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                  <text>Chaucer Bibliography Online</text>
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              <text>Travis, Peter W.</text>
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              <text>Laurie A. Finke and Martin B. Shichtman, eds. Medieval Texts and Contemporary Readers (Ithaca, N.Y.: Cornell University Press, 1987), pp. 201-15.</text>
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              <text>1987</text>
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              <text>Medieval Texts and Contemporary Readers.</text>
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              <text>Background and General Criticism.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Manciple and His Tale.</text>
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              <text>jules SAC 11 (121)</text>
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                <text>Affective Criticism, the Pilgrimage of Reading, and Medieval English Literature</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Argues that modern theoretical discourse, in particular affective criticism--reader-response theory and "rezeptions-asthetik" (which "emphasizes the historicity and alterity of literary works from the past")--derives from and is applicable to medieval literary aesthetics.</text>
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                <text>In TC 3, Chaucer, recognizing that his text will "generate as many different readings as there are listeners in his audience," invites the reader to rewrite the story.  Chaucer's poetry is self-reflexive, and "the pilgrimage model can be shifted from literary protagonist to literary reader."</text>
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                <text>Though ManT is a "gross burlesque" of wisdom literature, its topics are appropriate to repentance:  "the power of words, vicious conduct, the effect of truth-telling, physical metamorphosis, poetry, rage, self-delusion."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Prendergast, Thomas A., and Stephanie Trigg.</text>
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              <text>Manchester: Manchester University Press, 2019.</text>
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              <text>154 pp.</text>
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          <name>Series</name>
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              <text>Manchester Medieval Literature and Culture.</text>
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              <text>SAC 43:116</text>
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                <text>Affective Medievalism: Love, Abjection and Discontent.</text>
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                <text>Investigates the relationship between medieval studies and medievalism and how "the history of the medieval" provides contemporary readers with "a model of how to relate to the past." Argues that medieval writers offer models for understanding how contemporary readers can connect with "the lost history of what may be called the 'medievalism of the medievals'."</text>
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              <text>Crocker, Holly A.</text>
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              <text>SAC 29 (2007): 225-58.</text>
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              <text>2007</text>
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              <text>Reeve and His Tale</text>
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              <text>Studies in the Age of Chaucer 29 (2007)</text>
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              <text>vxl SAC 31:190</text>
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                <text>Affective Politics in Chaucer's Reeve's Tale: 'Cherl' Masculinity After 1381</text>
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                <text>By "acknowledging and exploiting the affections of [its] female characters," RvT "fashions a masculine collective." By excluding Symkyn from this collective, the Tale demonstrates that "cherl" identity after the uprising of 1381 was ethically and politically "limited." RvT "issues a call to confront the ethical consequences of affective appeals within their social contexts." Crocker considers gender relations of RvT in light of medieval conduct literature and encourages attention to "affect" in literary criticism.</text>
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              <text>Saunders, Corinne.</text>
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            <elementText elementTextId="2822631">
              <text>Chaucer Review 51.1 (2016): 11-30.</text>
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              <text>Chaucer Review 51 (2016)</text>
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            <elementText elementTextId="2822633">
              <text>Book of the Duchess&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Knight and His Tale</text>
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              <text>SAC 40:171</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2822635">
              <text>2016</text>
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                <text>Affective Reading: Chaucer, Women, and Romance.</text>
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                <text>Discusses "the power of affect on minds and bodies" and the "psychology of love and loss" in Chaucer's works. Explores relationship between women's literary culture and roles of women in BD, KnT, TC, and LGW.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wood, Chauncey.</text>
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        <element elementId="98">
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              <text>Studies in the Age of Chaucer 6 (1984): 21-40.</text>
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        <element elementId="114">
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              <text>1984</text>
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              <text>Style and Versification.</text>
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              <text>Studies in the Age of Chaucer 06 (1984)</text>
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              <text>jules SAC 08 (33)</text>
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                <text>Affective Stylistics and the Study of Chaucer</text>
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                <text>Reading is a "two-way" process:  "texts affect us while we affect texts."  Chaucer typically "plays" with his readers, leading them to expect one meaning but giving them another. Any interpretation is influenced both by Chaucer's techniques and by what the reader "brings to the text."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Birenbaum, Maija.</text>
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              <text>Chaucer Review 43 (2009): 330-44.</text>
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        <element elementId="114">
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              <text>Prioress and Her Tale</text>
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              <text>Chaucer Review 43 (2009).</text>
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              <text>vxl sac 33:159</text>
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                <text>Affective Vengeance in 'Titus and Vespasian'</text>
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                <text>Its fierce anti-Semitism notwithstanding, "Titus and Vespasian" is an important document of cultural uses of the "fall-of-Jerusalem narrative" and of attitudes toward Jews and Judaism in late medieval England. Thus, it deserves scholarly attention alongside works such as the "Siege of Jerusalem" and PrT.</text>
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                <text>With the linguistic turn from mimetic to generative properties of language, the traditional understanding of many aspects of literary and intellectual history has been denied. Jolliffe questions this extreme position in the light of writers such as Heloise, Chaucer, and modern authors.</text>
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                <text>After the Fire: Chaucer and Urban Poetics, 1666-1743</text>
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                <text>Davis discusses Alexander Pope's "The Temple of Fame," a translation of HF.</text>
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              <text>Windeatt, Barry.</text>
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        <element elementId="98">
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              <text>Charlotte Brewer and Barry Windeatt, eds. Traditions and Innovations in the Study of Middle English Literature: The Influence of  Derek  Brewer (Woodbridge: Boydell and Brewer, 2013), pp. 262-78.</text>
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              <text>Knight and His Tale</text>
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              <text>Parliament of Fowls</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 2/15/2017 SAC 38:125</text>
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                <text>Afterlives: The Fabulous History of Venus</text>
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                <text>Explores the history and iconography of Venus and focuses on the theme of Venus in KnT, PF, and TC. Also maintains that "medieval  Venus" stories greatly impacted  Derek Brewer's  writing and scholarly interests.</text>
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              <text>Bronson, Bertrand H.</text>
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              <text>Studies in Philology 58 (1961): 583-96.</text>
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              <text>Studies in Philology 58 (1961)</text>
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              <text>Merchant and His Tale&#13;
Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 9/10/21</text>
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                <text>Afterthoughts on the Merchant's Tale.</text>
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                <text>Argues that MerT "was composed before and independent of" MerP, initially addressed orally by Chaucer to a "courtly audience." Such listeners were familiar with the "humorous antifeministic tradition" into which the "senex amans" convention, January's sardonic "panegyric on marriage," the extravagant rhetoric of the wedding feast, and the Proserpina/Pluto debate fit without recourse to a narrating personality. WBP also fits into this tradition.</text>
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              <text>Gillespie, Vincent.</text>
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              <text>Mary Carr, K. P. Clarke, and Marco Nievergelt, eds. On Allegory: Some Medieval Aspects and Approaches (Newcastle: Cambridge Scholars, 2008), pp. 231-56.</text>
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            <elementText elementTextId="2779325">
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              <text>House of Fame</text>
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              <text>vxl SAC 32:116.</text>
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              <elementText elementTextId="2779322">
                <text>Afterword : On Allegory, Allegoresis, and the Erotics of Reading</text>
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                <text>Surveys distinctions between the restrictive "allegory of theologians" and the expansive "allegory of the poets," arguing that Chaucer's poetry is a radical form of the latter. Chaucer's works decenter the author and thereby pose "new kinds of imaginative syllogism" that prompt readers to various "wrong" readings and evoke parallels between political and readerly rebelliousness. Gillespie comments on HF, Mel, and the Host's response to ClT.</text>
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              <text>Cooper, Helen.</text>
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              <text>Yearbook of Langland Studies 32 (2018): 375-89.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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              <elementText elementTextId="2836021">
                <text>Afterword [to "Chaucer's Langland"].</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851017">
                <text>Comments on the studies included in a cluster of essays entitled "Chaucer's Langland" (YLS 32 (2018) and, acknowledging the difficulties of establishing direct influence between Langland and Chaucer, describes a variety of dissimilarities between their works, explaining how differences in style, genre, attitude, and emphasis reflect and illuminate the poets' ethical, intellectual, social, and political worlds.</text>
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          <elementTextContainer>
            <elementText elementTextId="2847992">
              <text>Rutter, Tom.</text>
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            <elementText elementTextId="2847993">
              <text>Comparative Drama 55 (2021): 404-13.</text>
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            <elementText elementTextId="2847994">
              <text>Comparative Drama 55 (2021)</text>
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            <elementText elementTextId="2847995">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:92</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2847997">
              <text>2021</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847991">
                <text>Explores how resonance with CT in '1 Henry IV, 1.2, "communicates the pre-Reformation otherness of the world" and raises questions about "cultural distance and appropriation" that circulate among the essays collected in this special issue of "Comparative Drama." Also comments on allusions to Chaucer in John Dryden's preface to his "Troilus and Cressida" and his "The Grounds of Criticism in Tragedy," as well as in Ben Jonson's "Entertainment at Bolsover."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Carruthers, Mary (J.)</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2736261">
              <text>Ruth Evans and Lesley Johnson, eds.  Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect (London and New York: Routledge, 1994), pp. 39-44.</text>
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        <element elementId="114">
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            <elementText elementTextId="2736262">
              <text>1994</text>
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            <elementText elementTextId="2736263">
              <text>Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect.</text>
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              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="109">
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              <text>jules SAC 18 (1996) - 183</text>
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              <elementText elementTextId="2736259">
                <text>Afterword to "The Wife of Bath and the Painting of Lions"</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2736264">
                <text>Comments on the rhetorical ontology of the Wife of Bath.  The character is a figure of power who "continues to bother" because she is not silenced in the text, compelling readers to wish to respond.</text>
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                <text>The original essay (without afterword) originally published in PMLA 094 (1979): 209-22.</text>
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              <text>Dinshaw, Carolyn.</text>
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              <text>Legend of Good Women</text>
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                <text>Afterword: Re-Reading; or, When You Were Mine.</text>
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                <text>Provides an afterword to the special issue on LGW, focusing on the theme of love's loss, and presents an argument that Prince's song "When You Were Mine" provides a foil for the women of LGW.</text>
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              <text>mea; SAC 42:44</text>
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                <text>Against Order: Medieval, Modern, and Contemporary Critiques of Causality.</text>
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                <text>Argues that HF, like Virginia Woolf's "To the Lighthouse" and Lyn Hejinian's "My Life," rejects a "hermeneutic of linear causality." Both Chaucer and the postmedieval authors develop the potential of the dream-vision form to advance a "literary philosophy" that features "a resistant politics of accident and rupture" rather than an "organized andcausal providential universe."</text>
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              <text>Rayborn, Tim.</text>
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              <text>Jefferson, N.C.: McFarland, 2014.</text>
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              <text>v, 249 pp. </text>
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              <text>England: The Turbulent 14th Century, and the Writings of Chaucer, Langland and Gower.</text>
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              <text>Friar and His Tale&#13;
Summoner and His Tale</text>
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              <text>mea; SAC 42:96</text>
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              <text>2014</text>
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              <elementText elementTextId="2832568">
                <text>Against the Friars: Antifraternalism in Medieval France and England.</text>
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                <text>Describes the history and reception of friars in France and England from their inception to c. 1400, with a chapter on late fourteenth-century English literary responses: "England: The Turbulent 14th Century, and the Writings of Chaucer, Langland and Gower" (pp. 117-33). Includes discussion of the GP description of the Friar ("stops short of outright condemnation") and a summary paraphrase of SumT that emphasizes its satiric elements, wheel imagery, and concern with glossing.</text>
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              <text>Ruud, Jay.</text>
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        <element elementId="114">
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              <text>1982</text>
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              <text>Against Women Unconstant.</text>
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              <text>Boece.</text>
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              <text>mea SAC 06 (183)</text>
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                <text>Against Women Unconstant: The Case for Chaucer's Authorship</text>
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            <description>An account of the resource</description>
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                <text>A heretofore overlooked list of internal evidence for Chaucer's authorship of Wom Unc concerns the source of the mirror image--the latter used by Chaucer in his Bo.  Since Chaucer's lady is described in terms that smack of Boethius's Fortune, the author's dependence upon Boethius brings Wom Unc very close to his own translation.</text>
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              <text>Minnis, Alastair.</text>
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              <text>Medieval Translator/Traduire au Moyen Age 16 (2017): 357-76.</text>
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              <text>Medieval Translator 16 (2016)&#13;
Traduire au Moyen Age 16 (2016)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Tale of Sir Thopas&#13;
Language and Word Studies</text>
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              <text>SAC 41:48</text>
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                <text>Aggressive Chaucer: Of Dolls, Drink and Dante.</text>
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                <text>Maintains that, despite the critical tradition of Chaucer's self-effacing persona, there are significant assertions of his own poetic authority in ThP and HF, and perhaps even challenges to Dante. Explores details of diction and imagery ("popet," "elvyssh," drinking one's own drink, etc.) to argue that, at times, "Chaucer's claims to poetic authority are aggressive" or "passive-aggressive."</text>
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              <text>Cooper, Lisa H.</text>
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              <text>Speculum 95.1 (2020): 36-88.</text>
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              <text>Speculum 95 (2020)</text>
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Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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                <text>Agronomy and Affect in Duke Humfrey's "On Husbondrie."</text>
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            <description>An account of the resource</description>
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                <text>Examines the fifteenth-century manuscript known as "On Husbondrie," compiled by Duke Humfrey of Gloucester, which contains information on farming, agriculture, and animal husbandry. Argues that the manuscript is not simply a practical guide for agricultural techniques, but a complex and affective text that reflects the emotional and spiritual aspects of medieval farming practices. Multiple references to Chaucer's works, including BD, RvT, Th, MilT, SqT, and MerT. Footnote 77 discusses the connection between "the physicality of meter" in Boethius's "Consolation of Philosophy" and the "sense-perceptible" effect of alliteration in Bo.</text>
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