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              <text>Allen, Roland.</text>
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              <text>Windsor, Ont.: Biblioasis, 2023.</text>
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              <text>416 pp.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Life&#13;
House of Fame&#13;
Wife of Bath and Her Tale</text>
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                <text>The Notebook: A History of Thinking on Paper.</text>
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                <text>Explores the history and utilities of various forms of notebook, emphasizing their commercial roots and widespread uses, claiming in a brief section that Chaucer, on his 1372/73 trip to Florence, "must have seen" there "how plentiful, and cheap, personal notebooks were," especially varieties of "zibaldoni, ricordanzi, and libri di famiglia" (all introduced and defined in a preceding section). Further claims that Chaucer's "book" in HF, 657, is his own notebook, that Jankyn's "book of wikked wyves" (WBP, 685) is a "zabaldone," and that Chaucer's personal use of notebooks must have influenced his writing.</text>
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              <text>Adler, Gillian.&#13;
Strohm, Paul.</text>
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              <text>London: Reaktion, 2023.</text>
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Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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                <text>Alle Thyng Hath Tyme: Time and Medieval Life.</text>
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                <text>Reconstructs "medieval people's experience of time as continuous, discontinuous, linear, and cyclical--from creation through judgment and into eternity," clarifying concepts of aging, eternity, planetary motion, time-keeping, apocalypse, etc., evinced in material objects, philosophy, art, and literature. Includes recurrent mention of Chaucer's works, commenting on varieties of time-reckoning in CT and assessing time as a theme and narrative device in TC.</text>
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              <text>Cardiff: University of Wales Press, 2022.</text>
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              <text>256 pp.</text>
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              <text>New Century Chaucer.</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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                <text>Chaucer and the Ethics of Time.</text>
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                <text>Explores how Chaucer uses the "temporality of poetic form to explore the ethics of time" in CT, BD, and TC. Connects Chaucer's poetic techniques to broader philosophical and ethical discourses of Augustine and Boethius.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Weiskott, Eric.</text>
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              <text>Notes and Queries 268 (2023): 54-55.</text>
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              <text>Style and Versification&#13;
Language and Word Studies</text>
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                <text>Linguistic Change and Metre: A Reply.</text>
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            <description>An account of the resource</description>
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                <text>Responds to Ad Putter, "Linguistic Change and Metre: The Demise of Adjectival Inflections and the Scansion of 'High' and 'Sly' in Chaucer, Gower and Hoccleve" (2022). Claims that the dropping of inflectional   "-e" in "high" and "sly" in poetry by Chaucer, Gower, and Hoccleve should not be understood as a linguistic shift, for it follows the "metrical subrule," whereby the inflectional "-e" is dropped when a weak adjective precedes a word with "aft stress."</text>
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              <text>Watanabe, Takuto.</text>
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              <text>Journal of Business Administration (Kwansei Gakuin University) (2023): 133-49.</text>
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              <text>Journal of Business Administration (Kwansei Gakuin University) (2023)</text>
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              <text>2023</text>
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                <text>A Note on the Use of "Wring One's Hands" in Middle English Literature with a Focus on Middle English Romances and Chaucer's Works."</text>
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                <text>Analyzes the expression "wring one's hands" in TC, HF, MLT, and ClT, and other Middle English romances. Focuses on frequency, associated gestures, and the gender of the person performing the action. Finds that the expression often accompanies other gestures to convey deep grief, is used more to depict women's sorrow, and plays a crucial role in advancing the narrative in scenes of grief. In Japanese.</text>
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              <text>Harris, Carissa M.</text>
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              <text>Studies in the Age of Chaucer 45 (2023): 35-72.</text>
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              <text>The Biennial Chaucer Lecture. The New Chaucer Society.  Twenty-Second International Congress, July 11-14, 2022, Durham University, Durham, UK.</text>
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              <text>Studies in the Age of Chaucer 45 (2023)</text>
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Canterbury Tales--General</text>
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                <text>Chaucer's Wenches.</text>
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                <text>Surveys and critiques "wench" as a term and a concept in medieval English texts and explores how "Chaucer's wenches [in CT] embody the term's developing signification of intersectional disadvantage connected to age, gender, labor, reproductive capacity, and socioeconomic status." Links this signification with discourse about Black women in the American South and with the US Supreme Court's anti-abortion decision, "Dobbs v. Jackson Women's Health Organization" (June 2022).</text>
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              <text>Phillips, Helen.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 36-51.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023)</text>
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              <text>Style and Versification&#13;
Miiller and His Tale&#13;
Reeve and His Tale&#13;
Prioress and Her Tale&#13;
Nun's Priest and His Tale</text>
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2024</text>
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                <text>"Out, Harrow" and "Alas!": Chaucer, Shouts and Narrative.</text>
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                <text>Addresses shouting in Chaucer's narratives, focusing on "the hue and cry," which, "strikingly frequent," engages "with questions about the reliability of narratives, and also with problems of rape and sexual consent, misogynistic narratives and fictions of social class." Surveys cries of alarm and exclamations of misdeeds in Chaucer's works, with particular attention to NPT, MilT, RvT, and PrT.</text>
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              <text>Fludernik, Monika.</text>
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              <text>Anglistik: Mitteilungen des Verbandes deutscher Anglisten 34 (2023): 77-100.</text>
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              <text>Anglistik: Mitteilungen des Verbandes deutscher Anglisten 34 (2023)</text>
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Chaucer's Influence and Later Allusion&#13;
Prioress and Her Tale&#13;
Second Nun and Her Tale</text>
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                <text>Narratorial Involvement in Hagiography: Chaucer, the Scottish "Legendary" and Lydgate's "Albon and Amphibalus."</text>
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                <text>Uses the term "narrator" as a technical term to refer to "the contours of the narratorial functions and the textual voice as these are inscribed," focusing on "expansion of narratorial functions" in fifteenth-century English hagiography. Includes discussion of the increasing role of the "prologue or proëmium," with attention to the limits of narratorial "voice" in PrP and SNP and to Chaucer's stylistic influence on Lydgate.</text>
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              <text>Cannon, Christopher.</text>
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              <text>Christopher Cannon and Steven Justice, eds. The Sound of Writing (Baltimore: Johns Hopkins University Press, 2023), pp. 215-31.</text>
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              <text>Style and Versification&#13;
Language and Word Studies</text>
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              <text>2023</text>
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                <text>The Phenomenology of "-e."</text>
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                <text>Considers various conditions of and approaches to pronouncing--or not pronouncing--final "-e" in Chaucer's verse, arguing that "Chaucer's final "-es" are a subjective quality of his verse, a series of phonological events structured not by metrical or grammatical rule but by the feelings they produce"--a phenomenology of desire. Examines a range of examples with particular attention to "speche" in HF, 766.</text>
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              <text>Wilson, David Niall, ed.</text>
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              <text>[Hertford, N.C.]: Crossroad Press, 2023.</text>
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            <elementText elementTextId="2852679">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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            <elementText elementTextId="2852681">
              <text>2023</text>
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                <text>The Canterbury Nightmares.</text>
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                <text>Eleven tales of macabre fiction by various authors, loosely modeled on CT.</text>
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              <text>Wilson, Anna P.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 4 (2023): 9-20.</text>
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            <elementText elementTextId="2852670">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 04 (2023)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale</text>
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              <text>2023</text>
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                <text>The Wife of Bath, Fanfiction Writer: Teaching "The Seconde Tale of the Wyf of Bath."</text>
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              <elementText elementTextId="2852667">
                <text>Describes the theory and practice of a course on "Medieval Fanfiction," focusing on an adaptation of WBPT—"The Seconde Tale of the Wyf of Bath" by Beth H [sic]. Includes a sample syllabus and sample handouts. The course readings include Chaucer's original; "Sir Gawain and the Green Knight"; selections from adaptation theory; and various medieval and modern sources, analogues, and adaptations.</text>
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              <text>Warren, Nancy Bradley.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale</text>
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              <text>2023&#13;
2024</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 101-14.</text>
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                <text>Rebellious Women: Aphra Behn's Widow Ranter and Geoffrey Chaucer's Wife of Bath.</text>
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                <text>Argues that the widow Ranter of Aphra Behn's "The Widow Ranter; or, The History of Bacon in Virginia" is "a 'reincarnation' of Chaucer's Wife of Bath in the New [W]orld." Behn's play "translates the wife . . . to colonial Virginia to negotiate both gender and class dynamics in the construction of potentially rebellious colonial identities vis-à-vis England."</text>
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              <text>Urban, Malte.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 4 (2023): 96-109.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 04 (2023)</text>
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            <elementText elementTextId="2852655">
              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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            <elementText elementTextId="2852657">
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                <text>ReMixing Chaucer in a 21st-Century Undergraduate Classroom.</text>
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                <text>Offers "an imaginary conversation between myself and the texts that feature on a final-year Undergraduate Module that I teach in a UK university," a course called "ReMix: Chaucer in the Then and Now." The course readings feature TC, CT, Lavinia Greenlaw's "A Double Sorrow" (2014), Patience Agbabi's "Telling Tales" (2014), and the first volume of "Refugee Tales" (2016), edited by David Herd and Anna Pincus.</text>
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              <text>Ruszkiewicz, Dominika.</text>
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              <text>Studia Neophilologica 95 (2023): 47-62.</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Lavinia Greenlaw's Response to Chaucer and the Poetics of Memory.</text>
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                <text>Compares the models of memory presented by the narrators of Chaucer's TC and Lavinia Greenlaw's "A Double Sorrow," her poetic adaptation of TC published in 2014. Argues that while Chaucer's narrator uses classical models of memory that involve the process of retrieving and presenting a sequence of images to tell his story, Greenlaw's text represents memory as more personal and autobiographical. Despite their different approaches to memory and history, Chaucer and Greenlaw share a focus on investigating the relationship between memory and emotion, particularly love.</text>
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              <text>Reinbold, Lotte.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 115-33.</text>
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Chaucerian Apocrypha</text>
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2023</text>
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                <text>Legible Characters: Forgery, Authenticity, and the Making of the Canon.</text>
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                <text>Explores how Alexander Pope's posing of his "Women ben ful of Ragerie" as a Chaucerian work reflects eighteenth-century concerns about literary history and authenticity and "provides us with new ways of understanding how Chaucer was read, established, and understood in the eighteenth century and beyond."</text>
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              <text>Bauer, Renate, Christine Elsweiler, Ulrike Krischke, and Kerstin Majeski, eds.</text>
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Krischke, Ulrike, ed.&#13;
Majeski, Kerstin, ed.</text>
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                <text>Travelling Texts--Texts Travelling: A "Gedenkschrift" in Memory of Hans Sauer.</text>
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                <text>Collects twenty-three essays by various authors in linguistic, philological, and/or medieval studies. For two essays pertaining to Chaucer, search for Travelling Texts--Texts Travelling under Alternative Title.</text>
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              <text>Markus, Manfred.</text>
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              <text>Renate Bauer, Christine Elsweiler, Ulrike Krischke, and Kerstin Majewski, eds. Travelling Texts--Texts Travelling (Munich: Utzverlag GmbH, 2023), pp. 143-64.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Language and Word Studies</text>
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                <text>The Persistence of Chaucer's Lexis in Late Modern English Dialects (Based on "EDD Online").</text>
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                <text>Draws on data derived from "EDD Online"--a digitization of Joseph Wright's "English Dialect Dictionary"--to investigate "the role of Chaucer's language for 18th- and 19th-century dialects: of English, summarizing Chaucer's interests in dialects, describing his influence on lexicons across time and geography, and detailing commonalities between Chaucer's lexicon and that of County Wexford, Ireland. Clarifies the uses and utilities of "EDD Online."</text>
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              <text>Nowak, Helge.</text>
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              <text>Renate Bauer, Christine Elsweiler, Ulrike Krischke, and Kerstin Majewski, eds. Travelling Texts--Texts Travelling (Munich: Utzverlag GmbH, 2023), pp. 401-15.</text>
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Canterbury Tales--General</text>
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                <text>Revisiting Chaucer: From "The Canterbury Tales" to "Refugee Tales."</text>
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                <text>Describes the political and aesthetic motives that underlie the four volumes of David Herd and Anna Pincus's "Refugee Tales" (2016–21),   exploring their modeling on the variety, unity, and thematic concerns of Chaucer's panoramic short fiction in CT. Includes a tally of various kinds of intertextuality between the two collections.</text>
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              <text>Mairey, Aude.</text>
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              <text>Dominique Valérian, foreword. Succéder au Moyen Age: LIIIe Congrès de la SHMESP (Rome, 26-29 mai 2022). Congrès des Médiévistes de l'Enseignement Supérieur (53e: 2022: Rome, Italie) (Paris: Editions de la Sorbonne, 2023), pp. 214-31.</text>
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                <text>Succéder à Chaucer dans l'Angleterre du XVe siècle.</text>
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            <description>An account of the resource</description>
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                <text>Affiliates the success, succession, and monumentalization of Chaucer in fifteenth-century literature with Lancastrian ascendancy and status, quoting and analyzing excerpts from Hoccleve, Lydgate, and Caxton.</text>
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              <text>Loimeier, Manfred.</text>
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Miller and His Tale</text>
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                <text>Abdulrazak Gurnah: Ein Leben zwischen den Welten.</text>
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                <text>Surveys the fiction of Abdulrazak Gurnah as a cross-cultural, internationalist writer. Lists Chaucer among global writers referred to in Gurnah's novels "Memory of Departure" (1987) and "Gravel Heart" (2017), briefly describes CT, observes that Gurnah lives in Canterbury, and suggests that sexual activities in "Gravel Heart" may allude to MilT.</text>
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Sarah Kaake, illus.</text>
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                <text>The Canter-beary Tales.</text>
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              <text>Catherine Bates and Patrick Cheney, eds. The Oxford History of English Poetry, Volume 4: Sixteenth-Century British Poetry (Oxford: Oxford University Press, 2022), pp. 19-33.</text>
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                <text>Transitions.</text>
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                <text>Surveys the "brilliantly imaginative, formally experimental, and socially self-aware" poetry of early sixteenth-century English, with emphasis on its transitions from Chaucerian tradition and to Shakespearean tradition, the importance of Ovidian material, and the pedagogical value of electronic access to understudied literature. Includes comments on relations between Chaucer's works and such works as "La conusaunce d'amours" (1528) and "The Fantasy of the Passion of the Fox" (1530).</text>
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              <text>Kendrick, Laura.</text>
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                <text>Understanding Deschamps's Ballade Praising Chaucer in the Context of Early Humanist Epistolary Exchanges in Verse and Prose.</text>
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                <text>Explores Deschamps's Ballade 285 in praise of Chaucer in the "context of late fourteenth-and early fifteenth-century humanist epistolary exchanges . . . including the polemic over 'The Romance of the Rose," and particularly . . . the exchange that occurred in 1403 between Deschamps and Christine de Pizan." Through his ballade Deschamps sought "to establish a literary friendship and an exchange of poetic writings with Chaucer, whom Deschamps perceived as a fellow humanist poet-translator."</text>
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              <text>Kaul, Mythili.</text>
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              <text>English Studies 103, no. 4 (2022): 555-73.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale&#13;
Franklin and His Tale</text>
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                <text>Observes several points of similarity and difference between the marital relations depicted in WBPT and FranT on the one hand and in "The Taming of the Shrew" and "The Merry Wives of Windsor" on the other.</text>
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                <text>"Rule, Supremacy and Sway": "The Taming of the Shrew," "The Merry Wives of Windsor," the "Wife of Bath's Prologue," "Tale" and the "Frankeleyn's Tale."</text>
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                <text>The Boy King's Tale: As Told by Geoffrey Chaucer.</text>
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                <text>Item not seen. Young-adult, historical novel about Edward III's ascendancy to power and marriage, presented as a tale told by Geoffrey Chaucer at the end of Edward's reign.</text>
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