-yueh.
Wenshan Review of Literature and Culture 5.1 (2011): 99-119.
Discusses the "the practice of privacy in reclusive spaces" in TC and MilT, focusing on the physical surroundings, behaviors, and interactions with other characters of Criseyde and Nicholas, and identifying aspects of "personal privacy" within the…
Stone, Charles Russell.
Review of English Studies 64, no. 266 (2013): 564-73.
Considers Chaucer's attention to the city of Troy in TC, focusing on the Palladium festival in Book 1 and Troilus's ride through the city in Book 5, arguing that the scenes reflect the influence of Virgil's "Aeneid" and associate the fall of Troy…
