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                  <text>Chaucer Bibliography Online</text>
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              <text>Campbell, Ethan.</text>
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              <text>Kalamazoo: Medieval Institute Publications, 2018.</text>
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              <text>xvi, 238 pp.</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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              <text>mea; SAC 44:126</text>
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                <text>The "Gawain"-Poet and the Fourteenth-Century English Anticlerical Tradition.</text>
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                <text>Makes clear the anti-clericalism, overt and implicit, in the works of the "Gawain"-poet ("Cleanness," "Patience," "Pearl," and "Sir Gawain and the Green Knight"), examining the theme in light of contemporaneous polemics. Includes several references to CT (especially the Parson and friars) as illustrations of clerical ideals and/or criticism of those who fail or neglect these ideals.</text>
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              <text>Justice, Steven.</text>
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              <text>Frank Grady, ed. The Cambridge Companion to "The Canterbury Tales" (Cambridge: Cambridge University Press, 2020), pp. 45-58.</text>
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              <text> Cambridge Companion to The Canterbury Tales</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>mea; SAC 44:193</text>
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                <text>Surveys approaches to reception and interpretation of GP. Reappraises GP's incompleteness as a symbol for the incompleteness of memory, establishing the beginning of CT as a kind of machinery that "set[s] the roadside drama in motion once again."</text>
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              <text>Scala, Elizabeth.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>[6 pp.]</text>
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              <text>The Open Access Companion to the Canterbury Tales.</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>mea; 1/10/2021</text>
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                <text>The "General Prologue": Cultural Crossings, Collaborations, and Conflicts.</text>
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                <text>Explores the "conflict and friction" of GP as a stand-alone tale, also reading it forward to the following tales and backward from them. Designed for pedagogical use, includes several questions for discussion.</text>
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              <text>Bratcher, James T.</text>
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              <text>Notes and Queries 208 (1963): 444-45.</text>
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              <text>Notes and Queries 208 (1963)</text>
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              <text>Prioress and Her Tale&#13;
Language and Word Studies</text>
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              <text>mea; 11/1/20</text>
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                <text>The "Greyn" in the "Prioress's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Suggests that the "greyn" placed on the clergeon's tongue in PrT 7.662 is, ironically, a "breath sweetener," one of several satiric details observed in the Tale.</text>
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              <text>Ragan, James F.</text>
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              <text>Modern Language Notes 68, no. 8 (1953): 534-35.</text>
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              <text>Modern Language Notes 68 (1953)</text>
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              <text>Truth&#13;
Language and Word Studies&#13;
Style and Versification</text>
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              <text>mea; 8/24/2026</text>
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                <text>The "Hevenlich Mede" in Chaucer’s "Truth."</text>
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                <text>Glosses "hevenlich mede" in Truth (line 27) as "heavenly meadow" rather than "heavenly reward," adducing phonology and puns elsewhere in the poem.</text>
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              <text>Haller, Robert S.</text>
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              <text>Chaucer Review 1.2 (1966): 67-84.</text>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Explores the epic elements of KnT and its sources, arguing that in placing love at the thematic center of his poem (replacing traditional political concerns), Chaucer was "attempting to make something entirely new" out of his material. By emphasizing the importance and parallels of love and lordship, Chaucer draws attention to "the private as well as public qualities of the noble hero" and the need for internal as well as external order.</text>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The "Knight's Tale" as an Impetus for Pilgrimage.</text>
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                <text>Argues that the KnT is "especially suitable for the beginning of the pilgrimage" in CT because it "presents the continual subversion of noble efforts to bring order out of disorder" and because, in comparison with its sources," it poses a "pagan outlook" rather than Christian consolation.</text>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The "Knight's Tale" as History.</text>
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                <text>Describes the "basic historical method" of KnT as consistent with the "contemporary aristocratic chronicle," showing how Chaucer uses Statius's "Thebaid" to archaize the plot drawn from Boccaccio's "Teseida" and create a world "believable" for his audience. Especially in Theseus's First Mover speech the poem "prefigures" Christianity in its ideal of chivalry.</text>
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              <text>Studies in Philology 57 (1960): 463-78.</text>
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              <text>Studies in Philology 57 (1960)</text>
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Friar and His Tale&#13;
Summoner and His Tale</text>
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              <text>mea; 3/31/22</text>
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        <element elementId="114">
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            <elementText elementTextId="2838789">
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                <text>The "Limitour" of Chaucer's Time and His "Limitacioun."</text>
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            <description>An account of the resource</description>
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                <text>Defines and illustrates the meanings of "limitour" and "limitacioun" as applied to friars in the late Middle Ages, clarifying licensing, territorial jurisdiction, and the authority to beg, preach, and hear confessions. Focuses on documents of the general chapter meetings of the mendicant orders, the papal decree "Super Cathedram," and English episcopal records, but also comments on Chaucer's Friar and his SumT.</text>
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        <element elementId="98">
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              <text>Review of English Studies 16, no. 63 (1965): 233-44.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>The "Litera Troili" and English Letters.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Considers Chaucer's modifications in Troilus's letter (TC 5.1317-1421) of Boccaccio's original in "Filostrato" and of Beauvau's French translation in "Roman de Troyle et de Criseida," arguing that the changes reflect late-medieval English letter-writing practices, themselves influenced by French linguistic and epistolary models. In turn, "Chaucer's work may have encouraged the tradition of the verse epistle in the fifteenth century."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Hazelton, Richard.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Journal of English and Germanic Philology 62 (1963): 1-31</text>
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            <elementText elementTextId="2831084">
              <text>Journal of English and Germanic Philology 62 (1963)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2831085">
              <text>Manciple and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification&#13;
</text>
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        <element elementId="114">
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            <elementText elementTextId="2831087">
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2831080">
                <text>The "Manciple's Tale": Parody and Critique.</text>
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            <description>An account of the resource</description>
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                <text>Assesses ManT in light of its sources and analogues to reveal a "tissue of comic devices--of controlled incongruities, of hyperbole, of antiphrasis, of equivocations, allusions, and purposeful distortions" that "produce a parodic version of the romanticized moral fable" such as those found in the "Ovide Moralisé" and Guillaume de Machaut's "Voir Dit." In particular Chaucer targeted John Gower's tale of Phebus and the crow in the "Confessio Amantis."</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Brown, Emerson</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2815487">
              <text>Chaucer Review 2.4 (1968): 273-77.</text>
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        <element elementId="100">
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              <text>Chaucer Review 02 (1968)</text>
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        <element elementId="102">
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          <elementTextContainer>
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              <text>Merchant and His Tale</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2815491">
              <text>1968</text>
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          <element elementId="50">
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                <text>The "Merchant's Tale": Why Is May Called Mayus?</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Asks why Chaucer uses a "Latin masculine name of the month to refer to his very feminine heroine" in MerT, answering that it contributes to the theme of healing in the Tale, much as does Damyan's association with St. Damian, patron saint of healing.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834764">
              <text>Mediaeval Studies 24 (1962): 83-94.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834765">
              <text>Mediaeval Studies 24 (1962)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2834766">
              <text>Miller and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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        <element elementId="114">
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            <elementText elementTextId="2834768">
              <text>1962</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2834761">
                <text>The "Miller's Tale": An Interpretation,</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2834762">
                <text>Argues that the "organization and success" of MilT depends upon the "dramatic irony" of tensions between its courtly and common, sacred and profane, and realistic and fantastic elements, exploring such tensions in the signifying names of the characters, triplet patterning of the male protagonists and "three principal sins," and several scriptural allusions.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Chaucer Review 1.3 (1967): 167-80.</text>
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              <text>Monk and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Nun's Priest and His Tale</text>
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                <text>The "Monk's Tale": A Generous View.</text>
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            <description>An account of the resource</description>
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                <text>Explores MkT as a revelation of its narrator, positing a structural arrangement among the individual tragedies and their various depictions of Fortune and interpreting this arrangement as a reflection of the Monk's character and psychology: he modifies traditional accounts and "suppresses evidence of [the] culpability" of his protagonists, indicating his own presumption and "bad conscience." Identifies echoes between MkT and NPT.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>[8 pp.]</text>
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              <text>The Open Access Companion to the Canterbury Tales. </text>
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            <name>Title</name>
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                <text>The "Monk's Tale": Disability/Ability.</text>
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            <description>An account of the resource</description>
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                <text>Describes how GP reflects "Chaucer's fascination" with social diversity and "bodily variety," and reads MkT as a "verse anthology of disability narratives," using various approaches drawn from disability studies to examine several of the Monk's accounts, those of Antiochus and Zenobia most extensively. Designed for pedagogical use, includes several questions for discussion.</text>
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          <elementTextContainer>
            <elementText elementTextId="2855612">
              <text>Donovan, Mortimer J.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>JEGP: Journal of English and Germanic Philology 52 (1953): 498–508.</text>
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              <text>Nun's Priest and His Tale&#13;
Monk and His Tale&#13;
Sources, Analogues, and LIterary Relations</text>
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                <text>The "Moralite" of the Nun’s Priest’s Sermon.</text>
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            <description>An account of the resource</description>
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                <text>In light of patristic and iconographical traditions of scriptural commentary, bestiaries, and sermons, reads the rooster "Chauntecleer as any holy man" and the fox "Daun Russell as heretic and devil." Argues that NPT is a "sermon on alertness to moral obligation" and a response to the Monk's view of irrevocable fortune.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Mueller, Alex.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>[10 pp.]</text>
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              <text>The Open Access Companion to the Canterbury Tales.</text>
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              <text>Nun's Priest and His Tale&#13;
Style and Versification</text>
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              <text>mea; 1/10/2021</text>
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                <text>The "Nun's Priest's Tale": Entertainment versus Education.</text>
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                <text>Explores the tension between "solaas" and "sentence" in three features of NPT (its representations of humans and non-humans, its reference to the Uprising of 1381, and its gender politics), investigating the importance of the rhetoric of the Tale in interpreting the relative seriousness of these concerns. Includes several classroom projects and questions for discussion.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <elementTextContainer>
            <elementText elementTextId="2819034">
              <text>Garbaty, Thomas Jay.</text>
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        <element elementId="98">
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            <elementText elementTextId="2819035">
              <text>Philological Quarterly 46 (1967): 457-70.</text>
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            <elementText elementTextId="2819036">
              <text>Philological Quarterly 46 (1967)</text>
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            <elementText elementTextId="2819037">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 4/8/2018</text>
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            <elementText elementTextId="2819039">
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            <description>A name given to the resource</description>
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                <text>The "Pamphilus" Tradition in Ruiz and Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2819033">
                <text>Explores parallels of plot and detail found in "Pamphilus de Amore" (or "Pamphilus and Galatee"), "aspects" of the "Roman de la Rose," "parts" of Juan Ruiz's "Libro de Buen Amor," and the first three books of TC, demonstrating that the "'Pamphilus' group" should be included among the "specific sources" of Chaucer's poem.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <elementText elementTextId="2832505">
              <text>Tagaya, Yuko.</text>
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            <elementText elementTextId="2832506">
              <text>In Yuko Tagaya, ed. Chaucer, Arthur, and Medieval Roman III (Koshigaya: Hon-no-Shiro, 2018), pp. 127-75.</text>
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        <element elementId="108">
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            <elementText elementTextId="2832507">
              <text>Chaucer, Arthur, and Medieval Roman III.</text>
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            <elementText elementTextId="2832508">
              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:162</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2832510">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832503">
                <text>The "Pardoner's Tale" in Chaucer's "Canterbury Tales": An Examination of Its Analogues in Japan.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832504">
                <text>Introduces Japanese analogues of PardT dating from the seventeenth or eighteenth century, and compares them with their Chinese and Indian ancestors, in order both to hypothesize the genealogies and to trace the change of motifs through transmission. In Japanese.</text>
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  <item itemId="275240" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>Murchison, Krista A.</text>
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        <element elementId="98">
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            <elementText elementTextId="2833923">
              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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            <elementText elementTextId="2833925">
              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. [9 pp.].</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Parson and His Tale</text>
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                <text>The "Parson's Tale": Religious Devotion and Spiritual Feeling.</text>
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                <text>Investigates the extent to which ParsT as a manual of confession can be seen to encourage the process of "individualization" theorized by Michel Foucault and to subvert the "immense control that the Church had over medieval lives" and aligning with Lollard thinking. Designed for pedagogical use, includes several questions for discussion.</text>
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              <text>Vantuono, William, ed. and trans.</text>
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        <element elementId="98">
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              <text>Lanham, Md.: University Press of America, 1987.</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2709823">
              <text>1987</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 11 (122)</text>
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              <elementText elementTextId="2709820">
                <text>The "Pearl" Poem in Middle and Modern English</text>
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                <text>A new verse translation of "Pearl" with original Middle English text and modern English version on facing pages.  Contains a brief preface and longer introduction, which discusses current scholarship and criticism.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Vantuono, William, ed.</text>
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              <text>New York and London: Garland, 1984.</text>
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            <elementText elementTextId="2709831">
              <text>1984</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2709833">
              <text>Background and General Criticism.</text>
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          <name>Series</name>
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              <text>Renaissance Imagination, no. 5.</text>
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              <text>jules SAC 11 (123)</text>
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                <text>The "Pearl" Poems: An Omnibus Edition. Vol. 1. "Pearl" and "Cleanness"</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2709832">
                <text>Provides "definitive texts and exhaustive variorum commentary" with facing-page translations, introduction, and appendices.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2820388">
              <text>Dean, Christopher.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2820389">
              <text>Notes and Queries 211 (1966): 90-92.</text>
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              <text>Notes and Queries 211 (1966)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Knight and His Tale&#13;
Language and Word Studies</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2820392">
              <text>mea; 10/21/2018</text>
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          <name>Date</name>
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            <elementText elementTextId="2820393">
              <text>1966</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The "Place" in "The Knight's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820387">
                <text>Assesses the five uses of "place" as a locational noun in the description of the tournament in KnT, arguing that it has a "precise technical meaning," i.e., the "grassy ground of the arena within the lists." This meaning is also found in Middle English descriptions of theatrical performance.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Murton, Megan.</text>
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        <element elementId="98">
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              <text>Chaucer Review 52.3 (2017): 318-40.</text>
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              <text>Chaucer Review 52 (2017)</text>
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          <name>Chaucer Subject</name>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:245</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829322">
              <text>2017</text>
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              <elementText elementTextId="2830016">
                <text>The "Prioress's Prologue": Dante, Liturgy, and Ineffability.</text>
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            <description>An account of the resource</description>
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                <text>Argues that the use of Dante's "Paradiso" 53 in the initial presentation of faith in PrT reflects Chaucer's sophisticated engagement with the ways humans try to articulate transcendent truth.</text>
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              <text>Steadman, John M.</text>
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              <text>Mediaeval Studies 24 (1962): 388-91.</text>
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              <text>Mediaeval Studies 24 (1962)</text>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 5/17/2021</text>
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          <name>Date</name>
          <description/>
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            <elementText elementTextId="2834866">
              <text>1962</text>
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                <text>The "Prioress's Tale" and "Granella" of "Paradiso."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2834860">
                <text>Assesses parallels between the "greyn" of PrT 7.662 and the three grains of legend that Seth laid upon the tongue of Adam when the latter was buried; suggests that the ambiguities of Chaucer's presentation indicate his artistic purpose.</text>
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