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              <text>Hira, Toshinori.</text>
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              <text>Bulletin of the Faculty of Liberal Arts, Nagasaki University, Humanities 18 (1978): 59-78.</text>
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              <text>Bulletin of the Faculty of Liberal Arts, Nagasaki University, Humanities 18 (1978)</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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              <text>mea; 3/5/22</text>
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                <text>Chaucer's Pilgrimage Device of the Fabliau Tales.</text>
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            <description>An account of the resource</description>
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                <text>Considers the techniques of characterization in CT, with particular attention to the range of social classes and the assigning of fabliaux to particular tellers. Comments on the gender of individual tellers and on the likelihood of class and gender variety and hierarchy in his contemporary audience and in his works.</text>
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              <text>Hira, Toshinori.</text>
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          <name>Published</name>
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              <text>In [Anonymous ed.,] Essays in English and American Literature: In Commemoration of Professor Takejiro Nakayama's Sixty-First Birthday (Tokyo: Shohakuska, 1961), pp. 31-44. </text>
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General Prologue to the Canterbury Tales</text>
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              <text>mea; 3/5/22</text>
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                <text>Chaucer's Gentry in the Historical Background.</text>
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            <description>An account of the resource</description>
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                <text>Offers historical context for and commentary on the characterizations of the pilgrims in the CT who may be considered "gentry," both those of traditional gentle birth and those on the rise as a class of new gentry.</text>
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              <text>Giordano, Roberta.</text>
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              <text>Avellino: Sinestesie, 2014. Open access ebook at https://en.calameo.com/read/005864328fc7b606cf080; accessed March 3, 2022.</text>
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              <text>121 pp.</text>
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              <text>Biblioteca di Sinestesie, no. 24.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Background and General Criticism</text>
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              <text>mea; 3/2/22</text>
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          <elementTextContainer>
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                <text>Il Poema Onirico: Boccaccio e Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Studies Chaucer's and Boccaccio's dream vision narratives and their references to dreaming in light of the history of the genre, focusing on the secularization of the genre, the rising importance of the poet as dreamer-viator, and aesthetic successes of the poets in expanding the range and uses of the dream vision. Considers HF at greatest length among Chaucer's works.</text>
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              <text>Yvernault, Martine.</text>
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              <text>Cercles 32 (2014): 90-107. Open access journal; available at http://www.cercles.com/n32/yvernault.pdf. Accessed February 10, 2022.</text>
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/2/22</text>
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            <name>Title</name>
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                <text>Entendre des Voix: Réception et Perception dans Deux Lais Bretons Moyen-Englais ("Lay le Freine," "Sir Orfeo") et le "Franklin's Tale" de Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Explores relations among voice, genre, music, orality, and memorial transmission in "Lay le Freine," "Sir Orfeo," and FranT, including assessment of the ambiguities and Bahktinian polyphony of voices in the GP description of the Franklin's oral associations with food and in Sq-FranL and FranP.</text>
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              <text>Trigg, Stephanie.</text>
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            <elementText elementTextId="2838121">
              <text>Swiss Papers in English Language and Literature 30 (2014): 51-66. </text>
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              <text>Swiss Papers in English Language and Literature 30 (2014)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Language and Word Studies</text>
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          <elementTextContainer>
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                <text>Delicious, Tender Chaucer: Coleridge, Emotion and Affect.</text>
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            <description>An account of the resource</description>
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                <text>Explores relations between the reception of Chaucer and the "study of the history of emotion," focusing on the "symbolic capital" of Samuel Taylor Coleridge's brief comments on Chaucer in "Table Talk," the "social context" in which the comments were practiced, distinctions between "emotional" and "affective" responses that may be observed in the comments, and the " emotional work performed" by them. Includes comments on Chaucer's uses of "tender."</text>
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              <text>Sadlek, Gregory M.</text>
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              <text>Monika Fludernik and Miriam Nandi, eds. Idleness, Indolence and Leisure in English Literature (New York: Palgrave Macmillan, 2014), pp. 17-39. </text>
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              <text>Fludernik, Monika, ed.&#13;
Nandi, Miriam, ed.</text>
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              <text> Idleness, Indolence and Leisure in English Literature.</text>
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              <text>Troilus and Criseyde&#13;
Legend of Good Women&#13;
General Prologue to the Canterbury Tales&#13;
Second Nun and Her Tale</text>
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              <text>mea; 2/23/22</text>
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                <text>"Otium," "Negotium," and the Fear of "Acedia" in the Writings of England's Late Medieval Ricardian Poets.</text>
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                <text>Offers background to late-medieval English literary notion of "otium" (idleness) and explores tensions between leisure and productivity in works by Chaucer, Gower, Langland, and the "Gawain" poet, particularly their representations of the morality of leisure and labor in aristocratic love (treating LGWP and TC) and in the daily lives of clerics and seculars (treating GP and SNP).</text>
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              <text>Wilkinson, Anouska.</text>
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                <text>Discloses John Dryden's "profound interest in the rich cultural history of natural law philosophy" through close comparisons of his translations/adaptations of KnT and WBT with their Chaucerian originals, as well as through similar examinations of his translations of two tales by Boccaccio.</text>
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                <text>Natural Law in Dryden's Translations of Chaucer and Boccaccio.</text>
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              <text>Son, Byung-Yong.</text>
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              <text>mea: 2/22/22</text>
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                <text>The Political Nature of Romance: Focusing on Knight's Tale.</text>
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                <text>Argues that Chaucer's alterations of the conventions of romance in KnT indicate the poet's political caution in giving advice to his king, advising him in the figure of Theseus to deal with political trouble by valuing Parliament. In Korean with an abstract in English.</text>
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              <text>Siewers, Alfred K.</text>
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              <text>Louise Westling, ed. The Cambridge Companion to Literature and the Environment (New York: Cambridge University Press, 2014), pp. 31-44.</text>
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              <text>Westling, Louise, ed.</text>
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              <text>The Cambridge Companion to Literature and the Environment</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>mea: 2/22/22</text>
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              <elementText elementTextId="2838084">
                <text>The Green Otherworlds of Early Medieval Literature.</text>
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                <text>Assesses the ecopoetics of the Celtic underworld in the "Immram Brain," "Tochmarc Étaíne," and the "Mabinogi" as background to green-world concerns in "Sir Gawain and the Green Knight." Closes with commentary on parallel concerns in the opening of GP and several aspects of CT.</text>
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              <text>Knoetze, Retha.</text>
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              <text>Scrutiny 2: Issues in English Studies in Southern Africa 20.2 (2015): 34-53.</text>
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              <text>Wife of Bath and Her Tale&#13;
Tale of Melibee&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Wife of Bath's Ideal Marriage and Late Medieval Ideas about the Domestic Sphere.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850911">
                <text>Argues that WBPT provides "a serious defence of women," claiming that the Wife's ideas about "about mutuality and domestic partnership" in marriage "coincide with ideas which were developing in Chaucer's society as a result of social and economic changes." Also shows that similar ideas were "expressed in marriage sermons from the late thirteenth to the sixteenth century." Connects the queen in WBT with Prudence in Mel.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Johnston, Alexandra F.</text>
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              <text>English: The Journal of the English Association 64, no. 244 (2015): 5-26.</text>
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              <text>English: The Journal of the English Association 64 (2015)</text>
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              <text>mea; 2/22/22</text>
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              <text>Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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                <text>Pleyes of Myracles.</text>
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            <description>An account of the resource</description>
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                <text>Explores the meanings and dating of "miracle play" / "miraculum" as descriptors for medieval drama, discussing a range of historical records and offering WBP (3.543-59) and details from MilT as evidence of fourteenth-century dramatic activities in England.</text>
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              <text>Crawforth, Hannah.</text>
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              <text>Gordon McMullan, Lena Cowen Orlin, and Virginia Mason Vaughn, eds. Women Making Shakespeare: Text, Reception, Performance (New York: Bloomsbury Arden Shakespeare, 2014), pp. 25-34. </text>
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Orlin, Lena Cowen, ed.&#13;
Vaughn, Virginia Mason, ed.</text>
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              <text>Women Making Shakespeare: Text, Reception, Performance.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations&#13;
Knight and His Tale</text>
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              <text>mea; 2/22/22</text>
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                <text>"Bride-habited but maiden-hearted": Language and Gender in "The Two Noble Kinsmen."</text>
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            <description>An account of the resource</description>
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                <text>Explores aspects of the diction of "The Two Noble Kinsmen," focusing on nuances derived from the glossaries in Thomas Speght's editions of Chaucer's Works, with particular attention to KnT, the source of "Kinsmen," and to issues of gender identity.</text>
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              <text>Choi, Jiyeon.</text>
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              <text>Medieval and Early Modern English Studies 23.2 (2015): 145-59.</text>
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              <text>Medieval and Early Modern English Studies 23 (2015)</text>
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              <text>Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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                <text>Re-reading Chaucer's Women: Focusing on Fabliau and Clothing.</text>
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                <text>Focuses on the clothing of Alisoun of MilT and the Wife of Bath, with attention to color, stereotyping, and economic conditions. In Korean, with an abstract in English (pp. 158-59).</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lalla, Barbara.</text>
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              <text>xvi, 439 pp.</text>
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                <text>Postcolonialisms: Caribbean Rereadings of Medieval English Discourse.</text>
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                <text>Examines Old and Middle English language and literature in light of postcolonial conditions and theories, particularly those of Caribbean studies, considering issues of cultural contact, vernacularity, competing discourses, power, transgression, and the social and psychological reflexes of the colonized. Includes numerous references to Chaucer and his works, with commentary on masquerade, carnival, and authority in CT, along with extended analysis of the Pardoner as a "discontinuous identity" and a trickster disclosed, with PardPT as "discourse of sliding genres," shifting lexicons, and "Chaucerian gap-filled contemplation of finite humanity" that "deconstructs" the Pardoner's "bogus authority."</text>
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              <text>Spyra, Piotr.</text>
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Knight and His Tale</text>
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                <text>Chaucer and His Bastard Child: Social Disjunction and Metaliterariness in "The Two Noble Kinsmen."</text>
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              <elementText elementTextId="2838036">
                <text>Revisits the "authorship question" of "The Two Noble Kinsmen," exploring not what was composed by Shakespeare or by Fletcher, but rather the social tensions between characters found in KnT, the play's source, and those nameless ones of the "Jailer's group" introduced into the plot. Suggests that the disjunctions of the play be understood "as a metanarrative of the creative process in the shadow of a great precursor poet," Chaucer.</text>
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              <text>Fyler, John M.</text>
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              <text>Studies in Philology 112 (2015): 415-52.</text>
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                <text>Language Barriers.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852081">
                <text>Comments on a wide variety of examples--comic and/or serious--of boundaries and sutures between languages in the late medieval literature, exploring issues of translation, including biblical translation; perceived contrasts between "supposedly fixed languages such as Latin and ever-changing vernaculars"; Latin as a vernacular; the relations between vernaculars, especially English and French; animal and human language; and gendered language. Includes many instances drawn from Chaucer.</text>
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              <text>Hopkins, David, ed.</text>
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        <element elementId="98">
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              <text>New York: Routledge, 1994.&#13;
</text>
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          <elementTextContainer>
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              <text>xii, 275 pp.</text>
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        <element elementId="108">
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          <description/>
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            <elementText elementTextId="2838024">
              <text>English Poetry.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2838025">
              <text>Background and General Criticism&#13;
Bibliographies, Reports, and Reference</text>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
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              <text>mea; 2/2/2022</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838027">
              <text>1994</text>
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            <elementTextContainer>
              <elementText elementTextId="2838019">
                <text>The Routledge Anthology of Poets on Poetry: Poetic Responses to English Poetry from Chaucer to Yeats.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838020">
                <text>An anthology of "English poets' commentary on their English peers," with a "selection of the poets' more general reflections on their art." The section on Chaucer (pp. 72-82) includes comments from Hoccleve through Wordsworth, and the volume's topical indexes includes numerous citations to Chaucer on poetry and to Chaucerian reception. Originally published by Routledge in 1990 under the title "English Poetry."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Trudeau, Lawrence.</text>
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              <text>Lawrence Trudeau, ed. Literature and Criticism from 1400 to 1800. Volume 56 (Farmington, Mich.: Gale, 2000), pp. 1-117.</text>
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              <text>Literature and Criticism from 1400 to 1800.</text>
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              <text>Background and General Criticism</text>
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          <elementTextContainer>
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            <elementText elementTextId="2838018">
              <text>2000</text>
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                <text>Geoffrey Chaucer: 1340?-1400.</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2838012">
                <text>Anthologizes nine critical essays or excerpts from books published between 1970 and 1997 on issues of gender and sexuality in Chaucer's works, with a brief introduction.</text>
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              <text>Person, James E.</text>
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            <elementText elementTextId="2838006">
              <text>James E. Person, ed. Literature and Criticism from 1400 to 1800. Volume 17 (Farmington, Mich.: Gale, 1991), pp. 42-247.</text>
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              <text> Literature and Criticism from 1400 to 1800.</text>
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              <text>Background and General Criticism&#13;
Bibliographies, Reports, and Reference</text>
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              <text>mea; 2/2/2022</text>
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            <elementText elementTextId="2838010">
              <text>1991</text>
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            <elementTextContainer>
              <elementText elementTextId="2838003">
                <text>Geoffrey Chaucer: 1340?-1400.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838004">
                <text>Reprints forty-eight examples of critical commentary on Chaucer and his poetry, from Deschamps, Gower, and Caxton to 1989, some excerpted and some complete essays, with an annotated list of suggestions for further reading. The Introduction (pp. 42-44) comments on Chaucer's life and principal works, with a chronological listing of editions. For updates and additions, search for Literature Criticism from 1400 to 1800 under Alternative Title.</text>
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              <text>Ludwig, Jenny.</text>
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              <text>Lawrence Trudeau, ed. Literature Criticism from 1400 to 1800. Volume 210 (Farmington, Mich.: Gale, 2012), pp. 37-228. </text>
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                <text>Reprints twenty essays on HF published between 1896 and 2006. The introduction by Ludwig (pp. 37-39) summarizes the plot and characters of HF, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography of Chaucer's works and editions, and annotated suggestions for further reading about HF.</text>
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                <text>Reprints twelve essays on BD published between 1934 and 2007. The introduction by Ludwig (pp. 1-4) summarizes the plot and characters of BD, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography of Chaucer's works and editions, and annotated suggestions for further reading about BD.</text>
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              <text>Crosson, Chad G.</text>
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              <text>Lak of Stedfastnesse</text>
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        <element elementId="114">
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              <elementText elementTextId="2837977">
                <text>A Language for Ethics and Eloquence: Politics and Linguistic Order in Chaucer's "Lak of Stedfastnesse."</text>
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              <elementText elementTextId="2837978">
                <text>Examines how Sted is a poem not only about political issues, but also about the relationship between the local and the universal.</text>
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              <text>Johnstone, Boyda.</text>
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              <text>Studies in the Age of Chaucer 41 (2019): 301-24.</text>
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              <text>Studies in the Age of Chaucer 41 (2019)</text>
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              <text>Chaucerian Apocrypha</text>
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        <element elementId="114">
          <name>Date</name>
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            <name>Title</name>
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              <elementText elementTextId="2837969">
                <text>"Far semed her hart from obeysaunce": Strategies of Resistance in "The Isle of Ladies."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837970">
                <text>Reads "The Isle of Ladies" for its "covert feminine resistance," arguing that such resistance is evident through the "divided, ambivalent lens" of the half-asleep dream vision of a city of ladies--perhaps influenced by Christine de Pizan's "Le livre de la Cité des Dames." The English poem discloses "networks and desires sustained by women" that are "lesbian-like," and its narrator participates in these networks, including literary production, and leads readers to "desire to reenter the isle of women."</text>
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              <name>Title</name>
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              <text>Bukowska, Joanna.</text>
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              <text>Wojciech Drąg and Ewa Kębłowska-Ławniczak, eds. Spectrum of Emotions: From Grief to Love (Frankfurt am Main: Peter Lang, 2016), pp. 13-25.</text>
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              <text>Drag, Wojciech, ed.&#13;
Kębłowska-Ławniczak Ewa, ed.</text>
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              <text>Spectrum of Emotions: From Grief to Love.</text>
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            <elementText elementTextId="2837966">
              <text>Chaucerian Apocrypha&#13;
Legend of Good Women&#13;
Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2837967">
              <text>SAC 43:270</text>
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              <text>2016</text>
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                <text>The Tour of the "Court of Love": The Tradition of Amatory Poetry and Its Readjustments in Chaucerian Apocrypha.</text>
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                <text>Assesses the literary conventions and intellectual context of "The Court of Love," a sixteenth-century poem thought to be by Chaucer until the twentieth century. Emphasizes early modern modifications of medieval amatory verse, and includes comments on Alceste of LGW as one of the poem's sources.</text>
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              <text>Barr, Helen.</text>
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              <text>Bonnie Lander-Johnson and Eleanor Decamp, eds. Blood Matters: Studies in European Literature and Thought, 1400-1700 (Philadelphia: University of Pennsylvania Press, 2018), pp. 238-48.</text>
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Decamp, Eleanor, ed.</text>
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              <elementText elementTextId="2837951">
                <text>Queer Blood.</text>
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              <elementText elementTextId="2851850">
                <text>Describes the iconography of Thomas Becket's blood in Canterbury Cathedral and its "Christomimetic" associations, and explores parallels between Becket's blood and the Pardoner's blood in the "Canterbury Interlude" that precedes the "Tale of Beryn," suggesting the latter can be read as a queer, "deviant strain of . . . redemptive blood" and analyzing the implications of this suggestion.</text>
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