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                <text>Explores the transgressive and reparative potential of the mouth in medieval thinking--scientific, pastoral, and literary (especially "Piers Plowman"). Includes no sustained attention to Chaucer's works, but the index lists nearly forty references to them.</text>
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                <text>Navigating Strategies for Teaching Medieval Literature with Google Maps.</text>
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Troilus and Criseyde&#13;
Wife of Bath and Her Tale</text>
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                <text>"Ymaried moore for hir goodes": The Economics of Marriage in Middle English Poetry.</text>
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                <text>Explores "economic terms and metaphor" in Middle English literature "to determine what such treatment indicates about the shifting social relations of marriage in late medieval England." Discusses how, in WBP, the Wife "appropriate[s] economic thought to dictate the parameters of [her] own exchange," widowhood in TC and its implications as an "unfixed" marital status, and related concerns elsewhere in Middle English works.</text>
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              <text>Staley, Lynn.</text>
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              <text>Ann Arbor: University of Michigan Press, 2020.</text>
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              <text>vii, 232 pp.</text>
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              <text>mea; SAC 44:156</text>
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                <text>Following Chaucer: Offices of the Active Life.</text>
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            <description>An account of the resource</description>
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                <text>Concentrates on Anne of Bohemia, Chaucer and the trinity, and the figure of the medieval merchant: "three 'offices' of the active life as they underpin Chaucer's growing understanding of the relationship between individuals and their communities."</text>
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              <text>Sparks, Corey.</text>
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              <text>Exemplaria 31 (2019): 154–70.</text>
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Book of the Duchess&#13;
Knight and His Tale</text>
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                <text>Digital Humanities as Anamorphosis.</text>
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            <description>An account of the resource</description>
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                <text>Situates the digital humanities (DH) within media history by arguing that DH depends upon collocation of visual, perspectivistic technology and artistic pursuit, as does anamorphosis. Exemplifies anamorphosis by means of Hans Holbein's "The Ambassadors" and comments on Palamon's and Arcite's "circuits of desire" in viewing Emelye in KnT and on the retrospective articulation and skewing of courtly love in BD.</text>
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              <text>Kalamazoo: Medieval Institute Publications, 2020.</text>
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              <text>vii, 235 pp.</text>
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Roman, Christopher Michael, ed.</text>
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                <text>Medieval Futurity: Essays for the Future of a Queer Medieval Studies.</text>
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                <text>Discusses medieval English, French, and Latin sources and offers directions for discovering queerness by connecting these texts to recent developments in queer theory, including queer phenomenology and queer failure. For two essays pertaining to Chaucer, search for Medieval Futurity under Alternative Title.</text>
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              <text>Orlemanski, Julie.</text>
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              <text>ix, 333 pp.</text>
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              <text>The Metaphysics of Phisik in the Knight's Tale.</text>
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Language and Word Studies&#13;
Knight and His Tale&#13;
Nun's Priest's and His Tale</text>
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                <text>Symptomatic Subjects: Bodies, Medicine, and Causation in the Literature of Late Medieval England.</text>
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                <text>Studies medical language and the "etiological imagination" of late medieval England, i.e., the "envisioning, arbitrating among, and emplotting [of] intricate causal chains" that seek to represent or explain the "frictional interface of causation and embodied agency." Treats depictions of medicine and causation in literary satires (including NPT), exempla, KnT, Henryson's "Testament of Cresseid" (compared with TC), Hoccleve's "Series," and "The Book of Margery Kempe." Chapter 5, "The Metaphysics of "Phisik" in the 'Knight's Tale'," argues that the combination of "the seemingly gratuitous medical language used to describe Arcite shortly before his death" poses an alternative to the "monotheistic order of the prime Mover" in Theseus's final speech.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Murton, Megan E.</text>
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              <text>Cambridge: D. S. Brewer, 2020.</text>
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              <text>viii, 180 pp.</text>
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              <text>ABC&#13;
Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Franklin and His Tale&#13;
Man of Law and His Tale&#13;
Prioress and Her Tale&#13;
Second Nun and Her Tale&#13;
Chaucer's Retraction</text>
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          <elementTextContainer>
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              <text>mea; SAC 44:150</text>
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            <elementText elementTextId="2840930">
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            <description>An account of the resource</description>
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                <text>Argues that Christian and pagan acts of prayer in Chaucer's works are fundamental to understanding his creative piety. Chaucer's literary representations of prayer are collaborative and participatory "scripts" that involve the reader in the sacred experience of devotional subjectivity. Focuses on ABC, BD, HF, PF, TC, KnT, FranT, MLT, PrT, SNT, and Ret.</text>
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                <text>Chaucer's Prayers: Writing Christian and Pagan Devotion.</text>
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Chaucer,</text>
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Clerk and His Tale&#13;
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                <text>"They would not for a world transgresse the bounds of Civility": The "Otherness" of Early Modern Female Vices and Virtues Reassessed.</text>
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Wife of Bath and Her Tale&#13;
Language and Word Studies</text>
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                <text>Teaching Chaucer in a Bilingual High School.</text>
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                <text>Offers evidence (including quotations from students) that teaching CT in a bilingual (English/Spanish) high school helps students to "feel part of the conversation in college" and "to reflect on their own lives and cultures." Moreover, such students are "especially equipped to understand the complexities of reading a text in translation."</text>
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              <text>Lawrence Trudeau, ed. Literature Criticism from 1400 to 1800, Vol. 260 (Farmington, Mich.: Gale, 2017), pp. 114-0.</text>
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Chaucer's Life</text>
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                <text>Geoffrey Chaucer: 1340?–1400.</text>
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                <text>Reprints eleven examples of Chaucer criticism published between 2001 and 2013 and an excerpt from 1934. The introduction by Krstovic summarizes Chaucer's biography, major works, and critical reception, updating information supplied in Volume 56 of this series published in 2000. Includes a bibliography of Chaucer's&#13;
principal works and editions, and annotated suggestions for further reading.</text>
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Troilus and Criseyde</text>
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                <text>Frames an assessment of literary theory with opening and closing comments on TC, claiming that, at the end of the poem, "Chaucer, in effect, is doing theory" and, by doing so, "converts his text into something residual and emergent, pleasurable and ameliorative, reparative and dialectical." Discusses within this frame theoretical outlooks of Andrew Cole, Eve Sedgwick, and Anna Lowenhaupt Tsing.</text>
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              <text>xvi, 481 pp.; 18 b&amp;w illus.</text>
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              <text>Background and General Criticism&#13;
Bibliographies, Reports, Reference&#13;
Chaucer's Life&#13;
Manuscripts and Textual Studies&#13;
Language and Word Studies&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion&#13;
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              <text>mea; SAC 44:138</text>
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              <text>Burrow, J. A. &#13;
Galloway, Andrew&#13;
Smith, Jeremy J.&#13;
Purdie, Rhiannon&#13;
Scase, Wendy&#13;
Bose, Mishtooni&#13;
Putter,Ad&#13;
James, Sarah&#13;
Shepherd, Stephen H. A.&#13;
Saunders, Corinne&#13;
Gillespie, Vincent&#13;
Kamath, Stephanie A. Viereck Gibbs&#13;
Clarke, K. P.&#13;
Turner, Marion&#13;
Machan, Tim William&#13;
Perry, Ryan&#13;
Hennessy, Marlene Villalobos&#13;
Minnis, Alastair&#13;
Allen, Valerie&#13;
Voaden, Rosalynn&#13;
Holsinger, Bruce&#13;
Rudd, Gillian&#13;
Orme, Nicholas&#13;
Penn, Stephen&#13;
Falk, Seb&#13;
Seal, Samantha Katz&#13;
Ireland, Richard W.&#13;
Luxford, Julian&#13;
Fawcett, Richard&#13;
Stevenson, Katie&#13;
Arnold, John H.&#13;
Lutton, Rob&#13;
Curry. Anne&#13;
Bale, Anthony&#13;
Given-Wilson, Chris&#13;
Taylor, Craig&#13;
Dodd, Gwilym&#13;
Dyer, Christopher&#13;
Bailey, Mark&#13;
Thompson, John J.&#13;
Childs, Wendy&#13;
Fleming, Peter&#13;
Dixon-Smith, Sally&#13;
Hodges, Laura F.&#13;
Meyer-Lee, Robert J.&#13;
Davis, Alex&#13;
Graver, Bruce E.&#13;
Matthews, David&#13;
Kelly, Stephen&#13;
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                <text>Geoffrey Chaucer in Context.</text>
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                <text>Includes fifty brief essays that offer "historical and conceptual information and perspectives" to aid in understanding Chaucer's works: J. A. Burrow, "What Was Chaucer Like?"; Andrew Galloway, "Chaucer's Life and Literary 'Profession'"; Jeremy J. Smith, "Chaucer's Linguistic Invention" and "Chaucer and London English"; Rhiannon Purdie, "Manuscripts and Manuscript Culture"; Wendy Scase, "Chaucer's Books" and "Chaucer's Competitors"; Mishtooni Bose, "Authority"; Ian Johnson, "Literary Theory and Literary Roles"; Ad Putter, "Metre and Versification"; Sarah James, "Dialogue"; Stephen H. A. Shepherd, "Romance"; Corinne Saunders, "Love"; Vincent Gillespie, "Chaucer and the Classics"; Stephanie A. Viereck Gibbs Kamath, "The French Context"; K. P. Clarke, "The Italian Tradition"; Marion Turner, "The English Context"; Tim William Machan, "Boethius"; Ryan Perry, "Chaucer's God"; Marlene Villalobos Hennessy, "Holiness"; Alastair Minnis, "Secularity"; Valerie Allen, "The Self "; Rosalynn Voaden, "Women"; Bruce Holsinger, "Sex and Lust"; Gillian Rudd, "Animals in Chaucer"; Nicholas Orme, "Childhood and Education"; Stephen Penn, "Philosophy"; Seb Falk, "The Medieval Universe"; Samantha Katz Seal, "Medicine and the Mortal Body"; Richard W. Ireland, "The Law"; Julian Luxford, "Art"; Richard Fawcett, "Architecture"; Katie Stevenson, "Heraldry, Heralds and Chaucer"; John H. Arnold, "Dissent and Orthodoxy"; Rob Lutton, "The Church, Religion and Culture"; Anne Curry, "England at Home and Abroad"; Anthony Bale, "Chaucer's Borders"; Chris Given-Wilson, "Rank and Social Orders"; Craig Taylor, "Chivalry"; Gwilym Dodd, "Chaucer and the Polity"; Christopher Dyer, "The Economy"; Mark Bailey, "Towns, Villages and the Land"; John J. Thompson, "Chaucer's London: A Psychogeography"; Wendy Childs, "Everyday Life"; Peter Fleming, "Household and Home"; Sally Dixon-Smith, "Marriage"; Laura F. Hodges, "Dress"; Robert J. Meyer-Lee, "The First Chaucerians: Reception in the 1400s"; Alex Davis, "The Reception of Chaucer in the Renaissance"; Bruce E. Graver, "The Reception of Chaucer from Dryden to Wordsworth"; David Matthews, "The Reception of Chaucer from the Victorians to the Twenty-First Century"; and Stephen Kelly, "Cyber-Chaucer." The volume includes an index and offers suggestions for further reading for each essay.</text>
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              <text>Hodapp, William F.</text>
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              <text>xiii, 307 pp.; 5 b&amp;w illus.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde</text>
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                <text>Describes backgrounds, and analyzes depictions of and references to Minerva in late medieval British literature, exploring her as ""redemptress, mistress of the liberal arts, patroness of princes, idol, and Venus' ally," and arguing that writers of the fifteenth and early sixteenth century used her many-faceted characterization to encourage careful reading. Includes recurrent references to TC and other Chaucerian works, often treating them as models and background to later English.</text>
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              <text>Hennequin, M. Wendy.</text>
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              <text>Studies in Medieval and Renaissance Teaching 24, no. 1 (2017): 121-40.</text>
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              <text>Studies in Medieval and Renaissance Teaching 24 (2017)</text>
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              <text>mea; SAC 44:136</text>
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            <elementText elementTextId="2840826">
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                <text>Teaching the Past Present: Re-Creation and Reproduction in the University Classroom.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2840820">
                <text>Justifies the use of historical re-creation assignments in university classrooms, offering in appendices a sample assignment and a grading rubric. Describes examples of more and less successful student projects, with commentary and illustrations, including a number of projects produced for Chaucer classes.</text>
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