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              <text>Beal, Jane.</text>
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              <text>Peregrinations: Journal of Medieval Art and Architecture 6.3 (2018): 105-29.</text>
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              <text>Peregrinations: Journal of Medieval Art and Architecture 06 (2018)</text>
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              <text>To Rosemounde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 43:268</text>
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                <text>Mapping Desire in Chaucer's "To Rosemounde," Shakespeare's "Rape of Lucrece," and Donne's "A Valediction: Of Weeping."</text>
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                <text>Analyzes the "thematic sexualization of the mappaemundi" in Ros, Shakespeare's "Lucrece," and Donne's "Weeping," providing interpretive background for the imagery, explaining the poets' familiarity with T-O maps, and exploring the range of implications in each of the poems, including comparison of Chaucer's treatment with that in Ranulf Higden's "Polychronicon." Three color illustrations.</text>
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              <text>Bennett, Robert Russell.</text>
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              <text>Mauricetown, N.J.: Maurice Press, 2018.</text>
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              <text> Musical score; 12 pp.</text>
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              <text>Somers, Janet Schlein, ed.&#13;
Somers, Paul Mack, ed.</text>
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              <text>Merciles Beaute&#13;
Recordings and Films</text>
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              <text>SAC 43:267</text>
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                <text>Three Chaucer Songs (1926): Merciless Beauty for Soprano and String Quartet.</text>
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                <text>Item not seen. WorldCat records indicate that this vocal–piano score, composed by Bennett for Percy E. Fletcher, was edited by Janet Schlein Somers and Paul Mack Somers. Sets MercB to music in three parts: "Captivity," "Rejection," and "Escape," evidently in modern translation.</text>
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              <text>Yeager, Stephen M.</text>
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              <text>Critical Inquiry 45 (2019): 747-61.</text>
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              <text>Critical Inquiry 45 (2019)</text>
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              <text>Gentilesse&#13;
Background and General Criticism</text>
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              <text>SAC 43:266</text>
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        <element elementId="114">
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                <text>Protocol, or the "Chivalry of the Object."</text>
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            <description>An account of the resource</description>
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                <text>Focuses on how protocol, a term for systems of rules allowing communication and behavior, is frequently used in digital environments, and builds on Alexander Galloway's comparison of internet protocol to chivalry in "Protocol: How Control Exists after Decentralization" (2004). Argues that internet protocols reveal the medievalism of digital culture. Distinguishes protocol (based on behavioral norms) from regulation (based on rules, which if broken incur penalties) and compares protocol to chivalry as the latter is described in Gent.</text>
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              <text>Gaston, Kara.</text>
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              <text>PMLA 133 (2018): 282-95.</text>
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              <text>PMLA 133 (2018)</text>
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              <text>Complaint of Mars&#13;
Troilus and Criseyde&#13;
</text>
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              <text>SAC 43:265</text>
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        <element elementId="114">
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            <elementText elementTextId="2837925">
              <text>2018</text>
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                <text>Forms and Celestial Motion in Chaucer's "Complaint of Mars."</text>
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                <text>Reads the relations between the planetary event and perspectives on it in Mars as analogous to those between form and interpretation in new formalist literary analysis. In Mars the celestial motion of the geocentric universe is subject to the "standards of individual perception," enabling "a metacommentary on the [literary] forms that emerge" during close reading and generating awareness of the "temporary impressions that poetry produces as it is read and the larger patterns that actually govern its structure." Includes comments on Troilus's watching the moon in TC, V.648–51.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bozick, Morgan M.</text>
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            <elementText elementTextId="2837913">
              <text>Chaucer Review 54.2 (2019): 162-90.</text>
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              <text>Chaucer Review 54 (2019)</text>
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              <text>Against Women Unconstant&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 43:263</text>
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          <name>Date</name>
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            <elementText elementTextId="2837917">
              <text>2019</text>
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                <text>Green May in "Against Women Unconstant."</text>
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            <description>An account of the resource</description>
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                <text>Offers a new interpretation of Wom Unc, a lyric attributed to Chaucer. Argues for different punctuation in the poem, and claims that the lady and subject of the poem is green herself rather than dressed in green, thus symbolizing May. The poem, then, contrasts green and blue throughout as the speaker settles into the stable love symbolized by blue.</text>
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              <text>Hsy, Jonathan.</text>
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        <element elementId="98">
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            <elementText elementTextId="2837905">
              <text>Postmedieval 9 (2018): 289-302.</text>
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            <elementText elementTextId="2837906">
              <text>Postmedieval 09 (2018)</text>
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              <text>Adam Scriveyn&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 43:262</text>
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          <name>Date</name>
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            <elementText elementTextId="2837909">
              <text>2018</text>
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                <text>Queer Environments: Reanimating "Adam Scrivyen."</text>
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                <text>Integrates queer theory and ecocriticism to reassess historical manuscript concepts of Adam, including contemporary print and digital media examples. Examines "medieval homosocial networks of textual production" and applies ecotheoretical viewpoints of "'trans-corporeality' and 'distributed agency'" to digital media and textual items of production. </text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Taff, Dyani Johns.</text>
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              <text>Studies in Philology 116 (2019): 617-39.</text>
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            <elementText elementTextId="2837898">
              <text>Studies in Philology 116 (2019)</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 43:259</text>
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                <text>"Love that oughte ben secree": Secrecy and Alternate Endings in Chaucer's "Troilus and Criseyde."</text>
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                <text>Uses the competing discourses of secrecy resulting from the play of genres in TC to ask questions about the power dynamics, knowledge, and narrative in the text.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Slayton, Kendra.</text>
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              <text>Chaucer Review 54.1 (2019): 67-90.</text>
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              <text>Chaucer Review 54 (2019)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Tied in "lusty leese": Gender and Determinism in "Troilus and Criseyde."</text>
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                <text>Situates Criseyde and her agency in discussions of freewill and the effect of secular society on Boethian notions of the highest good, and argues that Chaucer's depiction of Criseyde throughout the poem undercuts her apparent agency. The poem's undermining of Criseyde's agency emphasizes the lack of female free will and highlights the inescapability of male violence in this secular order.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Shea, Kayla.</text>
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              <text>Hortulus 14.2 (2018): n.p.</text>
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              <text>Hortulus 14 (2018)</text>
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              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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              <text>SAC 43:257</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2837885">
              <text>2018</text>
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          <element elementId="50">
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              <elementText elementTextId="2837878">
                <text>"Fully his entente": The Allegory of Chaucer's Pandarus.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837879">
                <text>Treats Pandarus as a figure or personification of lust in TC, counterpointing courtly love as manifested in Troilus. Examines Pandarus's rhetoric, along with Troilus's and Criseyde's interpretations of it, arguing that Chaucer's use of allegory is "self-reflexive" and makes readers "complicit" in making meaning.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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              <text>Sévère, Richard.</text>
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        <element elementId="98">
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            <elementText elementTextId="2837873">
              <text>Texas Studies in Literature and Language 60 (2018): 423-42.</text>
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            <elementText elementTextId="2837874">
              <text>Texas Studies in Literature and Language 60 (2018)</text>
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        <element elementId="102">
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            <elementText elementTextId="2837875">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>SAC 43:256</text>
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        <element elementId="114">
          <name>Date</name>
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              <elementText elementTextId="2837870">
                <text>Pandarus and Troilus's Bromance: Male Bonding, Sodomy, and Incest in Chaucer's "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837871">
                <text>Clarifies the meanings and applications of the term "bromance" and applies it to Troilus and Pandarus's relationship in TC, "wherein an incestuous act between Pandarus and Criseyde is among the many ways the poem utilizes heterosexuality to counter the homoerotic implications between the two men."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2837864">
              <text>Schwebel, Leah.</text>
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        <element elementId="98">
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            <elementText elementTextId="2837865">
              <text>Chaucer Review 54.1 (2019): 91-115.</text>
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            <elementText elementTextId="2837866">
              <text>Chaucer Review 54 (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2837867">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2837868">
              <text>SAC 43:255</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837869">
              <text>2019</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837863">
                <text>Questions the identity of the book that is being read to Criseyde in Book II of TC, arguing that the answer, the title itself, cannot be known. Examines the descriptions of the book, from both Criseyde and Pandarus, and argues that the unknowability of the title mirrors Chaucer's own engagement with his sources.</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2851120">
                <text>What's in Criseyde's Book?</text>
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  <item itemId="275715" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2837856">
              <text>Nakao, Yoshiyuki.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837857">
              <text>Bulletin of University Education Center, Fukuyama University Studies in Higher Education 5 (2019): 3-22.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837858">
              <text>Bulletin of University Education Center, Fukuyama University Studies in Higher Education 05 (2019)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2837859">
              <text>Language and Word Studies&#13;
Troilus and Criseyde</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2837860">
              <text>SAC 43:252</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837861">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837855">
                <text>Analyzes the semantics of the use of the present tense in the narrative parts of TC using V.176-96 as an example and applying the "four-layered semantic structures (referential, textual, expressive and metalinguistic)" proposed by Fleischman (1990). In Japanese, with English abstract.</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2851846">
                <text>The Semantics of Chaucer's Speech Representation (2): The Present Tense in the Narrative Parts; "Troilus and Criseyde" 5.176-96."</text>
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          </element>
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  <item itemId="275714" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837848">
              <text>Kaempfer, Lucie.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837849">
              <text>Open Library of Humanities 4.1 (2018): 1-24.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837850">
              <text>Open Library of Humanities 04 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837851">
              <text>Troilus and Criseyde&#13;
Style and Versification&#13;
Boece&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Second Nun and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837852">
              <text>SAC 43:251</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837853">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837846">
                <text>Drinking Sorrow and Bathing in Bliss: Liquid Emotions in Chaucer.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850917">
                <text>Associates the liquidity of emotions in medieval literature with the Galenic theory of humours, exploring "the different uses of liquidity to represent emotions in Chaucer's work," especially TC, where emotions such as sorrow and joy can be variously cried, drunk, bathed in, written in ink, and more. Includes comments on Bo, ClT, MLT, SNT, and WBT.</text>
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  <item itemId="275713" public="1" featured="0">
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              <text>Jones, Tyler.</text>
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              <text>Hortulus 14.2 (2018): n.p.</text>
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              <text>Troilus and Criseyde</text>
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                <text>Troilus's Future: Perspectives on Futurity in "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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                <text>Explores the "temporal perspectives" of futurity in TC, combining an Augustinian conceptualization of time with Michel de Certeau's spatial notion of "strategy," looking closely at three perspectives that are posed in the poem and undermined in Book V: "the narrative, the strategic, and the prophetic" ideas of the future.</text>
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              <text>Johnston, Andrew James.</text>
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              <text>Regina Toepfer, ed. Tragik und Minne (Heidelberg: Universitätsverlag Winter, 2017), pp. 207-24.</text>
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              <text>Toepfer, Regina, ed.</text>
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              <text>Tragik und Minne.</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 43:249</text>
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        <element elementId="114">
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            <elementText elementTextId="2837837">
              <text>2017</text>
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              <elementText elementTextId="2837829">
                <text>Varianten des Tragischen in Chaucers "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837830">
                <text>Explores tragic fate and the genre of tragedy in TC, arguing that the "double sorwe" of the opening of the poem (I.1) anticipates the "tragedye" mentioned at the end (V.1786) and that each applies to Criseyde as well as to Troilus. Includes discussion of the Theban allusions in the story, pparticularly the narrative of the siege read in the "paved parlour" (II.82).</text>
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              <text>Goldstein, R. James.</text>
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              <text>Chaucer Review 54.4 (2019): 482-92.</text>
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              <text>Chaucer Review 54 (2019)</text>
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            <elementText elementTextId="2837826">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 43:247</text>
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        <element elementId="114">
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            <elementText elementTextId="2837828">
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              <elementText elementTextId="2837821">
                <text>"Us from visible and invisible foon / Defende" ("Troilus and Criseyde," V, 1866–67): A Previously Unrecognized Liturgical Echo.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837822">
                <text>Identifies liturgical echoes in Chaucer's reworking of Dante at the end of Book V of TC, arguing that it exemplifies David Lawton's theory of voice and "public&#13;
interiorities."</text>
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              <text>Fumo, Jamie C.</text>
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        <element elementId="98">
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              <text>Chaucer Review 54.1 (2019): 35-66.</text>
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              <text>Chaucer Review 54 (2019)</text>
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            <elementText elementTextId="2837818">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 43:246</text>
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        <element elementId="114">
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            <elementText elementTextId="2837820">
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            <elementTextContainer>
              <elementText elementTextId="2837813">
                <text>Criseida Lacrymosa? Rereading the Weeping Criseyde.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837814">
                <text>Examines the contexts of Criseyde's tears in an antifeminist tradition, to which Chaucer and TC respond, and engages with the revisions to depictions of Criseyde's weeping in TC. Uses insights from sociology and behavioral psychology to argue that Criseyde's weeping helps to shape her role in TC as an emotionally complex figure.</text>
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  <item itemId="275709" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Butterfield, Ardis.</text>
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        <element elementId="98">
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              <text>University of Toronto Quarterly 88.2 (2019): 142-59.</text>
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              <text>University of Toronto Quarterly 88 (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2837810">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Lyrics and Short Poems</text>
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              <text>SAC 43:245</text>
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        <element elementId="114">
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            <elementText elementTextId="2837812">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2837805">
                <text>Medieval Lyric: A Translatable or Untranslatable Zone?</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837806">
                <text>Reexamines theories of Auerbach and Spitzer through the lens of issues of translatability and untranslatability in medieval lyrics. Argues that medieval lyric poetry "shows the power of untranslatability to disrupt and re-make literary history." Examines Troilus's song in Book I of TC as a translation of Petrarch deliberately changed by Chaucer.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Seymour, Michael C.</text>
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        <element elementId="98">
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              <text>Medium Aevum 87.1 (2018): 23-40</text>
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              <text>Medium Aevum 87 (2018)</text>
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        <element elementId="102">
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            <elementText elementTextId="2837802">
              <text>Romaunt of the Rose&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
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            <elementText elementTextId="2837803">
              <text>SAC 43:244</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2837804">
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              <elementText elementTextId="2837797">
                <text>Chaucer's Rose.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837798">
                <text>Demonstrates the need for a reexamination of the physical description and linguistic analysis of University of Glasgow, MS Hunter 409 (MS V.3.7) of Rom. Manuscript study reveals the "canard" that a northerner translated Fragment B. Refutes the three-fragment theory of Rom and claims that Chaucer is the author of the entire manuscript.</text>
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  <item itemId="275707" public="1" featured="0">
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          <elementTextContainer>
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              <text>Warren, Michael J.</text>
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        <element elementId="98">
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              <text>Michael J. Warren. Birds in Medieval English Poetry: Metaphors, Realities, Transformations (Rochester, N.Y.: D. S. Brewer, 2018), pp. 179-218.</text>
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            <elementText elementTextId="2837793">
              <text>Birds in Medieval English Poetry: Metaphors, Realities, Transformations</text>
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        <element elementId="102">
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            <elementText elementTextId="2837794">
              <text>Parliament of Fowls</text>
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        <element elementId="109">
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            <elementText elementTextId="2837795">
              <text>SAC 43:243</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2837796">
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                <text>"Kek Kek": Translating Birds in "The Parliament of Fowls."</text>
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                <text>Argues that PF--a poem about which voices do and do not count"--"magines the potential for translatability between species." Engages scholastic discussions about the nature of "vox," and raises questions about phonetic and semantic translation, "biotranslation," allegory, meaning, and taxonomies, focusing on the representation of bird-sounds in PF, line 499, but commenting also on speaking birds elsewhere in the poem and in Chaucer's other works, especially SqT.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Rudd, Gillian.</text>
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              <text>Postmedieval 9 (2018): 410-19.</text>
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              <text>Postmedieval 09 (2018)</text>
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              <text>Legend of Good Women</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 43:241</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837788">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Farewel my bok": Paying Attention to Flowers in Chaucer's Prologues to "The Legend of Good Women."</text>
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                <text>Notes that Chaucer's treatment of the daisy in LGW differs from his typical use of flower imagery. Recognizes parallels between the daisy in LGW and its narrator Geffrey, notes differences between the narrator(s) of the F prologue and the G prologue, and considers the relationship between Alceste and the daisy.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Chang, Tuan Jung.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2837777">
              <text>Open access Ph.D. dissertation. University of Georgia, 2018. &#13;
Available at https://getd.libs.uga.edu/pdfs/chang_tuan-jung_201812_phd.pdf&#13;
Accessed February 5, 2021.</text>
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            <elementText elementTextId="2837778">
              <text>Legend of Good Women</text>
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        <element elementId="109">
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              <text>SAC 43:238</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837780">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2837774">
                <text>Beyond Misogyny: Individuality in Three Medieval Writers' Portrayals of Women.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837775">
                <text>Treats Boccaccio's "Famous Women," LGW, and Christine de Pizan's "The Book of the City of Ladies," reading Chaucer's "faithful women" in LGW "as metaphors [of] the relationship between authorship and readership, trying to define his own position [as] both a translator and a writer."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Smith, D. Vance.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837768">
              <text>C. M. Woolgar, ed. The Elite Household in England, 1100–1550: Proceedings of the 2016 Harlaxton Symposium (Donington: Shaun Tyas, 2018), pp. 110-28.</text>
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            <elementText elementTextId="2837769">
              <text>Woolgar, C. M., ed.</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2837770">
              <text>The Elite Household in England, 1100–1550: Proceedings of the 2016 Harlaxton Symposium.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2837771">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Nun's Priest and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2837772">
              <text>SAC 43:237</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837773">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837765">
                <text>The National Allegory of the Household: "Domus" and "Lingua" in John Gower's "Vox clamantis" and Geoffrey Chaucer's "House of Fame."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837766">
                <text>Unpacks allegorical aspects of "domus" (household, community, regulation, tradition, order) and "lingua" (speech, noise, murmuring, poetry, vernacularity) in Gower's "Vox clamantis" and in HF, using Fredric Jameson's notion of "national allegory" to explore complex relations between private and public levels of meaning, and clarifying Ovidian models that underlie the two poems. Also comments on the dynamics of household and language in NPT.</text>
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          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2837759">
              <text>Robison, Katherine Ann.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2837760">
              <text>Dissertation Abstracts International A77.11 (2017): n.p.</text>
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              <text>Dissertation Abstracts International 77 (2017)</text>
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            <elementText elementTextId="2837762">
              <text>House of Fame</text>
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            <elementText elementTextId="2837763">
              <text>SAC 43:236</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837764">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837757">
                <text>The Path to Wholeness: The Therapeutic Potential of Bodily Writing in Late Medieval Dream Visions.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Argues that "late medieval dream poets viewed writing as a serious means of therapy, capable of healing both psychological and physiological ailments." Includes discussion of HF where Chaucer combines "performative humor" and "strong sensory imagery" to foster "an ethical reading experience that activates Geffrey's memory so that he can first recognize and then treat his brainsickness."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837751">
              <text>Keller, Wolfgang.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837752">
              <text>Zeitsprünge: Forschungen zur frühen Neuzeit 21, nos. 3-4 (2017): 339-59; abstract in English, pp. 413-14.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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              <text>Zeitsprünge: Forschungen zur frühen Neuzeit 21 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2837754">
              <text>House of Fame&#13;
Chaucer's Influence and Later Allusion</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>SAC 43:235</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837756">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Eingebildetes Wissen: Imaginationstheorie, Haushalt und Kommerz in spätmittelalterlichen britischen Traumvisionen.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Clarifies the late medieval shift from household economics to usurious commerce, and argues that HF, John Lydgate's "Temple of Glass," and Gavin Douglas's "Palice of Honour" depict the "dissolution" of traditional households entailed in this shift. As well, the poems' buildings and spaces represent the "mental ventricles of imagination, logic and memory" and reflect a new "chresmatistic" poetics in which the "usurious multiplication and arbitrary evaluation of images" is aligned with a "desirous imagination."</text>
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