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              <text>Tracy, Larissa, ed.</text>
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              <text>Cambridge: Boydell Press, 2018.</text>
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              <text>"Mordre wol out": Murder and Justice in Chaucer.</text>
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              <text>Nun's Priest and His Tale&#13;
Canterbury Tales--General</text>
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              <text>SAC 43:215</text>
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              <text>500 pp.</text>
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                <text>Medieval and Early Modern Murder: Legal, Literary and Historical Contexts.</text>
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                <text>Analyzes legal, hermeneutic, and social ramifications of murder and murderers in the Middle Ages. Includes Tracy's own essay entitled "'Mordre wol out': Murder and Justice in Chaucer," which focuses on Chaucer's treatment of murder in CT, particularly Chaunticleer's dreams of murder in NPT.</text>
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              <text>Pattison, Andrew John.</text>
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              <text>Chaucer Review 54.2 (2019): 141-61.</text>
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              <text>Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Ironic Imitations: Parody, Mockery, and the Barnyard Chase in the "Nun's Priest's Tale."</text>
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                <text>Contextualizes the barnyard chase scene of NPT alongside late medieval hunting treatises, and questions the juxtaposition between the chase and the medieval noble hunt. The parody of this hunt offers multiple layers of meaning, from criticism of the noble hunt itself to the failure of someone trying to seem noble.</text>
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              <text>Oerlemans, Onno.</text>
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              <text>New York: Columbia University Press, 2018.</text>
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              <text>xii, 238 pp.</text>
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                <text>Poetry and Animals: Blurring the Boundaries with the Human.</text>
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                <text>Explores the range of representations of animals in English poetry for the ways poems can generate knowledge of animal life and sympathy for it, analyzing animal fables, poems that treat animals generally, species poems, poems about individual animals, and transformations and hybridities. Includes discussion of NPT as perhaps "the most complex animal fable poem in English," focusing on the "moments in the poem where the normal human and animal hierarchy is inverted or the categories blended so that we see humans as animals too."</text>
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              <text>Johnson, Eleanor.</text>
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              <text>Journal of Medieval and Early Modern Studies 49.1 (2019): 7-31.</text>
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              <text>Journal of Medieval and Early Modern Studies 49 (2019)</text>
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              <text>Monk and His Tale</text>
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                <text>Tragic Nihilism in "The Canterbury Tales": The Monk as Literary Theorist</text>
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                <text>Argues that in MkT, the Monk proves himself to be not only a reader and interpreter of tragedy, but also a critic of the concept itself.</text>
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              <text>Taylor, Candace Hull.</text>
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              <text>Mark Cruse, ed. Performance and Theatricality in the Middle Ages and the Renaissance ([Turnhout]: Brepols, 2018), pp. 17-34.</text>
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              <text>Cruse, Mark ed.</text>
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              <text> Performance and Theatricality in the Middle Ages and the Renaissance.</text>
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              <text>Tale of Melibee</text>
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              <text>SAC 43:210</text>
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                <text>Performing Prudence in "Sawles Warde" and Chaucer's "Tale of Melibee."</text>
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                <text>Considers the performative aspects of Prudence as an allegorical figure in "Sawles Warde," where she functions as a dramatic "expositor," and in Mel, where she offers "commentary . . . on reading, misreading, and the limits of wisdom when it is severed from the divine," dimly understood by Melibee as audience. Comments on Prudence as one of the traditional four cardinal virtues and on the Host's response to Mel.</text>
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              <text>Crosson, Chad G.</text>
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              <text>Studies in Philology 115 (2018): 242-66</text>
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              <text>Studies in Philology 115 (2018)</text>
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              <text>Tale of Melibee&#13;
Canterbury Tales--General</text>
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              <text>SAC 43:209</text>
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                <text>Explores the recursive demands of grammatical emendation ("emendatio") and penitential reform--the accumulative and ongoing need for correction of error that creates or prompts more need for correction--as the aesthetic that underlies Mel, and CT more generally. Inspired by such models as grammatical exercises and Aristotelian prologues, Prudence's correction of Melibee is not successful, fulfilling, or complete, but it indicates the value of revision, revisiting, and adjustment of genres and ideas in the Canterbury fiction.</text>
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                <text>Chaucer's Corrective Form: The Tale of Melibee and the Poetics of Emendation.</text>
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              <text>Kennedy, Edward Donald.</text>
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              <text>Arthuriana 28.3 (2018): 51-65.</text>
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              <text>Arthuriana 28 (2018)</text>
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              <text>Tale of Sir Thopas&#13;
Chaucer's Influence and Later Allusion</text>
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          <elementTextContainer>
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              <text>SAC 43:207</text>
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              <elementText elementTextId="2837560">
                <text>Malory, the Stanzaic "Morte Arthur," the Alliterative "Morte Arthure," and Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837561">
                <text>Argues that Malory downplayed his uses of the Stanzaic "Morte Arthur" and the Alliterative "Morte Arthure" in his "Le Morte Darthur" because the cultural prestige of native English romances was low--an attitude popularized by Chaucer in Th and elsewhere.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Edmondson, George.</text>
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              <text>Studies in the Age of Chaucer 41 (2019): 73-105.</text>
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            <elementText elementTextId="2837556">
              <text>Studies in the Age of Chaucer 41 (2019)</text>
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              <text>Tale of Sir Thopas</text>
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        <element elementId="114">
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                <text>Chaucerian Humor.</text>
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                <text>Reads the prologue to Th (Prioress-Thopas Link) psychoanalytically as a comic enactment of the internal economy of the self in which the ego (Chaucer) absorbs the "attentions" of the superego (the Host) "so thoroughly as to arrest them" and deflect "unpleasure." In turn, Th "deauthorize[s] the idea of superegoic power at the very site of its origin." Transformative Chaucerian humor resists suffering by deflating the power of the superego, the tyrant, and the "regimes of affective governance."</text>
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              <text>Wong, Jessica.</text>
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              <text>Open access Ph.D. Dissertation. University of Illinois, 2017.&#13;
Available at https://www.ideals.illinois.edu/handle/2142/99240. Accessed February 6, 2021.</text>
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              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2837545">
                <text>Reading in the Animal Vernacular: The Bestiary as Lay Genre in Medieval England.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Includes discussion of "Chaucer's use of the bestiary to create his character of the Pardoner," relying on "the reader's association of animal features with morality to convey its meaning" and structuring PardPT to incorporate "the generic components of the bestiary, sermon, and exemplum to create something wholly new."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Tracy, Larissa.</text>
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              <text>Medieval Feminist Forum 54.2 (2018): 64-108.</text>
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            <elementText elementTextId="2837541">
              <text>Medieval Feminist Forum 54 (2018)</text>
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              <text>Pardoner and His Tale</text>
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              <text>SAC 43:199</text>
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        <element elementId="114">
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              <elementText elementTextId="2850946">
                <text>Chaucer's Pardoner: The Medieval Culture of Cross-Dressing&#13;
and Problems of Religious Authority.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851666">
                <text>Explores the implications of reading the Pardoner as a cross-dressing female, arguing that Chaucer leaves "her" characterization ambiguous, plays on "cultural associations of cross-dressing," and "legitimiz[es] the rhetorical power of female preaching." Examines PardPT, the GP description of the Pardoner, and the Pardoner's exchange with the Host, along with aspects of "Roman de silence," the legend of Pope Joan, Rutebeuf's "De Freire Denise Cordelier," and several lives of female transvestite saints.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <elementTextContainer>
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              <text>Swortzell, Lowell.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2837532">
              <text>Plays: The Drama Magazine for Young People 74.5 (2015): 23-28, 64.</text>
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          <elementTextContainer>
            <elementText elementTextId="2837533">
              <text>Plays: The Drama Magazine for Young People 74 (2015)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2837534">
              <text>Pardoner and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>SAC 43:198</text>
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837530">
                <text>One-act play for eight child actors adapted from PardT, with Chaucer speaking directly to the Pardoner at the opening and closing of the plot. Production notes indicate a running time of approximately 20 minutes.</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Pardoner's Tale: Three Greedy Thieves Learn the Hard Way that Money Is the Root of All Evil . . . Adapted from Geoffrey Chaucer's "Canterbury Tales."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Sugito, Hisashi.</text>
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        <element elementId="98">
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            <elementText elementTextId="2837524">
              <text>Bulletin of the Society for Chaucer Studies 7 (2019): 3-12.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2837525">
              <text>Bulletin of the Society for Chaucer Studies 07 (2019)</text>
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        <element elementId="102">
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            <elementText elementTextId="2837526">
              <text>Pardoner and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
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              <text>SAC 43:197</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2837528">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837522">
                <text>Points out thematic parallels between Hoccleve's "Male regle" and PardT, such as "riot and repentance" and "misreading" of "the material and the spiritual," and argues that Hoccleve succeeds in taking in Chaucerian literary resources to make his original literary achievement with unique autobiographical inclination.</text>
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                <text>Hoccleve's Tale: "La male regle" and the "Canterbury Tales."</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837516">
              <text>Ross, Shaun.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Open access Ph.D. dissertation. McGill University, 2019.&#13;
Available at https://escholarship.mcgill.ca/. Accessed January 28, 2021.</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2837518">
              <text>Pardoner and His Tale</text>
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              <text>SAC 43:196</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2837520">
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            <name>Title</name>
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              <elementText elementTextId="2837514">
                <text>Sacramental Signification: Eucharistic Poetics from Chaucer to Milton.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837515">
                <text>Argues "that in early modern England the primary theoretical models by which poets understood how language means what it means were applications of&#13;
eucharistic theology." Opens with discussion of PardT, SumT, and Pearl "in the context of the debate between nominalists and realists," focusing on their "playful and creative eucharistic poetics" as precursors to early modern examples.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <text>Vile Affections: Medieval Literature in "Reprobum sensus traditus."</text>
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                <text>Includes discussion of "Chaucer's critique of the rhetoric of moderation in the speech of the Pardoner and the Friar John [in SumT] . . . , who attempted to assert their clerical superiority and cover up their gluttony by preaching moderation."</text>
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              <text>Kennedy, James. Acorns</text>
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                <text>Includes a prose retelling of PardT entitled "Three Rioters: The Pardoner's Tale," which closes with a return to the "eternal journey" of the Old Man.</text>
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              <text>Fruoco, Jonathan.</text>
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                <text>Examines the depiction of the Pardoner in PardT as a reflection of Chaucer's own ideas about spirituality. Contends that Chaucer's portraits of the religious pilgrims in GP showcase several types of spirituality and argues that the poet seems to enjoy detailing both the vices and the virtues of members of the clergy.</text>
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                <text>Compares Chaucer's and Gower's versions of the story of Virginia, her rape, and death, remarking upon their various similarities and differences. Building upon that comparison, offers correctives for how a narrator might be used for old texts in general, and these tales in particular, by arguing that Chaucer's PhyT is not told by an unreliable narrator, but by Chaucer himself.</text>
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Language and Word Studies</text>
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              <text>Studies in Philology 116.2 (2019): 209-26.</text>
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              <text>Franklin and His Tale</text>
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                <text>Love's (and Law's) Illusions in Chaucer's "Franklin's Tale."</text>
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                <text>Examines the concept of intent and the illusion that is the marriage between Dorigen and Arveragus in order to argue that the message is one not of equality in marriage but of the happiness gained when the woman submits to her husband's authority. When put in its legal context, the concept of mercy also proves to be an illusion.</text>
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              <text>Bennett, Alastair.</text>
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              <text>Studies in the Age of Chaucer 41 (2019): 141-72.</text>
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              <text>Studies in the Age of Chaucer 41 (2019)</text>
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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                <text>Traces the history and implications of the rhetorical analogy between the effects of "persistent speech" and water eroding or imprinting stone, from Ovid through medieval erotodidactic and religious writing to Boccaccio's Tale of Menedon and FranT, focusing on how "familiar wisdom might unfold new meanings in time." Chaucer's "sustained engagement" with the image in FranT complicates traditional uses by showing how Dorigen learns the "rewards and satisfactions of complaint" while Aurelius fails to "abandon the fantasy of 'emprentyng' his desires on Dorigen."</text>
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                <text>"The emprentyng of hire consolacioun": Engraving, Erosion, and Persistent Speech in "The Franklin's Tale."</text>
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            <elementText elementTextId="2837443">
              <text>Thomas, Reena, and Ethan K. Smilie.</text>
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              <text>Mosaic 52.2 (2019): 129-45.</text>
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              <text>Smilie, Ethan K.</text>
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              <text>Squire and His Tale&#13;
Style and Versification</text>
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            <name>Title</name>
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              <elementText elementTextId="2837441">
                <text>"Vitium curiositatis" and Stereotypes in Chaucer's "Squire's Tale."</text>
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                <text>Looks at how SqT frames the East as stereotypically strange and familiar in order to explore the corrupting effects of "vitium curiositatis" (the vice of curiosity) and the beneficial possibilities of wonder. Argues that Chaucer embraces fragmented and partial knowledge, critiquing "curiositatis" through the Squire's narrative gaps and abrupt ending, and implying that, though wonderful and mysterious, the East can be known.</text>
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              <text>Elmes, Melissa Ridley.</text>
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        <element elementId="98">
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              <text>Medieval Feminist Forum 54.1 (2018): 50-64.</text>
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            <elementText elementTextId="2837437">
              <text>Medieval Feminist Forum 54 (2018)</text>
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        <element elementId="102">
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            <elementText elementTextId="2837438">
              <text>Squire and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2837439">
              <text>SAC 43:184</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837440">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2837433">
                <text>"Compassion and benignytee": A Reassessment of the Relationship between Canacee and the Falcon in Geoffrey Chaucer's "Squire's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837434">
                <text>Reviews the scholarship concerning the bond between Canacee and the falcon in SqT and argues that this posthumanist bond "derives from their femaleness, which for the tale-teller transcends species in favor of a gendered sameness borne of similar experiences; in particular, female experiences with figures of the opposite sex."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Walling, Amanda.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Studies in Philology 115 (2018): 1-24.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2837429">
              <text>Studies in Philology 115 (2018)</text>
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        <element elementId="102">
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          <description/>
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              <text>Merchant and His Tale&#13;
Tale of Melibee&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 43:183</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837432">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2837425">
                <text>Placebo Effects: Flattery and Antifeminism in Chaucer's "Merchant's Tale" and the "Tale of Melibee."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837426">
                <text>With Albertanus of Brescia's "Liber de consolationis et consilii" as a common source, Mel and MerT both confront issues of counsel, gender, and lordship. MerT offers a skeptical, antifeminist, homosocial reassessment of the relatively optimistic "Albertanian doctrines of counsel" found in Mel, which also offers a positive view of femininity. In differing ways, each tale suggests that "antifeminism and flattery pose special dangers to the masculine self."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837419">
              <text>Olson, Donald W.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2837420">
              <text>Cham: Springer, 2018.</text>
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          <name>Physical Description</name>
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              <text>xiv, 334 pp.; b&amp;w and color illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2837422">
              <text>Merchant and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837423">
              <text>SAC 43:181</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837424">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837417">
                <text>Further Adventures of the Celestial Sleuth: Using Astronomy to Solve More Mysteries in Art, History, and Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837418">
                <text>Includes discussion of MerT that explains Chaucer's precision in using astronomical data for poetic purposes. Suggests that Chaucer used Alfonsine tables, and aligns the astronomical details and imagery of MerT with celestial events that occurred in April, May, and June of 1389.</text>
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