Browse Items (16377 total)

Galloway, Andrew.   Tim William Machan, ed. Imagining Medieval English: Language Structures and Theories, 500–1500 (Cambridge: Cambridge University Press, 2016), pp. 210-37.
Contemplates the category of "the literary" in medieval English texts, surveying prior attempts to define or describe the category and indicating their utility. Comments on a range of Chaucerian topics, including the "cunningly self-authorizing…

Machan, Tim William, ed.   Cambridge: Cambridge University Press, 2016.
Thirteen essays by various authors consider new and traditional conceptualizations of medieval English language and literature. For two essays that pertain to Chaucer, search for Imagining Medieval English under Alternative Title

Horobin, Simon.   Tim William Machan, ed. Imagining Medieval English: Language Structures and Theories, 500–1500 (Cambridge: Cambridge University Press, 2016), pp. 147-65.
Considers how manuscript evidence informs our understanding of Middle English, addressing the value of autograph manuscripts and personal letters, the process of standardization, and the importance of sociolinguistics. Includes analysis of the habits…

Farrell, Thomas J.   Chaucer Review 52.4 (2017): 396-425.
Traces the use of the minuscule "a" in the Latin quotations of the Ellesmere manuscript to support the argument that these annotations derive from the ways Chaucer imagines the form of CT.

Cook, Megan L.   Manuscript Studies 1.2 (2017): 165-88.
Describes Joseph Holland's "thoroughgoing renovation" of the Chaucer manuscript he owned in the sixteenth century (now Cambridge University Library, MS Gg 4.27), detailing how he imitated the corpus and presentation found in Thomas Speght's 1598…

Cannon, Christopher.   Essays in Criticism 66 (2016): 277-300.
Sketches "the mode of literacy" that "occupies a borderland just beyond the precincts of surviving evidence," exploring "the role of dictation" rather than "a sequence of errors in copying that stands between" versions of such texts as TC and "Piers…

Wilcockson, Colin.   Anglistik 25.1 (2014): 29-43.
Discusses the "relationship of engravings to narrative" in Eric Gill's woodcuts for the Cockerel Press four-volume edition of CT (1929–31), focusing on its frontispieces and "late or climactic moments in the tales," with b&w illustrations. Comments…

Kennedy, Caroline, ed., and Jon J. Muth, illus.   New York: Disney-Hyperion, 2013.
Anthologizes poetry for a juvenile audience, arranged topically. Includes the first eighteen lines of GP in Middle English (pp. 168–69) in a section entitled "Extra Credit."

Tobienne, Francis, Jr.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 159-70.
Concerns Chaucer's authorship of Astr, and "what that instrument contributes to Chaucer's idea of travel.

Dean, James M.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 186-200.
Discusses how Chaucer's storytelling narrative structure of MkT reflects the Italian genre of "casus tragedy," learned from Dante and Boccaccio.

Sadlek, Gregory M.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 37-52.
Explores how CT reflects Chaucer's "orientation toward life that celebrates 'bisynesse' [business/busyness] and abhors wasteful idleness." Focuses on the importance of the Host and Chaucer's "marking of the time" in CT.

Ladd, Roger A.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 81-96.
Examines how Chaucer and Gower handled the genre of "estates satire," and speculates how "their social critique moves away from an estates satire framework." Addresses mercantile practice in MerT, MLT, and WBT, and claims that Chaucer, like Gower,…

Dean, James M.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 3-20.
Provides an overview of Chaucer as storyteller and narrator in CT, BD, HF, and TC.

McKinley, Kathryn.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 113-27.
Considers the "international" aspects of Chaucer's works and Chaucer's "European nature as a writer." Emphasizes the importance of Chaucer's "ability to draw upon international vernaculars . . . and retain elements of his own culture" in his works,…

Dean, James M   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 128-43.
Focuses on Chaucer's storytelling style, which combines fiction, invention of literary characters that bring in "details and personalities from 'life,' " and metafictive narrative elements.

Yager, Susan.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 68-79.
Argues that humor and multiple points of view make Chaucer's work essential reading in the "polemical atmosphere" of the present time. Contends that readers must pay careful attention when interpreting Chaucer's frequent ambiguities, reversals, and…

Yager, Susan.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 99-112.
Outlines the basics of Middle English orthography and pronunciation, and Chaucer's vocabulary and literary models for students. Claims that learning to read Middle English, and understanding concepts of manuscript study, editing, and translation,…

Fruoco, Jonathan.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 216-30.
Traces the history of English from earlier times to Chaucer's age to reveal Chaucer's facility with language, focusing on his powerful and special words. Refers to J. R. R. Tolkien's 1934 lecture to the Philological Society, and claims that Chaucer…

Evans, Robert C.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 201-15.
Presents overlap between Chaucer's writings and the writings of Thomas Nashe, particularly the late sixteenth-century poem "The Choice of Valentines," which is "considered to be the most pornographic piece of writing to survive" Shakespeare's time.…

Evans, Robert C.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass., Salem Press), pp. 144-58.
Proposes viewing Donne's poem "The Flea" from the theoretical perspective of D. W. Robertson, and argues that "if we read Donne's poem as Robertson reads Chaucer, a different kind of Donne emerges" than previously shown by scholars.

Burke, Kevin J.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 53-67.
Examines the influence of Boethius on Dante, Boccaccio, and Chaucer. Focuses on how understanding "The Consolation of Philosophy" enhances the "philosophical reflection" and reception of TC for readers.

Lightsey, Scott.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 171-85
Contends that Chaucer's "international presence," due to his European travels connected to his position and service within the court, "instilled in him a European sensibility distinctly at odds with his modern image as the avatar of Englishness."

Lightsey, Scott.   James M. Dean, ed. Geoffrey Chaucer (Ipswich, Salem, Mass., 2017), pp. 21-33.
Summarizes Chaucer's life, including his service and work within royal courts, his family, and a history of his writings.

Dean, James M., ed.   Ipswich, Mass.: Salem Press, 2017.
Collection of essays that explores various literary aspects of Chaucer's oeuvre, with particular focus on the "international motif" and "transnational" themes found in many works. Essays address critical contexts and readings to help understand…

Kaijima, Takashi.   Bulletin of Hijiyama University 24 (2017): 27–35.
A short introduction to Chaucer's England, his contemporaries, his life, and his literary career. In Japanese with English abstract.
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