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                  <text>Chaucer Bibliography Online</text>
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              <text>Daiches, David.</text>
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              <text>New York: Ronald; London: Secker &amp; Warburg 1960.</text>
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              <text>Background and General Criticism&#13;
Style and Versification&#13;
Language and Word Studies</text>
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              <text>mea; 3/15/22</text>
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                <text>A Critical History of English Literature.</text>
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            <description>An account of the resource</description>
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                <text>Describes Chaucer as the "brilliant culmination of Middle English literature," commending his "metrical craftsmanship" in English, his "European consciousness," and his "relaxed, quizzical attitude that let him contemplate the varieties of human nature with a combination of sympathy, irony, and amusement, together with the good fortune to have opportunities to know men in all ranks of society." Chapter 4 ("Chaucer, Gower, Piers Plowman"), summarizes and discusses Chaucer's major works at much greater length than those of Gower and Langland; his innovations, influence, and relative excellence are mentioned elsewhere in this comprehensive literary history.</text>
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              <text>Curry, Walter Clyde.</text>
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              <text>New York: Barnes &amp; Noble, 1960.</text>
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              <text>xxvi, 367 pp.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Bibliographies, Reports, and Reference</text>
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              <text>mea; 3/15/22</text>
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              <text>1960</text>
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                <text>Chaucer and the Mediaeval Sciences.</text>
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                <text>Revises slightly the author's 1926 study of the same title (Oxford University Press), here adding two essays, also previously published: "Destiny in Troilus and Criseyde" (1930) and "Arcite's Intellect" (1930). The enlarged edition also updates the Selected Bibliography of the original.</text>
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              <text>Coghill, Nevill, and Norman Davis, readers.</text>
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              <text>[n.p.]: Spoken Arts, 1960s.</text>
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              <text>Audiocassette.</text>
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              <text>Davies, Norman, reader.</text>
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              <text>Recordings and Films&#13;
General Prologue to the Canterbury Tales&#13;
Pardoner and His Tale</text>
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                <text>Beowulf and Selections from the Canterbury Tales.</text>
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            <description>An account of the resource</description>
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                <text>Item not seen. WorldCat records indicate that this spoken-word recording includes "Beowulf's speech to Hrothgar, the Dragon Flight and the Funeral of Beowulf" in Old English (20.02 min.) and GP and PardT in Middle English (29.16 min.).</text>
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              <text>Coghill, Nevill.</text>
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              <text>Herbert Davies, and Helen Gardner, eds. Elizabethan and Jacobean Studies: Presented to Percy Wilson in Honour of His Seventieth Birthday (Oxford: Clarendon, 1959), pp. 86-99.</text>
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              <text>Elizabethan and Jacobean Studies: Presented to Percy Wilson in Honour of His Seventieth Birthday.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 3/15/22; rev. mea 2/19/2023</text>
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              <text>Gardner, Helen, ed.</text>
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                <text>Shakespeare's Reading in Chaucer.</text>
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          <element elementId="41">
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                <text>Tallies a number of images, expressions, and "notional similarities" that evince Chaucer's influence on Shakespeare, reviewing previous scholarship, adding several examples, and arguing that the influence is strongest when Shakespeare was about thirty years old. Dissuades arguments that Shakespeare used Chaucer's plots. </text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Carter, Thomas H.</text>
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              <text>Shenandoah: The Washington &amp; Lee University Review 11.3 (1960): 48-60.</text>
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              <text>Shenandoah: The Washington &amp; Lee University Review 11 (1960)</text>
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              <text>Lyrics and Short Poems&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/15/22</text>
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                <text>The Shorter Poems of Geoffrey Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Offers impressionistic appreciation of ways that Chaucer "naturalized and made his own the continental traditions," with particular attention to the conventions of courtly love. Comments on a range of short poems: ABC, Mars, Ros, FormAge, Scog, Buk, and Purse.</text>
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              <text>Bronson, Bertrand H.</text>
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              <text>Toronto: University of Toronto Press, 1960.</text>
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              <text>ix, 117 pp.</text>
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              <text>The Alexander Lectures.</text>
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              <text>Background and General Criticism&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Monk and His Tale&#13;
Pardoner and His Tale</text>
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              <text>mea; 3/15/22</text>
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                <text>In Search of Chaucer.</text>
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                <text>Engages several critical approaches to Chaucer works and incorporates them into appreciative commentaries, with particular attention to the poet's "habit of working" or process of composition, his narrative techniques (not inorganic, but accumulative), themes (the status of poetry and the value of reading), stylistic/rhetorical variety (especially allegory and naturalism), and poet-audience relations.  Organizes the discussions in three groups, i.e., Chaucer's "spheres of interest": the dream world, mundane existence, and "imagined life through reading," emphasizing how Chaucer may have created the works and how they mean. Discusses PF, LGWP, MkT, and PardPT in greatest detail, but treats all major works.</text>
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                <text>Chaucer's "Troilus" as an Elizabethan "Wanton Book."</text>
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              <elementText elementTextId="2838290">
                <text>Identifies several sixteenth-century statements of censorship of romances (one that mentions TC) and describes several early modern "justifications" for the "perennial itch to censor."</text>
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                <text>The Squire's Yeoman.</text>
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              <elementText elementTextId="2838282">
                <text>Explores the GP description of the Yeoman, affiliating him with the Squire rather than with the Knight, and concentrating on details of his dress and equipage that contribute to a "sense of gay holiday panoply" associated with the Squire.</text>
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                <text>Explores the diction and imagery of MilT, focusing on oral and olfactory instances for the ways that they ironically anticipate details of the plot, particularly the misdirected kiss received by Absolon and colter-burn he directs at Nicholas.</text>
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Sources, Analogues, and Literary Relations&#13;
Language and Word Studies</text>
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              <elementText elementTextId="2838258">
                <text>Clarifies the reference to Christ catching Peter as he sailed in GP 1.696-98, focusing on the figurative meaning of "hente" and its implications regarding the Pardoner's faux relic, Peter's sail-cloth.</text>
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Gentilesse</text>
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                <text>Advocates a "contextual" approach to source study, arguing that several discussions of Dante's influence on Chaucer depend upon weak correspondences, better treated as shared tradition than direct influence. Discusses the lists of lovers in PF and BD, the treatment of Jason in LGW, and the "firste stok" and treatment of gentility in Gent.</text>
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Friar and His Tale&#13;
Knight and His Tale</text>
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Summoner and His Tale&#13;
Miller and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Exemplifies the wide-ranging importance of "exegetical tradition" in explicating images and allusions in medieval literature, drawing examples from "Piers Plowman," from the Summoner's taste for garlic, onions, and leeks (GP 1.634), and from various echoes of the biblical Canticle of Canticles in the characterizations and relationship of Absolon and Alisoun in MilT. Argues that greater familiarity with such exegetical details is necessary for broader understanding the value of patristic criticism. See E. Talbot Donaldson, " Patristic Exegesis in the Criticism of Medieval Literature: The Opposition."</text>
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Nun's Priest and His Tale</text>
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              <text>mea; 3/15/22</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838208">
              <text>1960</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2838201">
                <text>Patristic Exegesis in the Criticism of Medieval Literature: The Opposition.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838202">
                <text>Challenges patristic criticism for its claim that medieval literature is univocally concerned with asserting Christian "caritas" allegorically, arguing instead that poetry has a right to "say what it means and mean what it says." Illustrates the pitfalls of the critical method by analyzing patristic or exegetical readings of the opening of "Piers Plowman," "Maiden in the Moor Lay," and NPT, maintaining in the case of the latter that its meaning derives from its rhetorical elaborations rather than despite them. See R. E. Kaske, "The Defense."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2838195">
              <text>Bethurum, Dorothy, ed.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2838196">
              <text>New York: Columbia University Press, 1960.&#13;
</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838197">
              <text>ix, 171 p.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2838198">
              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838199">
              <text>mea; 3/15/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838200">
              <text>1960</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2838193">
                <text>Critical Approaches to Medieval Literature: Selected Papers from the English Institute, 1958-59.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838194">
                <text>Six essays by various authors and a summary Introduction by the editor. For five essays that pertain to Chaucer, search for Critical Approaches to Medieval Literature under Alternative Title.</text>
              </elementText>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2838186">
              <text>Beichner, Paul E.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2838187">
              <text>Richard J. Schoeck and Jerome Taylor, eds. Chaucer Criticism, Volume I: "The Canterbury Tales" (Notre Dame, IN: University of Notre Dame Press, 1960), pp. 117-29.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2838188">
              <text>Scheock, Richard J., ed.&#13;
Taylor, Jerome, ed. </text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2838189">
              <text>Chaucer Criticism, Volume I: "The Canterbury Tales"</text>
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        <element elementId="102">
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              <text>Miller and His Tale</text>
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        <element elementId="109">
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              <text>mea; 3/15/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838192">
              <text>1960</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2838184">
                <text>Characterization in the "Miller's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838185">
                <text>Praises the "high organic unity" of MilT, attributing it to effective characterization of the major actors:  "by making him 'hende' in one sense or another, Chaucer has motivated each incident of the plot involving Nicholas; and similarly, he has made the action involving Alisoun and Absolon flow from the fact that she is an earthy girl and he is an effeminate fastidious dandy." They are "perfect characters for the various roles in the little farce."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838178">
              <text>Bayley, John.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2838179">
              <text>John Bayley. The Characters of Love: A Study in the Literature of Personality (London: Constable, 1960), pp. 51-123.</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838180">
              <text>The Characters of Love: A Study in the Literature of Personality.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838181">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Knight and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838182">
              <text>mea; 3/15/22</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838183">
              <text>1960</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838176">
                <text>Love and the Code: "Troilus and Criseyde."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838177">
                <text>Explores the characterizations in TC of Troilus, Pandarus, and, most extensively, Criseyde, explaining how Chaucer modifies their antecedents in Boccaccio's "Filostrato" by adapting the conventions and rhetoric of courtly love and creates rich personalities, comparable to those of Shakespearean drama and modern novels. Though he "neither analyses nor moralizes," Chaucer depicts the "random circumstances of love and living" as well as awareness of psychology. Includes comments on the relations between characterization and the theme of love in LGW, PF, and KnT.</text>
              </elementText>
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          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838169">
              <text>Baugh, Albert C.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838170">
              <text>Wolfgang Iser and Hans Schabram, eds. Britannica: Festschrift für Hermann M. Flasdieck (Heidelberg: Carl Winter, 1960), pp. 51-61.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838171">
              <text>Iser, Wolfgang, ed.&#13;
Schabram, Hans, ed. </text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838172">
              <text>Britannica: Festschrift für Hermann M. Flasdieck.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838173">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838174">
              <text>mea; 3/15/22</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838175">
              <text>1960</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838167">
                <text>Chaucer and the "Panthère d'Amours."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838168">
                <text>Reviews discussions that consider Nicole de Margival's "La Panthère d'Amous" to be a source of HF, challenging most of them for lack of specificity or because shared details are conventional. Only two brief passages evince Margival's influence and neither is conclusive.</text>
              </elementText>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838161">
              <text>Baker, Donald C.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838162">
              <text>University of Mississippi Studies in English 1 (1960): 97-104.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838163">
              <text>University of Mississippi Studies in English 1 (1960)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838164">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838165">
              <text>mea; 3/15/22</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838166">
              <text>1960</text>
            </elementText>
          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838159">
                <text>Recent Interpretations of Chaucer's "House of Fame" and a New Suggestion.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838160">
                <text>Argues that "the role of the artist as purveyor of Fame" is the fundamental unifying theme of HF and suggests that Chaucer may have intended to resolve tensions between Dantean and Boethian views of the poet (as teacher and misleader, respectively) at the completion of the poem, perhaps having the man of great authority offer perspective on "the responsibility of a poet in society."</text>
              </elementText>
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