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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2797481">
              <text>Sayers, William.</text>
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              <text>N&amp;Q 256 (2011): 188-91.</text>
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        <element elementId="114">
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              <text>2011</text>
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              <text>Language and Word Studies</text>
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              <text>Knight and His Tale</text>
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              <text>Notes and Queries 256 (2011)</text>
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              <text>mea SAC 35:104.</text>
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                <text>Ahoy! and Jury-Rigging: Etymologies</text>
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                <text>Chaucer's use of the interjection "Oo" in KnT (2533) is adduced as a stage in the history of "Ahoy" going back to the Anglo-French verb "oir" (to hear, listen).</text>
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              <text>Lewis, Sean Gordon.</text>
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              <text>Enarratio: Publications of the Medieval Association of the Midwest 23 (2022): 52-68.</text>
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              <text>Enarratio: Publications of the Medieval Association of the Midwest 23 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
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              <text>SAC 46:302</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2022</text>
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                <text>Airy Bodies and Knowledge in Chaucer's "House of Fame."</text>
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                <text>Examines the "embodiment of language" in HF and argues that it displays epistemological "confidence in the ability of the textual word/body to communicate accurately to the reader's imagination in a synesthetic experience." Focuses on how Chaucer (following Dante's Thomistic hylomorphism) "portrays audible speech as visible shades of the speakers" and "calls attention to the spoken word embodied in writing." Also comments on the textual history of HF in manuscripts and early print.</text>
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              <text>McLeod, Glenda.</text>
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              <text>Glenda McLeod, Virtue and Venom: Catalogs of Women from Antiquity to the Renaissance.  Women and Culture Series.  (Ann Arbor: University of Michigan Press, 1991), pp. 81-109.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2695054">
              <text>1991</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2695055">
              <text>Virtue and Venom: Catalogs of Women from Antiquity to the Renaissance.</text>
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              <text>Legend of Good Women.</text>
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        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2695058">
              <text>Women and Culture Series.</text>
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              <text>mea</text>
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              <elementText elementTextId="2695051">
                <text>Al of Another Tonne</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2695056">
                <text>Contrary to critical tradition, Chaucer did not necessarily abandon LGW in boredom.  A reading with attention to the discrepancies between LGWP and the legends, and to their ordering and their figurative language, reveals a careful and purposeful structure as well as structural, thematic, and aesthetic completeness.</text>
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            <elementText elementTextId="2711022">
              <text>Spearing, A. C.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>John V. Fleming and Thomas J. Heffernan, eds.  Studies in the Age of Chaucer, Proceedings, No. 2, 1986 (Knoxville, Tenn.: New Chaucer Society, 1987), pp. 169-77.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2711024">
              <text>1987</text>
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        <element elementId="108">
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            <elementText elementTextId="2711025">
              <text>Studies in the Age of Chaucer, Proceedings, No. 2 (1986)</text>
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        <element elementId="102">
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            <elementText elementTextId="2711027">
              <text>Parliament of Fowls.</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2711028">
              <text>jules SAC 11 (251)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2711021">
                <text>Al This Mene I Be Love</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2711026">
                <text>Examines the pervasiveness of love iconography and tradition in PF.  Reviews various interpretations, political and social, and sees the "center" of the poem in the central line on the treacherous lapwing, a model for Chaucer's method with its many contradictions.  PF is a structure without a center.  Chaucer delights in the "irresolvable diversity of the birds' ideas about love."  Love in PF consists in "yearning for a center and a meaning that are absent."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2742924">
              <text>Kiser, Lisa J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2742925">
              <text>Piero Boitani and Anna Torti, eds.  Mediaevalitas: Reading the    Middle Ages (Cambridge:  D. S. Brewer, 1996), pp. 1-14.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2742926">
              <text>1995</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2742927">
              <text>Mediaevalitas: Reading the Middle Ages.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2742929">
              <text>Parliament of Fowls.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2742931">
              <text>jules SAC 20 (1998), 260</text>
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              <elementText elementTextId="2742923">
                <text>Alain de Lille, Jean de Meun, and Chaucer: Ecofeminism and Some Medieval Lady Natures</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2742928">
                <text>Assesses the depiction of female-gendered Nature in Brunetto Latini's "Il Tesoretto," Alain de Lille's "De planctu naturae," Jean de Meun's "Roman de la Rose," and Chaucer's PF.  A modern ecofeminst approach to these depictions helps disclose the binary thinking that underlies them and reveals a surprising variety in the way they reflect power relations between classes and genders.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2790591">
              <text>Powrie, Sarah.</text>
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            <elementText elementTextId="2790592">
              <text>Chaucer Review 44 (2010): 246-67.</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2790593">
              <text>2010</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2790595">
              <text>House of Fame.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        </element>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2790597">
              <text>Chaucer Review 44 (2010).</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>vxl sac 34:283</text>
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                <text>Alan of Lille's 'Anticlaudianus' as Intertext in Chaucer's 'House of Fame'</text>
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              <elementText elementTextId="2790594">
                <text>In playing on Alan's "theological epic" in HF, Chaucer projects a view of readerly interpretation as a key component of literary production, thus challenging the notions that poetry springs solely from inspiration and "that textual meaning could be securely sealed by an author."</text>
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              <text>Donabeita Fernandez, Maria Louisa.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Teresa Fanego Lema, ed.  Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature  (Santiago de Compostela: Universidad de Santiago de Compostela, 1993), pp. 43-53.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2738625">
              <text>1993</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738626">
              <text>Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738628">
              <text>Wife of Bath and Her Tale.</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 19 (1997) - 193</text>
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                <text>Alas! Alas! Unhappy Wife of Bath: A Close Reading of the Wife of Bath's Prologue.:</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2738627">
                <text>A deconstructive-psychoanalytical reading of WBP that examines the gaps left in the Wife's discourse, exploring implications of rape, sexual economics, and prostitution.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2743900">
              <text>Molencki, Rafał.</text>
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        <element elementId="98">
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            <elementText elementTextId="2743901">
              <text>Studia Anglica Posnaniensia 31 (1997): 163-77.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2743902">
              <text>1997</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743904">
              <text>Language and Word Studies.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2743905">
              <text>Studia Anglica Posnaniensia 31 (1997)</text>
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            <elementText elementTextId="2743906">
              <text>jules SAC 21 - 74</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743899">
                <text>Albeit a Conjunction, Yet It Is a Clause: A Counterexample to the Unidirectionality Hypothesis?</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743903">
                <text>Traces the history of the phrase "al be it" from its late-medieval "heyday" through its reduction to a single-word conjunction to its current status as a marker of "concessivity" or contradiction.  Most medieval instances are cited from Chaucer.</text>
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  <item itemId="264866" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728397">
              <text>Pratt, Robert A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728398">
              <text>Philological Quarterly 57 (1978): 267-68.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728399">
              <text>1978</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2728401">
              <text>Summoner and His Tale.</text>
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            <elementText elementTextId="2728402">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728403">
              <text>Philological Quarterly 57 (1978)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728404">
              <text>jules SAC 03 (114)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2728396">
                <text>Albertus Magnus and the Problem of Sound and Odor in the Summoner's Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2728400">
                <text>Jankyn's theories of the dissemination of sound and odor coincide precisely with those of medieval science as presented by Albertus Magnus in his "Liber de sensu et sensato."  Chaucer draws upon these widely disseminated medieval views rather than upon the opinions of classical writers such as Euclid, Ptolemy, Vitruvius, or Boethius.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2763259">
              <text>Ackroyd, Peter.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2763260">
              <text>London : Chatto &amp; Windus, 2002.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763261">
              <text>2002</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763262">
              <text>xxii, 516 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2763264">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763265">
              <text>vxl SAC 27: 88</text>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763258">
                <text>Albion: The Origins of the English Imagination</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763263">
                <text>Ackroyd discusses Chaucer within the larger context of describing and defining the distinctive qualities of English imagination, focusing on Chaucer's themes of remembrance, science, and truth as part of the process of becoming English. Considers HF, LGW, PF, TC, BD, CT, and RvT. Includes a bibliography and index.</text>
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          </element>
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    </elementSetContainer>
  </item>
  <item itemId="262518" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705798">
              <text>Carlson, Paula J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705799">
              <text>Mediaevalia 11 (1989, for 1985): 139-50.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705800">
              <text>1989</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2705802">
              <text>Legend of Good Women.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705803">
              <text>Mediaevalia 11 (1989, for 1985).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2705804">
              <text>jules SAC 13 (208).</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2705797">
                <text>Alceste and Chaucer's View of Poetry in the 'Legend of Good Women'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705801">
                <text>In LGWP, Alceste is a more complicated character than is suggested by references to her in TC:  "Alceste's truth, goodness, and faithfulness are offset in the Prologue by her obstinance, petulance, and fickleness."  Critical readings ignore the "multiplicity of her roles" in LGWP as "protector and patron of the poet and as audience and literary critic of his work."</text>
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  <item itemId="265884" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738725">
              <text>Higgins, Anne.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738726">
              <text>Teresa Tavormina and R. F. Yeager, eds.  The Endless Knot: Essays on Old and Middle English in Honor of Marie Borroff (Cambridge: D.S. Brewer, 1995), pp. 113-27.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738727">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738728">
              <text>The Endless Knot: Essays on Old and Middle English in Honor of Marie Borroff.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2738731">
              <text>Legend of Good Women.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2738732">
              <text>jules SAC 19 (1997) - 295</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738724">
                <text>Alceste the Washerwoman</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738729">
                <text>One key to recognizing the parody of hagiography in LGW is the identification of Alceste as Alice de Cestre in LGWP.</text>
              </elementText>
              <elementText elementTextId="2738730">
                <text>  Alice was a washerwoman of the royal household--perhaps a prostitute--and the double identity of Alceste-Alice establishes a "flexible morality" for the poem, "a model of moral relativism and tolerance."</text>
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  <item itemId="262497" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705598">
              <text>Hitchcox, Kathryn Langford.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705599">
              <text>Dissertation Abstracts International 49 (1989): 3033A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705600">
              <text>1989</text>
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        <element elementId="102">
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            <elementText elementTextId="2705602">
              <text>Second Nun and Her Tale.</text>
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            <elementText elementTextId="2705603">
              <text>Canon's Yeoman and His Tale.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705604">
              <text>Dissertation Abstracts International 49 (1989)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705605">
              <text>jules SAC 13 (186)</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705597">
                <text>Alchemical Discourse in the 'Canterbury Tales'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2705601">
                <text>Most scholarly treatments of Chaucer and alchemy deal with whether Chaucer believed in alchemy or whether he condemned it, but Chaucer's primary concern with alchemy was to use it as "symbolic language," especially in SNT and CYT.  This salvific language links the spiritual and the physical, God and humanity.</text>
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              <text>Hadbawnik, David.</text>
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              <text>Katherine W. Jager, ed. Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music (Cham: Palgrave Macmillan, 2019), pp. 201-31.</text>
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              <text>Jager, Katherine W., ed.</text>
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              <text>Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music.</text>
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          <description/>
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              <text>Language and Word Studies</text>
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              <text>mea; SAC 44:108</text>
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          <name>Date</name>
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              <text>2019</text>
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              <elementText elementTextId="2840630">
                <text>Alchemical Language: Latin and the Vernacular in the Poetry of Thomas Norton and John Gower.</text>
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                <text>Focuses on Norton and Gower, but closes with a comparison of Gower's "linking of alchemy and language" with Chaucer's in CYT and suggests that Gower combines Latin and English to "produce poetic truths" while Chaucer emphasizes "combinations of various registers within the vernacular."</text>
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            <elementText elementTextId="2823245">
              <text>Linden, Stanton J.</text>
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        <element elementId="98">
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            <elementText elementTextId="2823246">
              <text>Wayne H. Finke and Barry J. Luby, eds. A Confluence of Words: Studies in Honor of Robert Lima (Newark, Del.: Juan de la Cuesta, 2011), pp. 227-62.</text>
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              <text>Wayne H. Finke, ed.&#13;
Barry J. Luby, ed.</text>
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        <element elementId="108">
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            <elementText elementTextId="2823248">
              <text>A Confluence of Words: Studies in Honor of Robert Lima.</text>
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            <elementText elementTextId="2823249">
              <text>Canon's Yeoman and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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              <text>SAC 40:275</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2823251">
              <text>2011</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2823243">
                <text>Alchemical Satire in George Ripley's "Compound of Alchemy": The Chaucerian Legacy</text>
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            <elementTextContainer>
              <elementText elementTextId="2823244">
                <text>Traces the influence of CYPT on the "writings of late medieval alchemical works," focusing on George Ripley's "Compound of Alchemy" and discussing a variety of motifs, from alchemists' attire and associations, to the jargon and dangers of alchemy, its negative affiliation with clergy, and its strategies of "deception and secrecy." Includes an edition of the fifth "Gate" of the Compound.</text>
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  <item itemId="277538" public="1" featured="0">
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              <text>Runstedler, Curtis.</text>
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          <elementTextContainer>
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              <text>Curtis Runstedler. Alchemy and Exemplary Poetry in Middle English Literature (Cham: Palgrave Macmillan, 2023), pp. 89-129.</text>
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              <text>Alchemy and Exemplary Poetry in Middle English Literature</text>
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            <elementText elementTextId="2853799">
              <text>Canon's Yeoman and His Tale&#13;
Second Nun and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2853800">
              <text>SAC 47:171</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853801">
              <text>2023</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2853794">
                <text>Alchemists Behaving Badly in Chaucer's "Canon's Yeoman's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853795">
                <text>Explores the "moral value for Chaucer's audience" of CYPT and articulates "alchemical connections" elsewhere in CT, especially SNT. Focuses on the diction and imagery of CYP, on CYT as a negative exemplum, and on the Yeoman's final rejection of alchemy as evidence of Chaucer's disclosure of "the misuse of power and human intellect and the impact of moral blindness."</text>
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  <item itemId="272334" public="1" featured="0">
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              <description>A name given to the resource</description>
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          <elementTextContainer>
            <elementText elementTextId="2805820">
              <text>Linden, Stanton Jay.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805821">
              <text>DAI 33.07 (1972): 3091A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805822">
              <text>1972</text>
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            <elementText elementTextId="2805824">
              <text>Canon's Yeoman and His Tale</text>
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            <elementText elementTextId="2805825">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
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        <element elementId="100">
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              <text>Dissertation Abstracts International 33 (1972)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805827">
              <text>mea; 12/01/2015 No SAC</text>
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              <elementText elementTextId="2805819">
                <text>Alchemy and the English Literary Imagination: 1385-1633</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2805823">
                <text>Analyzes the literary treatment of alchemy from Chaucer's CYT through works by John Donne and Ben Jonson; presents CYT as the foundational text in the "long tradition of alchemical satire."</text>
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  <item itemId="269662" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2777824">
              <text>St. John, Michael.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777825">
              <text>Carla Dente, George Ferzoco, Miriam Gill, and Marina Spunta, eds. Proteus: The Language of Metamorphosis. Studies in European Cultural Transition, no. 26. Burlington, Vt.: Ashgate, 2005, pp. 83-92.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777826">
              <text>2005</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777827">
              <text>Proteus: The Language of Metamorphosis.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
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              <text>Dente, Carla, ed.</text>
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              <text>Ferzoco, George, ed.</text>
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            <elementText elementTextId="2777830">
              <text>Gill, Miriam, ed.</text>
            </elementText>
            <elementText elementTextId="2777831">
              <text>Spunta, Marina, ed.</text>
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              <text>Canon's Yeoman and His Tale.</text>
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        <element elementId="109">
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            <elementText elementTextId="2777835">
              <text>vxl SAC 31:289</text>
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              <elementText elementTextId="2777823">
                <text>Alchemy and the Metamorphosis of History in Chaucer's House of Fame</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825806">
                <text>Argues that an "individual's knowledge of history" is presented in HF in a way that is metaphorically linked to alchemical transformation--with "tydynges" either substantially transformed or flying into uncontrollable energy. CYT shows Chaucer's knowledge of alchemy.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2753737">
              <text>Hamada, Ayano.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753738">
              <text>Language and Culture: Bulletin of the Graduate School of Foreign Languages (Kanagwa University) 6: 23-53.,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2753739">
              <text>2000</text>
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            <elementText elementTextId="2753741">
              <text>Canon's Yeoman and His Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2753742">
              <text>Language and Culture: Bulletin of the Graduate School of Foreign Languages (Kanagwa University) 06 (2000)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753743">
              <text>jules SAC 24 (324)</text>
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              <elementText elementTextId="2753736">
                <text>Alchemy and Transformation in the Works of Chaucer, Jonson and Shakespeare</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753740">
                <text>Discusses alchemy in Chaucer's CYT, Jonson's "The Alchemist," and Shakespeare's "The Tempest."</text>
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                <text>Studies the portrayals of alchemy and alchemists in fourteenth-and fifteenth-century English verse, including discussion of Chaucer's negative depiction of alchemy and its practitioners in CYPT, and John Gower's positive view in "Confessio Amantis."</text>
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                <text>Alcohol, Community, and Chaucer's Pardoner: Ale as a Populist Antidote to Alienating Avant-Gardism.</text>
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                <text>Assesses references to ale and wine in PardPT as they reflect the Pardoner's "submerged desire" to bond with the Host and his simultaneous attempt to compete with Harry as leader of the pilgrimage. Argues that "the metaphorical ale-stake associated with the Summoners' body" in GP frames the ale-stake of PardP, setting the Pardoner's "conflicted masculinity" in competition for and against the "hyper-masculine" Host, who repudiates the Pardoner's over-reaching efforts to reach and outreach him.</text>
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              <text>In Jamie C. Fumo, ed. Chaucer's "Book of the Duchess": Contexts and Interpretations (Cambridge: D. S. Brewer, 2018), pp. 97-117.</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Highlights the thematic centrality of memorialization, tombs, and inscription in the Ceyx and Alcyone story from Ovid to Chaucer to Spenser. The intertextual relations among these versions is predicated not on the principle of genealogical succession but on transhistorical contiguity imagined as touch.</text>
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              <text>Huxley, Aldous.</text>
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        <element elementId="98">
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              <text>New York: Caedmon, 1973.</text>
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          <elementTextContainer>
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              <text>Chandos, John,</text>
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          <element elementId="41">
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                <text>Item not seen; the WorldCat records indicate that this is an interview of Huxley with John Chandos, recorded July 7, 1961, and includes discussion of Chaucer and psychology. First published in 1964.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hunter, Michael.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>The Warden's Meeting: A Tribute to John Sparrow. (Oxford: Oxford University Society of Bibliophiles, 1977), 9-32.</text>
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        <element elementId="114">
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                <text>Hunter describes a copy of the 1602 edition of Chaucer in his possession signed "A. Pope."  The volume is defective, lacking the first gathering.  The signature comes at the beginning of gathering B.  There are no marginalia.  Presumably this was a duplicate in Pope's library.  In the Hurd library at Hartlebury Castle, Worcestershire, there is a copy of the 1598 Chaucer inscribed "Ex libris Alexandri Popei" with marginal annotations.  Presumably this was Pope's working copy.</text>
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              <text>Hodapp, Marion F.</text>
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              <text>M. Criado de Val, ed. El Arcipreste de Hita: El Libro, El Autor, La Tierra, La Epoca (Barclona: S.E.R.E.S.A., 1973), pp. 285-308.</text>
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              <text>Arcipreste de Hita: El Libro, El Autor, La Tierra, La Epoca.</text>
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              <text>Criado de Val, M[anuel], ed.</text>
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              <text>Congreso Internacional sobre el Arcipreste de Hita, no. 1.</text>
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                <text>Tallies various similarities between Chaucer's works and that of Juan Ruiz, the Archpriest of Hita, comparing techniques  and concerns of Ruiz's "Libro de Buen Amor" with CT, TC, and other Chaucerian works.</text>
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