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              <text>Malcolm, A. V. Aylin.</text>
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              <text>Ph.D. dissertation (University of Pennsylvania, 2023), Dissertation Abstracts International A84.12(E). Abstract available via ProQuest Dissertations &amp; Theses Global (accessed January 31, 2025).</text>
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              <text>268 pp.</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Knight and His Tale&#13;
Franklin and His Tale</text>
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                <text>Every Living Soul: Literature and Zoology in England, 1100–1400.</text>
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                <text>"[O]ffers an interdisciplinary perspective on later medieval views of animals, focusing on the Latin, French, and English texts circulating in England." Includes assessment of "Chaucer's depictions of inarticulable grief and interspecies empathy" in FranT, KnT, and BD.</text>
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              <text>Long, Mary Beth.</text>
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              <text>Manchester: Manchester University Press, 2023.</text>
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              <text>viii, 296 pp.; 6 color illus.</text>
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ABC&#13;
Prioress and Her Tale&#13;
Second Nun and Her Tale&#13;
Manuscripts and Textual Studies</text>
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                <text>Marian Maternity in Late-Medieval England.</text>
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                <text>Explores how "latent Marian maternal elements" inform a range of late medieval texts, focusing on how the devotional ideal of "imitatio Mariae"--rooted in Mary's "inimitable biology" as virgin and mother--informs Marian imagery and echoes in Margery Kempe, Middle English lives of mystics and saints' legendaries, and Chaucer's Marian works. Chapter 5 addresses how the presence of ABC and PrT in manuscripts containing other Marian texts encourages "matricentric" reading of Chaucer's works, while Chapter 6 considers how Marian material in SNT helps to make Cecilia a "metaphorical mother."</text>
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              <text>Kern-Stähler, Annette, and Elizabeth Robertson, eds.</text>
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                <text>Literature and the Senses.</text>
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                <text>Contains twenty-six essays by various authors on topics relating to the "wonder and mystery" of the five senses (and "Multisensoriality") in English literature, medieval to the present. The introduction by the editors describe the field of study, the arrangement of the volume, and the places of the individual essays in that arrangement. The volume includes a comprehensive index. For three essays that pertain to Chaucer, search for Literature and the Senses under Alternative Title.</text>
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              <text>Trigg, Stephanie.</text>
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              <text>Annette Kern-Stähler and Elizabeth Robertson, eds. Literature and the Senses (New York: Oxford University Press, 2023), pp. 31-48.</text>
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              <text>Literature and the Senses</text>
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              <text>Boof of the Duchess&#13;
Troilus and Criseyde</text>
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                <text>Looking at Faces: Geoffrey Chaucer, Hilary Mantel, and Alexis Wright.</text>
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                <text>Outlines various "cognitive and sensual contexts" that frame "face-gazing in literature" and analyzes the descriptions of male gaze at female faces in TC and BD, both "mediated by the complex ideology of courtly love," comparing them with discussion of the Holbein portrait of Cromwell in Mantel's "Wolf Hall" and the black swan's "transhuman, impersonal, and spiritual" gaze of an Australian Indigenous human in Wright's "The&#13;
Swan Book."</text>
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              <text>Saunders, Corinne.</text>
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              <text>Annette Kern-Stähler and Elizabeth Robertson, eds. Literature and the Senses (New York: Oxford University Press, 2023), pp. 107-24.</text>
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              <text>Literature and the Senses</text>
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Troilus and Criseyde</text>
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                <text>"A lowde voys clepyng": Voice-Hearing, Revelation, and Imagination.</text>
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                <text>Comments on medieval and modern understandings of hearing voices, then assesses the phenomenon in Middle English romances and mystical accounts. Demonstrates how in TC and BD Chaucer "extends romance motifs" to explore "the processes of the imagination, the intersections of affect and cognition, and the shaping of these by the mysterious forces outside the self . . . [and] the disruptions of extreme feeling.</text>
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              <text>Flannery, Mary C.</text>
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              <text>Annette Kern-Stähler and Elizabeth Robertson, eds. Literature and the Senses (New York: Oxford University Press, 2023), pp. 271-88.</text>
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              <text>Literature and the Senses </text>
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              <text>Miller and His Tale&#13;
Language and Word Studies</text>
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                <text>Reading "Ful Savourly": Taste and Good Taste in Later Medieval English Literature.</text>
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                <text>Explores connections between the physiological sense of taste (especially sweetness) and the aesthetic sense of good (or bad) taste, emphasizing their ambivalence in medieval understanding and the need for discernment that such ambivalence entails. Argues that the bottom-kissing scene in MilT shows that knowledge can be acquired sensorially, and how its diction of taste ("sweete," "savourly") "invites readers to reflect on what kind of narrative they consider to be in good taste."</text>
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              <text>Karnes, Michelle.</text>
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              <text>ix, 248 pp.</text>
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                <text>Studies marvels, wonders, and human imagination in medieval natural philosophy and literature, especially romance and travel narratives of western European and Islamic communities. Refers to several of the CT and links aspects of FranT with "Sir Orfeo" and "Mandeville's Travels," in particular the way each work groups "separate legends about dancing ladies, knights jousting, and men hunting" and connects imagination and the&#13;
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                <text>Gender, Poetry, and the Form of Thought in Later Medieval Literature: Essays in Honor of Elizabeth A. Robertson.</text>
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                <text>Ten essays by various authors on topics in Middle English and Anglo-Norman studies, with an introduction by the editors and a comprehensive index. For three essays that pertain to Chaucer, search for Gender, Poetry, and the Form of Thought in Later Medieval Literature under Alternative Title.</text>
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Monk and His Tale&#13;
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Style and Versification</text>
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                <text>Explicates the shift from Criseyde's bright thoughts of love to cloudy ones in TC, II.764ff., part of a "broader pattern of sun and cloud imagery" in the poem. Uses cognition theory and resonances with Boethius's "Consolatio" to argue that the passage encourages us to "feel with" Criseyde while simultaneously recognizing her gendered associations with changeable fortune. Also assesses implications of this "image cluster" in MkT, 2766, and NPP, 2782</text>
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in Late Medieval Dream Visions.</text>
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                <text>Articulates similarities and differences between dreaming and insomnia as devices in late medieval dream-vision prologues, following Emmanuel Levinas's suggestion that "the self-alienation experienced by the insomniac can be understood as a release from the confines of the singular mind," and focusing on how insomnia "provides the conditions necessary for ethical, consolatory engagement with others" in BD and in John Clanvowe's "Boke of Cupide," with comments on its use in Thomas Hoccleve's "Regiment of Princes."</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Considers WBPT as a "not yet" text, i.e., one that "points to a future resolution" without providing it. Rich in "represented reception" on the pilgrimage and in "contested reception" in manuscript glossing, critical response, and adaptation, the Wife's materials prompt efforts to resolve unfulfilled comedic potential. Assesses "The Wanton Wife of Bath"--set "outside history"--as a "perfect example of an anagogic reading" of WBPT as a "not yet" text.</text>
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Parliament of Fowls&#13;
Wife of Bath and Her Tale&#13;
Merchant and His Tale</text>
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                <text>Surveys the origins and development of versions of the fairy queen and related figures in western tradition. Includes a brief description of Chaucer's contribution to this development in WBP, 860 ("The elf-queen") where he blends "the classic image of a royal fay . . . with the tradition of nocturnal revels of beautiful female beings and--in a vital step--give[s] her the definite article." Also comments on Proserpine as queen of the fairies in MerT, and Nature as goddess in PF.</text>
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              <text>vi, 226 pp.</text>
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              <text>Dissertation Abstracts International 85 (E)</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde</text>
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              <elementText elementTextId="2853028">
                <text>The Future/History of England: Richard II, Reproductive Futurity, Literature, and History.</text>
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                <text>Examines the history and literature of Richard II "through a queer theoretical lens," including discussion of TC, Maidstone's "Concordia," Shakespeare's "Richard II "(and its performance history), and modern fiction. Explores the "cultural norm of royal fecundity" in English insular romances to reveal how "the conspicuous absence of children" in TC resists the "logics of reproductive futurity."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fisher, Matthew.</text>
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              <text>Studies in the Age of Chaucer 45 (2023): 313-61.</text>
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              <text>Studies in the Age of Chaucer 45 (2023)</text>
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              <text>Background and General Criticism&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="114">
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            <elementText elementTextId="2853027">
              <text>2023</text>
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              <elementText elementTextId="2853020">
                <text>Richard Sotheworth, Chancery Clerks, and a Discourse of Books.</text>
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              <elementText elementTextId="2853021">
                <text>Attributes the copying of British Library, MS Cotton Appendix XVI ("Statuta Angliae") and nineteen Chancery documents to Richard Sotheworth, whose will records the earliest known ownership of a CT manuscript. Uses these and related documents to identify a complicated "network" of Chancery clerks in late medieval England, exploring their books and affiliations, their "material, cultural, and intellectual aspirations," and their "worldly cosmopolitanism" as a "rising upper middle bureaucratic class."</text>
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            <elementText elementTextId="2853014">
              <text>Feinstein, Sandy&#13;
Wang, Bryan Shawn.</text>
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            <elementText elementTextId="2853015">
              <text>Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 23 (2023): 349-61.</text>
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            <elementText elementTextId="2853016">
              <text>Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 23 (2023)</text>
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            <elementText elementTextId="2853017">
              <text>Background and General Criticism&#13;
Parliament of Fowls&#13;
Truth</text>
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            <elementText elementTextId="2853018">
              <text>SAC 47:73</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2853019">
              <text>2023</text>
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              <elementText elementTextId="2853012">
                <text>From Old Books to New Science: Rethinking Models, Recovering Meaning.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2853013">
                <text>Reflects on the teaching of a two-instructor, interdisciplinary course in literature and molecular biology designed for undergraduate general education, emphasizing changes brought about by COVID-19 in the course's design, assignments, and subtending models. Includes comments on uses of PF in the course, Truth as it expresses a perspective different from scientific truth, and the implications of regarding the reading and teaching of Chaucer as related to biological "de-extinction."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Ensley, Mimi.</text>
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              <text>Manchester: Manchester University Press, 2023.</text>
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            <elementText elementTextId="2853007">
              <text>ix, 242 pp.; 5 b&amp;w illus.</text>
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              <text>Manchester Medieval Literature and Culture.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion&#13;
Squire and His Tale&#13;
Chaucerian Apocrypha</text>
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            <elementText elementTextId="2853011">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853003">
                <text>Difficult Pasts: Post-Reformation Memory and the Medieval Romance.</text>
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              <elementText elementTextId="2853004">
                <text>Studies post-Reformation understandings and treatments of romance--a "fluid" genre--for the ways they disclose "subtle continuity" across the traditional divide between medieval and Renaissance. Focuses on resistance to erasure of the genre, analyzing the presence and roles of romance in catalogues, collections or collages, literary monumentalization, and metaphoric museums of memory. Comments on spurious attributions to Chaucer and investigates aspects of Edmund Spenser's and John Lane's monumentalization/laureation of their predecessor in continuations of SqT and elsewhere.</text>
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              <text>Edwards. Jennifer C.</text>
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              <text>Santa Barbara: Greenwood, 2022.</text>
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            <elementText elementTextId="2852998">
              <text>xlv, 245 pp.; b&amp;w illus.</text>
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              <text>Background and General Criticism&#13;
Wife of Bath and Her Tale</text>
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              <text>SAC 47:71</text>
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            <elementText elementTextId="2853001">
              <text>2022</text>
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            <elementText elementTextId="2853002">
              <text>Greenwood Press Daily Life through History Series</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852995">
                <text>Introductory survey of the conditions and experiences of women in fourteenth- and fifteenth-century England, designed for pedagogical use. Includes chapters on Marriage, Motherhood, Royal and Noblewomen, Urban and Rural Women, Sex and Sexuality, and Religion, each with a citational bibliography and suggestions for further reading. The preface opens with a brief description of Chaucer's life and works, and the index identifies numerous references to him, with a separate entry for the Wife of Bath, also with many references. Includes a glossary of terms and a timeline.</text>
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                <text>Daily Life of Women in Chaucer's England.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Drury Hall, Anne.</text>
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            <elementText elementTextId="2852990">
              <text>viii, 232 pp.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2852991">
              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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            <elementText elementTextId="2852992">
              <text>SAC 47:70</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2852993">
              <text>2023</text>
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            <elementText elementTextId="2854063">
              <text>South Bend, Ind.: Saint Augustine's Press, 2023.</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2852986">
                <text>Where the Muses Still Haunt: The Second Reading.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852987">
                <text>Reflects on reading and responding to "Great Books," offering appreciative descriptions of samples from Plato, Homer, Chaucer, Shakespeare, Milton, and Melville, and asserting their success in conveying moral philosophy artfully, despite the resistance of many modern readers. Treats KnT, MilT, ClT, FranT, MerT, WBPT, and PardPT, with recurrent attention to gentleness and gentilesse, to the sensibilities of the tale-tellers, and Chaucer's generosity of spirit.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Dragu, Jacqueline.</text>
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              <text>Ph.D. dissertation (University of Chicago, 2023), Dissertation Abstracts International A84.12(E). Accessible via ProQuest Dissertations &amp; Theses Global (accessed January 31, 2025).</text>
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              <text>viii, 131 pp. </text>
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            <elementText elementTextId="2852982">
              <text>Dissertation Abstracts International 84 (E).</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Prioress and Her Tale</text>
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          <name>Source</name>
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              <text>SAC 47:69</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2852985">
              <text>2023</text>
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            <name>Title</name>
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              <elementText elementTextId="2852977">
                <text>"All Is Alike Good": Melancholia and Desire in Medieval Literature.</text>
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          <element elementId="41">
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              <elementText elementTextId="2852978">
                <text>Discusses psychoanalytic aspects of melancholy and subjectivity in several medieval texts, including BD and PrT. The "logic of identification" in BD signals that "melancholia might be seen as more open-ended than a pathology constantly teetering on the edge of sinfulness," while PrT "paranoiacally [sic] attributes its repressed aggression towards [the clergeon] onto the Jews rather than ever identifying that aggression as an aspect of its own desire."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dominick, Gina A.</text>
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              <text>Ph.D. dissertation (New York University, 2022), Dissertation  Abstracts International A 84.01(E).</text>
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              <text>Dissertation  Abstracts International 84 (E)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2852974">
              <text>Background and General Criticism</text>
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              <text>SAC 47:68</text>
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        <element elementId="114">
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            <elementText elementTextId="2852976">
              <text>2022</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Diseased Texts: "Formosa deformitas" and Medieval Literature.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854105">
                <text>Explores how texts such as Julian of Norwich's "A Revelation of Divine Love," CT, and Thomas Malory's "Morte Darthur" "unsettle the medieval aesthetic-ethical form of "formosa deformitas," or, the 'beautiful ugly,' " and "bring attention to the ethical compromises made for literary pleasure, as well as the aesthetic and ethical failures or harm of averting a potentially 'diseased' aesthetic."</text>
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              <text>Davies, Daniel.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2852963">
              <text>Ph.D. dissertation (University of Pennsylvania, 2021), Dissertation Abstracts International A83.02(E). Freely accessible at https://repository.upenn.edu/entities/publication/59a38ac4-5b08-41e6-a701-26a6f3939e86 (accessed January 30, 2025).</text>
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            <elementText elementTextId="2852964">
              <text>x, 317 pp.; illus.</text>
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          <elementTextContainer>
            <elementText elementTextId="2852965">
              <text>Dissertation Abstracts International 83 (E)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852966">
              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Law and His Tale</text>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852967">
              <text>SAC 47:67</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852968">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2852960">
                <text>Forms of Writing, Forms of War: England, Scotland, France c. 1300–1450.</text>
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          <element elementId="41">
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            <elementTextContainer>
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                <text>Argues that "the nascent art of international relations . . . among England, Scotland, and France, creates a heightened awareness of the connections between literary and political mediation central to the distinct textures of medieval wartime." Explores examples in literary and historical texts and treats Chaucer as an "emblematic figure" of such mediation in various works, especially KnT, MLT, and TC. A version of Chapter 4, "'Wereyed on every side': Chaucer's Troilus and Criseyde and the Logic of Siege Warfare," was published under the same title in New Medieval Literatures 20 (2020): 74-106.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852954">
              <text>Contzen, Eva von.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852955">
              <text>Journal of Medieval and Early Modern Studies 53 (2023) 597-622.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2852956">
              <text>Journal of Medieval and Early Modern Studies 53 (2023) </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852957">
              <text>Canterbury Tales--General&#13;
Background and General Criticism</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852958">
              <text>SAC 47:64</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852959">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852952">
                <text>Who Has Intention? Chaucer Studies and the Search for Meaning.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852953">
                <text>Focuses on three different approaches to CT, examines the ways that scholars have attempted to avoid ascribing intention to Chaucer, and concludes that "when engaging with Chaucer, critics need to embrace intention as a key generator in the meaning-making activity of interpretation."</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2852945">
              <text>Butterfield, Ardis, Ian Johnson, and Andrew Kraebel, eds.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852946">
              <text>Cambridge: Cambridge University Press, 2023.</text>
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        <element elementId="99">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852947">
              <text>xxvi, 322 pp.; 10 illus.</text>
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          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852948">
              <text>Johnson, Ian, ed,&#13;
Kraebel, Andrew, ed.&#13;
Gillespie, Vincent</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852949">
              <text>Background and General Criticism</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852950">
              <text>SAC 47:62</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852951">
              <text>2023</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852943">
                <text>Literary Theory and Criticism in the Later Middle Ages: Interpretation, Invention, Imagination: Essays in Honour of Alastair Minnis.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852944">
                <text>Comprises twelve essays by various authors on topics relating to medieval literary interpretation and theory, rhetoric, and manuscript study, with an introduction by Andrew Kraebel, an account of Minnis's "Career and Contributions" by Vincent Gillespie, a chronological bibliography of Minnis's publications, and a comprehensive index. For two essays that pertain to Chaucer, search for Literary Theory and Criticism in the Later Middle Ages under Alternative Title.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852938">
              <text>Cornelius, Ian.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852939">
              <text>Ardis Butterfield, Ian Johnson, and Andrew Kraebel, eds. Literary Theory and Criticism in the Later Middle Ages: Interpretation, Invention, Imagination (Cambridge: Cambridge University Press, 2023), pp. 220-48.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852940">
              <text>Boece&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852941">
              <text>SAC 47:174</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852942">
              <text>2023</text>
            </elementText>
          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2852936">
                <text>George Colvile's Translation of the "Consolation of Philosophy."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852937">
                <text>Explains how George Colvile's 1556 translation of Boethius's "Consolatio" is a "medieval throwback," tracing its marginal explanatory notes to medieval commentary and finding similar commentary "intercalated" with Boethius's poems, tentatively suggesting that some locutions recall Bo, and showing how "Colvile's procedures are closer to those of Chaucer than to subsequent English translators of this text," although his translation is not a "redaction" of Bo, nor did he use it in a systematic way.</text>
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          </element>
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