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              <text>Davies, Daniel.</text>
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              <text>Ph.D. dissertation (University of Pennsylvania, 2021), Dissertation Abstracts International A83.02(E). Freely accessible at https://repository.upenn.edu/entities/publication/59a38ac4-5b08-41e6-a701-26a6f3939e86 (accessed January 30, 2025).</text>
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              <text>x, 317 pp.; illus.</text>
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              <text>Dissertation Abstracts International 83 (E)</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Law and His Tale</text>
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              <text>SAC 47:67</text>
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              <text>2021</text>
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                <text>Forms of Writing, Forms of War: England, Scotland, France c. 1300–1450.</text>
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                <text>Argues that "the nascent art of international relations . . . among England, Scotland, and France, creates a heightened awareness of the connections between literary and political mediation central to the distinct textures of medieval wartime." Explores examples in literary and historical texts and treats Chaucer as an "emblematic figure" of such mediation in various works, especially KnT, MLT, and TC. A version of Chapter 4, "'Wereyed on every side': Chaucer's Troilus and Criseyde and the Logic of Siege Warfare," was published under the same title in New Medieval Literatures 20 (2020): 74-106.</text>
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              <text>Contzen, Eva von.</text>
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              <text>Journal of Medieval and Early Modern Studies 53 (2023) 597-622.</text>
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              <text>Canterbury Tales--General&#13;
Background and General Criticism</text>
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              <text>SAC 47:64</text>
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                <text>Who Has Intention? Chaucer Studies and the Search for Meaning.</text>
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                <text>Focuses on three different approaches to CT, examines the ways that scholars have attempted to avoid ascribing intention to Chaucer, and concludes that "when engaging with Chaucer, critics need to embrace intention as a key generator in the meaning-making activity of interpretation."</text>
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              <text>Butterfield, Ardis, Ian Johnson, and Andrew Kraebel, eds.</text>
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              <text>Cambridge: Cambridge University Press, 2023.</text>
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              <text>xxvi, 322 pp.; 10 illus.</text>
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              <text>Johnson, Ian, ed,&#13;
Kraebel, Andrew, ed.&#13;
Gillespie, Vincent</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 47:62</text>
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                <text>Literary Theory and Criticism in the Later Middle Ages: Interpretation, Invention, Imagination: Essays in Honour of Alastair Minnis.</text>
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                <text>Comprises twelve essays by various authors on topics relating to medieval literary interpretation and theory, rhetoric, and manuscript study, with an introduction by Andrew Kraebel, an account of Minnis's "Career and Contributions" by Vincent Gillespie, a chronological bibliography of Minnis's publications, and a comprehensive index. For two essays that pertain to Chaucer, search for Literary Theory and Criticism in the Later Middle Ages under Alternative Title.</text>
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              <text>Cornelius, Ian.</text>
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              <text>Ardis Butterfield, Ian Johnson, and Andrew Kraebel, eds. Literary Theory and Criticism in the Later Middle Ages: Interpretation, Invention, Imagination (Cambridge: Cambridge University Press, 2023), pp. 220-48.</text>
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              <text>Boece&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>George Colvile's Translation of the "Consolation of Philosophy."</text>
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              <elementText elementTextId="2852937">
                <text>Explains how George Colvile's 1556 translation of Boethius's "Consolatio" is a "medieval throwback," tracing its marginal explanatory notes to medieval commentary and finding similar commentary "intercalated" with Boethius's poems, tentatively suggesting that some locutions recall Bo, and showing how "Colvile's procedures are closer to those of Chaucer than to subsequent English translators of this text," although his translation is not a "redaction" of Bo, nor did he use it in a systematic way.</text>
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              <text>Carruthers, Mary.</text>
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              <text>Ardis Butterfield, Ian Johnson, and Andrew Kraebel, eds. Literary Theory and Criticism in the Later Middle Ages: Interpretation, Invention, Imagination (Cambridge: Cambridge University Press, 2023), pp. 206-19.</text>
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              <text>Literary Theory and Criticism in the Later Middle Ages</text>
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            <elementText elementTextId="2852933">
              <text>Background and General Criticism&#13;
Squire and His Tale</text>
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              <text>SAC 47:152</text>
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          <elementTextContainer>
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              <text>2023</text>
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                <text>"Encountering Vision": Dislocation, Disquiet, Perplexity.</text>
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            <description>An account of the resource</description>
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                <text>Explores the roles of distress, dislocation, and thoughtfulness in medieval academic discourse, theology, and literary invention. Includes comments on the scene of encountering marvels in SqT (81ff., esp. 189–95)--among the "many [examples] to choose from" in medieval romance--which produces "wonder and speculation" rather than "fear or terror," correlating it with parallels in "Piers Plowman," Dante's "Divine Comedy," and "Pearl."</text>
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              <text>Brown, Peter, and Jan Čermák, eds.</text>
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              <text>Woodbridge: Boydell &amp; Brewer, 2023.</text>
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              <text>xvi, 286 pp.; 14 illus.</text>
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              <text> Cermak, Jan, ed.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 47:61</text>
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              <text>2023</text>
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                <text>England and Bohemia in the Age of Chaucer.</text>
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                <text>Eleven essays by various authors on topics in the social, literary, and cultural relations between England and Bohemia in the late fourteenth century, embodied in the marriage between Richard II and Anne of Bohemia. The introduction by the editors clarifies Chaucer's place in this milieu and introduces the individual essays; the volume includes an index. For four essays that pertain to Chaucer, search for England and Bohemia in the Age of Chaucer under Alternative Title.</text>
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              <text>Boffey, Julia&#13;
Edwards, A. S. G.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Peter Brown and Jan Čermák, eds. England and Bohemia in the Age of Chaucer (Woodbridge: Boydell &amp; Brewer, 2023), pp. 203-13.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852915">
              <text>England and Bohemia in the Age of Chaucer.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2852916">
              <text>Legend of Good Women</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852917">
              <text>SAC 47:189</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852918">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852911">
                <text>Contextualising the "Legend of Good Women": Some Possible Bohemian Perspectives.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854103">
                <text>Assesses evidence of influence on Chaucer of Bohemian culture, focusing on transmission of this culture and on the "possible role" of Anne of Bohemia as influence on and "likely commissioner" of LGW, attending especially to the "queenly rulers" in Chaucer's legends of Cleopatra and Dido.</text>
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  <item itemId="277430" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
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              <text>Petrikova, Klara.</text>
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          <elementTextContainer>
            <elementText elementTextId="2852906">
              <text>Peter Brown and Jan Čermák, eds. England and Bohemia in the Age of Chaucer (Woodbridge: Boydell &amp; Brewer, 2023), pp. 159-67.</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2852907">
              <text>England and Bohemia in the Age of Chaucer.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2852908">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <description/>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2852910">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2852903">
                <text>The Evil Tale of Evil Briselda: Griselda's Wicked Counterpart.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852904">
                <text>Describes two fifteenth-century Czech "responses" to Petrarch's tale of Griselda, one in Latin and its translation into Czech: "Historia infidelis mulieris" and "O Bryzelde rec zla o zle" (An Evil Tale of Evil Briselda). Shows how "the Bohemian text is useful in unlocking themes and motifs circulating in medieval Europe which also found their way" into ClT, focusing on comparison of the Bohemian versions and Petrarch's, including the substitution of the name "Briselda" for "Griselda."</text>
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  <item itemId="277429" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2852897">
              <text>Dienstbier, Jan.</text>
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        <element elementId="98">
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            <elementText elementTextId="2852898">
              <text>Peter Brown and Jan Čermák, eds. England and Bohemia in the Age of Chaucer (Woodbridge: Boydell &amp; Brewer, 2023), pp. 168-80; 6 b&amp;w illus.</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2852899">
              <text>England and Bohemia in the Age of Chaucer</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2852900">
              <text>Reeve and His Tale&#13;
Chaucerian Apocrypha&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 47: 129</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852902">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2852895">
                <text>The Image of the Tapster in England and Bohemia.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852896">
                <text>Provides context for the link between death and the tapping of a barrel  in RvP, 3892-94, and for the relationship between the Pardoner and Kit the Tapster in the prologue to the "Tale of Beryn," mentioning other English analogues and describing contemporaneous visual analogues (especially wall-painting) from Bohemia and nearby central European countries.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="277428" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wallace, David.</text>
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          </elementTextContainer>
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        <element elementId="98">
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            <elementText elementTextId="2852889">
              <text>Peter Brown and Jan Čermák, eds. England and Bohemia in the Age of Chaucer (Woodbridge: Boydell &amp; Brewer, 2023), pp. 214-37.</text>
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          </elementTextContainer>
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        <element elementId="112">
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            <elementText elementTextId="2852890">
              <text>Brown, Peter, ed.&#13;
Čermák, Jan, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852891">
              <text>England and Bohemia in the Age of Chaucer</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852892">
              <text>Background and General Criticism&#13;
ABC&#13;
Legend of Good Women&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Tale and Tale&#13;
Clerk and His Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2852893">
              <text>SAC 47:105</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852894">
              <text>2023</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852886">
                <text>Humility and Empire: Anne of Bohemia, Chaucer, and the Virgin Mary.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852887">
                <text>Describes cultural contact and marital negotiations among Plantagenets, Bohemians, and Viscontis as background to Anne of Bohemia's recurrent presence in Chaucer's works, often as an imperial daughter and/or mediatrix, and often reflecting "Marian dynamics," i.e., "instant transitioning from intimacy to awe." Includes analysis of portions of ABC, TC, LGW, KnT, ClT, and MLT as well as aspects of the Wilton Diptych and Latin verse elegies on Anne's tomb.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="277427" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852881">
              <text>Bridges, Venetia.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852882">
              <text>Corinne Saunders and Diane Watt, eds. Women and Medieval Literary Culture: From the Early Middle Ages to the Fifteenth Century (Cambridge: Cambridge University Press, 2023), pp. 342-76.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2852883">
              <text>Saunders, Corinne, ed.&#13;
Watt, Diane, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852884">
              <text>Women and Medieval Literary Culture: From the Early Middle Ages to the Fifteenth Century.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852885">
              <text>Background and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852879">
                <text>Chaucer and Gower.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854060">
                <text>Assesses the "depiction of women as ethical signifiers" in Chaucer's and Gower's writings, summarizing the "multilingual and transnational networks on which both poets draw," exploring the "ethical valences" of gender (especially feminine) in their major works, and comparing "the major female figures" they both portray: Dido, Medea, Constance, the "loathly lady," and Alcyone. Finds Chaucer to be "more adaptive" than Gower in his engagement with the "interpretative framework that limited women's power to signify."</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="277426" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852873">
              <text>Cooper, Helen, and Robert R. Edwards, eds.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852874">
              <text>Oxford: Oxford University Press, 2023.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852875">
              <text>546 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852876">
              <text>Background and General Criticism</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852877">
              <text>SAC 47:65</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852878">
              <text>2023</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852871">
                <text>Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852872">
                <text>Twenty-nine essays devoted to the examination of poetry from the end of Old English verse through the Ricardian poets, including an introduction by the editors. For nine essays that pertain to Chaucer, search for Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 under Alternative Title.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="277425" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852865">
              <text>Winstead, Karen A.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852866">
              <text>Helen Cooper and Robert R. Edwards, eds. Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 (Oxford: Oxford University Press, 2023), pp. 227-42.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852867">
              <text>Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852868">
              <text>Background and General Criticism&#13;
Second Nun and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852869">
              <text>SAC 47:107</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852870">
              <text>2023</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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                <text>Emphasizes and traces a poetic method common to the CT that Windeatt explores in terms of the tales and their openings; their emphasis on time, chance, and astrology; and the generic hybridity that defines the Tales.</text>
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              <text>Putter, Ad.</text>
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Style and Versification</text>
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                <text>Verse Forms.</text>
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                <text>Catalogues the stylistic choices made by English poets in terms of meter, rhyme, and alliteration, before concluding with examples from Middle English poets, including Chaucer.</text>
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              <text>Legend of Good Women&#13;
Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Background and General Criticism</text>
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                <text>Highlights the enduring role of court poet for Chaucer, including his debts to "The Romance of the Rose" and the complicity of the narrator in TC. Discusses the creation of Alcestis in LGW.</text>
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              <text>Horobin, Simon.</text>
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                <text>Considers the specifics of the material form and transmission of Middle English poetry, touching on the idea of the anthology, along with examples. Concludes by tracing the dearth of evidence for pre-1400 transmission of Chaucer's works (along with Gower's and Langland's).</text>
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                <text>Focuses on Chaucer, Gower, and Langland, demonstrating how these poets bring together philosophical and theological ideas as they craft their poetry. Considers the innovations of Chaucer and Gower in terms of literary and poetic theory.</text>
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                <text>Concentrates on the relationship between Old and Middle English poetic forms, especially during the transition from Old to Middle English, focusing on the "Soul's Address to the Body" and "The Ormulum" before concluding with a discussion of Chaucer's and the "Gawain"-poet's methods</text>
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                <text>Narrative on the Margins: Tales and Fabliaux.</text>
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                <text>Examines the legacy and survival of fourteenth-century poetry and poetic innovations in the fifteenth century, emphasizing the influence of Chaucer and Gower, especially with regard to their shaping of the role of the poet.</text>
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              <text>Barrington, Candace.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 134-50.</text>
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              <text>Background and General Criticism&#13;
Squire and His Tale</text>
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        <element elementId="114">
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2024</text>
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                <text>The Guise of Translation: The Case for Chaucer's "Oeuvre."</text>
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              <elementText elementTextId="2852792">
                <text>Argues that "contemporary critical translation theories shed light on" Chaucer's "translational environment" and identifies "a cluster of five translational actions"--"communication, transformation, transportation, hermeneutics, and liminality"--that leave traces in Chaucer's works. Then addresses SqT as it takes on "the guise of a translation, one that stretches" widely "beyond the British Isles."</text>
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              <text>Ken Seigneurie, gen. ed. A Companion to World Literature, 6 vols. Vol. 2, 601 CE to 1450, ed. Christine Chism (Chichester: Wiley and Sons, 2020), pp. 751-62.</text>
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Chism, Christine, ed.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2852787">
              <text>A Companion to World Literature.</text>
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              <text>Background and General Criticism&#13;
Squire and His Tale&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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          <elementTextContainer>
            <elementText elementTextId="2852789">
              <text>SAC 47:56</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852790">
              <text>2020</text>
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                <text>The Global Pilgrimage of Geoffrey Chaucer's "The Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854058">
                <text>Surveys the "global reach" of the literatures and languages that underlie the sources and settings of CT (with particular attention to SqT), and describes the multilingual, international range of translations, modernizations, adaptations, and other "creative re-writings" of Chaucer's work. Suggests that because CT "began by reconfiguring relationships among the world's people and languages, they now can be remade to similar ends, thereby allowing us to understand Chaucer as England's first global poet."</text>
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              <text>Bale, Anthony.</text>
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              <text>Studies in the Age of Chaucer 45 (2023): 1-33.</text>
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              <text>The Presidential Address. The New Chaucer Society. Twenty-Second International Congress, July 11-14, 2022, Durham University, Durham, UK.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 47:55</text>
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        <element elementId="114">
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              <elementText elementTextId="2852775">
                <text>Investigates late fifteenth-century English representations of Ottoman Turks and Rhodes, assessing Caxton's first-printed indulgence (and related ones), John Kay's "Siege of Rhodes," a Paston letter, and "The Turke and Sir Gawaine" for the ways they imagine "the Turk" and relations between Latin Christendom (especially the Hospitallers) and the growing Ottoman empire. Notes Chaucer's depictions of related concerns, identifies early uses of "poet laureate" and "renegade," and assesses "news reporting" and "contemporaneity"  in late medieval media productions.</text>
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              <text>Allor, Danielle Grace.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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              <text>Ph.D. dissertation (Rutgers University, 2021), Dissertation Abstracts International A83.06(E). Freely acces. sible at https://rucore.libraries.rutgers.edu/rutgers-lib/66869/ (accessed January 30, 2025).</text>
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              <text>viii, 251 pp.</text>
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              <text>Dissertation Abstracts International 83 (E)</text>
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              <text>Background and General Criticism&#13;
House of Fame</text>
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              <text>SAC 47:54</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2021</text>
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                <text>Trees of Thought: Arboreal Matter and Metaphor in Late Medieval England.</text>
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          <element elementId="41">
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                <text>Explores "how late medieval English poets used the properties of trees, from their branching forms to their growth cycles, to negotiate literary influence and construct poetic meaning." Includes a chapter on  HF as well as one each on "Piers Plowman," "The Floure and the Leaf," and "Laureation and Vegetal Poetics" in works by John Lydgate and John Skelton.</text>
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