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                  <text>Chaucer Bibliography Online</text>
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              <text>Watt, Diane</text>
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              <text>Minneapolis and London: University of Minnesota Press, 2002.</text>
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        <element elementId="114">
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              <text>2003</text>
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              <text>xviii, 219 pp.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Medieval Cultures, no. 38.</text>
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              <text>mea SAC 27:51</text>
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                <text>Amoral Gower: Language, Sex, and Politics</text>
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                <text>Reads John Gower's Confessio Amantis as a work that "encourages its audience to take risks in interpretation, to experiment with meaning, and to offer individualistic readings." The work pursues a "negative critique of ethical poetry" and enables important engagements with complexities of language, sex, and politics. Recurrent references to Chaucer indicate that the two poets shared a common audience, competed with each other, and explored "ethical ambiguities" in different ways.</text>
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              <text>Van Dyke, Carolynn.</text>
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              <text>ChauR 41 (2007): 250-60.</text>
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              <text>2007</text>
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              <text>Background and General Criticism.</text>
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              <text>Chaucer Review 41 (2007)</text>
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        <element elementId="109">
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              <text>vxl SAC 31:141</text>
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                <text>Amorous Behavior: Sexism, Sin, and the Donaldson Persona</text>
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                <text>Exemplified by those of Carolyn Dinshaw and Elaine Tuttle Hansen, feminist critiques of E. Talbot Donaldson's scholarship are curiously similar to D. W. Robertson's critiques of that scholarship. These critiques find fault in its subjectivity and thus overlook Donaldson's authorial persona: a "fictional first person" who "models a way into the text for readers, who are, like him" --and like Chaucer-- "both gendered roles and personal facts."</text>
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              <text>Ingham, Patricia Clare.</text>
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              <text>Elizabeth Scala and Sylvia Federico, eds. The Post-Historical Middle Ages ((New York: Palgrave Macmillan, 2009), pp. 13-35.</text>
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              <text>2009</text>
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              <text>The Post-Historical Middle Ages.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>vxl sac 33:26</text>
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                <text>Amorous Dispossessions : Knowledge, Desire, and the Poet's Dead Body</text>
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                <text>Ingham considers evidence from the exhumation of Petrarch's skull and from Chaucer studies to demonstrate the role of "amorous dispossessions" in historicist pursuits. Lacan's comments on courtly love theorize such dispossessions and complicate notions of truth and knowledge. The author discusses the "problem" that Chaucer's knowledge of Petrarch causes for claims about historical periods and explores aspects of global study of Chaucer.</text>
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              <text>Dalrymple, Roger.</text>
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              <text>Phillipa Hardman, ed. The Matter of Identity in Medieval Romance (Woodbridge, Suffolk; and Rochester, N.Y.: D. S. Brewer, 2002), pp. 149-62.</text>
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              <text>2002</text>
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            <elementText elementTextId="2760798">
              <text>The Matter of Identity in Medieval Romance.</text>
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              <text>Hardman, Phillipa, ed.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>vxl SAC 26:64</text>
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                <text>Amoryus and Cleopes: John Metham's Metamorphosis of Chaucer and Ovid</text>
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                <text>Although based on Ovid's tale of Pyramus and Thisbe, "Amoryus and Cleopes" (1449) was clearly influenced by TC in diction and style. Metham's amelioration of tragedy simplifies Chaucer's complex and ambiguous combination of de casibus tragedy and Ovidian unfortunate love.</text>
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              <text>Cigman, Gloria.</text>
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              <text>Etudes Anglaises: Grande-Bretagne, Etats-Unis 42 (1989): 385-400.</text>
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              <text>1989</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Etudes Anglaises: Grande-Bretagne, Etats-Unis 42 (1989)</text>
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              <text>jules SAC 13 (231)</text>
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                <text>Amphibologies and Heresy: 'Troilus and Criseyde'</text>
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                <text>TC reflects heterodox or heretical outlooks and religious division in its depiction of love as religion, its prescribing a morality based on love, its metaphors of preaching, its celebration of love's power, and its notion of false felicity.</text>
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              <text>McKinley, Kathryn.</text>
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              <text>Brian Gastle and Erick Kelemen, eds. Later Middle English Literature, Materiality, and Culture: Essays in Honor of James M. Dean (Newark: University of Delaware Press, 2018.), pp. 107-21.</text>
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              <text>Later Middle English Literature, Materiality, and Culture.</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 43:133</text>
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                <text>Ampullae and Badges: Pilgrim Paraphernalia in Late Medieval England.</text>
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                <text>Describes (with illustrations) the "material remainders of late medieval English practices of pilgrimage," discussing them "in the context of Chaucer's and Langland's portraits of pilgrim attire," and commenting on relations between extant badges and flasks and the literary descriptions in CT and "Piers Plowman," satirical and otherwise.</text>
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              <text>Coleman, Joyce.</text>
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              <text>1996</text>
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              <text>Background and General Criticism.</text>
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                <text>An 'Ethnography of Reading' in Chaucer</text>
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                <text>Internal evidence in Chaucer's works indicates that he expected his works to be read aloud--both by himself and to an immediate, first audience and by prelectors to later audiences.  Chaucer's references to the reception of his work, his references to the reception of others' works, and his depictions of receptions indicate the community of hearers assumed in his literature.</text>
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            <elementText elementTextId="2722909">
              <text>David, Alfred.</text>
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              <text>Mary J. Carruthers and Elizabeth D. Kirk, eds.  Acts of Interpretation (Norman, Okla.: Pilgrim Books, 1982), pp. 147-57.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1982</text>
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              <text>Prioress and Her Tale.</text>
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        <element elementId="109">
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                <text>Although the format (alphabetical) of ABC limits it somewhat, it follows the style of fourteenth-century religious courtly lyrics with a heightened sense of emotionalism.  The struggle of the Virgin with the devil in ABC can be equated with the struggle between the child and the Jews in PrT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Von Kreisler, Nicholai.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2808079">
              <text>Chaucer Review 6.1 (1971): 30-37.</text>
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        <element elementId="114">
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              <text>1971</text>
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              <text>Merchant and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 2/23/2016 No SAC</text>
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          <element elementId="50">
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              <elementText elementTextId="2808077">
                <text>An Aesopic Allusion in the 'Merchant's Tale'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2808081">
                <text>Traces the allusion to a "panyer ful of herbes" in MerT (4.1568) to an oral version of the apocryphal "Life of Aesop," commenting on the implications of this source for the tale.</text>
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  <item itemId="268914" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2770149">
              <text>Horowitz, Deborah.</text>
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        <element elementId="98">
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              <text>Chaucer Review 39 (2005): 259-79.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2770151">
              <text>2005</text>
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        <element elementId="109">
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          <element elementId="50">
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              <elementText elementTextId="2770148">
                <text>An Aesthetic of Permeability : Three Transcapes of the Book of the Duchess</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2770152">
                <text>Horowitz assesses the aesthetic value of BD by focusing on three "transcapes" (through visions): that of the narrator as a literary medium; that of the work's interwoven sources and time spans; and that of the gendered landscape, which is both unstable and constant. The transcapes constitute a closely woven (but simultaneously open) work that is always open to interpretation and in a constant state of flux.</text>
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  <item itemId="274913" public="1" featured="0">
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          <elementTextContainer>
            <elementText elementTextId="2830903">
              <text>Evans, Ruth.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Jocelyn Wogan-Browne, Nicholas Watson, Andrew Taylor, and Ruth Evans, eds. The Idea of the Vernacular: An Anthology of Middle English Literary Theory, 1280-1520 (University Park : Pennsylvania State University Press; Exeter: University of Exeter Press 1999), pp. 331-52, pp. 371-78.</text>
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        <element elementId="108">
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          <elementTextContainer>
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              <text>The Idea of the Vernacular</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Language and Word Studies&#13;
General Prologue to the Canterbury Tales&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830908">
              <text>1999</text>
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          <element elementId="50">
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              <elementText elementTextId="2830901">
                <text>An Afterword on the Prologue.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851800">
                <text>Assesses the functions of prologues in Middle English literature, commenting on nuances of "prohemye," "prefacyon," "preamble," etc., and exploring how prefatory works "disorganiz[e] the categories of center and periphery, 'theoria' and 'praxis'." Includes recurrent comments on GP, WBP, and ClP.</text>
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  <item itemId="276588" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Rabin, Andrew.</text>
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        <element elementId="98">
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              <text>Notes and Queries 266 (2021): 164-65.</text>
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          <elementTextContainer>
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          <name>Chaucer Subject</name>
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              <text>Prioress and Her Tale&#13;
Canon's Yeoman and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 45:134</text>
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        <element elementId="114">
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          <description/>
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          <element elementId="41">
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              <elementText elementTextId="2844954">
                <text>Claims that Chaucer may have been aware of a fourteenth-century alchemical work prescribing an "elixir" of "a grain of wheat soaked in wine" that prolongs life long enough for someone whose death is imminent to "speak, make their will, and confess." Chaucer's interest in alchemy, evinced in CYT, suggests the possibility of his awareness of this recipe.</text>
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              <elementText elementTextId="2850920">
                <text>An Alchemical Analogue to the Virgin's 'Greyn': "The Prioress's Tale," ll. 662-72.</text>
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  <item itemId="261426" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Weil, Eric.</text>
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        <element elementId="98">
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              <text>Medieval Perspectives 6 (1991): 162-70.</text>
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        <element elementId="114">
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          <description/>
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              <text>Manciple and His Tale.</text>
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              <text>Second Nun and Her Tale.</text>
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              <text>Canon's Yeoman and His Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
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              <text>Medieval Perspectives 06 (1991)</text>
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          <element elementId="50">
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            <elementTextContainer>
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                <text>An Alchemical Freedom Flight: Linking the Manciple's Tale to the Second Nun's and Canon's Yeoman's Tales</text>
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              <text>jules SAC 24 (388)</text>
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                <text>Assessing the punctuation in editions by Baugh, Donaldson, Fisher, Howard, Pollard, Robinson, Root, Skeat, and Windeatt, Nakao suggests that editorial punctuation of TC obscures another voice of Crisyede.</text>
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Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations&#13;
Summoner and His Tale</text>
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                <text>An Ambiguous Reference in Chaucer's "Friar's Tale."</text>
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                <text>Traces the scribal and editorial history of capitalizing (or not) "S/summoner" in FrT 3.1327, advocating the lower case "s" for the way it maintains the ambiguity of reference to the protagonist of FrT and the Friar's pilgrim-opponent.</text>
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              <text>"Chaucer at Oxford (La Rosignoll)."</text>
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                <text>Summarizes the plot of a modern analogue to RvT, David Madden's story called "Night Shift," published in "Playboy" magazine in 1971.</text>
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                <text>Tallies similarities between MLT and Adenes li Rois' "Berta aus Grans Pies," considering the latter to be a "remote ancestor" of Chaucer's tale.</text>
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        <element elementId="98">
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        <element elementId="114">
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              <text>Chaucer Review 15 (1981)</text>
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              <text>jules SAC 05 (163)</text>
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                <text>An Analogue to Chaucer's 'Clerk's Tale'</text>
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                <text>Christine de Pizan uses the Griselda tale to illustrate the virtues of patience and constancy in her "Livre de la Cite des Dames," derived from a French prose version of Philippe de Mezieres, perhaps also consulting the anonymous French prose translation, Chaucer's main source.</text>
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              <text>Green, Richard Firth.</text>
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                <text>Discusses similarities between Chaucer's WBT and the French farce "Les deux maris et leurs deux femmes" and suggests that the loathly lady's riddle at the end of WBT "might be drawing on a less recherche tradition than that of Latin rhetoric."</text>
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              <text>De Nerville, Catherine Jenelle Maness.</text>
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              <text>DAI 35.03 (1974): 1619A.</text>
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              <text>1974</text>
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              <text>Background and General Criticism</text>
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              <text>Dissertation Abstracts International 35 (1974)</text>
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              <text>mea; 1/29/2015 No SAC</text>
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                <text>An Analysis and Classification of Four Critical Approaches to Chaucer in the Twentieth Century</text>
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                <text>Discusses critical approaches to Chaucer's poetry using M. H. Abrams' categories of literary theory (mimetic, objective, pragmatic, and expressive) and commenting on the criticism of D. W. Robertson Jr., Robert M. Jordan, Robert O. Payne, and Charles Muscatine.</text>
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              <text>Andersen, Jens Kr.</text>
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        <element elementId="98">
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              <text>Canterbury Tales--General</text>
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              <text>Sources, Analogues, and LIterary Relations</text>
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              <text>Orbis Litterarum 27 (1972)</text>
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              <text>mea; 12/18/2015 No SAC</text>
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                <text>An Analysis of the Framework Structure of Chaucer's 'Canterbury Tales'</text>
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                <text>Investigates how the frame of the Canterbury pilgrimage is reflected in individual tales, gauging their degrees of authenticity, the quarrels among the pilgrims, the relations between social rank and taste, the interdependence of solace and sentence, and the characterizations of individual tellers. Then comments on the multi-layered roles and functions of the narrator as participant, author, and historical poet. Also argues that the above concerns render it unlikely that Chaucer was indebted to Boccaccio's "Decameron."</text>
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              <text>Silar, Theodore I.</text>
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              <text>Chaucer Review 32 (1998): 284-309.</text>
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              <text>1998</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Language and Word Studies.</text>
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              <text>Chaucer Review 32 (1998)</text>
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              <text>jules SAC 22 - 329.</text>
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                <text>An Analysis of the Legal Sense of the Word 'Fin' ('Finalis Concordia') in 'Piers Plowman', 'Sir Gawain and the Green Knight', Chaucer's Works and Especially the Ending of 'Troilus and Criseyde'</text>
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                <text>The repetition of "fin" (the settlement of a fictitious suit) at the ending of TC has many legal overtones.  It evokes "landholding," "harmonization of contrary positions," and "legal fiction," as in a legal suit for which there is, as in TC, a "preordiation," a "foreknowledge of the outcome."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2808915">
              <text>Aubrey, Annie.</text>
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              <text>1971</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Style and Versification</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2808922">
              <text>Dissertation Abstracts International 31 (1971)</text>
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            <elementText elementTextId="2808923">
              <text>mea; 04/12/2016 No SAC</text>
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                <text>An Analysis of the Medieval 'Artes Poetriae' with a Discussion of Amplification of Character in Chaucer's 'Troilus'</text>
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                <text>Analyzes the "organization and assumptions" of four medieval rhetorical handbooks, focusing on their "methods of amplification," and assesses the influence of rhetorical tradition on the characterizations in TC, in comparison with those of Boccaccio in "Il Filostrato."</text>
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