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                  <text>Chaucer Bibliography Online</text>
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              <text>Carlson, Paula J.</text>
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              <text>Mediaevalia 11 (1989, for 1985): 139-50.</text>
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              <text>Legend of Good Women.</text>
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              <text>Mediaevalia 11 (1989, for 1985).</text>
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        <element elementId="109">
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              <text>jules SAC 13 (208).</text>
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                <text>Alceste and Chaucer's View of Poetry in the 'Legend of Good Women'</text>
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                <text>In LGWP, Alceste is a more complicated character than is suggested by references to her in TC:  "Alceste's truth, goodness, and faithfulness are offset in the Prologue by her obstinance, petulance, and fickleness."  Critical readings ignore the "multiplicity of her roles" in LGWP as "protector and patron of the poet and as audience and literary critic of his work."</text>
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              <text>Higgins, Anne.</text>
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              <text>Teresa Tavormina and R. F. Yeager, eds.  The Endless Knot: Essays on Old and Middle English in Honor of Marie Borroff (Cambridge: D.S. Brewer, 1995), pp. 113-27.</text>
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              <text>1995</text>
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              <text>The Endless Knot: Essays on Old and Middle English in Honor of Marie Borroff.</text>
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              <text>Legend of Good Women.</text>
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              <text>jules SAC 19 (1997) - 295</text>
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                <text>Alceste the Washerwoman</text>
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                <text>One key to recognizing the parody of hagiography in LGW is the identification of Alceste as Alice de Cestre in LGWP.</text>
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                <text>  Alice was a washerwoman of the royal household--perhaps a prostitute--and the double identity of Alceste-Alice establishes a "flexible morality" for the poem, "a model of moral relativism and tolerance."</text>
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              <text>Hitchcox, Kathryn Langford.</text>
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              <text>Dissertation Abstracts International 49 (1989): 3033A.</text>
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              <text>Second Nun and Her Tale.</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>Dissertation Abstracts International 49 (1989)</text>
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        <element elementId="109">
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              <text>jules SAC 13 (186)</text>
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                <text>Alchemical Discourse in the 'Canterbury Tales'</text>
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                <text>Most scholarly treatments of Chaucer and alchemy deal with whether Chaucer believed in alchemy or whether he condemned it, but Chaucer's primary concern with alchemy was to use it as "symbolic language," especially in SNT and CYT.  This salvific language links the spiritual and the physical, God and humanity.</text>
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              <text>Hadbawnik, David.</text>
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        <element elementId="98">
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              <text>Katherine W. Jager, ed. Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music (Cham: Palgrave Macmillan, 2019), pp. 201-31.</text>
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              <text>Jager, Katherine W., ed.</text>
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            <elementText elementTextId="2840635">
              <text>Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music.</text>
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              <text>Language and Word Studies</text>
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        <element elementId="109">
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              <text>mea; SAC 44:108</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2840638">
              <text>2019</text>
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                <text>Alchemical Language: Latin and the Vernacular in the Poetry of Thomas Norton and John Gower.</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>Focuses on Norton and Gower, but closes with a comparison of Gower's "linking of alchemy and language" with Chaucer's in CYT and suggests that Gower combines Latin and English to "produce poetic truths" while Chaucer emphasizes "combinations of various registers within the vernacular."</text>
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              <text>Linden, Stanton J.</text>
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              <text>Wayne H. Finke and Barry J. Luby, eds. A Confluence of Words: Studies in Honor of Robert Lima (Newark, Del.: Juan de la Cuesta, 2011), pp. 227-62.</text>
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              <text>Wayne H. Finke, ed.&#13;
Barry J. Luby, ed.</text>
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              <text>A Confluence of Words: Studies in Honor of Robert Lima.</text>
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              <text>Canon's Yeoman and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 40:275</text>
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                <text>Alchemical Satire in George Ripley's "Compound of Alchemy": The Chaucerian Legacy</text>
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                <text>Traces the influence of CYPT on the "writings of late medieval alchemical works," focusing on George Ripley's "Compound of Alchemy" and discussing a variety of motifs, from alchemists' attire and associations, to the jargon and dangers of alchemy, its negative affiliation with clergy, and its strategies of "deception and secrecy." Includes an edition of the fifth "Gate" of the Compound.</text>
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              <text>Runstedler, Curtis.</text>
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              <text>Curtis Runstedler. Alchemy and Exemplary Poetry in Middle English Literature (Cham: Palgrave Macmillan, 2023), pp. 89-129.</text>
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              <text>Alchemy and Exemplary Poetry in Middle English Literature</text>
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Second Nun and Her Tale</text>
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              <text>SAC 47:171</text>
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              <text>2023</text>
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                <text>Alchemists Behaving Badly in Chaucer's "Canon's Yeoman's Tale."</text>
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                <text>Explores the "moral value for Chaucer's audience" of CYPT and articulates "alchemical connections" elsewhere in CT, especially SNT. Focuses on the diction and imagery of CYP, on CYT as a negative exemplum, and on the Yeoman's final rejection of alchemy as evidence of Chaucer's disclosure of "the misuse of power and human intellect and the impact of moral blindness."</text>
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                <text>Argues that an "individual's knowledge of history" is presented in HF in a way that is metaphorically linked to alchemical transformation--with "tydynges" either substantially transformed or flying into uncontrollable energy. CYT shows Chaucer's knowledge of alchemy.</text>
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                <text>Studies the portrayals of alchemy and alchemists in fourteenth-and fifteenth-century English verse, including discussion of Chaucer's negative depiction of alchemy and its practitioners in CYPT, and John Gower's positive view in "Confessio Amantis."</text>
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                <text>Assesses references to ale and wine in PardPT as they reflect the Pardoner's "submerged desire" to bond with the Host and his simultaneous attempt to compete with Harry as leader of the pilgrimage. Argues that "the metaphorical ale-stake associated with the Summoners' body" in GP frames the ale-stake of PardP, setting the Pardoner's "conflicted masculinity" in competition for and against the "hyper-masculine" Host, who repudiates the Pardoner's over-reaching efforts to reach and outreach him.</text>
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              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2809220">
              <text>05/25/2016; mea No SAC</text>
            </elementText>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2809212">
                <text>Aldous Huxley Speaking Personally</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2809218">
                <text>Item not seen; the WorldCat records indicate that this is an interview of Huxley with John Chandos, recorded July 7, 1961, and includes discussion of Chaucer and psychology. First published in 1964.</text>
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  </item>
  <item itemId="264785" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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    <itemType itemTypeId="24">
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2727614">
              <text>Hunter, Michael.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727615">
              <text>The Warden's Meeting: A Tribute to John Sparrow. (Oxford: Oxford University Society of Bibliophiles, 1977), 9-32.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727616">
              <text>1977</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727617">
              <text>The Warden's Meeting: A Tribute to John Sparrow.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727619">
              <text>Chaucer's Influence and Later Allusion.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727620">
              <text>jules SAC 03 (45)</text>
            </elementText>
          </elementTextContainer>
        </element>
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    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2727613">
                <text>Alexander Pope and Geoffrey Chaucer</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2727618">
                <text>Hunter describes a copy of the 1602 edition of Chaucer in his possession signed "A. Pope."  The volume is defective, lacking the first gathering.  The signature comes at the beginning of gathering B.  There are no marginalia.  Presumably this was a duplicate in Pope's library.  In the Hurd library at Hartlebury Castle, Worcestershire, there is a copy of the 1598 Chaucer inscribed "Ex libris Alexandri Popei" with marginal annotations.  Presumably this was Pope's working copy.</text>
              </elementText>
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  </item>
  <item itemId="272177" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804179">
              <text>Hodapp, Marion F.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804180">
              <text>M. Criado de Val, ed. El Arcipreste de Hita: El Libro, El Autor, La Tierra, La Epoca (Barclona: S.E.R.E.S.A., 1973), pp. 285-308.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804181">
              <text>1973</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804182">
              <text>Arcipreste de Hita: El Libro, El Autor, La Tierra, La Epoca.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804183">
              <text>Criado de Val, M[anuel], ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804185">
              <text>Canterbury Tales--General</text>
            </elementText>
            <elementText elementTextId="2804186">
              <text>Troilus and Criseyde</text>
            </elementText>
            <elementText elementTextId="2804187">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804188">
              <text>Congreso Internacional sobre el Arcipreste de Hita, no. 1.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804189">
              <text>mea; 8/21/2015 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2804178">
                <text>Algunas Analogias Entre El Arcipreste de Hita y Geoffrey Chaucer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2804184">
                <text>Tallies various similarities between Chaucer's works and that of Juan Ruiz, the Archpriest of Hita, comparing techniques  and concerns of Ruiz's "Libro de Buen Amor" with CT, TC, and other Chaucerian works.</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="268347" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764309">
              <text>Hernández Pérez, M. Beatriz.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764310">
              <text>Atlantis 24: 117-32,   2002.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764311">
              <text>2002</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764313">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764314">
              <text>Atlantis 24 (2002)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764315">
              <text>vxl SAC 27: 200</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2764308">
                <text>Alice de Bath o el Poder de la Palabra</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2764312">
                <text>Feminist narratological analysis of WBPT reveals that the Wife's arguments, based in traditional misogyny, overwhelm this misogyny through dynamic engagement of it.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="262171" public="1" featured="0">
    <collection collectionId="8">
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702208">
              <text>Taylor, Paul Beekman.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702209">
              <text>Journal of Popular Culture 24:2 (1990): 75-80.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702210">
              <text>1990</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702212">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702213">
              <text>Journal of Popular Culture 24 (1990)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702214">
              <text>jules SAC 14 (188)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702207">
                <text>Alice in Iceland: An Image of the Wife of Bath in Nordic Myth</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702211">
                <text>Examines the imagery of beautiful feet in Deschamps, Homer, the Old Irish tale of Derdriu, and Nordic myth.  Using the motif of Jankin's attractive legs and feet, Taylor draws correspondences between the Wife of Bath's choice of the fifth husband and a similar motif in Icelandic myth.  "Scathe," which appears in Chaucer only in association with Alison, may have connections to the Old Norse giantess Skadi (from ON "skadi" (harmer)).</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="274455" public="1" featured="0">
    <collection collectionId="8">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826277">
              <text>Mahoney, John.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826278">
              <text>Criticism 6 (1964): 144-55.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826279">
              <text>Criticism 06 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826280">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Clerk and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826281">
              <text>mea; 5/8/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826282">
              <text>1964</text>
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          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826275">
                <text>Alice of Bath: Her "Secte" and "Gentil Text."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826276">
                <text>Accepts that the first eighty-eight lines of WBP are a late addition, and argues that they reflect comic awareness of the unorthodox movement, the Brotherhood of the Free Spirit, echoing its valorization of sexual activity and multiple marriages, especially as it interprets the Biblical enjoinder to "wexe and multiplye," (WBP 3.28), and part of the reason that the Clerk responds so directly to the Wife.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="267357" public="1" featured="0">
    <collection collectionId="8">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754091">
              <text>Friedman, John Block.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754092">
              <text>Chaucer Review 35: 166-81,   2000.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754093">
              <text>2000</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2754095">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2754096">
              <text>General Prologue to the Canterbury Tales.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754097">
              <text>Chaucer Review 35 (2000)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754098">
              <text>jules SAC 24 (260)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2754090">
                <text>Alice of Bath's Astral Destiny : A Re-Appraisal</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2754094">
                <text>Medieval astrological-medical texts underlie the characterization of the Wife of Bath in both GP and WBP.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="270829" public="1" featured="0">
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                <text>Alice on the Couch: A 21st Century Psychoanalytic Interpretation of the Wife of Bath</text>
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              <text>Andrew, Malcolm.</text>
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                <text>The comparison of Alison to a swallow in MilT 3257-58 may refer to the story of Procne.  The tale (from Ovid) is mentioned both in Gower's "Confessio Amantis" and in Chaucer's TC; it suggests the very sort of material woe found in MiltT.</text>
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Style and Versification</text>
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              <text>1964</text>
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                <text>Alison Identified ("The Miller's Tale," 3234). [Three parts]</text>
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                <text>Explores anatomical and associative parallels between Alison of MilT and the weasel, an animal to which she is likened via simile (1.3234); maintains that the connections lend symbolic depth to the characterization.</text>
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              <text>Crane, Susan.</text>
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                <text>No case can be made that the Wife of Bath murdered her fourth husband.  Such claims are made only by readers who invent for her an extratextual history and psychology or who believe that she "merely fulfills antifeminist expectations rather than reassessing the tradition."</text>
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              <text>Arboleda Guirao, Immaculada de Jesús, and M. Esther Mediero Durán.</text>
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              <text>Cartaphilus: Revista de Investigación y Crítica Estética 11 (2013): 8-15.</text>
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              <text>"Chaucer's 'The 'Wife of Bath's Prologue' in 'The Canterbury Tales.' The Wife's Personality, Language and Life: Revisiting Feminism."</text>
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              <text>Mediero Durán, M. Esther.</text>
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                <text>Spanish version of Arboleda Guirao's essay "Chaucer's 'Wife of Bath's Prologue' in 'The Canterbury Tales.' The Wife's Personality, Language and Life: Revisiting Feminism," published in 2011.</text>
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                <text>Galled by clerical antifeminism (woman is weak and hence evil), the power-obsessed Alison turns for her tale to courtly romance (woman is weak and hence good).  Thus, ultimately she subverts the conventions of estates, gender, and genre, proving herself inconsistent.</text>
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