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              <text>Arraigada, Candela.</text>
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                <text>El control de los cuerpos en "The Physician's Tale" y "The Wife of Bath's Tale," de Geoffrey Chaucer (c. 1343–1400).</text>
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                <text>Explores interrelations among youth, old age, virginity, and chastity in PhyT and WBPT as they "reveal the links between eroticism and control over bodies." Includes an abstract in English.</text>
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              <text>Yıldız, Nazan.&#13;
[Yildiz, Nazan]</text>
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                <text>Medieval Hybrid and Mimic Identities: Geoffrey Chaucer's Franklin in "The Canterbury Tales."</text>
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                <text>Assesses the Franklin as a "hybrid and mimic who is caught in between the medieval acknowledged identities of the commoners and the nobility," striving upward, and searching for "for a recognisable identity" in his changing medieval society. Includes an abstract in Turkish.</text>
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              <text>Veldhoen, N. H. G. E.</text>
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              <text>J. Lachlan Mackenzie and Richard Todd, eds. In Other Words: Transcultural Studies in Philology, Translation and Lexicology Presented to Hans Meier on the Occasion of His 65th Birthday (Boston, Mass.: De Gruyter Mouton, 2019), pp. 107-16.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>"Which was the mooste fre": Chaucer's Realistic Humour and Insight into Human Nature, as Shown in "The Frankeleyns Tale."</text>
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                <text>Seeks to answer the "demande d'amour" of FranT (1622), first eliminating Dorigen and the magician from consideration of who is most "fre," and then arguing that Aurelius and Arveragus have effectively equal claim to be named--a complicated balance "not untypical" of Chaucer. Compares Chaucer's version with analogues in "Sanskrit Vetula-stories" and Boccaccio's "Filocolo."</text>
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Sources, Analogues, and Literary Relations&#13;
Language and Word Studies</text>
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                <text>Traces the figure of the "sursanure" in FranT, demonstrating that this superficially healed wound is an apt metaphor for Chaucer/s soft or "sunken" sources.</text>
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              <text>Karnes, Michelle.</text>
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Franklin and His Tale</text>
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                <text>Focuses on marvels in medieval literature, and argues that medieval readers appreciated indeterminacy of the marvelous. Some attention to FranT.</text>
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              <text>Kao, Wan-Chuan.</text>
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                <text>The Body in Wonder: Affective Suspension and Medieval Queer Futurity.</text>
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                <text>Describes "premodern theories of affect rooted in humoral theory and faculty psychology," and explores the affects of wonder and shame in FranT as well as its queered futurity, focusing on Aurelius's brother, who occupies "the position of the fourth-person singular" and the "space of singular vitality," and who "offers wonder as a mode of maximum attention that queers thinking and feeling."</text>
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Traces the struggles of Dorigen in FranT as a kind of conduct literature for wives, as Dorigen's pain in Arveragus's absence is linked to "two contemporary French conduct texts--'Le Livre du chevalier de la Tour Landry' (1371) and 'Le Mesnagier de Paris' (1394)."</text>
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Language and Word Studies</text>
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                <text>Traces Chaucer's uses of purses and other cavities in PardPT as sites of queer reproduction. Throughout, "locates the 'purs' as a gendered, sexualized, and economized site of social exchange."</text>
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              <text>mea; SAC 44:252</text>
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                <text>Reassesses the role and value of the falcon and the mechanical horse in SqT. Demonstrates through these depictions that SqT creates "interspecies and intrasexual relationships of care outside of the gendered human norms of chivalric romance."</text>
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              <text>Petrosillo, Sara.</text>
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              <text>Medieval Feminist Forum 54, no. 1 (2018): 9-33.</text>
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              <text>mea' SAC 44:251</text>
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                <text>Flying, Hunting, Reading: Rethinking Falcon–Woman Comparisons.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841577">
                <text>Observes how the "tension between control and release" in premodern falconry is "salient for feminist approaches to representations of gender when birds stand in for women's sexual bodies," exploring the implications of associations between women and hunting birds in medieval art and literature, and concluding with discussion of how a "feminist poetics" emerges from consideration of the interaction between Canacee and the falcon in SqT.</text>
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              <text>Elmes, Melissa Ridley.</text>
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              <text>Medieval Feminist Forum 54, no. 1 (2018): 50-64.</text>
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              <text>Medieval Feminist Forum 54 (2018)</text>
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              <text>Squire and His Tale&#13;
Parliament of Fowls</text>
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                <text>"Compassion and Benignytee": A Reassessment of the Relationship between Canacee and the Falcon in Geoffrey Chaucer's "Squire's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Argues that the "bond" between Canacee and the falcon in SqT is "grounded in the theme of female friendship" although seen from the "avian perspective"--an "intersectional" approach that "interprets Canacee as avian, rather than the falcon as humanlike." Treats the tale as something of a "sequel" to PF, even while the Squire reveals himself to be "decidedly uncomfortable with women on an individual level."</text>
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              <text>Elias, Marcel.</text>
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              <text>Review of English Studies 70, no. 296 (2019): 618-39.</text>
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              <text>Review of English Studies 70 (2019)</text>
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              <text>Squire and His Tale&#13;
Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer and Crusader Ethics: Youth, Love, and the Material World.</text>
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                <text>Shows how late medieval "anxieties over the corruption of chivalry" and criticism of the morals, motives, and conduct of crusaders" are reflected in the pairing of the GP descriptions of the Squire and Knight, and in KnT and SqT. Argues that "Chaucer's critique of crusaders is not . . . effected through the Knight, but through the Squire," evident in comparisons with romances and treatises about the crusades, including that of Henry Despenser.</text>
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              <text>Bale, Anthony, and Sebastian Sobecki, eds.</text>
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              <text>Squire and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2841559">
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                <text>Medieval English Travel: A Critical Anthology.</text>
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            <description>An account of the resource</description>
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                <text>Gathers secular and religious travel narratives of England &#13;
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                <text>Describes treatments of the Griselda story from Boccaccio's "Decameron" to Joan Timoneda's "El patrañuelo" (1567), tracing its transformation from a story intended to present Griselda as a model for humankind to a "manual for wives-to-be," including discussion of ClT; works by Petrarch, Christine de Pizan, and Bernat Metge; and the anonymous "Castigos y doctrinas que un sabio daba a sus hijas." Includes an abstract in English.</text>
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Wife of Bath and Her Tale</text>
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              <text>Clerk and His Tale</text>
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          </elementTextContainer>
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          <name>Source</name>
          <description/>
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              <text>mea; SAC 44:241</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841501">
              <text>2020</text>
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            <description>An account of the resource</description>
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                <text>Draws on debates about slow cinema to suggest how ClT evokes a "slow eco-aesthetics" with an ethical impact. Based on the notion that medieval pilgrimage texts evoke a slow aesthetic, the strategies of slowness and patience in the tale of Patient Griselda are assessed as fundamentally ecocritical.</text>
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                <text>Slow Practice as Ethical Aesthetics: The Ecocritical Strategy of Patience in Geoffrey Chaucer's "The Clerk's Tale."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Morrison, Susan Signe.</text>
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              <text>Medieval Feminist Forum 56, no. 2 (2020): 73-92.</text>
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              <text>Medieval Feminist Forum 56 (2020)</text>
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              <text>Clerk and His Tale</text>
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              <text>mea; SAC 44:240</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841493">
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              <elementText elementTextId="2841486">
                <text>Insistent, Persistent, Resilient: The Negative Poetics of Patient Griselda.</text>
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            <description>An account of the resource</description>
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                <text>Uses "lessons from trauma studies concerning silence, as well as new materialist and ecocritical approaches," to explore the resistance of Griselda's patient silence. "[T]hrough a preponderant use of negative words"--a "poetics of negation"--Griselda enacts agency and "undermines" her vow not to "grucche" against Walter's treatment of her. She reinforces her "covert silence" with body language, and her "naying [of] Walter's ye" resonates in the figure of Echo in the Envoy to ClT.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2841480">
              <text>Lawton, Lesley.</text>
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              <text>Miranda: Revue pluridisciplinaire du monde anglophone 12 (2016): 1-21. Open access journal at http://journals.openedition.org/miranda/8646 (accessed February 6, 2022).</text>
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            <elementText elementTextId="2841482">
              <text>Miranda: Revue pluridisciplinaire du monde anglophone 12 (2016)</text>
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            <elementText elementTextId="2841483">
              <text>Clerk and His Tale</text>
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            <elementText elementTextId="2841484">
              <text>mea;  SAC 44:239</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2841485">
              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841478">
                <text>Reconsidering the Use of Gender Stereotypes in Medieval Romance: Figures of Vulnerability and of Power.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851054">
                <text>Explores how medieval romances convey stereotypes that "often appear as a feature of tales of identity in which the male subject position of active self-affirmation is partly developed in relation to female figures" of vulnerability. Includes comments on how, in ClT, "Griselda's Christ-like and Job-like qualities give her a masculine authority and an actively complicit role in her testing which disturbs the gender politics of wifely submission to a husband's will."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            <elementText elementTextId="2841472">
              <text>Bryan, Jennifer E.</text>
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              <text>Studies in the Age of Chaucer 42 (2020): 73-109.</text>
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            <elementText elementTextId="2841474">
              <text>Studies in the Age of Chaucer 42 (2020)</text>
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            <elementText elementTextId="2841475">
              <text>Clerk and His Tale&#13;
Boece&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:237</text>
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          <name>Date</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841470">
                <text>"Following Echo": Speech and Common Profit in Chaucer's "Clerk's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Extends discussions of ClT as a "political fable," focusing on the theme of common profit and on the Clerk as a philosopher, assessing both in light of Bo as an "account of the philosopher's duty to the common profit." Rejects the "Griseldean values of abject obedience and self-abnegation," arguing that ClT and its comic envoy affirm the need to speak reasonably against political absolutism and to resist "bad Boethianism" and nostalgic Petrarchan eloquence.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2841463">
              <text>Smilie, Ethan K., and Kipton D. Smilie.</text>
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          <elementTextContainer>
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              <text>Studies in Medieval and Renaissance Teaching 26, no. 1 (2019): 77-89.</text>
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              <text>Smilie, Kipton D.</text>
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            <elementText elementTextId="2841466">
              <text>Studies in Medieval and Renaissance Teaching 26 (2019)</text>
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              <text>Summoner and His Tale&#13;
Background and General Criticism</text>
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              <text>mea; SAC 44:236</text>
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            <elementText elementTextId="2841469">
              <text>2019</text>
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            <description>An account of the resource</description>
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                <text>Juxtaposes modern pedagogical views of critical thinking and the Thomastic contrast between "studiositas" and "curositas" as background to discussing how SumT can "be used to help students to think critically about the nature of their own critical thinking."</text>
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                <text>Chaucer's Cautionary Tale: Critical Thinking and Pranking.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Smilie, Ethan K.</text>
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              <text>Mediaevalia 40 (2019): 139-67..</text>
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            <elementText elementTextId="2841457">
              <text>Mediaevalia 40 (2019)</text>
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        <element elementId="102">
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            <elementText elementTextId="2841458">
              <text>Summoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
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              <text>mea; SAC 44:235</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2841460">
              <text>2019</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2841454">
                <text>Argues that Dante in Canto XIX of his "Inferno," and Chaucer in SumT, "show essentially the same pervasive effects of simony in essentially the same manner," using similar "images of and parodic allusions to" the sin. However, the poets differ in their "inverse use of friars [which] is likely a result of their differing political and ecclesiastical environments."</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2851055">
                <text>Simon Magus and his "Miseri Seguaci": Dante'' Simonists and Chaucer's "Summoner's Tale."</text>
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